As they sat round the fading bed of coals, Roger began hunting along his private shelves. "Have you ever read any Gissing?" he said.

t.i.tania made a pathetic gesture to Mrs. Mifflin. "It's awfully embarra.s.sing to be asked these things! No, I never heard of him."

"Well, as the street we live on is named after him, I think you ought to," he said. He pulled down his copy of The House of Cobwebs. "I'm going to read you one of the most delightful short stories I know.

It's called 'A Charming Family.'"

"No, Roger," said Mrs. Mifflin firmly. "Not to-night. It's eleven o'clock, and I can see t.i.tania's tired. Even Bock has left us and gone in to his kennel. He's got more sense than you have."

"All right," said the bookseller amiably. "Miss Chapman, you take the book up with you and read it in bed if you want to. Are you a librocubicularist?"

t.i.tania looked a little scandalized.

"It's all right, my dear," said Helen. "He only means are you fond of reading in bed. I've been waiting to hear him work that word into the conversation. He made it up, and he's immensely proud of it."

"Reading in bed?" said t.i.tania. "What a quaint idea! Does any one do it? It never occurred to me. I'm sure when I go to bed I'm far too sleepy to think of such a thing."

"Run along then, both of you," said Roger. "Get your beauty sleep. I shan't be very late."

He meant it when he said it, but returning to his desk at the back of the shop his eye fell upon his private shelf of books which he kept there "to rectify perturbations" as Burton puts it. On this shelf there stood Pilgrim's Progress, Shakespeare, The Anatomy of Melancholy, The Home Book of Verse, George Herbert's Poems, The Notebooks of Samuel Butler, and Leaves of Gra.s.s. He took down The Anatomy of Melancholy, that most delightful of all books for midnight browsing. Turning to one of his favourite pa.s.sages--"A Consolatory Digression, Containing the Remedies of All Manner of Discontents"--he was happily lost to all ticking of the clock, retaining only such bodily consciousness as was needful to dump, fill, and relight his pipe from time to time.

Solitude is a dear jewel for men whose days are spent in the tedious this-and-that of trade. Roger was a glutton for his midnight musings.

To such tried companions as Robert Burton and George Herbert he was wont to exonerate his spirit. It used to amuse him to think of Burton, the lonely Oxford scholar, writing that vast book to "rectify" his own melancholy.

By and by, turning over the musty old pages, he came to the following, on Sleep--

The fittest time is two or three hours after supper, whenas the meat is now settled at the bottom of the stomach, and 'tis good to lie on the right side first, because at that site the liver doth rest under the stomach, not molesting any way, but heating him as a fire doth a kettle, that is put to it. After the first sleep 'tis not amiss to lie on the left side, that the meat may the better descend, and sometimes again on the belly, but never on the back. Seven or eight hours is a competent time for a melancholy man to rest----

In that case, thought Roger, it's time for me to be turning in. He looked at his watch, and found it was half-past twelve. He switched off his light and went back to the kitchen quarters to tend the furnace.

I hesitate to touch upon a topic of domestic bitterness, but candor compels me to say that Roger's evening vigils invariably ended at the ice-box. There are two theories as to this subject of ice-box plundering, one of the husband and the other of the wife. Husbands are p.r.o.ne to think (in their simplicity) that if they take a little of everything palatable they find in the refrigerator, but thus distributing their forage over the viands the general effect of the depradation will be almost unnoticeable. Whereas wives say (and Mrs.

Mifflin had often explained to Roger) that it is far better to take all of any one dish than a little of each; for the latter course is likely to diminish each item below the bulk at which it is still useful as a left-over. Roger, however, had the obstinate viciousness of all good husbands, and he knew the delights of cold provender by heart. Many a stewed prune, many a mess of string beans or naked cold boiled potato, many a chicken leg, half apple pie, or sector of rice pudding, had perished in these midnight festivals. He made it a point of honour never to eat quite all of the dish in question, but would pa.s.s with unabated zest from one to another. This habit he had sternly repressed during the War, but Mrs. Mifflin had noticed that since the armistice he had resumed it with hearty violence. This is a custom which causes the housewife to be confronted the next morning with a tragical vista of pathetic sc.r.a.ps. Two slices of beet in a little earthenware cup, a sliver of apple pie one inch wide, three prunes lowly nestling in a mere trickle of their own syrup, and a tablespoonful of stewed rhubarb where had been one of those yellow basins nearly full--what can the most resourceful kitcheneer do with these oddments? This atrocious practice cannot be too bitterly condemned.

But we are what we are, and Roger was even more so. The Anatomy of Melancholy always made him hungry, and he dipped discreetly into various vessels of refreshment, sharing a few sc.r.a.ps with Bock whose pleading brown eye at these secret suppers always showed a comical realization of their shameful and furtive nature. Bock knew very well that Roger had no business at the ice-box, for the larger outlines of social law upon which every home depends are clearly understood by dogs. But Bock's face always showed his tremulous eagerness to partic.i.p.ate in the sin, and rather than have him stand by as a silent and d.a.m.ning critic, Roger used to give him most of the cold potato.

The censure of a dog is something no man can stand. But I rove, as Burton would say.

After the ice-box, the cellar. Like all true householders, Roger was fond of his cellar. It was something mouldy of smell, but it harboured a well-stocked little bin of liquors, and the florid glow of the furnace mouth upon the concrete floor was a great pleasure to the bookseller. He loved to peer in at the dancing flicker of small blue flames that played above the ruddy mound of coals in the firebox--tenuous, airy little flames that were as blue as violets and hovered up and down in the ascending gases. Before blackening the fire with a stoking of coal he pulled up a wooden Bushmills box, turned off the electric bulb overhead, and sat there for a final pipe, watching the rosy shine of the grate. The tobacco smoke, drawn inward by the hot inhaling fire, seemed dry and gray in the golden brightness. Bock, who had pattered down the steps after him, nosed and snooped about the cellar. Roger was thinking of Burton's words on the immortal weed--

Tobacco, divine, rare, superexcellent tobacco, which goes far beyond all the panaceas, potable gold, and philosopher's stones, a sovereign remedy to all diseases... . a virtuous herb, if it be well qualified, opportunely taken, and medicinally used; but as it is commonly abused by most men, which take it as tinkers do ale, 'tis a plague, a mischief, a violent purger of goods, lands, health, h.e.l.lish, devilish, and d.a.m.ned tobacco, the ruin and overthrow of body and soul----

Bock was standing on his hind legs, looking up at the front wall of the cellar, in which two small iron-grated windows opened onto the sunken area by the front door of the shop. He gave a low growl, and seemed uneasy.

"What is it, Bock?" said Roger placidly, finishing his pipe.

Bock gave a short, sharp bark, with a curious note of protest in it.

But Roger's mind was still with Burton.

"Rats?" he said. "Aye, very likely! This is Ratisbon, old man, but don't bark about it. Incident of the French Camp: 'Smiling, the rat fell dead.'"

Bock paid no heed to this persiflage, but prowled the front end of the cellar, looking upward in curious agitation. He growled again, softly.

"Shhh," said Roger gently. "Never mind the rats, Bock. Come on, we'll stoke up the fire and go to bed. Lord, it's one o'clock."

Chapter XI

t.i.tania Tries Reading in Bed

Aubrey, sitting at his window with the opera gla.s.ses, soon realized that he was blind weary. Even the exalted heroics of romance are not proof against fatigue, most potent enemy of all who do and dream. He had had a long day, coming after the skull-smiting of the night before; it was only the frosty air at the lifted sash that kept him at all awake. He had fallen into a half drowse when he heard footsteps coming down the opposite side of the street.

He had forced himself awake several times before, to watch the pa.s.sage of some harmless strollers through the innocent blackness of the Brooklyn night, but this time it was what he sought. The man stepped stealthily, with a certain blend of wariness and a.s.surance. He halted under the lamp by the bookshop door, and the gla.s.ses gave him enlarged to Aubrey's eye. It was Weintraub, the druggist.

The front of the bookshop was now entirely dark save for a curious little glimmer down below the pavement level. This puzzled Aubrey, but he focussed his gla.s.ses on the door of the shop. He saw Weintraub pull a key out of his pocket, insert it very carefully in the lock, and open the door stealthily. Leaving the door ajar behind him, the druggist slipped into the shop.

"What devil's business is this?" thought Aubrey angrily. "The swine has even got a key of his own. There's no doubt about it. He and Mifflin are working together on this job."

For a moment he was uncertain what to do. Should he run downstairs and across the street? Then, as he hesitated, he saw a pale beam of light over in the front left-hand corner of the shop. Through the gla.s.ses he could see the yellow circle of a flashlight splotched upon dim shelves of books. He saw Weintraub pull a volume out of the case, and the light vanished. Another instant and the man reappeared in the doorway, closed the door behind him with a gesture of careful silence, and was off up the street quietly and swiftly. It was all over in a minute.

Two yellow oblongs shone for a minute or two down in the area underneath the door. Through the gla.s.ses he now made out these patches as the cellar windows. Then they disappeared also, and all was placid gloom. In the quivering light of the street lamps he could see the bookseller's sign gleaming whitely, with its lettering THIS SHOP IS HAUNTED.

Aubrey sat back in his chair. "Well," he said to himself, "that guy certainly gave his shop the right name. This is by me. I do believe it's only some book-stealing game after all. I wonder if he and Weintraub go in for some first-edition faking, or some such stunt as that? I'd give a lot to know what it's all about."

He stayed by the window on the qui vive, but no sound broke the stillness of Gissing Street. In the distance he could hear the occasional rumble of the Elevated trains rasping round the curve on Wordsworth Avenue. He wondered whether he ought to go over and break into the shop to see if all was well. But, like every healthy young man, he had a horror of appearing absurd. Little by little weariness numbed his apprehensions. Two o'clock clanged and echoed from distant steeples. He threw off his clothes and crawled into bed.

It was ten o'clock on Sunday morning when he awoke. A broad swath of sunlight cut the room in half: the white muslin curtain at the window rippled outward like a flag. Aubrey exclaimed when he saw his watch.

He had a sudden feeling of having been false to his trust. What had been happening across the way?

He gazed out at the bookshop. Gissing Street was bright and demure in the crisp quietness of the forenoon. Mifflin's house showed no sign of life. It was as he had last seen it, save that broad green shades had been drawn down inside the big front windows, making it impossible to look through into the book-filled alcoves.

Aubrey put on his overcoat in lieu of a dressing gown, and went in search of a bathtub. He found the bathroom on his floor locked, with sounds of leisurely splashing within. "d.a.m.n Mrs. J. F. Smith," he said. He was about to descend to the storey below, bashfully conscious of bare feet and pyjamaed shins, but looking over the banisters he saw Mrs. Schiller and the treasure-dog engaged in some household manoeuvres. The pug caught sight of his pyjama legs and began to yap.

Aubrey retreated in the irritation of a man baulked of a cold tub. He shaved and dressed rapidly.

On his way downstairs he met Mrs. Schiller. He thought that her gaze was disapproving.

"A gentleman called to see you last night, sir," she said. "He said he was very sorry to miss you."

"I was rather late in getting in," said Aubrey. "Did he leave his name?"

"No, he said he'd see you some other time. He woke the whole house up by falling downstairs," she added sourly.

He left the lodging house swiftly, fearing to be seen from the bookshop. He was very eager to learn if everything was all right, but he did not want the Mifflins to know he was lodging just opposite.

Hastening diagonally across the street, he found that the Milwaukee Lunch, where he had eaten the night before, was open. He went in and had breakfast, rejoicing in grapefruit, ham and eggs, coffee, and doughnuts. He lit a pipe and sat by the window wondering what to do next. "It's d.a.m.ned perplexing," he said to himself. "I stand to lose either way. If I don't do anything, something may happen to the girl; if I b.u.t.t in too soon I'll get in dutch with her. I wish I knew what Weintraub and that chef are up to."

The lunchroom was practically empty, and in two chairs near him the proprietor and his a.s.sistant were sitting talking. Aubrey was suddenly struck by what they said.