"But why on earth are they putting you in the army?" the Tenor asked.

"You mean I am much too pretty?" said the Boy, "not to mention my brains and manners. Well, there I must agree with you. It does seem a sad waste of valuable material. But it is only to fill up an interval. I shall be put into a permanent billet of another kind eventually, whether I like it or not."

"You mean you will be put into the earth to enrich it, I suppose?"

"Well, no. I was not so smart," said the Boy. "Now, that is rather a good one for you. Oh, I suspect, if I could plumb your depth, I should find myself but a simple, shallow child in comparison. No; what I meant was that eventually a certain amount of earth would come to me to enrich me."

"But what does your father think about this military manoeuvre?"

"My father _think!_" roared the Boy. "O Lord! you don't know my father!" and he fairly curled himself up in convulsions of silent laughter, which the Tenor thought unseemly considering the subject of it, but he said no more. He knew that there was nothing to be done with such a boy but to wait and hope; and that was the att.i.tude into which the Tenor found himself most p.r.o.ne to fall in these days with regard to things in general; being greatly cheered meanwhile by the sight of his lovely lady, who smiled at him now without doubt, and was seldom absent from her accustomed seat in the Canon's pew when he sang.

The Tenor looked better now, and more out of place than ever in the choir-- better, that is to say, in the sense of being more attractive; but he was not looking strong, and the common faces about him seemed commoner still when contrasted with the exceptional refinement of his own. The constant self-denial he had been obliged to exercise in order to indulge the fancies of that rapacious Boy, although a pleasure in itself, was beginning to tell upon him. His features had sharpened a little, his skin was transparent to a fault, and the brightness of his yellow hair, if it added to the quite peculiar beauty, added something also to the too great delicacy of his face. It was the brightness of his hair that suggested such names for him as "Balder the Beautiful" and "Son of the Morning" to the Boy, who invariably called him by some such fanciful appellation.

It was at this time, too, that a great painter came to Morningquest and painted a picture called "_Music_," the interest of which centred in the Tenor himself singing, while Angelica gazed at him as if she were spell-bound.

The Boy used to describe this picture to the Tenor while it was in progress, but the latter, listening in his dreamy way, was under the impression for some time that the work was one of his young friend's own imagination only. By degrees, however, it dawned upon him that the picture was an actual fact, and then he was displeased. He thought that the artist had taken a liberty with regard to himself, and been guilty of an impertinence so far as his lovely lady was concerned.

"Well, so I told him," said the Boy. "But you know, dear Israfil, that in the interests of art as well as in the interests of science, men are carried away to such an extent that they sometimes forget to be scrupulous. It is curious," he broke off, gazing at the Tenor critically, "that Angelica should specially admire your chin. It is your mouth that appeals to me. You have a regular Rossitti-Burne-Jones-Dante's-Dream-and- Blessed-Damosel kind of mouth, with full firm lips. I should think you're the sort of fellow that women would like to kiss. Don't try to look as if you wouldn't kiss a woman just once in a way, dear old chap! Women hate men like priests, who mustn't kiss them if they would; and they have no respect for other men who wouldn't kiss them if they could. I know Angelica hasn't!"

The last words were delivered from outside in the garden after the Boy had made his escape through the window.

CHAPTER XI.

How long the Tenor's dream would have remained unbroken by action it is hard to say. His want of personal ambition, his perfect serenity of mind, and his thankfulness for a state of things so much more blissful than anything he had ever expected to fall to his lot again; the languid summer weather, and his affectionate anxiety for the Boy, all combined to keep him in Morningquest, and to keep his indefinite plans for the future still in abeyance.

Other people, however, were not so apathetic. The dean's friendly remonstrances had been redoubled of late; the Boy had become importunate; and even the mild musicians of Morningquest, whose boast it was to have that bright particular star in their own little firmament, ventured to hint respectfully that he was not doing his duty by himself. All this kindly interest in his future career was not without its effect upon him, and if it did not actually rouse him to act, it put him in the mood to be aroused.

He was sitting alone one evening in his accustomed seat, beside the fireplace, or rather beside the bank of ferns and flowering plants which he had arranged before the fireplace so as to hide it, at the instigation of the Boy. A shaded lamp stood on a table behind him, throwing its softened light from over his shoulder on to the big book which lay open on his knee. But he was not reading. He had placed his hands upon the book, and was resting his head on the back of the chair. His yellow hair seemed to shine out of the surrounding gloom with a light of its own; but his face was in shadow.

The window at the further end of the room behind him was shut, and the creepers outside brushed gently against it, tapping now and then, and keeping up a continual soft rustle and murmur of leaves, like friendly voices, soothing insensibly.

The other window was open as usual, and as he sat now he could see the old cathedral opposite towering above him. It was a bright moonlight night; the shadows were strong, and the details of the facade, flying b.u.t.tress, gargoyle and cornice, with a glimpse of the apse and spire, were all distinct. But as the Tenor thoughtfully perused them, the whole fabric suddenly disappeared from view, blotted out by an opaque body round which the moonlight showed like a rim of silver, tracing in outline the slender figure of the Boy. The Tenor had forgotten him for once, and was startled from his reverie by the unexpected apparition; but he did not alter his position or make any sign. The Boy preferred to come and go like that, ungreeted and unquestioned, and the Tenor of course humoured this harmless peculiarity with the rest.

The Boy sauntered in now in a casual way, arranged his hair at a mirror, threw himself into an armchair, leant back, crossed his legs, folded both hands on his hat, which lie held on his knee, and looked at the Tenor lazily.

In the little pause that followed, the Tenor glanced at his book again, and then he closed it.

"Israfil," the Boy said suddenly, leaning forward to look at the book, as if to make sure, and speaking in an awestruck voice--"is that the _Bible_ you were reading?"

Any evidence of the Tenor's simple piety, which was neither concealed nor displayed, because it was in no way affected but quite natural to him, and he was, therefore, unconscious of it, had a peculiar effect upon the Boy.

It seemed to shock him. But whether it made him feel ashamed or not, it is impossible to say. Sometimes, the first effect over, he would remain thoughtful, as if subdued by it; but at others it appeared to have irritated him, and made him aggressively cynical.

To-night he was all subdued.

"You believe it, Israfil, don't you?" he said. "'He watching' is a fact for you?"

The Tenor did not answer, except by folding his hands upon his book again, and looking at the Boy.

"Now, _I_ don't believe a word of it," the latter pursued, "but it makes me feel. I have my moments. The Bible is a wonderful book. I open it sometimes, and read it haphazard. I did last night, and came upon--oh, Israfil, the grand simplicity of it all! the wonderful solemn earnestness!

It brought me to my knees, and made me hold up my hands; but I could not pray. I heard the chime, though, that night. It sounded insistent. It seemed to a.s.sert itself in a new way. It was as if it spoke to me alone, and I felt a strange sense of something pending--something for which I shall have to answer. 'He watching.' Yes. I feel all that.

But"--dejectedly--"one feels so much more than one knows; and when I want to know, I am never satisfied. Trying to find the little we know amongst the lot that we feel is a veritable search for mignonette seeds in sand."

The Tenor continued silent and thoughtful for a time. "But do you never pray, dear Boy?" he said at last.

The Boy shook his head.

"_Did_ you never?"

"Oh, yes,"--more cheerfully. "I used to believe in all the bogies at one time."

"I am afraid you have been brought under some bad influence, then. Tell me, who was it?"

"Angelica," said the boy.

"Oh, Boy! your sister!"

"Ah, you don't know that young lady!" the Boy rejoined, with his cynical chuckle. "She is very fascinating, I allow; but always, in her conversation, 'the serpent hisses where the sweet bird sings.'"

The Tenor toyed with the cover of his book, and was silent.

After a time the Boy spoke diffidently. "But do _you_ pray, Israfil?"

he asked.

"Yes," the Tenor answered. "I try to make prayer the att.i.tude of my mind always--I mean I try to be, and to do, and to think nothing that I could not make a subject of prayer at any time. But I do not think that a direct pet.i.tion is the only or best way to pray. It seems to me that it is in a certain att.i.tude of mind we find the highest form of prayer, a reverential att.i.tude toward all things good and beautiful, by which we attain to an inexpressible tenderness, that enemy of evil emotions, and also to rest and peace and a great deep solemn joy which is permanent."

"I don't think I ever knew a man before who prayed regularly," the Boy observed thoughtfully, rising as he spoke, and standing with his hat on: "except the clergy, I suppose. But then that is their profession, and so one thinks nothing of it. But I wonder if many men of the world pray? I suppose they have to give up everything that makes life pleasant before they can conscientiously begin."

"Far from it," said the Tenor, smiling. "But you are going early! Aren't you hungry?"

The Boy grinned as if the insinuation were flattering. "No, I am not hungry," he answered. "I dined at home to-night for a wonder, and when I do that I don't generally want any more for some time. By home I mean at my grandad's, where they always have seven or eight courses, and I can't resist any of them. I lose my self respect, but satisfy my voracity, which has the effect of improving the greediness out of my mind. But I am in a hurry this evening, and I have already outstayed my time. I only came in for a moment to ask you if you are to sing to-morrow?"

The Tenor nodded.

"In that case I am to beg you for 'Waft her, Angels.' Angelica ventures to make the request. Good-night!"

The words were scarcely spoken, and his flying footsteps were still audible as he ran lightly up the Close, when the cathedral clock began to strike. There was only one emphatic throb of the iron tongue, followed by a long reverberation, and then came the chime.

The Tenor, who had risen, stood listening, with upturned face, until the end.

But the chime failed of its effect for once. There was something weary and enigmatical in the old worn strain. Hitherto, it had always been a comfort and an a.s.surance to him, but to-night, for the first time, it was fraught with some portentous meaning. Was there any cause for alarm in what was happening? any reason for fear that should make it merciful to prepare him with migivings? It was no new thing for the Tenor to be asked to sing something special, and he tried to think such a request, although it came from Angelica--if indeed it came from her, and was not a fabrication of the Boy's--was a whim as trifling as the rest. But even if it were, trifles, as all the world knows, are not to be despised. Someone has said already that they made up the sum of life, and it may also be observed that the hand of death is weighted by them.

CHAPTER XII.