Toto followed, and while Masin was descending, stood looking at the bones of the dead mason, and at the skull that grinned horribly in the uncertain yellow glare.
He took a half-burnt candle from his pocket, and some sulphur matches, and made a light for himself, with which he carefully examined the bones. Malipieri watched him.
"The man who was drowned over sixty years ago," said the architect.
"This," answered Toto, with more feeling than accuracy, "is the blessed soul of my grandfather."
"He shall have Christian burial in a few days," Malipieri said gravely.
Toto shrugged his shoulders, not irreverently, but as if to say that when a dead man has been without Christian burial sixty years, it cannot make any difference whether he gets it after all or not. "The crowbar is still good," Toto said, stooping down to disengage it from the skeleton's grasp. But Malipieri laid a hand on his shoulder, for it occurred to him that the mason, armed with an iron bar, might be a dangerous adversary if he tried to escape.
"You do not need that just now," said the architect.
Toto glanced at Malipieri furtively and saw that he was understood. He stood upright, affecting indifference. They went on, through the breach to which the slit had been widened. Toto moved slowly, and held his candle down to the running water in the channel.
"There is plenty of it," he observed.
"Where does it come from?" asked Malipieri, suddenly, in the hope of an unguarded answer.
"From heaven," answered Toto without hesitation; "and everything that falls from heaven is good," he added, quoting an ancient proverb.
"What would happen if we closed the entrance, so that it could not get in at all?"
"The book of wisdom," Toto replied, "is buried under Pasquino. How should I know what would happen?"
"You know a good many things, my friend."
Malipieri understood that the man would not say more, and led the way out.
"Good-bye, grandpapa," growled Toto, waving his hairy hand towards the well. "Who knows whether we shall meet again?"
They went on, and in due time emerged into the upper air. It was raining heavily, as Toto had guessed, and before they had reached the other end of the courtyard they were drenched. But it was a relief to be out of doors, and Malipieri breathed the fresh air with keen delight, as a thirsty man drinks. The rain poured down steadily and ran in rivers along the paved gutters, and roared into the openings that carried it off. Malipieri could not help thinking how it must be roaring now, far down at the bottom of the old shaft, led thither through deep-buried and long-forgotten channels.
Upstairs, Masin was inclined to be friendly with his fellow-craftsman, and gave him dry clothes to sleep in, and bread and cheese and wine in his own room. In spite of his experiences, Masin had never known how to be suspicious. But as Malipieri looked once more at the man's stony face and indistinguishable eyes, he thought differently of his prisoner. He locked the outer door and took the key of the patent lock with him when he went to bed at last.
It does not often rain heavily in Rome, late in the spring, for any long time, but when Malipieri looked out the next morning, it was still pouring steadily, and the sky over the courtyard was uniformly grey. It is apparently a law of nature that exceptions should come when least wanted.
In spite of the weather Malipieri went out, however, and did not even send for a cab. The porter was in a particularly bad humour and eyed him distrustfully, for he had been put to the trouble of cleaning the stairs where the three men had left plentiful mud in their track during the night. Malipieri nodded to the old man as usual, and was about to go out, but turned back and gave him five francs. Thus mollified the porter at once made a remark about the atrocious weather and proceeded to ask how the work was progressing.
"I have explored a good deal," answered Malipieri. "The Senator is coming to-morrow, and you had better sweep carefully. He looks at everything, you know."
He went out into the pouring rain, keeping a sharp lookout from under the edge of the umbrella he held low over his head. He had grown cautious of late. As he expected, he came upon one of the respectable men he now met so often, before he had turned into the Piazza Agonale.
The respectable man was also carrying his umbrella low, and looking about him as he walked along at a leisurely pace. Malipieri hailed a cab.
Even in wet weather there are no closed cabs in that part of Rome. One is protected from the wet, more or less, by the hood and by a high leathern apron which is hooked to it inside. The cabman, seated under a huge standing umbrella, bends over and unhooks it on one side for you to get in and out.
Malipieri employed the usual means of eluding pursuit. He gave an address and told the man to drive fast, got out quickly on reaching the house, enquired for an imaginary person with a foreign name, who, he was of course told, did not live there, got in again and had himself driven to Sassi's door, sure of losing his pursuer, if the detective followed him in another cab. Then he paid the man two fares, to save time, and went in. He had never taken the trouble to do such a thing since his political adventures, but he was now very anxious not to let it be known that he had any dealings with the former agent of the Conti family.
The matter was settled easily enough and to his satisfaction. Old Sassi worshipped Sabina, and was already fully persuaded that whatever could be found under the palace should belong to her, as also that she had a right to see what was discovered before Volterra did, and before anything was moved. He was at least as quixotic in his crabbed fashion as Malipieri himself; and besides, he really could not see that there was the least harm or danger in the scheme. It certainly would have been improper for Malipieri to go and fetch the young lady himself, but it was absurd to suppose that a man over sixty could be blamed for accompanying a girl of eighteen on a visit to her old home, in her own interest, especially when the man had been all his life employed by her family in a position of trust and confidence. Finally, Sassi hated Volterra with all his heart, as the faithful adherents of ruined gentlefolks often hate those who have profited by their ruin.
Sassi, as an old Roman, predicted that the weather would improve in the afternoon. Malipieri advised him nevertheless to keep the hood of his cab raised when he brought Sabina to the palace. To this Sassi answered that he should of course get a closed carriage from a livery stable, and an argument followed which took some time. In the opinion of the excellent old agent, it would be almost an affront to fetch the very noble Donna Sabina in a vehicle so plebeian as a cab, and it was with the greatest difficulty that Malipieri made him understand that a cab was much safer on such an occasion.
What was important was that the weather should be fine, for otherwise the Baroness might not go out, and the whole scheme would fail. In that case, it must be arranged for the following day, and Malipieri would find an excuse for putting off Volterra's visit.
He left the house on foot. So far, he had not allowed himself to think too much of the future, and had found little time for such reflection.
He was a man who put all his energy into what he was doing, and was inclined to let consequences take care of themselves rather than waste thought in providing for them. He believed he was doing what was just and honourable, and if there was a spice of adventure and romance in it, that only made it the more easy to do. The only danger he could think of was that Sabina might slip in one of the difficult passages and hurt her foot a little, or might catch cold in the damp vaults.
Nothing else could happen.
He congratulated himself on having got Toto in his power, since Toto was the only man who understood the ways of the "lost water." If he had before suspected that there was any one at large in Rome who knew as much he would have hesitated. But he had made the discovery of the man and had taken him prisoner at the same moment, and all danger in that quarter seemed to be removed.
As for the material difficulty, he and Masin could smooth the way very much in two or three hours, and could substitute a solid wooden ladder for the one of rope in the well. Sabina was young, slight, and probably active, and with a little help she would have no difficulty in reaching the inner chamber. It might be well to cover the skeletons. Young girls were supposed to be sensitive about such things, and Malipieri had no experience of their ways. Nevertheless he had an inward conviction that Sabina would not go into hysterics at the sight.
Old Sassi might not be able to get up the ladder, but once beyond the reach of social observation, he would trust Sabina to Malipieri and Masin for a quarter of an hour, and he could wait in the outer cellar.
Malipieri had prepared him for this, and he had made no objection, only saying that he should like to see the treasure himself if it could possibly be managed. In his heart, Malipieri hoped that it would prove too much for the old man and that he might have the pleasure of showing Sabina what he had found without having the old agent at his elbow. Toto would be locked in, upstairs, for the day. He could not get out by the door, and he would not risk breaking his legs by jumping from the window. The intermediate story of the Palazzo Conti was far too high for that.
Malipieri calculated that if Sassi were punctual, Sabina would be at the door of the palace at a quarter-past five. At five minutes past, he came down, and sent the porter on an errand which would occupy at least half an hour even if executed with despatch. Masin would keep the door, he said. The old man was delighted to have an excuse for going out, and promised himself to spend a comfortable hour in a wine shop if he could find a friend. His wife, as there was so little to do, had found some employment in a laundry, to which she went in the morning and which kept her out all day. No one would see Sabina and Sassi enter, and if it seemed advisable they could be got out in the same way. No one but Masin and Malipieri himself need ever know that they had been in the palace that afternoon.
It was all very well prepared, by a man well accustomed to emergencies, and it was not easy to see how anything could go wrong.
Even allowing more time than was necessary, Sabina's visit to the vaults could not possibly occupy much more than an hour.
CHAPTER XII
Malipieri was beginning to realize that his work in the vaults had been watched with much more interest than he had supposed possible, and that in some way or other news of his progress had reached various quarters. In the first place, his reputation was much wider than he knew, and many scholars and archaeologists throughout Europe had been profoundly impressed both by what he had discovered and by the learning he had shown in discussing his discoveries. It followed that many were curious to see what he would do next, and there were paragraphs about him in grave reviews, and flattering references to him in speeches made at learned conventions. He had friends whose names he had never heard, and enemies, too, ready to attack him on the one side and to defend him on the other. Some praised his modesty, and others called it affectation. His experience of the wider world was short, so far, and he did not understand that it had taken people a year to appreciate his success. He had hoped for immediate recognition of his great services to archaeology, and had been somewhat disappointed because that recognition had not been instantaneous. Like most men of superior talent, in the same situation, when praise came in due time and abundantly, he did not care for it because he was already interested in new work. To the man of genius the past is always insignificant as compared with the future. When Goethe, dying, asked for "more light," he may or may not have merely meant that he wished the window opened because the room seemed dark to his failing eyes; the higher interpretation which has been put upon his last words remains the true one, in the spirit, if not in the letter. He died, as he had lived, the man of genius looking forward, not backward, to the last, crying for light, more light, thinking not of dying and ending, but of living, hoping, doing, winning.
Besides the general body of students and archaeologists, the Italian government was exceedingly interested in Malipieri's explorations. The government is rightly jealous in such matters, and does its very best to keep all artistic objects of real value in the country. It is right that this should be so. The law relating to the matter was framed by Cardinal Pacca, under the papal administration many years ago, and the modern rulers have had the intelligence to maintain it and enforce it.
Like other laws it is frequently broken. In this it resembles the Ten Commandments and most other rules framed by divine or human intelligence for the good of mankind and the advancement of civilization. The most sanguine lovers of their fellow-men have always admitted the existence of a certain number of flagitious persons who obstinately object to being good. David, who was hasty, included a large proportion of humanity amongst "the wicked"; Monsieur Drumont limited the number to David's descendants; and Professor Lombroso, whatever he may really mean, conveys the impression that men of genius, criminals and lunatics are different manifestations of the same thing; as diamonds, charcoal and ham fat are all carbon and nothing else. We should be thankful for the small favours of providence in excepting us from the gifted minority of madmen, murderers and poets and making us just plain human beings, like other people.
There is no international law forbidding a man from making digressions when he is telling a story.
Malipieri was watched by the government, as Volterra had told him, because it was feared in high quarters that if he found anything of value under the palace, he would try to get it out of the country. He had always hated the government and had got himself into trouble by attacking the monarchy. Besides, it was known in high quarters that Senator Baron Volterra held singular views about the authenticity of works of art. It would be inconvenient to have a scandal in the Senate about the Velasquez and the other pictures; on the other hand, if anything more of the same sort should happen, it would be very convenient indeed to catch a pair of culprits in the shape of Malipieri, a pardoned political offender, and his ex-convict servant.
Then, too, in quite another direction, the Vatican was very anxious to buy any really good work of art which might be discovered, and would pay quite as much for it as the government itself. Therefore the Vatican was profoundly interested in Malipieri on its own account.
As if this were not enough, Sabina's brother, the ruined Prince Conti, had got wind of the excavations and scented some possible advantage to himself, with the vague chance of more money to throw away on automobiles, at Monte Carlo, and in the company of a cosmopolitan young person of semi-Oriental extraction whose varied accomplishments had made her the talk of Europe.
Lastly, the Russian embassy was on the alert, for the dowager Princess had heard from her maid, who had heard it from her sister in Rome, who had learned it from the washerwoman, who had been told the secret by the porter's wife, that the celebrated Malipieri was exploring the north-west foundations of the palace. The Princess had repeated the story, and the legend which accounted for it, to her brother Prince Rubomirsky, who was a very great personage in his own country. And the Prince, though good-natured, foresaw that he might in time grow tired of giving his sister unlimited money; and it occurred to him that something might turn up under the palace, after all, to which she might have some claim. So he had used his influence in Saint Petersburg with the Minister of Foreign Affairs, and the latter had instructed the Russian Ambassador in Rome to find out what he could about the excavations, without attracting attention; and Russian diplomatists have ways of finding out things without attracting attention, which are extremely great and wonderful. Also, if Russia puts her paw upon anything and declares that it is the property of a Russian subject, it often happens that smaller people take their paws away hastily.
It follows that there must have been a good deal of quiet talk, in Rome, not overheard in society, about what Malipieri was doing in the Palazzo Conti, and as the people who occupied themselves with his affairs were particularly anxious that he should not know what they said, he was in ignorance of it. But Volterra was not. He had valuable friends, because his influence was of value, and he was informed of much that was going on. If he was anxious to get rid of the architect, it was not so much because he wanted for himself the whole price which the statue or statues might bring, as because he feared lest the government should suddenly descend upon Malipieri and make an enquiry which would involve also the question of the pictures. So far, Volterra had created the impression that the young man had been concerned with a dealer in smuggling them out of the country; but in case of an investigation it could easily be proved that they were gone before Malipieri had arrived in Rome in answer to Volterra's invitation. Besides, the Senator had discovered that the young archaeologist was much more celebrated than was convenient. In private affairs there is nothing so tiresome and inconvenient as the presence of a celebrity. Burglars, when exercising their professional functions, are not accompanied by a brass band.
Toto was very docile and quiet all that day. Masin thought him philosophical, and continued to like him, after his fashion, providing him with a plentiful supply of tobacco, a good meal at noon, and a bottle of wine. The man's stony face was almost placid. At rare intervals he made a remark. After eating he looked out of the window and said rather regretfully that he thought the rain was over for the day.