'Yes, and it's very possible that the woman may have more than one name.'

'Exactly. I wish I had thought of asking you to lend me the portrait of her which you possess. I might have enclosed it in my letter to Dr.

Matthews.'

'So you might; that never occurred to me. We might send it now. Hark!

What are those boys calling?'

While the two men had been talking together a confused noise of shouting had been gradually growing louder. The noise rose from the eastward and swelled down Piccadilly, drawing nearer and nearer, a very torrent of sound; surging up streets usually quiet, and making every window a frame for a face, curious or excited. The cries and voices came echoing up the silent street where Villiers lived, growing more distinct as they advanced, and, as Villiers spoke, an answer rang up from the pavement:

'The West End Horrors; Another Awful Suicide; Full Details!'

Austin rushed down the stairs and bought a paper and read out the paragraph to Villiers as the uproar in the street rose and fell. The window was open and the air seemed full of noise and terror.

'Another gentleman has fallen a victim to the terrible epidemic of suicide which for the last month has prevailed in the West End. Mr.

Sidney Crashaw, of Stoke House, Fulham, and King's Pomeroy, Devon, was found, after a prolonged search, hanging from the branch of a tree in his garden at one o'clock to-day. The deceased gentleman dined last night at the Carlton Club and seemed in his usual health and spirits. He left the Club at about ten o'clock, and was seen walking leisurely up St. James's Street a little later. Subsequent to this his movements cannot be traced. On the discovery of the body medical aid was at once summoned, but life had evidently been long extinct. So far as is known, Mr. Crashaw had no trouble or anxiety of any kind. This painful suicide, it will be remembered, is the fifth of the kind in the last month. The authorities at Scotland Yard are unable to suggest any explanation of these terrible occurrences.'

Austin put down the paper in mute horror.

'I shall leave London to-morrow,' he said, 'it is a city of nightmares.

How awful this is, Villiers!'

Mr. Villiers was sitting by the window quietly looking out into the street. He had listened to the newspaper report attentively, and the hint of indecision was no longer on his face.

'Wait a moment, Austin,' he replied, 'I have made up my mind to mention a little matter that occurred last night. It is stated, I think, that Crashaw was last seen alive in St. James's Street shortly after ten?'

'Yes, I think so. I will look again. Yes, you are quite right.'

'Quite so. Well, I am in a position to contradict that statement at all events. Crashaw was seen after that; considerably later indeed.'

'How do you know?'

'Because I happened to see Crashaw myself at about two o'clock this morning.'

'You saw Crashaw? You, Villiers?'

'Yes, I saw him quite distinctly; indeed, there were but a few feet between us.'

'Where, in Heaven's name, did you see him?'

'Not far from here. I saw him in Ashley Street. He was just leaving a house.'

'Did you notice what house it was?'

'Yes. It was Mrs. Beaumont's.'

'Villiers! Think what you are saying; there must be some mistake. How could Crashaw be in Mrs. Beaumont's house at two o'clock in the morning?

Surely, surely, you must have been dreaming, Villiers, you were always rather fanciful.'

'No; I was wide awake enough. Even if I had been dreaming as you say, what I saw would have roused me effectually.'

'What you saw? What did you see? Was there anything strange about Crashaw? But I can't believe it; it is impossible.'

'Well, if you like I will tell you what I saw, or if you please, what I think I saw, and you can judge for yourself.'

'Very good, Villiers.'

The noise and clamour of the street had died away, though now and then the sound of shouting still came from the distance, and the dull, leaden silence seemed like the quiet after an earthquake or a storm. Villiers turned from the window and began speaking.

'I was at a house near Regent's Park last night, and when I came away the fancy took me to walk home instead of taking a hansom. It was a clear pleasant night enough, and after a few minutes I had the streets pretty much to myself. It's a curious thing, Austin, to be alone in London at night, the gas-lamps stretching away in perspective, and the dead silence, and then perhaps the rush and clatter of a hansom on the stones, and the fire starting up under the horse's hoofs. I walked along pretty briskly, for I was feeling a little tired of being out in the night, and as the clocks were striking two I turned down Ashley Street, which, you know, is on my way. It was quieter than ever there, and the lamps were fewer; altogether, it looked as dark and gloomy as a forest in winter. I had done about half the length of the street when I heard a door closed very softly, and naturally I looked up to see who was abroad like myself at such an hour. As it happens, there is a street lamp close to the house in question, and I saw a man standing on the step. He had just shut the door and his face was towards me, and I recognized Crashaw directly. I never knew him to speak to, but I had often seen him, and I am positive that I was not mistaken in my man. I looked into his face for a moment, and then--I will confess the truth--I set off at a good run, and kept it up till I was within my own door.'

'Why?'

'Why? Because it made my blood run cold to see that man's face. I could never have supposed that such an infernal medley of pa.s.sions could have glared out of any human eyes; I almost fainted as I looked. I knew I had looked into the eyes of a lost soul, Austin, the man's outward form remained, but all h.e.l.l was within it. Furious l.u.s.t, and hate that was like fire, and the loss of all hope and horror that seemed to shriek aloud to the night, though his teeth were shut; and the utter blackness of despair. I am sure he did not see me; he saw nothing that you or I can see, but he saw what I hope we never shall. I do not know when he died; I suppose in an hour, or perhaps two, but when I pa.s.sed down Ashley Street and heard the closing door, that man no longer belonged to this world; it was a devil's face I looked upon.'

There was an interval of silence in the room when Villiers ceased speaking. The light was failing, and all the tumult of an hour ago was quite hushed. Austin had bent his head at the close of the story, and his hand covered his eyes.

'What can it mean?' he said at length.

'Who knows, Austin, who knows? It's a black business, but I think we had better keep it to ourselves, for the present at any rate. I will see if I cannot learn anything about that house through private channels of information, and if I do light upon anything I will let you know.'

VII

THE ENCOUNTER IN SOHO

Three weeks later Austin received a note from Villiers, asking him to call either that afternoon or the next. He chose the nearer date, and found Villiers sitting as usual by the window, apparently lost in meditation on the drowsy traffic of the street. There was a bamboo table by his side, a fantastic thing, enriched with gilding and queer painted scenes, and on it lay a little pile of papers arranged and docketed as neatly as anything in Mr. Clarke's office.

'Well, Villiers, have you made any discoveries in the last three weeks?'

'I think so; I have here one or two memoranda which struck me as singular, and there is a statement to which I shall call your attention.'

'And these doc.u.ments relate to Mrs. Beaumont? It was really Crashaw whom you saw that night standing on the doorstep of the house in Ashley Street?'

'As to that matter my belief remains unchanged, but neither my inquiries nor their results have any special relation to Crashaw. But my investigations have had a strange issue. I have found out who Mrs.

Beaumont is!'

'Who she is? In what way do you mean?'

'I mean that you and I know her better under another name.'

'What name is that?'

'Herbert.'

'Herbert!' Austin repeated the word, dazed with astonishment.

'Yes, Mrs. Herbert of Paul Street, Helen Vaughan of earlier adventures unknown to me. You had reason to recognize the expression of her face; when you go home look at the face in Meyrick's book of horrors, and you will know the sources of your recollection.'

'And you have proof of this?'