=MOZART=: a Commemorative Address read before the Positivist Society. By V. LUSHINGTON. 8vo, 2s. _net_.

Mozart and Religion.

=MOZART AND THE SONATA FORM=: A Companion Book to any Volume of the Sonatas for Piano, including an a.n.a.lysis of the Form of each Movement, with Notes upon Treatment and Tonality, by J. R. TOBIN, Mus.B. Crown 8vo, cloth, 10s. _net_.

=THE SONATA=: Its Form and Meaning, as Exemplified in the Piano Sonatas by Mozart. A Descriptive a.n.a.lysis, with Musical Examples. By F. H.

MARKS. Sq. 8vo, well printed on good paper, cloth, 15s. _net_; paper, 10s. 6d. _net_; or in two volumes (Nos. 1 to 9 and 10 to 20), paper, each 6s. _net_.

=QUESTIONS ON MOZART'S SONATAS=, both Educational and Suggestive. By F.

HELENA MARKS. Aid and Companion to the Study of the Author's work, "The Sonata: Its Form and Meaning as Exemplified in the Piano Sonatas by Mozart." For Teachers and Students. 2s. 6d. _net_.

=PURCELL.= By WILLIAM H. c.u.mMINGS, _Mus. Doc._ Crown 8vo, cloth, 6s.

_net_.

=RACHMANINOFF.= An Exhilarating Biographical Study of this Genius of the Keyboard. By WATSON LYLE. With Critical Survey of his Works as recorded on Gramophone Records, also his Playing of other Composers' Works.

Preface by LEFF POUISHNOFF. Two Portraits and List of Works. Crown 8vo, cloth, 15s. _net_.

=FRANZ SCHUBERT=, Man and Composer. A Vivid Story of a Charming Personality. By C. WHITAKER-WILSON. With Original Translations into English of eight Well-known Schubert Songs, together with the Music for the Voice. Portraits and Ill.u.s.trations of Schubert and his Friends.

Handsome volume, thick crown 8vo, cloth gilt, 15s. _net_.

Schubert--the most poetical musician that ever was.--LISZT.

Schubert--the man with the Divine Spark.--BEETHOVEN.

=HENRY SMART'S ORGAN COMPOSITIONS a.n.a.lYSED.= By J. BROADHOUSE. Crown 8vo, cloth, 5s. _net_.

=TEMPLETON AND MALIBRAN.= Reminiscences of these Renowned Singers, with Original Letters and Anecdotes. Three Authentic Portraits by MAYALL.

8vo, cloth, 10s. _net_.

=WAGNER'S TEACHINGS BY a.n.a.lOGY.= His Views on Absolute Music and of the Relations of Articulate and Tonal Speech, with Special Reference to "Opera and Drama." A Series of Papers for the Student. By EDWIN EVANS, Senior, F.R.C.O. Crown 8vo, cloth, 6s. _net_; paper, 3s. 6d. _net_.

The above forms an introduction to Wagner's Prose Writings.

=WAGNER'S "PARSIFAL."= And the Bayreuth Fest-Spielhaus. By N. KILBURN.

Paper, 1s. _net_.

=WAGNER SKETCHES=, 1849. A Historical Retrospect in vindication of Wagner. By WILLIAM ASHTON ELLIS. Cloth, 3s. 6d. _net_ (paper 2s. _net_).

=OPERA AND DRAMA.= By RICHARD WAGNER. Translated by EDWIN EVANS, Senior, F.R.C.O. Vol. I: Part I. Opera and the Essence of Music. Part II. The Stage-Play and Dramatical Poetic Art in the Abstract. Vol. II: Part III.

Poetry and Music in the Drama of the Future. The Three Parts in 2 vols.

Portrait. Crown 8vo, cloth, 30s. _net_.

The value of the study of Wagner's prose writing as an education to the musical student cannot be over-estimated, and amongst these prose writings "Opera and Drama" may be considered his princ.i.p.al critical and theoretical production. Without a study of its contents no true and lasting understanding of opera can be arrived at.

Wagner writing to his friend Uhlig said:

_"Here you have my testament; I may as well die now--anything further that I could do seems to me a useless piece of luxury."_

ERNEST NEWMAN in "A Study of Wagner," writes: "Although there appears here and there in his prose-work something of the vast synthetic power of his musical imagination--such a work as 'Opera and Drama,' for instance, finally compelling our admiration for its tenacity of purpose and the breadth of vision that sweeps so far before and after."

=WAGNER'S PROSE WORKS.= Translated by WM. ASHTON ELLIS. Vol. I, The Art-Work of the Future, etc., 21s. _net_; Vol. II, Opera and Drama, 25s.

_net_; Vol. III, The Theatre, 21s. _net_; Vol. IV, Art and Politics, 21s. _net_; Vol. V., Actors and Singers, _out of print_; Vol. VI, Religion and Art, _out of print_; Vol. VII, In Paris and Dresden, 25s.

_net_; Vol. VIII, Posthumous, etc., 25s. _net_. Complete sets are occasionally available. Apply to the publishers of this list for particulars.

=DIARY OF A PILGRIM IN THE NETHERLANDS.= The Holy Grail in Bruges and Other Impressions of Travel. Bruges, Courtrai, Tournai, Amsterdam, the Hague, Antwerp. By ROSE KOENIG. Crown 8vo, cloth, 3s. 6d. _net_ (paper covers, 2s. _net_).

=HOW TO UNDERSTAND WAGNER'S "RING OF THE NIBELUNG."= Being the Story and a Descriptive a.n.a.lysis of the "Rheingold," the "Valkyr," "Siegfried" and the "Dusk of the G.o.ds." With Musical Examples of the Leading Motives of each Drama. By GUSTAVE KOBBE. Together with a Sketch of Wagner's Life.

By N. KILBURN, Mus.Bac. Cantab. Seventh Edition, with Additions, a Portrait and Facsimile. Post 8vo, cloth, 7s. 6d. _net_.

"Description and a.n.a.lysis go hand in hand with the narration of the story. Musical examples are given as aids to the identification of the leading motives and an index makes it easy for any reader to turn up any particular motive instantly."--_Yorkshire Observer._

=MY RECOLLECTIONS OF RICHARD WAGNER.= By AUGUST LESIMPLE. Post 8vo, cloth, 3s. 6d. _net_ (paper covers, 2s. _net_).

=WAGNER.= A Sketch of his Life and Works. By N. KILBURN, Mus.Bac.

Cantab. Paper, 1s. _net_.

=ON CONDUCTING.= By RICHARD WAGNER. Translated by EDWARD DANNREUTHER.

Fourth Edition. Crown 8vo, cloth, 7s. 6d. _net_.

"One of the finest of his minor publications, and to the professional musician, perhaps the most instructive, giving his views as to the true way of rendering cla.s.sical music, with numerous directions how to do it, and how not to do it, together with many examples in musical type from the instrumental works of Beethoven, Weber, Mozart, etc."--_Grove's Dictionary._

=WAGNER.= "Ring of the Nibelungen." Being the Story concisely told of "Das Rheingold," "Die Walkure," "Siegfried" and "Gotterdammerung." By N.

KILBURN, Mus.Bac. Cantab. Crown 8vo, paper, 2s. _net_.

=THREE IMPRESSIONS OF BAYREUTH.= The 1908 and Previous Wagner Festivals.

By ROSE KOENIG. With Two Facsimile Programmes. Crown 8vo, cloth, 3s. 6d.

_net_ (paper, 2s. _net_).

=LIFE OF WEBER.= With List of his Compositions. By SIR J. BENEDICT.

Crown 8vo, cloth, 6s. _net_.

=BERLIOZ AND THE ROMANTIC CENTURY.= By J. BARZUN. Two volumes. 18 ill.u.s.trations. Demy 8vo, cloth, 42s. _net_.

This monumental work, on which Professor Barzun has been engaged for twenty years, is the first comprehensive book on Berlioz in the English language.

HISTORY OF MUSIC, AND OF MUSICAL INSTRUMENTS.

=STRINGED INSTRUMENTS OF THE MIDDLE AGES.= Their Evolution and Development. By HORTENSE PANUM. English edition, revised and edited by JEFFREY PULVER. A detailed and comprehensive history, with ill.u.s.trations, of the evolution of the mediaeval stringed musical instruments from their first appearance in the records of the earliest civilisations, through their gradual development in the Greek, Roman and Christian eras down to more recent times. 400 ill.u.s.trations, 8vo, cloth, pp. ix, 511, 35s.

Many years of travel and research were necessary to make the production of this work possible. The author, in addition, has most painstakingly searched mediaeval literature and the records of contemporary art for references to and descriptions of the instruments dealt with, and it is believed that the account here given of them is as complete as it is possible to make it.

The book is most generously ill.u.s.trated and carefully indexed by the editor. No pains have been spared to secure drawings or photographs of practically every type mentioned.

=TRIBAL MUSIC AND DANCING IN THE SOUTHERN SUDAN=, at Social and Ceremonial Gatherings. A descriptive account of the music, rhythm, etc., from personal observation. By DR. A. N. TUCKER. 5 ill.u.s.trations, 61 music examples ill.u.s.trating the dances, songs and rhythm. 57 pages, demy 8vo, 10s. 6d. _net_ (or paper, 6s. 6d. _net_).

=HISTORY OF THE TRUMPET= of Bach and Handel. A New Point of View and New Instruments. Forming a History of the Trumpet and its Music, from its earliest use as an artistic instrument to the middle of the 18th century. Special reference given to its employment by Bach and Handel, and the correct modern performance of old parts; including a description of the new instrument invented by the author for this purpose. By WERNER MENKE. Englished by GERALD ABRAHAM. With 5 plates and music supplement.