"You are wanted at the telephone, Brandon. I've just been talking to Sara."

"Did she call you up, father?" asked Vivian, leaning over the rail.

"Yes. About nothing in particular, however."

She turned upon Booth with a mocking smile. He felt the colour rush to his face, and was angry with himself.

He went in to the telephone. Almost her first words were these:

"What has Vivian been telling you about me, Brandon?"

He actually gasped. "Good heavens, Sara!"

He heard her low laugh. "So she HAS been saying things, has she?"

she asked. "I thought so. I've had it in my bones to-night."

He was at a loss for words. It was positively uncanny. As he stood there, trying to think of a trivial remark, her laugh came to him again over the wire, followed by a drawling "good-night," and then the soughing of the wind over the "open" wire.

The next day he called her up on the telephone quite early. He knew her habits. She would be abroad in her gardens by eight o'clock.

He remembered well that Leslie, in commenting on her absurdly early hours, had once said that her "early bird" habit was hereditary: she got it from Sebastian.

"What put it into your head, Sara, that Vivian was saying anything unpleasant about you last night?"

"Magic," she replied succinctly.

"Rubbish!"

"I have a magic tapestry that transports me, hither and thither, and by night I always carry Aladdin's lamp. So, you see, I see and hear everything."

"Be sensible."

"Very well. I will be sensible. If you intend to be influenced by what Vivian or her mother said to you last night, I think you'd be wise to avoid me from this time on."

Prepared though he was, he blinked his eyes and said something she didn't quite catch.

She went on: "Moreover, in addition to my attainments in the black art, I am quite as clever as Mr. Sherlock Holmes in some respects.

I really do some splendid deducing. In the first place, you were asked there and I was not. Why? Because I was to be discussed. You see--"

"Marvellous!" he interrupted loudly.

"You were to be told that I have cruel designs upon you."

"Go on, please."

"And all that sort of thing," she said sweepingly, and he could almost see the inclusive gesture with her free hand. He laughed but still marvelled at the shrewdness of her perceptions.

"I'll come over this afternoon and show you wherein you are wrong,"

he began, but she interrupted him with a laugh.

"I am starting for the city before noon, by motor, to be gone at least a fortnight."

"What! This is the first I've heard of it."

Again she laughed. "To be perfectly frank with you, I hadn't heard of it myself until just now. I think I shall go down to the Homestead with the Carrolls."

"Hot Springs?"

"Virginia," she added explicitly.

"I say, Sara, what does all this mean? You--"

"And if you should follow me there, Vivian's estimate of us will not be so far out of the way as we'd like to make it."

True to her word, she was gone when he drove over later on in the day. Somehow, he experienced a feeling of relief. Not that he was oppressed by the rather vivacious opinions of Vivian and her ilk, but because something told him that Sara was wavering in her determination to withhold the secret from him and fled for perfectly obvious reasons.

He had two commissions among the rich summer colonists. One, a full length portrait of young Beardsley in shooting togs, was nearly finished. The other was to be a half-length of Mrs. Ravenscroft, who wanted one just like Hetty Castleton's, except for the eyes, which she admitted would have to be different. Nothing was said of the seventeen years' difference in their ages. Vivian had put off posing until Lent.

The Wrandalls departed for Scotland, and other friends of his began to desert the country for the city. The fortnight pa.s.sed and another week besides. Mrs. Ravenscroft decided to go to Europe when the picture was half-finished.

"You can finish it when I come back in December, Mr. Booth," she said. "I'll have several new gowns to choose from, too."

"I shall be busy all winter, Mrs. Ravenscroft," he said coldly.

"How annoying," she said calmly, and that was the end of it all.

She had made the unpleasant discovery that it WASN'T going to be in the least like Hetty Castleton's, so why bother about it?

Booth waited until Sara came out to superintend the closing of her house for the winter. He called at Southlook on the day of her arrival. He was struck at once by the curious change in her appearance and manner. There was something bleak and desolate in the vividly brilliant face: the tired, wistful, hara.s.sed look of one who has begun to quail and yet fights on.

"Will you go out with me to-morrow, Brandon, for an all-day trip in the car?" she asked, as they stood together before the open fireplace on this late November afternoon. Her eyes were moody, her voice rather lifeless.

"Certainly," he said, watching her closely. Was the break about to come?

"I will stop for you at nine." After a short pause, she looked up and said: "I suppose you would like to know where I am taking you."

"It doesn't matter, Sara."

"I want you to go with me to Burton's Inn."

"Burton's Inn?"

"That is the place where my husband was killed," she said, quite steadily.

He started. "Oh! But--do you think it best, Sara, to open old wounds by--"

"I have thought it all out, Brandon. I want to go there--just once.

I want to go into that room again."