The Head Girl at the Gables - Part 18
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Part 18

"Of course I do," said Rosemary, with a rather unconvincing note in her voice.

Lorraine glanced at her quickly, but the little brown head was lowered, and shadows hid the sweet face. Lorraine could not understand Rosemary these holidays. She had returned from her first term at the College of Music seemingly as full of enthusiasm as ever, and yet there was "a something". She gave rapturous accounts of pupils' concerts, of singing cla.s.ses, of fellow-students, of rising stars in the musical world, of favourite teachers, of fun at the College and at the hostel where she boarded. She had made many new friendships, and was apparently having the time of her life.

"From her accounts you'd think it was all skittles, but I'm sure there's a hitch somewhere!" mused Lorraine.

Rosemary, with her big eyes and bigger aspirations, had always been more or less of a problem. The family had decided emphatically that she was its genius. They looked for great things from her when her course at the College should be finished. They all experienced a sort of second-hand credit in her antic.i.p.ated achievements. It is so nice to have someone else to do the clever things while we ourselves wear a reflected glory thereby. Mrs. Forrester, mother-proud of her musical chick, could not refrain from a little gentle boasting about her daughter's talents. She told everybody that she liked girls to have careers, and that parents ought to make every effort to let a gifted child have a chance. In Lorraine's estimation Rosemary's future was to be one round of triumph, ending possibly in a peal of wedding bells.

Lorraine was fond of making up romances, and had evolved a highly-satisfactory hero for her sister. He was always tall, but his eyes varied in colour, and he sometimes had a moustache and sometimes was clean-shaven. Though his personal appearance varied from day to day, his general qualities persisted, and he invariably possessed a shooting-box in Scotland, where he would be prepared to extend a warm welcome to his bride's younger sister.

Meantime, though Rosemary had been a whole term at the college, her family had no means of judging her progress. She had diligently practised scales, exercises and arpeggios, but had steadfastly refused to sing any songs to them. Vainly they had begged for old favourites; she was obdurate to the point of obstinacy.

"Signor Arezzo doesn't want me to! I'm studying on his special method, and he's most particular about it. He keeps everybody at exercises for the first term. When I go back he says perhaps he'll let me have just _one_ song."

"But surely it couldn't spoil your voice to sing 'My Happy Garden'?"

demanded her father, much disappointed.

"He forbade it _entirely_!" declared Rosemary emphatically.

This new att.i.tude of Rosemary's of hiding her light under a bushel was trying to Lorraine. She had been looking forward to showing off her clever musical sister to Morland. She had expected the two to become chums at once, but they did nothing of the sort. Rosemary treated Morland with the airy patronage that a girl, who has just begun to mix with older men, sometimes metes out to a boy of seventeen. She was not nearly as much impressed by his playing as Lorraine had antic.i.p.ated.

"He ought to learn from Signor Ra.s.suli!" she commented. "n.o.body who hasn't studied on _his_ method can possibly have a touch!"

"But Morland's exquisite touch is his great point!" persisted Lorraine indignantly.

"I can't stand the boy!" yawned Rosemary.

It is always most amazing, when we like a person exceedingly ourselves, to find that somebody else has formed a different opinion. With all his shortcomings, Lorraine appreciated Morland. He often missed his appointments, and was generally late for everything, but when he turned up he played her accompaniments as no one else ever played them.

Moreover, he was a very pleasant companion, and full of fun in a mild artistic sort of fashion of his own. He was certainly one of the central figures in the beautiful, shiftless, Bohemian household on the hill.

Lorraine had a sense that, when he went, the Castleton family would lose its corner stone. Yet some day he would be bound to go.

"I expect to be called up in March!" he announced one day.

[Ill.u.s.tration: "EVERYTHING'S GONE WRONG!" DECLARED LORRAINE TRAGICALLY]

Lorraine looked at him critically. Morland, with his ripply hair and the features of a Fra Angelico angel, would seem out of place in khaki. His dreamy, unpunctual ways and general lack of concentration would be highly exasperating to his drill-sergeant. She wondered what would happen when, as usual, he turned up late. Artistic temperaments did not fit in well with the stern realities of life. She had a feeling that they ought to be exempted.

Music, this term, was more to the fore than usual in Lorraine's horizon.

After Christmas a fresh teacher had come to the school, who gave lessons in French, violin, and piano. Her name was Madame Bertier, and she was a Russian by birth, though her husband was a Belgian at present interned in Germany.

She was a new arrival at Porthkeverne, and had rooms in the artists'

quarter of the town. She spent her mornings at The Gables, and filled up her afternoons by taking private pupils. Like most Russians, she had a charming manner, and was br.i.m.m.i.n.g over with talent. She was a striking-looking woman, with a clear, pale complexion, flashing hazel eyes, and carefully arranged coiffure. Her delicate hands were exquisitely manicured. She dressed becomingly, and wore handsome rings.

Her foreign accent was decidedly pretty.

Most of the school, and the Sixth Form in particular, went crazy over her. They admired her frocks, her hair, her earrings, and the whole charming air of "finish" about her. It became the fashion of the moment to adore her. Those girls who took private music lessons from her were counted lucky. The members of the French cla.s.s vied with one another in presenting offerings of violets or early snowdrops. She accepted the little bouquets as gracefully as a prima donna.

"She's _the_ most absolutely topping person I've ever met!" affirmed Vivien, who was one of her most ardent worshippers.

"Um--well enough!" said Lorraine, whose head was not turned by the new idol. "She's not quite my style, somehow. I always feel she's out for admiration."

"Well, she deserves to be admired."

"Not so consciously, though."

"I think she's too precious for words. It's something even to be in the same room with her!" gushed Audrey. "I've scored over you, Vivien, because she's written two verses in my alb.u.m, and she only wrote one in yours!"

"Yes, but it was original poetry in mine!"

"How do you know, when it's in Russian?"

"She said so, at any rate."

"Oh! I must ask her to put in an original one for me."

"She's coming to tea with us to-morrow."

"You lucker!"

There seemed no lengths to which the girls would not go. Several of them kept sentimental diaries in which were recorded the doings and sayings of their deity. Audrey's ran as follows:--

_Jan. 15th._--A new sun rose in the sky, and the world of school has changed for me. I could do nothing but gaze.

_Jan. 16th._--Her name is Madame Bertier.

_Jan. 17th._--Her Christian name is Olga Petrovna.

_Jan. 18th._--She looked directly at me, and I blushed.

_Jan. 19th._--To-day she smiled upon me.

_Jan. 22nd._--To-day she accepted my flowers.

_Jan. 23rd._--A black day. Vivien has engrossed her entirely.

_Jan. 24th._--I have asked Mother to call upon her.

_Jan. 25th._--The world dark. Mother too busy to call.

_Jan. 30th._--Mother called to-day. Hooray!

_Feb. 1st._--She is coming to tea. I feel I am treading on air.

_Feb. 2nd._--She has been to our house. It was the happiest day of my life.

Though she came as a stranger to Porthkeverne, Madame Bertier very soon found friends. Her attractive personality and her musical talent gained her the entree into the artistic and literary circles of the town. Two princ.i.p.al figure-painters asked her to sit for her portrait, and her violin was much in demand for concerts at the Arts Club. Like most of the Bohemian residents of the place, she found her way to the studio at Windy Howe, and a pastel drawing of her profile soon stood on Mr.

Castleton's easel. She did not win universal favour, however, at the house on the hill. Claudia, walking from school one day with Lorraine, exploded upon the subject.

"I can't bear the woman! I don't know what Vivien and the others see in her. I call it very flashy to wear all that jewellery at school. She's always up at our house, and Morland's fearfully taken with her. They play duets by the hour together. Father's going to paint her as 'The Angel of Victory' in that huge cartoon he's designing for the Chagstead Town Hall. I don't think she's a sc.r.a.p like an angel! She pats Lilith and Constable on the head, just for show, but she looks terrified if they come near her smart frocks. Violet detests her. It's the one thing Violet and I agree about. We've been squabbling over everything else lately. It's a weary world!"

"Madame's fascinating enough on the surface," agreed Lorraine thoughtfully, "but she's not the kind of woman I admire. Somehow I don't quite trust her. Do you believe in first impressions? So do I. Well, my first feeling about her was distinctly non-attractive. We ran away from each other mentally, like two pieces of magnetized steel. She's very sweet to me at my music lessons; but I'm sure it's all put on, and she doesn't care an atom. It's an entirely different thing from my Sat.u.r.day lessons."