The Inheritors - Part 4
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Part 4

You will remember that, in those days, Gurnard was only the dark horse of the ministry. I knew little enough of these things, despised politics generally; they simply didn't interest me. Gurnard I disliked platonically; perhaps because his face was a little enigmatic--a little repulsive. The country, then, was in the position of having no Opposition and a Cabinet with two distinct strains in it--the Churchill and the Gurnard--and Gurnard was the dark horse.

"Oh, you should join your flats," I said, pleasantly. "If he's the coming man, where do you come in?... Unless he, too, is a Dimensionist."

"Oh, both--both," she answered. I admired the tranquillity with which she converted my points into her own. And I was very happy--it struck me as a pleasant sort of fooling....

"I suppose you will let me know some day who you are?" I said.

"I have told you several times," she answered.

"Oh, you won't frighten me to-day," I a.s.serted, "not here, you know, and anyhow, why should you want to?"

"I have told you," she said again.

"You've told me you were my sister," I said; "but my sister died years and years ago. Still, if it suits you, if you want to be somebody's sister ..."

"It suits me," she answered--"I want to be placed, you see."

I knew that my name was good enough to place anyone. We had been the Grangers of Etchingham since--oh, since the flood. And if the girl wanted to be my sister and a Granger, why the devil shouldn't she, so long as she would let me continue on this footing? I hadn't talked to a woman--not to a well set-up one--for ages and ages. It was as if I had come back from one of the places to which younger sons exile themselves, and for all I knew it might be the correct thing for girls to elect brothers nowadays in one set or another.

"Oh, tell me some more," I said, "one likes to know about one's sister.

You and the Right Honourable Charles Gurnard are Dimensionists, and who are the others of your set?"

"There is only one," she answered. And would you believe it!--it seems he was Fox, the editor of my new paper.

"You select your characters with charming indiscriminateness," I said.

"Fox is only a sort of toad, you know--he won't get far."

"Oh, he'll go far," she answered, "but he won't get there. Fox is fighting against us."

"Oh, so you don't dwell in amity?" I said. "You fight for your own hands."

"We fight for our own hands," she answered, "I shall throw Gurnard over when he's pulled the chestnuts out of the fire."

I was beginning to get a little tired of this. You see, for me, the scene was a veiled flirtation and I wanted to get on. But I had to listen to her fantastic scheme of things. It was really a duel between Fox, the Journal-founder, and Gurnard, the Chancellor of the Exchequer.

Fox, with Churchill, the Foreign Minister, and his supporters, for pieces, played what he called "the Old Morality business" against Gurnard, who pa.s.sed for a cynically immoral politician.

I grew more impatient. I wanted to get out of this stage into something more personal. I thought she invented this sort of stuff to keep me from getting at her errand at Callan's. But I didn't want to know her errand; I wanted to make love to her. As for Fox and Gurnard and Churchill, the Foreign Minister, who really was a sympathetic character and did stand for political probity, she might be uttering allegorical truths, but I was not interested in them. I wanted to start some topic that would lead away from this Dimensionist farce.

"My dear sister," I began.... Callan always moved about like a confounded eavesdropper, wore carpet slippers, and stepped round the corners of screens. I expect he got copy like that.

"So, she's your sister?" he said suddenly, from behind me. "Strange that you shouldn't recognise the handwriting...."

"Oh, we don't correspond," I said light-heartedly, "we are _so_ different." I wanted to take a rise out of the creeping animal that he was. He confronted her blandly.

"You must be the little girl that I remember," he said. He had known my parents ages ago. That, indeed, was how I came to know him; I wouldn't have chosen him for a friend. "I thought Granger said you were dead ...

but one gets confused...."

"Oh, we see very little of each other," she answered. "Arthur might have said I was dead--he's capable of anything, you know." She spoke with an a.s.sumption of sisterly indifference that was absolutely striking. I began to think she must be an actress of genius, she did it so well. She _was_ the sister who had remained within the pale; I, the rapscallion of a brother whose vagaries were trying to his relations.

That was the note she struck, and she maintained it. I didn't know what the deuce she was driving at, and I didn't care. These scenes with a touch of madness appealed to me. I was going to live, and here, apparently, was a woman ready to my hand. Besides, she was making a fool of Callan, and that pleased me. His patronising manners had irritated me.

I a.s.sisted rather silently. They began to talk of mutual acquaintances--as one talks. They both seemed to know everyone in this world. She gave herself the airs of being quite in the inner ring; alleged familiarity with quite impossible persons, with my portentous aunt, with Cabinet Ministers--that sort of people. They talked about them--she, as if she lived among them; he, as if he tried very hard to live up to them.

She affected reverence for his person, plied him with compliments that he swallowed raw--horribly raw. It made me shudder a little; it was tragic to see the little great man confronted with that woman. It shocked me to think that, really, I must appear much like him--must have looked like that yesterday. He was a little uneasy, I thought, made little confidences as if in spite of himself; little confidences about the _Hour_, the new paper for which I was engaged. It seemed to be run by a small gang with quite a number of a.s.sorted axes to grind. There was some foreign financier--a person of position whom she knew (a n.o.ble man in the _best_ sense, Callan said); there was some politician (she knew him too, and he was equally excellent, so Callan said), Mr. Churchill himself, an artist or so, an actor or so--and Callan. They all wanted a little backing, so it seemed. Callan, of course, put it in another way.

The Great--Moral--Purpose turned up, I don't know why. He could not think he was taking me in and she obviously knew more about the people concerned than he did. But there it was, looming large, and quite as farcical as all the rest of it. The foreign financier--they called him the Duc de Mersch--was by way of being a philanthropist on megalomaniac lines. For some international reason he had been allowed to possess himself of the pleasant land of Greenland. There was gold in it and train-oil in it and other things that paid--but the Duc de Mersch was not thinking of that. He was first and foremost a State Founder, or at least he was that after being t.i.tular ruler of some little spot of a Teutonic grand-duchy. No one of the great powers would let any other of the great powers possess the country, so it had been handed over to the Duc de Mersch, who had at heart, said Cal, the glorious vision of founding a model state--_the_ model state, in which washed and broadclothed Esquimaux would live, side by side, regenerated lives, enfranchised equals of choicely selected younger sons of whatever occidental race. It was that sort of thing. I was even a little overpowered, in spite of the fact that Callan was its trumpeter; there was something fine about the conception and Churchill's acquiescence seemed to guarantee an honesty in its execution.

The Duc de Mersch wanted money, and he wanted to run a railway across Greenland. His idea was that the British public should supply the money and the British Government back the railway, as they did in the case of a less philanthropic Suez Ca.n.a.l. In return he offered an eligible harbour and a strip of coast at one end of the line; the British public was to be repaid in casks of train-oil and gold and with the consciousness of having aided in letting the light in upon a dark spot of the earth. So the Duc de Mersch started the _Hour_. The _Hour_ was to extol the Duc de Mersch's moral purpose; to pat the Government's back; influence public opinion; and generally advance the cause of the System for the Regeneration of the Arctic Regions.

I tell the story rather flippantly, because I heard it from Callan, and because it was impossible to take him seriously. Besides, I was not very much interested in the thing itself. But it did interest me to see how deftly she pumped him--squeezed him dry.

I was even a little alarmed for poor old Cal. After all, the man had done me a service; had got me a job. As for her, she struck me as a potentially dangerous person. One couldn't tell, she might be some adventuress, or if not that, a speculator who would damage Cal's little schemes. I put it to her plainly afterward; and quarrelled with her as well as I could. I drove her down to the station. Callan must have been distinctly impressed or he would never have had out his trap for her.

"You know," I said to her, "I won't have you play tricks with Callan--not while you're using my name. It's very much at your service as far as I'm concerned--but, confound it, if you're going to injure him I shall have to show you up--to tell him."

"You couldn't, you know," she said, perfectly calmly, "you've let yourself in for it. He wouldn't feel pleased with you for letting it go as far as it has. You'd lose your job, and you're going to live, you know--you're going to live...."

I was taken aback by this veiled threat in the midst of the pleasantry.

It wasn't fair play--not at all fair play. I recovered some of my old alarm, remembered that she really was a dangerous person; that ...

"But I sha'n't hurt Callan," she said, suddenly, "you may make your mind easy."

"You really won't?" I asked.

"Really not," she answered. It relieved me to believe her. I did not want to quarrel with her. You see, she fascinated me, she seemed to act as a stimulant, to set me tingling somehow--and to baffle me.... And there was truth in what she said. I had let myself in for it, and I didn't want to lose Callan's job by telling him I had made a fool of him.

"I don't care about anything else," I said. She smiled.

CHAPTER FOUR

I went up to town bearing the Callan article, and a letter of warm commendation from Callan to Fox. I had been very docile; had accepted emendations; had lavished praise, had been unctuous and yet had contrived to retain the dignified savour of the editorial "we." Callan himself asked no more.

I was directed to seek Fox out--to find him immediately. The matter was growing urgent. Fox was not at the office--the brand new office that I afterward saw pa.s.s through the succeeding stages of business-like comfort and dusty neglect. I was directed to ask for him at the stage door of the Buckingham.

I waited in the doorkeeper's gla.s.s box at the Buckingham. I was eyed by the suspicious commissionaire with the contempt reserved for resting actors. Resting actors are hungry suppliants as a rule. Call-boys sought Mr. Fox. "Anybody seen Mr. Fox? He's gone to lunch."

"Mr. Fox is out," said the commissionaire.

I explained that the matter was urgent. More call-boys disappeared through the folding doors. Unenticing personages pa.s.sed the gla.s.s box, casting hostile glances askance at me on my high stool. A message came back.

"If it's Mr. Etchingham Granger, he's to follow Mr. Fox to Mrs. Hartly's at once."

I followed Mr. Fox to Mrs. Hartly's--to a little flat in a neighbourhood that I need not specify. The eminent journalist was lunching with the eminent actress. A husband was in attendance--a nonent.i.ty with a heavy yellow moustache, who hummed and hawed over his watch.

Mr. Fox was full-faced, with a persuasive, peremptory manner. Mrs.

Hartly was--well, she was just Mrs. Hartly. You remember how we all fell in love with her figure and her manner, and her voice, and the way she used her hands. She broke her bread with those very hands; spoke to her husband with that very voice, and rose from table with that same graceful management of her limp skirts. She made eyes at me; at her husband; at little Fox, at the man who handed the asparagus--great round grey eyes. She was just the same. The curtain never fell on that eternal dress rehearsal. I don't wonder the husband was forever looking at his watch.