"You are not going to take it?" cried Sabina, a little frightened.
"Yes. I am going to take it for you. I daresay it is worth a good deal of money."
"But--is it yours?"
"No. It is yours."
"I wonder whether I have any right to it." Sabina was perhaps justly doubtful about the proceeding.
"I do not care a straw for the government, or the laws, or Volterra, where you are concerned. You shall have what is yours. Shall we get down to the ground and see if there is anything else in the vault?"
He let himself slide over the left shoulder, and the lion's skin that was modelled over it, and Sabina followed him cautiously. By bending their heads they could now stand and walk, and there was a space fully five feet wide, between the statue and the perpendicular masonry from which the vault sprang.
Malipieri stopped short, with both lights in his hand, and uttered an exclamation.
"What is it?" asked Sabina. "Oh!" she cried, as she saw what he had come upon.
For some moments neither spoke, and they stood side by side, pressed against each other in the narrow way and gazing down, for before them lay the most beautiful marble statue Sabina had ever seen. In the yellow light it was like a living woman asleep rather than a marble goddess, hewn and chipped, smoothed and polished into shape ages ago, by men's hands.
She lay a little turned to one side and away; the arm that was undermost was raised, so that the head seemed to be resting against it, though it was not; the other lying along and across the body, its perfect hand just gathering up a delicately futile drapery. The figure was whole and unbroken, of cream-like marble, that made soft living shadows in each dimple and hollow and seemed to quiver along the lines of beauty, the shoulder just edging forwards, the bent arm, the marvellous sweep of the limbs from hip to heel.
"It is a Venus, is it not?" asked Sabina with an odd little timidity.
"Aphrodite," answered Malipieri, almost unconsciously.
It was not the plump, thick-ankled, doubtfully decent Venus which the late Greeks made for their Roman masters; it was not that at all. It was their own Aphrodite, delicate, tender and deadly as the foam of the sea whence she came to them.
Sabina would scarcely have wondered if she had turned and smiled, there on the ground, to brush the shadows of ages from her opening eyes, and to say "I must have slept," like a woman waked by her lover from a dream of kisses. That would have seemed natural.
Malipieri felt that he was holding his breath. Sabina was so close to him that it was as if he could feel her heart beating near his own, and as fast; and for a moment he felt one of those strong impulses which strong men know when to resist, but to resist which is like wrestling against iron hands. He longed, as he had never longed for anything in his life, to draw her yet closer to him and to press his lips hard upon hers, without a word.
Instead, he edged away from her, and held the lights low beside the wonderful statue so that she might see it better; and Aphrodite's longing mouth, that had kissed gods, was curved with a little scorn for men.
The air was still and dry, and Sabina felt a strange little thrill in her hair and just at the back of her neck. Perhaps, in the unknown ways of fruitful nature, the girl was dimly aware of the tremendous manly impulse of possession, so near her in that narrow and silent place. Something sent a faint blush to her cheek, and she was glad there was not much light, and she did not wish to speak for a little while.
"I hate to think that she has lain so long beside that gilded Roman monster," said Malipieri presently.
The vast brutality of the herculean emperor had not disgusted him at first; it had merely displeased his taste. Now, it became suddenly an atrocious contrast to the secret loveliness of unveiled beauty. That was a manly instinct in him, too, and Sabina felt it.
"Yes," she said softly. "And she seems almost alive."
"The gods and goddesses live for ever," Malipieri answered, smiling and looking at her, in spite of himself.
Her eyes met his at once, and did not turn away. He fancied that they grew darker in the shadow, and in the short silence.
"I suppose we ought to be going," she said, still looking at him.
"Poor old Sassi is waiting in the cellar."
"We have not been all round the vault yet," he answered. "There may be something more."
"No, she has been alone with the monster, all these centuries. I am sure of it. There cannot be anything else."
"We had better look, nevertheless," said Malipieri. "I want you to see everything there is, and you cannot come here again--not in this way."
"Well, let us go round." Sabina moved.
"Besides," continued Malipieri, going slowly forward and lighting the way, "I am going to leave the palace the day after to-morrow."
"Why?" asked Sabina, in surprise.
"Because Volterra has requested me to go. I may have to leave Rome altogether."
"Leave Rome?"
Her own voice sounded harsh to her as she spoke the words. She had been so sure that he was in love with her, she had begun to know that she would soon love him; and he was going away already.
"Perhaps," he answered, going on. "I am not sure."
"But--" Sabina checked herself and bit her lip.
"What?"
"Nothing. Go on, please. It must be getting late."
There was nothing more in the vault. They went all round the gilt statue without speaking, came back to the feet of the Aphrodite from the further side and stopped to look again. Still neither spoke for a long time. Malipieri held the lights in several positions, trying to find the best.
"Why must you leave Rome?" Sabina asked, at last, without turning her face to him.
"I am not sure that I must. I said I might, that was all."
Sabina tapped the ground impatiently with her foot.
"Why 'may' you have to go, then?" she asked a little sharply.
"Volterra may be able to drive me away. He will try, because he is afraid I may wish to get a share in the discovery."
"Oh! Then you will not leave Rome, unless you are driven away?"
Malipieri tried to see her eyes, but she looked steadily down at the statue.
"No," he said. "Certainly not."
Sabina said nothing, but her expression changed and softened at once.
He could see that, even in the play of the shadows. She raised her head, glanced at him, and moved to go on. After making a few steps in the direction of the aperture she stopped suddenly as if listening.
Malipieri held his breath, and then he heard, too.
It was the unmistakable sound of water trickling faster and faster over stones. For an instant his blood stood still. Then he set the lamp down, grasped Sabina's wrist and hurried her along, carrying only the lantern.
"Come as fast as you can," he said, controlling his voice.