The Heart Of Rome - The Heart of Rome Part 28
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The Heart of Rome Part 28

She said nothing and he led her carefully down the inclined passage and the steps, away from the gloomy overflow, and the roaring water and the fearful dampness. He helped her down into the vault very gently, over the glittering chest of the great imperial statue. The air felt warm and dry, now that she was so badly chilled, and her lips looked a little less blue.

"I will light the lamp, and turn it very low," said Malipieri.

"I am not afraid of the dark," Sabina answered. "You said that we must not waste our light."

"Shall you really not be nervous?" Malipieri supposed that all women were afraid to be in the dark alone.

"Of course not. Why should I? There are no spiders, and I do not believe in ghosts. Besides, I shall hear you hammering at the wall."

"You had better sit on the body of the Venus. I think the marble is warmer than the bronze. But there is the board--I forgot. Wait a minute."

He was not gone long, and came back bringing the board and his waistcoat. To his surprise, he found her sitting on the ground, propping herself with one hand.

"I felt a little dizzy in the dark," she explained, "so I sat down, for fear of falling."

He glanced at her face, and his own was grave, as he placed the board on the ground, and laid the waistcoat over the curving waist of the Aphrodite, so that she could lean against it. She got up quickly when it was ready and seated herself, drawing up her knees and pulling her skirt closely round her damp shoes to keep her feet warm, if possible.

He set the lamp beside her and gave her a little silver box of matches, so that she could get a light if she felt nervous. He looked at her face thoughtfully as he stood with his lantern in his hand, ready to go.

"But you have nothing to put on, if you have to rest again!" she said, rather feebly.

"I will come and rest here, about once an hour," he answered.

Her face brightened a little, and she nodded, looking up into his eyes.

"Yes. Come and rest beside me," she said.

He went away, climbing over the statue and out through the hole in the vault. Just before he disappeared, he held up his lantern and looked towards her. She was watching him.

"Good-night," he said. "Try to sleep a little."

"Come back soon," she answered faintly, and smiled.

Presently he was at work again, steadily driving the bar against the hard bricks, steadily chipping away a little at a time, steadily making progress against the enormous obstacle. The only question was whether his strength would last, for if he had been able to get food, it would have been merely a matter of time. A crowbar does not wear down much on bricks.

At first, perfectly mechanical work helps a man to think, as walking generally does; but little by little it dulls the faculties and makes thought almost impossible. Senseless words begin to repeat themselves with the movement, fragments of tunes fit themselves to the words, and play a monotonous and exasperating music in the brain, till a man has the sensation of having a hurdy-gurdy in his head, though he may be working for his life, as Malipieri was. Yet the unchanging repetition makes the work easier, as a sailor's chanty helps at the topsail halliards.

"We must get out before we starve, we must get out before we starve,"

sang the regular blows of the bar to a queer little tune which Malipieri had never heard.

When he stopped to clear out the chips, the song stopped too, and he thought of Sabina sitting alone in the vault, propped against the Aphrodite; and he hoped that she might be asleep. But when he swung the bar back into position and heard it strike the bricks, the tune and the words came back with the pendulum rhythm; and went on and on, till they were almost maddening, though there no longer seemed to be any sense in them. They made the time pass.

Sabina heard the dull blows, too, though not very loud. It was a comfort to hear anything in the total darkness, and she tried to amuse herself by counting the strokes up to a hundred and then checking the hundreds by turning in one finger after another. It would be something to tell him when he came back. She wondered whether there would be a thousand, and then, as she was wondering, she lost the count, and by way of a change she tried to reckon how many seconds there were in an hour. But she got into trouble with the ciphers when she tried to multiply sixty by sixty in her head, and she began counting the strokes again. They always stopped for a few seconds somewhere between thirty and forty.

She wished he would come back soon, for she was beginning to feel very cold again, so cold that presently she got upon her feet and walked a dozen steps, feeling her way along the great bronze statue. It was better than sitting still. She had heard of prisoners who had kept themselves sane in a dark dungeon by throwing away a few pins they had, and finding them again. It was a famous prisoner who did that. It was the prisoner of Quillon--no, "quillon" had something to do with a sword--no, it was Chillon. Then she felt dizzy again, and steadied herself against the statue, and presently groped her way back to her seat. She almost fell, when she sat down, but saved herself and at last succeeded in getting to her original position. It was not that she was faint from hunger yet; her dizziness was probably the result of cold and weariness and discomfort, and most of all, of the unaccustomed darkness.

She was ashamed of being so weak, when she listened to the steady strokes, far off, and thought of the strength and endurance it must need to do what Malipieri seemed to be doing so easily. But she was very cold indeed, chilled to the bone and shivering, and she could not think of any way of getting warm. She rose again, and struck one of the matches he had given her, and by its feeble light she walked a few seconds without feeling dizzy, and then sat down just as the little taper was going to burn her fingers.

A few minutes later she heard footsteps overhead, and saw a faint light through the hole. He was coming at last, and she smiled happily before she saw him.

He came down and asked how she was, and he sat on the Aphrodite beside her.

"If I could only get warm!" she answered.

"Perhaps you can warm your hands a little on the sides of the lantern," he said.

She tried that and felt a momentary sensation of comfort, and asked him what progress he was making.

"Very slow," he replied. "I cannot hear the least sound from the other side yet. Masin is not there."

She did not expect any other answer, and said nothing, as she sat shivering beside him.

"You are very brave," he said presently.

A long pause followed. She had bent her head low, so that her face almost touched her knees.

"Signor Malipieri--" she began, at last, in rather a trembling tone.

"Yes? What is it?" He bent down to her, but she did not look up.

"I--I--hardly know how to say it," she faltered. "Shall you think very, very badly of me if I ask you to do something--something that--"

She stopped.

"There is nothing in heaven or earth I will not do for you," he answered. "And I shall certainly not think anything very dreadful." He tried to speak cheerfully.

"I think I shall die of the cold," she said. "There might be a way--"

"Yes? Anything!"

Then she spoke very low.

"Do you think you could just put your arms round me for a minute or two?" she asked.

Piteously cold though she was, the blood rushed to her face as she uttered the words; but Malipieri felt it in his throat and eyes.

"Certainly," he answered, as if she had asked the most natural thing in the world. "Sit upon my knees, and I will hold my arms round you, till you are warm."

He settled himself on the marble limbs of the Aphrodite, and the frail young girl seated herself on his knees, and nestled to him for warmth, while he held her close to him, covering her with his arms as much as he could. They went quite round her, one above the other, and she hid her face against his shoulder. He could feel her trembling with the cold like a leaf, under the coat he had made her put on.

Suddenly she started a little, but not as if she wished to go; it was more like a sob than anything else.

"What is the matter?" he asked, steadying his voice with difficulty.

"I am so ashamed of myself!" she answered, and she buried her face against his shoulder again.

"There is nothing to be ashamed of," he said gently. "Are you a little warmer now?"

"Oh, much, much! Let me stay just a little longer."