'For the past thirty years continually,' I began, 'in diverse manners, and in various countries, with great pain, care and cost, I have sought to come by the best knowledge that anyone might attain in this world. I found at length that no man living was able to teach me those truths I desired and longed for, and so I concluded with myself that it was only in books and histories I might find the light for which I searched. I do not cast figures and conjure, as you so fondly imagine, but rather build upon the wisdom I have gained in all these years ' I broke off for the moment, and drank more wine. 'But if this is to be a true chronicle, I must begin at the beginning.'

'That is the white to aim at,' he said. 'The tabula rasa tabula rasa.'

'My parents were honest and of no little esteem among their neighbours, my father being agent to the estate of my lord Gravenar. I was the last of my mother's children and, since the others were much more advanced in years, I stayed pretty close to myself (as they say) and played in the fields next to our ancient house in east Acton. There is no telling the wonderful diversity of children's natures, the spirit itself being combined from so many contrary influences, but I myself was of a shy disposition and haughty mind: I played alone always, shunning fellows as I would shun flies, and when my father began to teach me I fell naturally into the company of old books. I learned my Latin and my Greek even before my tenth year, and had no little delight in reciting from memory the verses of Ovid or the sentences of Tully as I roamed among the lanes and hedges of our parish. I would preach Eliot's Dictionary Eliot's Dictionary to the sheep and to the sheep and Lily's Grammar Lily's Grammar to the cows, and then run back to study Erasmus and Virgil at my own little table. Of course I shared my bed and my chamber with my two brothers (now both under the earth), but my parents understood my solitary disposition and gave me a chest, with lock and key, where I kept not only my apparel but also my texts. I had also a box of papers in my own writing, for my father had instructed me in the secretary hand, and there I concealed many verses and lessons of my own composition. to the cows, and then run back to study Erasmus and Virgil at my own little table. Of course I shared my bed and my chamber with my two brothers (now both under the earth), but my parents understood my solitary disposition and gave me a chest, with lock and key, where I kept not only my apparel but also my texts. I had also a box of papers in my own writing, for my father had instructed me in the secretary hand, and there I concealed many verses and lessons of my own composition.

'I rose at five in the morning, my father calling out to me "Surgite! Surgite!" while I washed my face and hands very quickly. All of the household prayed together, and then he took me into his own chamber where I practised upon the lute: my father's care was always to increase my skill in music, and by daily exercise I grew more bold in singing and in playing upon instruments. At seven we came into the hall, where the table was already laden with meat and bread and ale (in those days called the angel's food) for our breakfast; after the meal was concluded I began my lessons in grammar, verse extempore, construction, translation and suchlike. Horace and Terence were my playfellows, though even then I had a true interest in the history of my own country, and from these early years I was the scholar and never the gamester.

'But soon enough it was time to rise into another sphere, and I was in November anno anno 1542 sent by my father to the university of Cambridge, there to begin with logic and so to proceed in the learning of good arts and sciences. I was then somewhat above fifteen years old, as being born 1542 sent by my father to the university of Cambridge, there to begin with logic and so to proceed in the learning of good arts and sciences. I was then somewhat above fifteen years old, as being born anno anno 1527 July 13 ' 1527 July 13 '

'Your birth,' Bartholomew Gray said very suddenly, 'is out of its place, and should have come at the beginning of your discourse. Ordering, as well as inventing, is true argument of a fine wit. Surely so premature a scholar should know that?'

I ignored the c.o.xcomb, and continued with my theme. 'For the most part of these years I was so vehemently bent to studies that I inviolably kept this order only to sleep four hours every night, to allow for meat and drink two hours every day, and of the other eighteen hours all (except the time of divine service) to be spent in my studies and learning. I had begun there with logic, and so I read Aristotle his De sophisticis elenchis De sophisticis elenchis and his and his Topic Topic as well as his as well as his a.n.a.lytica Prioria a.n.a.lytica Prioria and and a.n.a.lytica Posteriora a.n.a.lytica Posteriora; but my thirst for knowledge was so great that I soon found myself bent towards other learning as towards a glorious light that could never be extinguished, no, nor even dimmed. I cared nothing at all for the lewd pastimes of my college fellows and found no comfort in banqueting and whoring, in dicing and in carding, in dancing and in bear-baiting, in bowling and in shooting, and other suchlike trifles of the town. Yet though I had nothing to do with dice or with primero, I did have a chess-board with a little bag of leather for my men: these I would advance from square to square, reminding myself of my own history up to that time. I knew then, as I picked up my ivory pieces and stroked them a little with my forefinger, that monarchs and bishops would be as nothing to one who could predict their movements.

'After seven years I had attained my Master of Arts and, presently leaving the university, I went to London in order to follow my studies philosophical and mathematical. I had heard by report of a poor studious gentleman, by name Ferdinand Griffen, who had for many years past been buried deep in his rare studies and who (it was said by those knowing my own course of learning) would teach me the use of the astrolabe and the astronomer's staff as a proper continuance of my exploits in geometry and arithmetic. He lived in a rambling tenement in the Bishop of London's rents, in a court near the waterside just by St Andrew's Hill '

'I know it,' he said. 'By the gla.s.sworks on Addle Hill.'

'A little westward from there.' I refreshed myself by taking some more wine.

'I came to him on midsummer's day in the year 1549, and found him working among his globes and vessels with the nimbleness of an apprentice. He greeted me with bright words, having expected my coming after several learned letters had pa.s.sed between us, and pretty soon he displayed to me certain rare and exquisitely made instruments upon which (as he told me) he had bestowed all his life and fortune among which was one strong quadrant of five-foot diameter, an excellent radius astronomicus radius astronomicus which had its staff and cross very curiously divided in equal parts, a fair astrolabe and a great globe of metal. So it was that Ferdinand Griffen became my good master and with him I began my astronomical observations in earnest, all the time working with those very fine and very apt instruments which he taught me how to use carefully and circ.u.mspectly. We began observations, many to the hour and minute, of the heavenly influences and operations actual in this elemental portion of the world ' which had its staff and cross very curiously divided in equal parts, a fair astrolabe and a great globe of metal. So it was that Ferdinand Griffen became my good master and with him I began my astronomical observations in earnest, all the time working with those very fine and very apt instruments which he taught me how to use carefully and circ.u.mspectly. We began observations, many to the hour and minute, of the heavenly influences and operations actual in this elemental portion of the world '

At which point I broke off, fearing to say too much to one who was not practised in these arts, and in my confusion drank my fill of wine before continuing along another path. 'We were so close to the waterside that we would take our quadrant from his rambling lodgings down Water Lane to Blackfriars Stairs where, among the barges and the herring buses, we called out "Westward! Westward!" until one of the pa.s.sing watermen noticed us. The wherry took us by the open fields beside Lambeth Marsh where, with the quadrant established upon firm earth, we would make various observations of the sun's progress. Sometimes, coming or going, we were close to falling into the Thames over head and ears with the c.u.mbersomeness of the quadrant, but we always escaped on to dry ground. What instrument of the sun could be deluged with water? No, it could not be. There were sly citizens who were accustomed to call us sorcerers or magicians for all this measuring but it was all one to Ferdinand Griffen, and since that time I have taken my lesson from him in despising and condemning the ignorant mult.i.tude. On many other matters he also proved my good master, or should I say magus, with books, pamphlets, discourses, inventions and conclusions upon grave arts. You asked me if I raised the dead; no, I raise new life...' Again I broke off, fearing that I had fallen into too deep a vein, but Bartholomew Gray did nothing but pick at his teeth and call for more wine. 'Then,' I added, 'I went beyond the seas to speak and confer with some learned men.'

'Magicians,' he replied, now quite lost and wandering in his drink. 'Sorcerers.'

'They had nothing to do with what is vulgarly called magic.' I took more wine to consume the fire within me. 'Mine are wonderful sciences, greatly aiding our dim sight for the better view of G.o.d's power and goodness. I am by profession a scholar, sir, and not some magician or mountebank. Whose opinion was it but my own that the court sought for, relating to the great comet of 1577, after the judgement of certain so-called astronomers had unduly bred great fear and doubt? And who was it that prepared for our trades and voyages to Cathay and Muscovy with true charts and tables for our navigators? And who was it again that gave Euclid's propositions to the mechanics of this realm, from which they have derived inestimable benefit? I alone have achieved all these things. Is it the work of a mountebank?'

'Lord,' he said, drunken to the highest degree. 'I understand not one word of this.'

'But I understand. I have spent these last fifty years for good learning's sake what a race have I run, so much done and so much suffered, for the attaining of wisdom! Do you recall that time when a certain image of wax, with a great pin stuck in the breast of it, was found in Lincoln's Inn field?' He seemed to shake his head, but I was now launched upon a tide of words. 'It was said then by malicious backbiters to be an image of my own making, and that I endeavoured by enchantment to destroy Queen Mary. All spiteful falsehoods, all brain-sick perjuries, and yet for many weeks I remained prisoner in the Tower while all the doors of my lodgings in London were sealed up and I was close to being overwhelmed by the circ.u.mstances of my grief, loss and discredit. Well well, I said to myself then, my unkind countrymen, my unnatural countrymen, my unthankful countrymen, I know you now and I know what I must do. In recent years they have said that I impoverish the earth, that I rob the man in the moon, and any such stuff as can be hurled upon me. But do you know what is worse still? That I must take a purse from one such as Nathaniel Cadman here, and provide mere shows and gewgaws.' I paused for a moment, but no one else had heard my complaint. 'So, Mr Gray. Now you know of the very great injuries, damages and indignities I have sustained. I ask you not to increase them.'

He seemed a little abashed, yet he drank some more wine and then with a high-pitched but not unpleasing voice began to sing out a verse from 'Fortune My Foe':

'The moon's my constant mistress, And the lowly owl my morrow, And the lowly owl my morrow, The flaming drake and night-crow make The flaming drake and night-crow make Me music to my sorrow.' Me music to my sorrow.'

'It is a fitting tune,' I said, 'to accompany me on my way. For now I must rise and leave you gentlemen ' I looked across the board, where they lolled in various stages of drunkenness. 'I am tired now after my spectacle.'

'I sat amazed,' one of their number said, looking down into his cup, 'when the spheres came down amidst the brightness. And all revolved. It was well done. It was very well done.'

'I wish you good night,' I said again. 'I must return to my own proper sphere.' I bowed to Nathaniel Cadman, who could not raise his head from the table and sat like some poor shrunken thing. 'I wish all of you good night.'

I came out into New Fish Street, when a boy walked forward with a lantern. But I waved him away. It was a clear night, and the fixed stars were all I needed to light my path to Clerkenwell.

TWO.

I.

DECIDED TO walk through the night. I had already left the churchyard and started in the direction of the old house, but I hesitated and stopped. I did not want to go back to Cloak Lane, not yet, and, as so often before, I turned towards the winding streets of London. I prefer the city in darkness; it reveals its true nature to me then, by which I suppose I mean its true history. During the day it is taken over by its temporary inhabitants, and at those times I feel as if I might be dispersed and lost among them. So I keep my distance. I imagine them in the clothes of another century, for example, although I realize that this is very fanciful. But there are occasions when a certain look, or gesture, plunges me back into another time; it is as if there had been some genetic surplus, because I know that I am observing a medieval or a sixteenth-century face. When the body of a neolithic traveller was recovered from an Alpine glacier, sprawled face down in the posture of death, it was considered to be an extraordinary act of historical retrieval. But the past is restored around us all the time, in the bodies we inhabit or the words we speak. And there are certain scenes or situations which, once glimpsed, seem to continue for eternity.

No, that's not the way to describe it. They are already part of a continuing history even as they occur and, as I said once before, there are times when I walk through the contemporary city and recognize it for what it is: another historical period, with all its mysterious constraints and docilities. There was a sentence which my father taught me 'To see eternity as part of time, and time as part of eternity'. I once saw a photograph of Whitehall, taken in 1839, and it imparted to me something of that; there was a small boy in a stove-pipe hat sprawled beneath a lamp-post, while across the road a line of hansom cabs waited. Everything was in the eye of eternity, and even the dirt of the streets seemed to glow. But that is also the sensation I experience now, as I walk away from the churchyard and watch that woman opening her street door while at the same time I hear the sound of a car backfiring in a nearby street. These things fade, and yet somehow they exist for ever.

I crossed Clerkenwell Green into Jerusalem Pa.s.sage. It was almost midnight, as I could tell from the neon clock which hung from the building beside me; I watched it for a few moments as it swayed in the wind, and the digits glowed upon its face. In the fourteenth century there was one stone which was very highly prized it was called sadastra. In its outward appearance it was black or dark brown but, when it was broken open, for a few moments it glistened like the sun. I imagine it had the same kind of brightness as this neon clock which I now pa.s.sed. There were two or three people nearby; their pale faces gleamed in the orange street-light, and they seemed to be walking silently over the pavements. I came out of Jerusalem Pa.s.sage, crossed the Clerkenwell Road, and made my way beneath the arch of the Priory of St John of Jerusalem. There was a foundation stone here, marking the site of the twelfth-century abbey of the Knights Templar, which had been destroyed at the time of the Reformation. No doubt its stones had been used to construct some of the grander houses of the neighbourhood (perhaps some of them were still lodged within the walls of my own house), but they were the sad remnants of a great wreck. This was one of Daniel Moore's beliefs, at any rate, and I had come to accept it that the destruction of the great monastic libraries, with all their ma.n.u.scripts and treasures, meant that a great part of the history of this island had also been lost. Not only had an entire Catholic culture been erased, but, just as damagingly, the old monastic records of early British history had been destroyed. A large structure of the past had effectively been buried.

But what was this noise by Holborn Viaduct? A furious shout seemed to be coming from some place beneath the earth; it was stifled, enclosed, echoing in some small s.p.a.ce. Then I turned the corner of Giltspur Street and saw an old woman bowed within a telephone booth; she held the receiver up to her ear, and was screaming into the mouthpiece. I carried on walking towards her, until I could see an 'Out Of Order' notice pasted on the window. So what kind of connection had she made? I remember the time I had picked up one of the telephones at Chancery Lane station, and heard a mult.i.tude of voices murmuring like the sound of wind about a house. Perhaps there is always someone at the other end of the line. No, all this is nonsense. Do you see how a journey through the night can provoke strange fears? There was a small satellite dish on the roof of the flats at the corner of Snow Hill, and as I watched it absorbing its patterns from the sky I saw again my vision of the man rising upwards into the air above Cloak Lane.

'What? Is it you? Are you here, after all?' The old woman had come out of the telephone booth, and was shouting after me. I walked away as quickly as I could. 'You know about all the s.h.i.t on the streets, don't you? It's not the dogs. It's the old-age pensioners.' She started laughing as I made my way towards Fetter Lane and High Holborn. There is a video shop by the entrance of Dyer's Rents and, as I hurried towards it, I could see a dozen screens glowing with the same picture; there was so much light and energy here that the shop window itself might have burst open or exploded. When I came closer still, having looked back to make sure that she was not following me, I could see many stars and planets hurtling past the screens. It must have been one of those science fiction epics of the seventies or early eighties, and there was a young man watching the cosmic adventure with a look of absolute concentration. He had put his arms out against the plate gla.s.s window, and it looked as if he were being crucified by all that brightness. I wanted to tell him that it was all delusion, a trick of the cinematographer, but for him it was probably a true vision of the universe. I said nothing and walked on.

I can tell you when I first began to understand London. I must have been fifteen or sixteen, and I was travelling on the bus which goes from Shepherd's Bush to Dulwich; the sky above Notting Hill Gate and Queensway was covered by cloud, but suddenly those clouds broke and a shaft of sunlight shone down upon the metal rail in front of me. I could not turn my eyes from that intense brightness and, as I gazed into the depths of the light and the shining metal, I was filled with a sense of exhilaration so profound that I left my seat and jumped off the bus as it came to a halt by Marble Arch. I felt that some secret had been divulged to me that I had glimpsed some interior life and reality which glowed within all things. I thought of it as the fire-world, and as I turned into Tyburn Way I believed that I would be able to find traces of it everywhere. But that fire was also within me, and I found myself running through the streets as if I possessed them. Somehow I had been present at their beginning; or, rather, there was some presence within me which had always existed in this soil, this stone, and this air. That original fire has left me now, which is perhaps why I seem such a stranger to myself; slowly, over the years, the city has darkened within me.

But there were certain places to which I still returned. Sometimes I found myself walking down Kingsland Road and stopping at the old Hoxton asylum by Wharf Lane; it was here that Charles Lamb used to take his sister, at her own request, and once I tried to track their footsteps through the fields which are now concealed beneath the stone pavements of the area. She always carried her strait-jacket with her, and they wept when they came up to the gate of the asylum. I stopped where they had stopped, just before the archway, and whispered my own name. I often revisited Borough High Street, and followed its route from Southwark Bridge to the site of King's Bench Prison and the Marshalsea; this journey always weighed heavily upon me, and yet I continued to make it. There were times when I walked around the area until I was lost and tired and unable to think. I wanted the Borough to bury me, to hold me down, to suffocate me. Surely among all the dark shapes of its past, there was one in which I could be concealed? But not all my haunts were so oppressive. There was one place in particular where I knew I could find rest: again and again I returned to Fountain Court within the Temple where, beside a small circular pond, a wooden bench had been placed beneath an elm tree. The sense of peace, even in the middle of the city, was so strong that I presume it came from some powerful event in the past. Or perhaps it was simply that people like myself had always chosen this place, and over the years it had accepted the stillness of its visitors. I often think about death as if it were a state such as this as if I were waiting beside an elm tree and a pond. My father had approached his own death peacefully enough, almost happily. I remember him whistling in the bathroom, even when he knew that he had only a few months of life ahead of him. He never complained, and showed no signs of self-pity or anxiety. It was as if he possessed some information about the next stage of his journey; he was a Roman Catholic, as I said, but he seemed to harbour some more private belief which rea.s.sured him. And once again, as I came out into Red Lion Square from High Holborn, I considered the old house which he had bequeathed to me. Why was it that, during all my walks through the city, I had never seen Cloak Lane or its vicinity? Why had I shunned, or forgotten, Clerkenwell?

I had come up to the fragment of the old stone pillar which marks the site of the Red Lion Fields ma.s.sacre of June 1780; at the time of the Gordon Riots a group of children were killed by troops here, and three months later John Wilkes started a subscription for this memorial. The stone was now so cracked and worn that it might have been a piece of nature in decay but, on an impulse, I knelt down and touched it. I had another connection with the place, after all. Only a few yards away, on a stall by Red Lion Pa.s.sage, I had first come across the work of Piranesi. It was a book with many of his etchings reproduced; its t.i.tle was Imaginary Prisons, Imaginary Prisons, but as far as I was concerned there was nothing imaginary about them at all. I recognized this world at once; I knew that it was my city. but as far as I was concerned there was nothing imaginary about them at all. I recognized this world at once; I knew that it was my city.

I took the book home with me it must have been six or seven years ago now, but I still remember the excitement with which I turned its pages. In the first etching two small figures were standing in front of a vast stone staircase; there was nothing but stone all around them, spiralling upwards into galleries, arches and domes. Piranesi's world was one of endlessly ruined masonry, of labyrinthine pa.s.sages and barred windows; here were blocks of stone, ma.s.sive, dark, their textures swamped in shadow; here were giant recesses of brick, huge banners of tattered cloth, ropes, pulleys, and wooden cranes that towered up to broken balconies of stone. The artist often used the framing device of a ruined arch or gateway, so that I was drawn into the scene and knew myself to be part of it; I was in prison, too.

Everything looked as if it had been abandoned the bridge hanging precariously between two decayed towers, the rotten beams, the cracked windows, the ma.s.sive porticoes with inscriptions too faded to read. A giant race of builders had declined and died, leaving these monuments behind them. But no, that could not be true. There was a sense of continuing power, of living force, here. It was beyond death; it was the condition of the world. I was looking at the last etching, which showed an indeterminate small figure mounting a stone staircase only to be confronted by another steep bulwark of stone. In this tiny figure I thought I could see something of my own self, when my father tapped me on the shoulder. He must have been watching me for a few moments because he said, softly, 'It needn't be like that, you know.' That was all he said, and then he put his hand upon the back of my neck. I shook him off and looked down at the etching again, only to see another flight of steps that seemed to lead down into an abyss of stone. It occurred to me then that this was really a city under the ground. It was the eternal city for those who are trapped in time. I was still kneeling beside the memorial in Red Lion Square, but now I seemed to be entering the stone wall of the bas.e.m.e.nt in Cloak Lane. I was becoming part of the old house.

I got up quickly, brushed the dirt from my clothes, and walked out towards New Oxford Street and Tottenham Court Road. There is a patch of cobbles just by Bloomsbury Square, where a row of new Mercury telephones had been placed, and in the dark I stumbled over them. 'London stone is different from this,' Daniel Moore had told me when I showed him Imaginary Prisons. Imaginary Prisons. 'You have to learn Italian just to look at Piranesi.' I had been trying to share my enthusiasm with him, but he simply peered at the reproductions with something like distaste. 'He's a sentimentalist,' he said, 'not a visionary.' 'You have to learn Italian just to look at Piranesi.' I had been trying to share my enthusiasm with him, but he simply peered at the reproductions with something like distaste. 'He's a sentimentalist,' he said, 'not a visionary.'

'But don't you see the wilderness of it?'

'No. Not really. You may see the stone, but I see the people. Why do you think I'm writing my book?' This book, upon which he had been working ever since I had known him, was to be a history of London radicalism. He had explained it to me once, in his usual embarra.s.sed dismissive way, but all the Muggletonians, and Ranters, and Behmenists, and members of the London Corresponding Society, confused me and seemed to become members of one vast sect or community. But this was his great theme this fastidious, delicate man was obsessed by the aspirations of some disturbed, even dangerous, Londoners. Once he took me on a tour of the taverns and meeting-houses which they had used; only a few survived, mainly in the east of London by Limehouse and Shadwell, and they looked so insignificant, so grubby, that it was hard to imagine the visions and dreams that had been conjured up within them. The Behmenists believed, as far as Daniel could explain it to me, that men and women carried the heavens within them and that the universe itself was in the shape of a single person; he was known as Adam Kadmon, or the Universal Man. They did not necessarily believe that the entire cosmos was in fact a human form although there were some radical Swedenborgians who proclaimed that there was just such a correspondence but rather that the world, and the entire universe of being, was infused with the qualities of humanity. We had come up to the Seven Stars in Arrow Lane, where some Moravians used to meet in the early eighteenth century, and Daniel told me the story of the mystic who was continually asked by a small girl to show her angels. At last he agreed to do so and, taking her into his house, led her over towards a curtained recess. 'Do you really wish to see an angel?' he asked her. She was still very eager, so he pulled back the curtain and, on the wall behind it, was a mirror. 'Look there,' he said. 'There is an angel.'

'It's a charming story, Matthew, don't you think?'

'Oh, yes.'

'But do you understand how radical it is? The humblest person can be filled with grace. Divinity is within us, and there is no sin. There is no heaven, no h.e.l.l.'

Why should such strange doctrines emerge in this city? This was the question he posed to me as we walked down Shadwell Reach. The answer seemed obvious enough: this was the area where artisans and small tradesmen were to be found in the largest numbers, and they were the ones most p.r.o.ne to this form of madness. And yet Daniel seemed to believe that it had something to do with the spirit of the place itself. But I had seen enough. Limehouse was filled with the fumes of traffic, with smoke, with the debris of unfinished buildings; I found it hard to get my breath, but I managed to drag him away to the upper level of the Docklands Light Railway. That was the end of our journey in search of what he called the 'everlasting gospel'.

There was also the time he drove me to the south-west of England, and to the old radical centre of Glas...o...b..ry. A fourteenth-century London sect, G.o.d's Brothers, as they called themselves, had fled from persecution in the city and established a community in that area. We must have chosen the worst day of the year for such a journey from London to Andover we were buffeted by rainstorms, and then on the way from Hampshire we were caught in a thick fog which hovered along the motorway. We crept towards Glas...o...b..ry, since the road was hardly visible; the posts along the route looked like sentinels huddled in their clothes, while the pylons seemed to be the spires of churches rising out of the mist. There were clumps of trees in one field that we pa.s.sed, and they might have been the members of some small congregation struggling onward. No doubt these are the materials out of which local legends and 'sightings' are manufactured, but all I could think of was the warmth and safety of London. There were no remnants of the old community when eventually we arrived in Glas...o...b..ry itself, and the area which they had colonized was an industrial estate we should have guessed as much, but Daniel was oddly silent during the return journey. The fog had lifted by the time we came home; it was late in the evening, and I knew that we were approaching London from the diffused red light in the sky which blotted out all the stars. It was as if we were returning to a furnace, and I was at peace.

I came out from New Oxford Street into Tottenham Court Road just as the clock of St Giles-in-the-Fields struck the hour; I walked more quickly here, since in the porches and doorways along the street lay the army of the night. I was afraid of them, these men and women huddled in filthy blankets, but it is not simply the vagrant or the homeless who disturb me. I know very well that I turn away from any kind of human extremity. I turn away from suffering. Now as I crossed the street and glanced towards two piles of clothes stirring uneasily in the night air, I was afraid of dirt, and of disease, but I suppose that I was most afraid of being attacked. What had they got to lose? If I were like them, I would scream against the world and burn the city. I would want to destroy everything, and everyone, that had conspired against me. I would pillage the shops which denied me entrance, and break up the restaurants which denied me food. I would even rage against the street-lamps which displayed me to the enemy. Yet, as I walked by, none of them asked me for anything, or spoke, or looked at me; I might have been part of some other world. Were they truly resigned, patient, uncomplaining or were they waiting for something, like the Moravians who met in the Seven Stars?

No, there was this difference. The city had grown immeasurably larger and, as it expanded in every direction, its inhabitants had become more pa.s.sive and docile; these people who slept upon its streets were true and faithful citizens, but vast London had by some alchemy drained away their spirit. I looked down Tottenham Court Road and, not for the first time, noticed the silence and over-brightness of the city at night. Two centuries ago these streets would have been darker, more malodorous, more treacherous, and they would have been filled with cries, and screams, and laughter. But now as I stood with the homeless around me, all I could hear was the vague hum of the neon street-lamps and the gusting of the wind around Centre Point. Why was it that, in a place such as this, all the natural sounds seemed fabricated and unreal, while the artificial noise seemed most natural? This city was too bright because it was celebrating its own triumph. It had grown steadily larger by encroaching upon, and subduing, the energy of its inhabitants. They hardly moved as I made my way towards Charlotte Street.

I turned the corner, and saw at once that there was a globe shining at one end of the thoroughfare. Of course there was another reason for this constant and ubiquitous brightness: these signs and emblems, shining out into the darkness, were also ways of evading death and the knowledge of death. They celebrated a kind of artificial life, in which the spiritual world was obliterated. It was peculiar it was something my father might have said. But these were my own night thoughts.

The globe brightened the surrounding air, and Charlotte Street was very still. It was a vision of the world and truly of the world since, as I walked closer, I could see that it was a neon representation of the earth with the continents picked out in variously coloured lights. There was a sign beneath it, 'The World Turned Upside Down'; it was a bar, or night-club, and a row of metal stairs led precipitously from the street to a small bas.e.m.e.nt area and a closed door. There was a light shining behind it and, as I looked down, the area was suddenly illuminated when the door swung open. A woman came out and stood upon the threshold, but there was so much light behind her that I could only see her shape and the outline of her hair; still, I was interested. I stepped back into the shadows of the street as she climbed the stairs; her heels rang out on the metal, creating an echo which stopped abruptly when she stepped on to the pavement. She looked around uncertainly, as if she were waiting for a taxi; then she turned her face towards me, and I put up my hand in surprise and horror. It was Daniel Moore. I saw him plainly. I knew his face, beneath the make-up. He had placed a large blonde wig on his thinning hair, and he was wearing a red dress. I could even smell the perfume of violets. But it was Daniel. He had not noticed me, because now he turned his head and began walking slowly towards Fitzroy Square. It was a casual walk, nothing like his usual nervous pace, and he seemed quite content to enjoy the sensations of the London night. I stood there, in the doorway of a shop, bewildered. I could think of nothing. I just stared and stared at the bright globe of the world turned upside down.

THE LIBRARY.

T.

HE GREAT WORLD is unrolled before me, and on my desk ride the blue dolphins that love young children and the sound of musical instruments; here are the serpents, coloured in green and grey, that live six hundred years and whose heads are changed into the shape of dogs or men at will; here are sea-dragons also, marked in red, that breathe fire into the water and so cause the oceans to boil; among them glide the gryphons, the whales, and all the tribes of lesser fish that sport upon the surface of the deep. Neptune with his trident rides high upon the horses of the sea, while by quicksands and whirlpools sit the mermaids with mirrors in their hands. Everything on earth has its fellow within the sea, yet upon the face of this other world I also view the galleons, the cross-sailed merchant ships, the square-rigged barques, and the fishing-vessels. Who could observe such things and not wish to travel with them? For this is a map of the entire world I have before me, theatrum orbis terrarum, theatrum orbis terrarum, upon which have been placed the cities, the mountains, the woods, the rivers and a vast number even of the towns which make up this lower world. upon which have been placed the cities, the mountains, the woods, the rivers and a vast number even of the towns which make up this lower world.

At the northern gate there stands Terra Septemtronalis Incognita where, it is said, dwell a tribe which hold the fire-stones in their mouths; in the southern extremity is conjectured to be another land of desolation. Yet not all is unknown: much has been discovered by means of good geometry and the voyages of recent years, so that the world is now marked out far beyond the confines of Bohemia or Tartary. Our navigators and cosmographers have traced the outlines of Atlantis, or the New World, where have been found the crocodile that lives for a thousand years and the quail that has the falling sickness: certain provinces or domains there we have named Norumbega, Nova Francia and Mocosa, in which latter part of the world has been found the horse that weeps and sighs like a man. There also is the agopithecus, the ape-like goat whose voice is very like a man's but not articulate, sounding as if one did speak hastily with indignation or sorrow.

Africa is underneath my hand, and within it Barbarie where live the lions that couple backwards and the panthers that have the odour of the sweetest spices. In Numidia, not so far distant, live men with the tails and heads of dogs, as well as the infamous yena that inhabit the tombs of the dead and eat only corpses. In Libya dwells the monoceros that feasts upon poison, and can make itself into male or female as it wishes; there are people here called Astomii, who live very long and neither eat nor drink but feed upon air and the smell of fruits. In Selenetide there are women who lay eggs and hatch them, from which come children fifty times greater than those which are generally born, and the far-off Land of the Negroes is inhabited by the basilisk that kills at a look, the hydrus of two heads, and the salamander of perfect coldness: I have not the reports close to hand, otherwise I would give them to you in this place. O bright theatre of the world, in which I might lose myself! Here I stand by a table in my library room while I fly in the air like the great artificer, Icarus, and find myself suddenly aloft in the yellow land of Samotra and on a wonderful path to Monacabo, Capasiasa, Taprobana, Bacornara and Birae. Then can I see the men whose bodies shine at night, and the phoenix tree which blooms for an hundred years and imparts an odour more perfumed than musk or civet or ambergris. On this far-off sh.o.r.e I view the wonders of the world beneath the stars, and see before me the creature that is born twice, crying out upon the top of a mountain and saying, 'I am the white of the black, and the red of the white, and the yellow of the sun, I tell truth and lie not' ... at which I started and awakened, for I was in a dream of my own devising.

Yet in truth I care not if I sleep a little more, and there are times such as this when all my learning seems to be a dream in which my wits are only half awakened. Last night I drank too much wine with those flibber-jibber knaves, so this morning I am dumpish and drowsy and dazed. See, I am even entranced away from my proper studies and talk idly over this mappa mundi mappa mundi here before me but yet, as I look down upon the banks and rocks, the countertides and whirlpools, all marked by the delicate engraver, I am reminded of another journey. It was one I made through all manner of weather, and through all the variety of ways and pa.s.sages upon the earth. here before me but yet, as I look down upon the banks and rocks, the countertides and whirlpools, all marked by the delicate engraver, I am reminded of another journey. It was one I made through all manner of weather, and through all the variety of ways and pa.s.sages upon the earth.

It was after my time with Ferdinand Griffen that I set out upon this pilgrimage. Having understood all that he could teach me, and growing tired for the moment of scales and hour-gla.s.ses, I decided to visit the true scholars and pract.i.tioners of learning beyond our sh.o.r.es. I had one great mark at which to aim in the course of my travels, since I had a desire to see the birthplace of that master of wisdom, Philippus Aureolus Theophrastus Bombast, known by the name of Paracelsus. He was born anno anno 1493 in the little town of Maria-Einsiedeln, not above two hours on foot from Zurich, and to reach that high country situated within the Alps I was forced to toil in dangerous damps and cold, in fear of violence by men or destruction by wild beasts, in lodgings of small ease and less comfort, almost bereaving life in order to come upon one of the fountains or sources of my life. But though it was a very painful and dangerous winter journey, it was made when I was young enough to scorn danger: I was drawn towards the lodestone of my art, Master Paracelsus, and no storm or hurricane (as I thought) would have the power to delay me. 1493 in the little town of Maria-Einsiedeln, not above two hours on foot from Zurich, and to reach that high country situated within the Alps I was forced to toil in dangerous damps and cold, in fear of violence by men or destruction by wild beasts, in lodgings of small ease and less comfort, almost bereaving life in order to come upon one of the fountains or sources of my life. But though it was a very painful and dangerous winter journey, it was made when I was young enough to scorn danger: I was drawn towards the lodestone of my art, Master Paracelsus, and no storm or hurricane (as I thought) would have the power to delay me.

I set forth in the dead of night and by wherry went to Greenwich, where I waited until there came a great tilt-boat to take me on to Gravesend. I took ship there, some miles distant from London, and carried aboard with me my own provisions for the journey, including biscuit, bread, beer, oil and vinegar; in my wallet I also had a good store of parchment, quill and ink (together with black powder to make more), so that I might keep a record of my travels into foreign lands. From there we sailed into the main, but on the third day of our sailing the merchant fleet of twelve vessels our ship being one among them was dispersed by a fog and tempest. I had with me my own pocket dial and compa.s.s of variation, willingly bequeathed to me by Mr Griffen, and I feared nothing. So I spoke readily enough with the captain of my vessel about the sea compa.s.s and the meridian compa.s.s, the astrolabe and the cross-staff, but when I discoursed with him upon eccentricity and parallax, he told me in a few words that he was master of ebbs or floods and not of instruments. This perplexed and dismayed me, thinking that only knowledge would lead us out of the tempest, but he clapped me upon the back and laughed.

'All is well, my star-shooter,' he said. 'I know my courses and my soundings, my landings and my marks, better than I know the lines upon my own hand.'

'But, good captain, surely you and your pilot know the elements of hydrography and astronomy?'

'In my head I have marked all the rocks and races. What more is there to say? Look, let me draw our path for you '

With his finger upon an old deal table he mapped out our course, and I looked at him amazed. 'But what of the steadying and the midnighting of the stars? We are lost in this tempest, and only by expert conjecture will you find your way.'

He laughed again at my eagerness. 'Will the fixed stars or the planets lead me out from the countertides and whirlpools? I think not. Can you gaze at the sun and predict for me tempests or spouts? No, no, John Dee, you may lead a merry dance among the points of your arithmetic and geometry; but let me steer by my own light.'

I left him soon after, just as the tempest eased and the fog lifted, and I believe he still laughed after me. But who has the last laugh? You may plot a course by experience, but only knowledge brings you to a true and fitting destination. The eye may take you, sweet captain, across this little stretch of sea; but the astrolabe you condemn will impart to you the motions of the celestial orbs. It is not enough to move easily through the world: it is necessary to view it in the sun of understanding. Tell me. Is that not so?

On the fourth day at sea we came upon an island called the Holy-land (vulgarly Heiligland) and, not daring to enter the River Elve before the next morning, we struck our sails and suffered the ship to be tossed to and fro by the waves all that night which mariners call lying at hull but which I call lying in foulness. Then on the next day we entered the river and landed at Stode, from which place we departed in a wagon, crossed the river, and travelled through many thick woods of oak to Hamburg. So began my entire winter's journey over land: by coach across marsh and sandy plains, by wagon through mountains and woods, on foot in hail and fog, by horse past lakes and groves, all the while taking my path by way of Hamburg and Leipzig, Witterburg and Dresden. I had made my way to Witterburg, quite contrary to all rules of progress and good travel, because it had been reported to me that some very curious and rare maps of the hitherto unknown world were lodged in the muniment room of the great cathedral church there. How could I not change my course, and reach out for the lands lost in the mist and darkness of our own ignorance?

Witterburg is a town filled with scholars, but I had with me a letter of introduction to the great astronomer Hegelius, a native of that place, and after we had dined together on fish and flesh he consented to accompany me to the cathedral, where his name was a key to unlock all the treasures contained therein. I might view the maps of the unknown world with ease enough, he continued, but did I not know that there was another mysterious region closer to hand? (We conversed in Latin, which I choose to translate here even though it may reach the eyes and ears of the vulgar.) He went on to tell me that the famous conjuror, Dr Faustus, lived in Witterburg about the year 1500; at my earnest entreaty, he very readily agreed to show me the house in which he had dwelt. We rose from the table after grace and, after some talk on the principles of magic, went on our way through the stinking streets of the town: yet it was a poor errand, since the old house of Faustus was no more than a fusty tenement with no relics of his art.

Hegelius, observing my downcast looks, then asked me if I would like to enter a wood adjoining the town, where it was said that Dr Faustus practised his magic art and where he died or was rather fetched by the Devil as the sum of all his labours. Yes, I replied, yes. I had a sickness upon me from the conditions of the winter, but I was still so young that no circ.u.mstance could check me. We walked out beyond the gate of the town, where there were various heads carved out of stone, much like the b.l.o.o.d.y heads of malefactors on London Bridge, and pretty soon we came upon the boundary of the wood. I was well wrapped inside a fur coat, and with a cap upon my head lined with cats' skins after the Muscovy fashion, yet it was so cold within the domain of Faustus that I could not bring myself to speak. It was three of the clock in the afternoon, but already so dark beneath the canopy of trees that I could scarcely find the path. All the while Hegelius walked before me until he came up to the withered and blackened base of a tree, some six feet in diameter. 'Here it was,' he said, 'that Faustus stood and was taken away.' I jumped upon the remnant of this very ancient tree, and all at once the raw cold left my bones. At that same moment, also, the sickness departed from me. I do not know if the Devil had preserved some relic of his fire here, but I was exceedingly healthy and joyful when I followed Hegelius back through the gate of the town. There seemed to be some force beyond the world directing my steps, and now I wished to know everything. I wished to understand everything. Hegelius took me on to the cathedral where we looked with wonder upon certain ancient maps, but it seemed to me that I had already found a greater world within that ancient ruined tree. I say no more in this place.

And so, much enlivened and refreshed by my cure in the wood of Faustus, I travelled onwards. Following Witterburg and Dresden I came to the wooden pillar that divides the territory of the Saxon elector from the kingdom of Bohemia, and then, across sandy and stony hills, through valleys filled with snow and many stark woods, I came by coach into Prague; from Prague I travelled on to Nuremberg, being six days' journey, partly through plain, partly through rocky mountains, until we reached that city, which was seated in a barren sandy ground overcovered by frost and ice and falling snow. It was marvellous hard weather yet I was still one of the nomads, every day changing my dwelling in town and village, and living upon stinking beer, brown bread and no clean straw. I had little money upon me at this time, for Englishmen give to their younger sons less than in foreign parts they give to their b.a.s.t.a.r.ds but this is by the by.

From Nuremberg I travelled on to Augsburg and, having hired a horse from the city carrier there, I went into the west parts of Germany and so into the Low Countries. Pa.s.sing through Lindow by the lake called Acronius, I crossed by boat to Costnetz upon the confines of Germany and Switzerland and then on to Schaffhausen. The swiftness of the Rhine made the miles seem short, but lord, what a journey was that! It almost marked the end of my quest. I hold water in no fear, knowing it to be so necessary an element in this sublunary world, but in our setting forth upon the boat it inclined so much on the other side that it was half full of the river; we sat wet to the knees, and the water still came beating in more and more. But there was worse. There was a great fall of the waters over a rock some fifty cubits downwards, pa.s.sing with huge noise and ending all in foam, and I had a panic fear that we would be drawn that way and lost within the mighty turbulence. Yet I remembered Faustus, and prayed out loud to my own good genius or daemon; at that instant the boatman took off his ragged apparel and, with the rope of the vessel in his hands, swam towards the landing stairs while dragging the boat behind him. I took up the oar and, with the a.s.sistance of another traveller, we helped steer our vessel towards the land while ever being in danger of sinking: I believed myself close to dying then, but the knowledge of it seemed only to increase my strength. But at last we came upon the sh.o.r.e, and were tumbled out upon the dry land. What a restoration that was; I felt like a giant who had somehow survived the Flood. I put up my hands to pray, but all the time I had a vision of myself in the wood with a light shining about me; I tried to murmur the words of thanksgiving after danger, but I was as dumb as if I was lost in some great amazing. Then a dog barked and I recovered myself. It was time to move on, for I could not abide loitering: my true destination was only a little way before me.

For a while I was compelled to take my journey on foot, with more sighs than paces, and came in five hours with much pain to the little city of Eglisaw. I did nothing there but cry out for my bed, and dined in the old fashion with the cloth spread upon it. Next morning by twilight I began my journey once more, having the gates opened early for a little reward to the guardian, and in six hours' s.p.a.ce (for the miles of Switzerland are so long that they reckon the journey on horse or foot by the hours and not by the miles) I traversed woods and hills and enclosed pastures before I caught sight at last of Maria-Einsiedeln within a long valley. A sudden short and vehement storm of rain delayed my progress for a little, but I wrapped my cloak around me and pressed my wallet against my chest to withstand the wind until I slowly descended to the very walls of the town where the great master, Paracelsus, first heard the harmonies of the heavens.

It lay on the northern side of Lake Tigerinus, being a cleanswept town where the buildings for the most part were of timber and clay; the streets were narrow enough, but within the walls there was a castle very strong and new ruinated. I soon found myself lodgings at the Sign of the Hand and enquired of the servant there, a pert young woman well tucked up in a red kirtle and a white garment like an Irish mantle, where I might find that house of Paracelsus which I so earnestly sought. She answered me easily enough in her native tongue, and at once I went out again into the freezing air. Since this was no mighty city I turned down two lanes and then came suddenly upon a little bridge crossing a stream which she had mentioned to me; and there, just beyond it, I saw a house-wall with the painted head of the magus. It was skilfully done, and showed him as ever without any beard. Above his image were daubed some of his words in Latin, which I translate thus: 'That which is above is also that which is below, and hence proceed wonders.' I looked up then at the ancient carved windows of this house, in the firm knowledge that one of them illuminated the infant figure of Paracelsus when first he looked upon the beauty of the sun and stood gazing at the dancing of the stars.

A door opened and a very ancient man came forward across the threshold, beckoning me to come in, come in. He spoke to me brokenly in the French tongue, thinking me a traveller from that country, and I replied in the same. 'Do you wish to see his clothes?' he asked me. 'We keep them here.' I a.s.sented to this and he led me through a pa.s.sage, all the while wiping the rheum from his eyes and nose; then we ascended a worm-eaten stairway while he spoke his French into the air above me. 'The townsmen yearly keep a festival in his memory,' he went on, 'and on that day we show this apparel he was accustomed to wear.' I could not tell how they came by it, since Paracelsus left his native land at the age of ten in order to dispute with the German scholars, but I kept my peace. He led me into a chamber where there was placed a very large chest or casket. 'Our relics,' he said, opening it with much ceremony. 'It is reported that they have cured the sick with their very touch.' He held out towards me a hat and gown, which with due reverence I took in my hand for a moment. Then, much pleased at my modest demeanour, he conducted me around the chamber and showed to me an ink-pot, quill and pen-knife; furthermore he showed me some books, which were not so ancient neither, and a ring which (he said) was taken from the hand of Paracelsus after his death. He was about to show me more, but I had seen enough, and though straitened in means I found a silver coin for him. 'You should know,' he murmured as he led me once more towards the door, 'that we still have our spirits in Einsiedeln.'

'Spirits, sir?'

'Like those which the good master saw. We have many vaults and caves around us, and the men that work there with burning lamps are troubled by these these '

'But do you not recall what Paracelsus has taught us? That the spirits are all within us? That what exists in heaven and earth exists also within the human frame?'

He did not understand what I meant by this, so I wished him good day and came out into the narrow street. I was returning by way of the little bridge when a desperate cry made me look down at the bank of the stream: and there, sitting upon a boulder in an expanse of mud, was a young woman dressed in all the colours of the maypole, while her face and hands were as white as milk.

'What ails you,' I shouted in what I took to be her own tongue, 'to cry so?'

'I care not,' she replied. 'I am content. Have with you.' At that she cried and laughed in turn, but in so strange a manner that my own limbs began to shake. Then all at once her whole body seemed to be pulled to and fro with convulsive motions, so that she slid from the boulder on to the bank of the stream; her belly was lifted up and then depressed, while there was a great distortion of her hands and arms. All the time, too, she made many strange faces and mouths, sometimes holding her mouth open or awry with her eyes staring up at me. I was about to hurry on when she called out 'Du! Du!', which I knew to be an angelic name. Her voice at this time was loud and fearful, proceeding from the throat like a hoa.r.s.e dog that barks, and when I looked down upon her I saw that she cast forth from her opened mouth an abundance of froth or foam. The noise and sound of her voice was expressed by the word 'chek, chek' or 'kek, kek' and then again by 'twish, twish' like the hissing of a violent squib. After a moment came forth another sound comparable to the loathsome noise that a cat makes when trying to cast her gorge, and indeed this young woman now vehemently strained to vomit.

'In nomine Deo ' I began, wonderfully alarmed in case some devil possessed her. ' I began, wonderfully alarmed in case some devil possessed her.

'What? Is it you? Are you here?' She sent out these loud cries, as her body sank down upon the mud. Then her mouth being shut, and her lips closed, there came a voice through her nostrils that sounded very like 'Burn him. Burn him.' At that I moved as if to walk away when she cried out to me, 'Some news this day will make you very merry.' Then there was a silence and, when I turned, I observed her sitting upon the bank, weeping bitterly and in her extremity wringing her hands.

So I returned to my lodgings, weary and sad, having obtained nothing of what I sought and having found that which I did not seek. It was now about midday, and the sunbeams were glancing across my face as I lay upon my bed; but then I seemed to see a shadow pa.s.sing by, and I sat up in a sudden sweat. At that moment I heard the words that my mother was dead. I rose and wrote the day and hour, with all the circ.u.mstances, upon a piece of paper which I kept about me all through my hard and perilous journey back to England. And yes, as it was written so would it be: on my return I heard the news of my mother's death, which had occurred on the same hour and day as I had witnessed the vision. She had expired after daily shaking with continual fever (thus in strange sort imitating the movements of the demoniac by the house of Paracelsus), but I was so elevated by my travels and by my increased thirst for learning that I cared not a fig for her. Had not Paracelsus himself left his own family to find wisdom elsewhere, and who was I to be bound down by such ties? I had a world of my own to conquer, and had no room at all for those who traced their inheritance only by blood.

So I gathered my books about me once more and took up lodgings in Carpenter's Yard, not far from Christopher Alley and to the south of Little Britain, near the covered sewer. Here the booksellers and printers kept their shops, and though there were stalls with such common stuff for mad-headed knaves as Sir Guy of Warwick Sir Guy of Warwick or or The Budget of Demands, The Budget of Demands, I found many other books, printed pamphlets and discourses in diverse arts which furnished me with strange and profitable matter. I could have stayed and read here for ever, but within a few months I had hot words with the keeper of my lodgings. She was no more than an ale-wife but she dressed as if she were in the very eye of fashion, and such was her sauciness that once she came rashly upon me in my chamber without so much as knocking at my door. I was intent upon my studies, and since she could not perceive perfectly what I was doing she broke in with a speech concerning some trifle, while all the time glancing upon my papers. I found many other books, printed pamphlets and discourses in diverse arts which furnished me with strange and profitable matter. I could have stayed and read here for ever, but within a few months I had hot words with the keeper of my lodgings. She was no more than an ale-wife but she dressed as if she were in the very eye of fashion, and such was her sauciness that once she came rashly upon me in my chamber without so much as knocking at my door. I was intent upon my studies, and since she could not perceive perfectly what I was doing she broke in with a speech concerning some trifle, while all the time glancing upon my papers.

'What is this,' she asked me, 'that you are drawing with your pen? It looks like some witchcraft.'

'I know nothing of such things, Mistress Agglintino.'

'Oh? Is that so? Well, in my opinion '

'What do I care for your rash opinions?'

'Not a fart?' She laughed too loudly.

'Less than a fart. Less than nothing.' Even as I spoke my anger grew higher than before. 'And how dare you burst in upon me?'

'I am not afraid of you,' she replied, fingering the lace upon her russet petticoat as I rose from my desk. 'I am afraid of no man. No man whatsoever.'

'There is little enough to be afraid of, mistress. But I will not have my papers overlooked, or my work become a mockery. I will not.'

'Work?' she said. 'Now that I have looked closer, I see that these are nothing but student scribblings.'

At that I flew into a desperate rage, and all at once gave notice to quit. On the following day I moved into a tenement at the corner of Billiter Lane and Fenchurch Street; it had been lately rebuilt and was known as the New Rents, but there were old damps and agues steaming from it which sent me away soon enough.

So now you find me once again in my own world, far removed from the blue expanse of Tartary and the red domains of Germania or Italia. Theatrum orbis terrarum Theatrum orbis terrarum has been taken away, bound up within its press and locked in a chest, and now before you I have unrolled another, with its own ebbs and floods, its marks and dangers the great globe of London, that is, which I have circ.u.mnavigated through all these years. From Billiter Lane I moved once more back to the west and found lodgings for myself in Sea-cole Lane near the gla.s.s-house on Saffron Hill, which was very serviceable to my exercises in perspective. Yet I need no gla.s.s or compa.s.s to remember my way through that lane where I once lived! It runs down into Fleet Lane but not before it turns into another called Wind-again Lane, which is so named because it stops at the Fleet Brook and there is no way over. So back again and, in imagination, join me as we tread a few paces northward to Holborn Bridge and Snow Hill where there stands the conduit. Then, stepping southward, retrace the ditches of Fleet Lane by the very wall of the prison and then go on to Fleet Bridge and the City Wall. Go on, go on! All is now as it was then, and will always be, for the city is so compacted of virtues and humours that it can neither decay nor die. Look, it is all around you. has been taken away, bound up within its press and locked in a chest, and now before you I have unrolled another, with its own ebbs and floods, its marks and dangers the great globe of London, that is, which I have circ.u.mnavigated through all these years. From Billiter Lane I moved once more back to the west and found lodgings for myself in Sea-cole Lane near the gla.s.s-house on Saffron Hill, which was very serviceable to my exercises in perspective. Yet I need no gla.s.s or compa.s.s to remember my way through that lane where I once lived! It runs down into Fleet Lane but not before it turns into another called Wind-again Lane, which is so named because it stops at the Fleet Brook and there is no way over. So back again and, in imagination, join me as we tread a few paces northward to Holborn Bridge and Snow Hill where there stands the conduit. Then, stepping southward, retrace the ditches of Fleet Lane by the very wall of the prison and then go on to Fleet Bridge