Whether intentional or not, Jane's twisted words sent a little breeze of laughter before the coming storm. For the rest of the afternoon Zura had little to say. Book in hand she sat in the windowseat overlooking the water, watching the snow-white sails skim the opal sea.

I made no further explanation of Mr. Chalmers or his call, thinking it best to await the arrival of his note.

It came just before night. The reading of it left Zura white. She looked at me stonily, "I suppose," she began, stiff with anger, "that you did this."

"I did," I answered, looking into her blazing eyes.

"And I suppose too," she continued with withering scorn, "that was why the gay cavalier kissed your hand. I saw him through the window. So touching! That's what you were plotting when I found you in the garden.

Page Hanaford was in it too; I saw it in his face. I hate him! I hate everything! Oh!" she cried, with a sudden outburst of pa.s.sion, "the lot of you are a pack of withered mummies. Not one of you know what it means to be homesick; how I'm aching for a good time! Yes, I was going with Pinkey to have a picnic on the island. Yes, I was going to slip off without telling you. How could you understand? What was the harm in my having a little pleasure? Do you think I intend to bend to the rules of this law-cursed country? No, I will not! I'll go where I please. I'll have my own friends!"

As gently as I could I forced her to go to her room and listen to what I had to say. I related what had pa.s.sed between Mr. Chalmers and me, of the fatal thing she was contemplating and how her grandfather had appealed to me for help. Never had I dreamed of such pa.s.sion, such grief in a young girl. She was like some wild thing, trying to beat its way to freedom through prison bars.

No word of mine, however tender, seemed to touch her. I began to feel useless, miserable, and a joy killer in general. I almost wished for the dull days of old; at least I knew how to deal with them. I could give points to the Minister of Education, talk volubly at Mothers' Meetings and translate Confucius from the original, but I was helpless before this girl in her conflict with conditions to which she could never yield and which she fought with all the fierceness of undisciplined strength.

I could think of no word to comfort her. I sought to divert her. "Zura, listen! Do you remember the hat I wore the first day I came to see you?

You do remember, for I saw you smiling at it. Well, I've worn it for eight years. Don't cry, Dearie; please don't; and I'll let you send to Yokohama and select me another one."

Sending to Yokohama for anything had always been an event to me. It was the only excitement I could think of. But Zura flung herself around at me. "Hang your old hat! What is a hat to a man, and he the only friend I have out here. I don't care if there was another girl! She can have him.

He was somebody to play with. It was something to do, a touch of home.

Oh! it's cruel! cruel!"

Though another ideal was gone to smash, I was almost ready to cry myself with relief that it was only a playmate Zura wanted in Pinkey and not a sweetheart. Even at that I was at my wit's ends again to know what to say next when the door opened. Jane had heard the commotion, and there she stood in her sleeping garments and cap, a kimono floating behind her. In one hand was her candle, in the other the only ornament she possessed--a stuffed parrot!

She came in and, as if talking to soothe a three-year-old child, she coaxed, "Zury, Zury, don't cry! Look what Jane has to show you. This is Willie. For a long time he was my only friend; then he died. I missed him terribly at first; but don't you cry about Mr. Pinkey. There are plenty more men in this world, just as there are plenty more parrots and as easy to get."

"Oh, I wish everybody had died!" the girl sobbed on, heedless of Jane's attempt at comfort. Suddenly, turning away from us, she stretched her arms to the starlit s.p.a.ce beyond the windows and cried, "I want my home!

I want my friends! I want life!"

Hours later the great golden moon rose from out the velvety shadows of the mountains. It looked in the window, found a sleeping girl, and kissed the heavy lashes still wet with pa.s.sionate tears. Veering still farther around to the balcony, it rested on two silent old women.

From the city there floated up to us the tinkling of the samisens in the tea-houses; the high, sweet voice of a dancing girl as she sang the story of an old, old love; the sad notes of the blind ma.s.seur as he sought for trade by the pathos of his bamboo flute; the night-taps from the far-away barracks. Off to the west we could see the fast-disappearing lights of a Pacific steamer.

Neither sounds nor sights seemed to touch Miss Gray nor ruffle her serenity. For a long time she had been looking steadily into s.p.a.ce, as if held by a mental vision of some spiritual glory.

"Jane," I asked at last, "what shall we do?"

Maybe it was the moon, but something had smoothed out every wrinkle in her face. She looked young and wise, as she leaned over and put her hand on mine. Here was a Jane I had never known before. In a voice low and sweet, she repeated the ancient hymn:

"G.o.d holds the key of all unknown And I am glad.

If other hands should hold the key, Or if He trusted it to me, I might be sad."

From that night my feeling of superiority to Jane diminished. Some of her strong sweetness, penetrating what seemed the crusty exterior of my heart, entered in to abide with me always.

IX

JANE HOPES; KISHIMOTO DESPAIRS

When Zura appeared the following morning no reference was made to the events of the night before. She was pale and coldly courteous. In her sharp brightness there was no hint of an olive branch being hid about her to be offered to me or presented to her grandfather when she returned to his house that day, as previously arranged.

Once only did the girl's manner soften, and then neither to Jane nor to me. Outside, from every glint of the sun on the new green of the pines to the joyous call of the white sea birds, was the glad message of spring, and spring in this lovely Island is no mere promise of things to come, but an everlasting fulfilment of the glorious promises made in the hour the great Artist dreamed it.

Zura looked through the window at the sea, gaily breaking its silvered crests against the gray old rocks and, just above, the great patches of rose-pink cherries streaking the blue haze of the mountains. As the girl took in the tender beauty of the scene some memory seemed to touch her. Her eyes filled, her lips trembled; but she quickly recovered herself and soon after made her adieus.

I walked with her to the gate and watched her go down the long flight of steps. Everything about her, from the poise of her head to the swing of her body, courted conflict and prophesied disaster. I felt as if I had s.n.a.t.c.hed a bag of candy from a hungry child.

A week later Kishimoto San came to make the call customary on occasions when any kindness had been done to him or his family. His grat.i.tude for my efforts to make some headway with Zura was very sincere. He supplemented his thanks by a large box of cake. The gift was decorated with a red string and a good-luck emblem and wrapped in a bright yellow cloth. From the atmosphere, all concerned needed not only good luck, but something the color of sunshine; one look into Kishimoto San's face a.s.sured me it was neither springtime nor rosetime in the path he was treading.

My visitor was a busy man of many affairs, and I a woman much occupied; but custom said that a ceremonial visit must be just so long, and Kishimoto would rather break his neck once a week than a rule of etiquette once a life-time.

So we fell to talking of a recent trip he had made to Yokohama. He said a great foreign fleet was visiting the port. The festivities and the gaieties were unending. He had been only a looker-on, but a deeply-interested observer.

He spoke of how his country had strained its every resource to give welcome to this fleet, making a neighborly call, though armed to the ship's last rail. He continued:

"The whole scene give me reminder of one very small boy who had grand record of good fight, also he has the great exhaustion of strength from last battle with tall giant. Small boy has poverty too, but he draw forth his many ancient toy for guest to play. Makes big debt of money to give him feast. He very much desire to keep face of big boy all covered with smiles."

Then from the way my visitor half shut his eyes and looked at me, I knew something more was coming.

"Americans are a great people, but disagree with their wonderfulness."

"You mean they are inconsistent?" I suggested.

Kishimoto San, being too much in earnest to search for the proper English, dropped into j.a.panese--

"Yes, the old proverb fits them, 'A physician breaking the rules of health.'"

"Why do you say that of my people?" I asked in a moment on the defensive.

"Because you literally strain your bodies to hold very high a moral standard for other nations, that you, yourselves fail to follow."

"What do you mean?"

He went on slowly:

"I was wondering if it is the custom in your country for ladies to smoke and drink liquor in public places?"

"Ladies!" I repeated amazed. "American women smoke and drink in public or other places! Certainly not," I declared emphatically. "Why do you hint at such a thing?"

Thirty years' absence from my country had glorified my ideal of its womanhood.

"Only this," said Kishimoto San, "several times while in Yokohama I had occasion to visit the Ocean Hotel. On the broad veranda facing the sea were seated numbers of great men and ladies together, many of them were smoking and I could not count the number of c.o.c.ktails they consumed."

"They were not American women," was my vigorous protest.

"Yes, madam, they were. First they were beautiful and sparkle with eyes and tongue. All men bow down to them same as we bow to our Empress. Then afterwards I examine register and clerk of hotel confirm my thought."