"Oh, look, Torchy!" Vee would exclaim about twice a minute when she discovered something new.

You know, we'd been in the house only once before, and then we'd looked around just casual. And if you want to find out how little you really see when you think you're lookin', you want to make a deal like that once--buy a joint just as it stands, and then, a few days after, camp down in it and tot up what you've really got. Why, say, you'd 'most thought we'd been blindfolded that first time.

Course, this was different. Now we was takin' stock, you might say, of the things we was goin' to live with. And, believe me, I never had any idea I'd ever own such a collection, or so big a slice of the U. S. A.

"Only think, Torchy," says Vee, after we've made the rounds inside. "Ten rooms, just for us!"

"Twelve, countin' the cellar and attic," says I. "But there's more outside, ain't there?"

Yep, there was. There was an old stable that had been turned into a garage, with a couple of rooms finished off upstairs. Then there was a carriage shed, with more rooms over that, also a chicken house beyond.

And stowed away in odd corners was all kinds of junk that might be more or less useful to have: a couple of lawn-mowers, an old sleigh hoisted up on the rafters of the carriage house, a weird old buggy, a plow, a grindstone, a collection of old chairs and sofas that had seen better days, a birch-bark canoe--things like that.

Then there was our lily pond. We had to walk all round that, poke in with a pole to see how deep it might be, and wonder if there was any fish in it. On beyond was some trees--apple and pear and cherry, accordin' to Vee, and 'way at the back a tall cedar hedge.

"Why, it's almost an estate," says Vee. "Nearly five acres, you know.

How does it seem, Torchy, to think that all this is ours?"

"How?" says I. "Why, I feel like I was the Grand Gazinkus of Gazook."

But, at that, my feelin's wa'n't a marker to the emotions Professor Leon Battou, our artist-chef, manages to work up. He's so tickled at gettin'

back to the country and away from the city, where him and Madame Battou come so near starvin' on the street, that he goes skippin' around like a sunshine kid, pattin' the trees, droppin' down on his hands and knees in the gra.s.s to dig up dandelions, and keepin' up a steady stream of explosive French and rapid-fire English.

"Ah, but it is all so good!" says he. "_Le bleu ciel, les fleurs, les oiseaux! C'est bonne, tres bonne. Ne c'est pas?_"

"I expect it is, Leon," says I. "Although I might not state it just that way myself. Picked out a spot yet for your garden?"

Foolish question! That was his first move, after taking a glance at the particular brand of cook-stove he'd got to wrestle with. Just to the left of the kitchen wing is a little plot shut in by privet bushes and a trellis, which is where he says the _fine herbes_ are meant to grow. He tows us around there and exhibits it chesty. Mostly it's full of last year's weeds; but he explains how he will soon have it in shape. And for the next week the only way we ever got any meals cooked was because Madame Battou used to go drag him in by the arm and make him quit diggin' long enough to hash up some of them tasty dishes for us.

If all amateur gardeners are apt to go so dippy over it, I hope I don't catch the disease. No danger, I guess. I made my stab at it about the third day, when Vee wanted some ground spaded up for a pansy bed. And say, in half an hour, there, I'd worked up enough palm blisters and backache to last me a month. It may seem sport to some people, but to me it has all the ear-marks of plain, hard work, such as you can indulge in reg'lar by carryin' a foldin' dinner-pail and lettin' yourself out to a padrone.

Leon, though, just couldn't seem to let it alone. He almost made a vice of it, to my mind. Why, say, he's out there at first crack of day, whenever that is; and in the evenin', as soon as he has served dinner, he sneaks out to put in a few more licks, and stays until it's so dark he can hardly find his way back.

You know all them window-boxes he had clutterin' up the studio apartment. Well, he insists on cratin' every last one of 'em and expressin' 'em along; and now he has all that alleged lettuce and parsley and carrots and so on set out in neat little rows; and when he ain't sprinklin' 'em with the hose or dosin' 'em with fertilizer, he's out there ticklin' 'em with a rake.

"Gee!" says I. "I thought all you had to do to a garden was just to chuck in the seeds and let 'em grow. But accordin' to your method it would be less trouble bringin' up a pair of twins."

"Ah-h-h-h!" says he. "But monsieur has not the pa.s.sion for growing green things."

"Thanks be, then," says I. "It would land me in the liniment ward if I had."

I must say, though, that Vee's 'most as bad with her flowers. Honest, when she shows me where she's planned to have this and that, and hints that I can get busy durin' my spare time with the spade, I almost wished we was back in town.

"What?" I gasps. "Want me to excavate all that? Hal-lup!"

"Pooh!" says Vee. "It will do you good."

Maybe she thought so. But I knew it wouldn't. So I chases up the hill to the Ellins place, and broke in on Mr. Robert just as he's finishin'

breakfast.

"Say," says I, "you ain't got a baby-grand steam-shovel or anything like that around the place, have you?"

He says he's sorry, but he ain't. When he hears what I'm up against, though, he comes to the rescue n.o.ble by lendin' me one of his expert Dago soil-disturbers, at $1.75 per--and with Vee bossin' him she got the whole job done in half a day. After that I begun to enjoy gardenin' a bit more. I'm gettin' to be a real shark at it, too. And ambitious! You ought to hear me.

"How about havin' a couple more lanes of string-beans laid out?" I suggests. "And maybe a few hundred mounds of green corn, eh?"

And then I can watch Joe start the enterprise with a plow and an old white horse, and I can go to the office feelin' that, no matter how much I seem to be soldierin', as a matter of fact I'm puttin' in a full day's work. When I get back in the afternoon, the first thing I want to see is how much I've got done.

Not that I'm able to duck all kinds of labor that way. Believe me, a country place is no loafin' spot, especially when it's new, or you're new to it. Vee tends to that. Say, that girl can think up more odd forms of givin' me exercise than a bunch of football coaches--movin' bureaus, hangin' pictures, puttin' up curtain-rods, fixin' door-catches, and little things like that.

Up to a few weeks ago all I knew about saws and screw-drivers and so on was that they were shiny things displayed in the hardware store windows.

But if I keep on tacklin' all the odd jobs she sics me on to, I'll be able to qualify pretty soon as a boss carpenter, a master plumber, and an expert electrician.

Course, I gouge myself now and then. My knuckles look like I'd been mixin' in a food riot, and I've spoiled two perfectly good suits of clothes. But I can point with pride to at least three doors that I've coaxed into shuttin', I've solved the mystery of what happens to a window-weight when the sash-cord breaks, and I've rigged up two drop-lights without gettin' myself electrocuted or askin' any advice from Mr. Edison.

Which reminds me that what I can't seem to get used to about the country is the poor way it's lighted up at night. You know, our place is out a couple of miles from the village and the railroad station; and, while we got electric bulbs enough in the house, outside there ain't a lamp-post in sight. Dark! Say, after 8 P.M. you might as well be livin' in a sub-cellar with the sidewalk gratin' closed. Honest, the only glim we can see from our front porch is a flicker from the porte cochere at the Ellinses' up on the hill, and most of that is cut off by trees and lilac bushes.

Vee don't seem to mind, though. These mild evenin's recent, she's dragged me out after dinner for a spell and made me sit with her watchin' for the moon to come up. I do it, but it ain't anything I'm strong for. I can't see the percentage in starin' out at nothing at all but black s.p.a.ce and guessin' where the driveway is or what them dark streaks are. Then, there's so many weird sounds I can't account for.

"What's all that jinglin' going on?" I asks the other evenin'. "Sounds like a squad of junkmen comin' up the pike."

"Silly!" says Vee. "Frogs, of course."

"Oh!" says I.

Then I listens some more, until something else breaks loose. It's sort of a cross between the dyin' moan of a gyastacutus and the whine of a subway express roundin' a sharp curve.

"For the love of Pete," I breaks out, "what do you call that?"

Vee chuckles. "Didn't you see the calf up at Mr. Robert's?" she asks.

"Well, that's the old cow calling to him."

"If she feels as bad as that," says I, "I wish she'd wait until mornin'

to express herself. That's the most doleful sound I ever heard. Come on; let's go in while you tinkle out something lively and cheerin' on the piano."

I never thought I was one of the timid kind, either. Course, I'm no Carnegie hero, or anything like that; but I've always managed to get along in the city without developin' a case of nerves. Out here, though, it's different. Two or three evenin's now I've felt almost jumpy, just over nothing at all, it seems.

Maybe that's why I didn't show up any better, here the other night, when Vee rings in this silent alarm on me. I was certainly poundin' my ear industrious when gradually I gets the idea that someone is shakin' me by the shoulders. It's Vee.

"Torchy," she whispers husky. "Get up."

"Eh?" says I, pryin' my eyes open reluctant. "Get up? Wha-wha' for?"

"Oh, don't be stupid about it," says she. "I've been trying to rouse you for five minutes. Please get up and come to the window."

"Nothing doing," says I snugglin' into the pillow again. "I--I'm busy."

"But you must," says she. "Listen. I think someone is prowling around the house."