Look not away with that high-arched brow, But turn its whiteness that I may behold, And lift thy great eyes till they blaze on mine, And lay thy finger on thy perfect mouth, And let thy lucent ears of careen pearl Drink in the murmured music of my soul, As the lush gra.s.s drinks in the globed dew; For I have many scrolls of sweetest rhyme I will unroll and make thee glad to hear.

"Then she: O shaper of the marvellous phrase That openeth woman's heart as Both a key, I dare not hear thee--lest the bolt should slide That locks another's heart within my own.

Go, leave me,--and she let her eyelids fall, And the great tears rolled from her large blue eyes.

"Then I: If thou not hear me, I shall die, Yea, in my desperate mood may lift my hand And do myself a hurt no leach can mend; For poets ever were of dark resolve, And swift stern deed

"That maiden heard no more, But spike: Alas! my heart is very weak, And but for--Stay! And if some dreadful morn, After great search and shouting thorough the wold, We found thee missing,--strangled,--drowned i' the mere, Then should I go distraught and be clean mad!

"O poet, read! read all thy wondrous scrolls.

Yea, read the verse that maketh glad to hear!

Then I began and read two sweet, brief hours, And she forgot all love save only mine!"

"Is all this from real life?" asked the publisher.

"It--no, sir--not exactly from real life--that is, the leading female person is not wholly fict.i.tious--and the incident is one which might have happened. Shall I read you the poems referred to in the one you have just heard, sir?"

"Allow me, one moment. Two hours' reading, I think, you said. I fear I shall hardly be able to spare quite time to hear them all. Let me ask what you intend doing with these productions, Mr.----rr Poplins."

"Hopkins, if you please, sir, not Poplins," said Gifted, plaintively.

He expressed his willingness to dispose of the copyright, to publish on shares, or perhaps to receive a certain percentage on the profits.

"Suppose we take a gla.s.s of wine together, Mr.--Hopkins, before we talk business," the publisher said, opening a little cupboard and taking therefrom a decanter and two gla.s.ses. He saw the young man was looking nervous. He waited a few minutes, until the wine had comforted his epigastrium, and diffused its gentle glow through his unspoiled and consequently susceptible organisation.

"Come with me," he said.

Gifted followed him into a dingy apartment in the attic, where one sat at a great table heaped and piled with ma.n.u.scripts. By him was a huge basket, ha'f full of ma.n.u.scripts also. As they entered he dropped another ma.n.u.script into the basket and looked up.

"Tell me," said Gifted, "what are these papers, and who is he that looks upon them and drops them into the basket?"

"These are the ma.n.u.script poems that we receive, and the one sitting at the table is commonly spoken of among us as 'The Butcher'. The poems he drops into the basket are those rejected as of no account."

"But does he not read the poems before he rejects them?"

"He tastes them. Do you eat a cheese before you buy it?"

"And what becomes of all those that he drops into the basket?"

"If they are not claimed by their author in proper season, they go to the devil."

"What!" said Gifted, with his eyes stretched very round.

"To the paper factory, where they have a horrid machine they call the devil, that tears everything to bits,--as the critics treat our authors, sometimes, sometimes, Mr. Hopkins."

Gifted devoted a moment to silent reflection.

After this instructive sight they returned together to the publisher's private room. The wine had now warmed the youthful poet's praecordia, so that he began to feel a renewed confidence in his genius and his fortunes.

"I should like to know what that critic of yours would say to my ma.n.u.script," he said boldly.

"You can try it if you want to," the publisher replied, with an ominous dryness of manner which the sanguine youth did not perceive, or, perceiving, did not heed.

"How can we manage to get an impartial judgment?"

"Oh, I'll arrange that. He always goes to his luncheon about this time.

Raw meat and vitriol punch,--that 's what the authors say. Wait till we hear him go, and then I will lay your ma.n.u.script so that he will come to it among the first after he gets back. You shall see with your own eyes what treatment it gets. I hope it may please him, but you shall see."

They went back to the publisher's private room and talked awhile.

Then the little office-boy came up with some vague message about a gentleman--business--wants to see you, sir, etc., according to the established programme; all in a vacant, mechanical sort of way, as if he were a talking-machine just running down.

The publisher told the boy that he was engaged, and the gentleman must wait. Very soon they heard The Butcher's heavy footstep as he went out to get his raw meat and vitriol punch.

"Now, then," said the publisher, and led forth the confiding literary lamb once more, to enter the fatal door of the critical shambles.

"Hand me your ma.n.u.script, if you please, Mr. Hopkins. I will lay it so that it shall be the third of these that are coming to hand. Our friend here is a pretty good judge of verse, and knows a merchantable article about as quick as any man in his line of business. If he forms a favorable opinion of your poems, we will talk over your propositions."

Gifted was conscious of a very slight tremor as he saw his precious ma.n.u.script deposited on the table, under two others, and over a pile of similar productions. Still he could not help feeling that the critic would be struck by his t.i.tle. The quotation from Gray must touch his feelings. The very first piece in the collection could not fail to arrest him. He looked a little excited, but he was in good spirits.

"We will be looking about here when our friend comes back," the publisher said. "He is a very methodical person, and will sit down and go right to work just as if we were not here. We can watch him, and if he should express any particular interest in your poems, I will, if you say so, carry you up to him and reveal the fact that you are the author of the works that please him."

They waited patiently until The Butcher returned, apparently refreshed by his ferocious refection, and sat down at his table. He looked comforted, and not in ill humor. The publisher and the poet talked in low tones, as if on business of their own, and watched him as he returned to his labor.

The Butcher took the first ma.n.u.script that came to hand, read a stanza here and there, turned over the leaves, turned back and tried again,--shook his head--held it for an instant over the basket, as if doubtful,--and let it softly drop. He took up the second ma.n.u.script, opened it in several places, seemed rather pleased with what he read, and laid it aside for further examination.

He took up the third. "Blossoms of the Soul," etc. He glared at it in a dreadfully ogreish way. Both the lockers-on held their breath. Gifted Hopkins felt as if half a gla.s.s more of that warm sherry would not hurt him. There was a sinking at the pit of his stomach, as if he was in a swing, as high as he could go, close up to the swallows' nests and spiders' webs. The Butcher opened the ma.n.u.script at random, read ten seconds, and gave a short low grunt. He opened again, read ten seconds, and gave another grunt, this time a little longer and louder. He opened once more, read five seconds, and, with something that sounded like the snort of a dangerous animal, cast it impatiently into the basket, and took up the ma.n.u.script that came next in order.

Gifted Hopkins stood as if paralyzed for a moment.

"Safe, perfectly safe," the publisher said to him in a whisper. "I'll get it for you presently. Come in and take another gla.s.s of wine," he said, leading him back to his own office.

"No, I thank you," he said faintly, "I can bear it. But this is dreadful, sir. Is this the way that genius is welcomed to the world of letters?"

The publisher explained to him, in the kindest manner, that there was an enormous over-production of verse, and that it took a great part of one man's time simply to overhaul the cart-loads of it that were trying to get themselves into print with the imprimatur of his famous house. "You are young, Mr. Hopkins. I advise you not to try to force your article of poetry on the market. The B----, our friend, there, that is, knows a thing that will sell as soon as he sees it. You are in independent circ.u.mstances, perhaps? If so, you can print--at your own expense--whatever you choose. May I take the liberty to ask your--profession?"

Gifted explained that he was "clerk" in a "store," where they sold dry goods and West India goods, and goods promiscuous.

"Oh, well, then," the publisher said, "you will understand me. Do you know a good article of brown sagas when you see it?"

Gifted Hopkins rather thought he did. He knew at sight whether it was a fair, salable article or not.

"Just so. Now our friend, there, knows verses that are salable and unsalable as well as you do brown sugar.--Keep quiet now, and I will go and get your ma.n.u.script for you.

"There, Mr. Hopkins, take your poems,--they will give you a reputation in your village, I don't doubt, which, is pleasant, but it will cost you a good deal of money to print them in a volume. You are very young: you can afford to wait. Your genius is not ripe yet, I am confident, Mr.

Hopkins. These verses are very well for a beginning, but a man of promise like you, Mr. Hopkins, must n't throw away his chance by premature publication! I should like to make you a present of a few of the books we publish. By and by, perhaps, we can work you into our series of poets; but the best pears ripen slowly, and so with genius.--Where shall I send the volumes?"

Gifted answered, to parlor No. 6, Planet Hotel, where he soon presented himself to Master Gridley, who could guess pretty well what was coming.

But he let him tell his story.

"Shall I try the other publishers?" said the disconsolate youth.