The night was far gone, as she knew by the declining of the constellations which she had seen shining brightly almost overhead in the early evening, when she awoke, and found herself still sitting in the very att.i.tude in which she was sitting hours before. Her lamp had burned out, and the starlight but dimly illuminated her chamber. She started to find herself sitting there, chilled and stiffened by long remaining in one posture; and as her consciousness returned, a great fear seized her, and she sprang for a match. It broke with the quick movement she made to kindle it, and she s.n.a.t.c.hed another as if a fiend were after her. It flashed and went out. Oh the terror, the terror! The darkness seemed alive with fearful presences. The lurid glare of her own eyeb.a.l.l.s flashed backwards into her brain. She tried one more match; it kindled as it should, and she lighted another lamp. Her first impulse was to a.s.sure herself that nothing was changed in the familiar objects around her. She held the lamp up to the picture of Judith Pride. The beauty looked at her, it seemed as if with a kind of lofty recognition in her eyes; but there she was, as always. She turned the light upon the pale face of the martyr-portrait. It looked troubled and faded, as it seemed to Myrtle, but still it was the same face she remembered from her childhood. Then she threw the light on the old chair, and, shuddering, caught up a shawl and flung it over the spiral-wound arms and legs, and the flattened reptiles on which it stood.

In those dead hours of the night which had pa.s.sed over her sitting there, still and stony, as it should seem, she had had strange visitors.

Two women had been with her, as real as any that breathed the breath of life,--so it appeared to her,--yet both had long been what is called, in our poor language, dead. One came in all the glory of her ripened beauty, bare-necked, bare-armed, full dressed by nature in that splendid animal equipment which in its day had captivated the eyes of all the l.u.s.ty lovers of complete muliebrity. The other,--how delicate, how translucent, how aerial she seemed! yet real and true to the lineaments of her whom the young girl looked upon as her hereditary protector.

The beautiful woman turned, and, with a face full of loathing and scorn, pointed to one of the reptiles beneath the feet of the chair. And while Myrtle's eyes followed hers, the flattened and half-crushed creature seemed to swell and spread like his relative in the old fable, like the black dog in Faust, until he became of tenfold size, and at last of colossal proportions. And, fearful to relate, the batrachian features humanized themselves as the monster grew, and, shaping themselves more and more into a remembered similitude, Myrtle saw in them a hideous likeness of--No! no! it was too horrible, was that the face which had been so close to hers but yesterday? were those the lips, the breath from which had stirred her growing curls as he leaned over her while they read together some pa.s.sionate stanza from a hymn that was as much like a love-song as it dared to be in G.o.dly company? A shadow of disgust--the natural repugnance of loveliness for deformity-ran all through her, and she shrieked, as she thought, and threw herself at the feet of that other figure. She felt herself lifted from the floor, and then a cold thin hand seemed to take hers. The warm life went out of her, and she was to herself as a dimly conscious shadow that glided with pa.s.sive acquiescence wherever it was led. Presently she found herself in a half-lighted apartment, where there were books on the shelves around, and a desk with loose ma.n.u.scripts lying on it, and a little mirror with a worn bit of carpet before it. And while she looked, a great serpent writhed in through the half-open door, and made the circuit of the room, laying one huge ring all round it, and then, going round again, laid another ring over the first, and so on until he was wound all round the room like the spiral of a mighty cable, leaving a hollow in the centre; and then the serpent seemed to arch his neck in the air, and bring his head close down to Myrtle's face; and the features were not those of a serpent, but of a man, and it hissed out the words she had read that very day in a little note which said, "Come to my study to-morrow, and we will read hymns together."

Again she was back in her little chamber, she did not know how, and the two women were looking into her eyes with strange meaning in their own.

Something in them seemed to plead with her to yield to their influence, and her choice wavered which of them to follow, for each would have led her her own way,--whither she knew not. It was the strife of her "Vision," only in another form,--the contest of two lives her blood inherited for the mastery of her soul. The might of beauty conquered.

Myrtle resigned herself to the guidance of the lovely phantom, which seemed so much fuller of the unextinguished fire of life, and so like herself as she would grow to be when noon should have ripened her into maturity.

Doors opened softly before them; they climbed stairs, and threaded corridors, and penetrated crypts, strange yet familiar to her eyes, which seemed to her as if they could see, as it were, in darkness. Then came a confused sense of eager search for something that she knew was hidden, whether in the cleft of a rock, or under the boards of a floor, or in some hiding-place among the skeleton rafters, or in a forgotten drawer, or in a heap of rubbish, she could not tell; but somewhere there was something which she was to find, and which, once found, was to be her talisman. She was in the midst of this eager search when she awoke.

The impression was left so strongly on her mind that with all her fears she could not resist the desire to make an effort to find what meaning there was in this frightfully real dream. Her courage came back as her senses a.s.sured her that all around her was natural, as when she left it.

She determined to follow the lead of the strange hint her nightmare had given her.

In one of the upper chambers of the old mansion there stood a tall, upright desk of the ancient pattern, with folding doors above and large drawers below. "That desk is yours, Myrtle," her uncle Malachi had once said to her; "and there is a trick or two about it that it will pay you to study." Many a time Myrtle had puzzled herself about the mystery of the old desk. All the little drawers, of which there were a considerable number, she had pulled out, and every crevice, as she thought, she had carefully examined. She determined to make one more trial. It was the dead of the night, and this was a fearful old place to be wandering about; but she was possessed with an urgent feeling which would not let her wait until daylight.

She stole like a ghost from her chamber. She glided along the narrow entries as she had seemed to move in her dream. She opened the folding doors of the great upright desk. She had always before examined it by daylight, and though she had so often pulled all the little drawers out, she had never thoroughly explored the recesses which received them.

But in her new-born pa.s.sion of search, she held her light so as to illuminate all these deeper s.p.a.ces. At once she thought she saw the marks of pressure with a finger. She pressed her own finger on this place, and, as it yielded with a slight click, a small mahogany pilaster sprang forward, revealing its well-kept secret that it was the mask of a tall, deep, very narrow drawer. There was something heavy in it, and, as Myrtle turned it over, a golden bracelet fell into her hand. She recognized it at once as that which had been long ago the ornament of the fair woman whose portrait hung in her chamber. She clasped it upon her wrist, and from that moment she felt as if she were the captive of the lovely phantom who had been with her in her dream.

"The old man walked last night, G.o.d save us!" said Kitty f.a.gan to Biddy Finnegan, the day after Myrtle's nightmare and her curious discovery.

CHAPTER XVI. VICTORY.

It seems probable enough that Myrtle's whole spiritual adventure was an unconscious dramatization of a few simple facts which her imagination tangled together into a kind of vital coherence. The philosopher who goes to the bottom of things will remark that all the elements of her fantastic melodrama had been furnished her while waking. Master Byles Gridley's penetrating and stinging caution was the text, and the grotesque carvings and the portraits furnished the "properties" with which her own mind had wrought up this scenic show.

The philosopher who goes to the bottom of things might not find it so easy to account for the change which came over Myrtle Hazard from the hour when she clasped the bracelet of Judith Pride upon her wrist. She felt a sudden loathing of the man whom she had idealized as a saint.

A young girl's caprice? Possibly. A return of the natural instincts of girlhood with returning health? Perhaps so. An impression produced by her dream? An effect of an influx from another sphere of being? The working of Master Byles Gridley's emphatic warning? The magic of her new talisman?

We may safely leave these questions for the present. As we have to tell, not what Myrtle Hazard ought to have done, and why she should have done it, but what she did do, our task is a simpler one than it would be to lay bare all the springs of her action. Until this period, she had hardly thought of herself as a born beauty. The flatteries she had received from time to time were like the chips and splinters under the green wood, when the chill women pretended to make a fire in the best parlor at The Poplars, which had a way of burning themselves out, hardly warming, much less kindling, the fore-stick and the back-log.

Myrtle had a tinge of what some call superst.i.tion, and she began to look upon her strange acquisition as a kind of amulet. Its suggestions betrayed themselves in one of her first movements. Nothing could be soberer than the cut of the dresses which the propriety of the severe household had established as the rule of her costume. But the girl was no sooner out of bed than a pa.s.sion came over her to see herself in that less jealous arrangement of drapery which the Beauty of the last century had insisted on as presenting her most fittingly to the artist. She rolled up the sleeves of her dress, she turned down its prim collar and neck, and glanced from her gla.s.s to the portrait, from the portrait back to the gla.s.s. Myrtle was not blind nor dull, though young, and in many things untaught. She did not say in so many words, "I too am a beauty,"

but she could mot help seeing that she had many of the attractions of feature and form which had made the original of the picture before her famous. The same stately carriage of the head, the same full-rounded neck, the same more than hinted outlines of figure, the same finely shaped arms and hands, and something very like the same features startled her by their ident.i.ty in the permanent image of the canvas and the fleeting one of the mirror.

The world was hers then,--for she had not read romances and love-letters without finding that beauty governs it in all times and places. Who was this middle-aged minister that had been hanging round her and talking to her about heaven, when there was not a single joy of earth that she had as yet tasted? A man that had been saying all his fine things to Miss Susan Posey, too, had he, before he had bestowed his attentions on her?

And to a dozen other girls, too, n.o.body knows who!

The revulsion was a very sadden one. Such changes of feeling are apt to be sudden in young people whose nerves have been tampered with, and Myrtle was not of a temperament or an age to act with much deliberation where a pique came in to the aid of a resolve. Master Gridley guessed sagaciously what would be the effect of his revelation, when he told her of the particular attentions the minister had paid to pretty Susan Posey and various other young women.

The Rev. Mr. Stoker had parted his hair wonderfully that morning, and made himself as captivating as his professional costume allowed. He had drawn down the shades of his windows so as to let in that subdued light which is merciful to crow's-feet and similar embellishments, and wheeled up his sofa so that two could sit at the table and read from the same book.

At eleven o'clock he was pacing the room with a certain feverish impatience, casting a glance now and then at the mirror as he pa.s.sed it. At last the bell rang, and he himself went to answer it, his heart throbbing with expectation of meeting his lovely visitor.

Myrtle Hazard appeared by an envoy extraordinary, the bearer of sealed despatches. Mistress Kitty f.a.gan was the young lady's subst.i.tute, and she delivered into the hand of the astonished clergyman the following missive:

TO THE REV. MR. STOKER.

Reverend Sir,--I shall not come to your study this day. I do not feel that I have any more need of religious counsel at this time, and I am told by a friend that there are others who will be glad to hear you talk on this subject. I hear that Mrs. Hopkins is interested in religious subjects, and would have been glad to see you in my company. As I cannot go with her, perhaps Miss Susan Posey will take my place. I thank you for all the good things you have said to me, and that you have given me so much of your company. I hope we shall sing hymns together in heaven some time, if we are good enough, but I want to wait for that awhile, for I do not feel quite ready. I am not going to see you any more alone, reverend sir. I think this is best, and I have good advice. I want to see more of young people of my own age, and I have a friend, Mr.

Gridley, who I think is older than you are, that takes an interest in me; and as you have many others that you must be interested in, he can take the place of a father better than you can do. I return to you the hymn-book, I read one of those you marked, and do not care to read any more.

Respectfully yours,

MYRTLE HAZARD.

The Rev. Mr. Stoker uttered a cry of rage as he finished this awkwardly written, but tolerably intelligible letter. What could he do about it?

It would hardly do to stab Myrtle Hazard, and shoot Byles Gridley, and strangle Mrs. Hopkins, every one of which homicides he felt at the moment that he could have committed. And here he was in a frantic paroxysm, and the next day was Sunday, and his morning's discourse was unwritten. His savage mediaeval theology came to his relief, and he clutched out of a heap of yellow ma.n.u.scripts his well-worn "convulsion-fit" sermon. He preached it the next day as if it did his heart good, but Myrtle Hazard did not hear it, for she had gone to St.

Bartholomew's with Olive Eveleth.

CHAPTER XVII. SAINT AND SINNER

It happened a little after this time that the minister's invalid wife improved--somewhat unexpectedly in health, and, as Bathsheba was beginning to suffer from imprisonment in her sick-chamber, the physician advised very strongly that she should vary the monotony of her life by going out of the house daily for fresh air and cheerful companionship.

She was therefore frequently at the house of Olive Eveleth; and as Myrtle wanted to see young people, and had her own way now as never before, the three girls often met at the parsonage. Thus they became more and more intimate, and grew more and more into each other's affections.

These girls presented three types of spiritual character which are to be found in all our towns and villages. Olive had been carefully trained, and at the proper age confirmed. Bathsheba had been prayed for, and in due time startled and converted. Myrtle was a simple daughter of Eve, with many impulses like those of the other two girls, and some that required more watching. She was not so safe, perhaps, as either of the other girls, for this world or the next; but she was on some accounts more interesting, as being a more genuine representative of that inexperienced and too easily deluded, yet always cherished, mother of our race, whom we must after all accept as embodying the creative idea of woman, and who might have been alive and happy now (though at a great age) but for a single fatal error.

The Rev. Ambrose Eveleth, Rector of Saint Bartholomew's, Olive's father, was one of a cla.s.s numerous in the Anglican Church, a cultivated man, with pure tastes, with simple habits, a good reader, a neat writer, a safe thinker, with a snug and well-fenced mental pasturage, which his sermons kept cropped moderately close without any exhausting demand upon the soil. Olive had grown insensibly into her religious maturity, as into her bodily and intellectual developments, which one might suppose was the natural order of things in a well-regulated Christian--household, where the children are brought up in the nurture and admonition of the Lord.

Bathsheba had been worried over and perplexed and depressed with vague apprehensions about her condition, conveyed in mysterious phrases and graveyard expressions of countenance, until about the age of fourteen years, when she had one of those emotional paroxysms very commonly considered in some Protestant sects as essential to the formation of religious character. It began with a shivering sense of enormous guilt, inherited and practised from her earliest infancy. Just as every breath she ever drew had been malignantly poisoning the air with carbonic acid, so her every thought and feeling had been tainting the universe with sin. This spiritual chill or rigor had in due order been followed by the fever-flush of hope, and that in its turn had ushered in the last stage, the free opening of all the spiritual pores in the peaceful relaxation of self-surrender.

Good Christians are made by many very different processes. Bathsheba had taken her religion after the fashion of her sect; but it was genuine, in spite of the cavils of the formalists, who could not understand that the spirit which kept her at her mother's bedside was the same as that which poured the tears of Mary of Magdala on the feet of her Lord, and led her forth at early dawn with the other Mary to visit his sepulchre.

Myrtle was a child of nature, and of course, according to the out-worn formulae which still shame the distorted religion of humanity, hateful to the Father in Heaven who made her. She had grown up in antagonism with all that surrounded her. She had been talked to about her corrupt nature and her sinful heart, until the words had become an offence and an insult. Bathsheba knew her father's fondness for young company too well to suppose that his intercourse with Myrtle had gone beyond the sentimental and poetical stage, and was not displeased when she found that there was some breach between them. Myrtle herself did not profess to have pa.s.sed through the technical stages of the customary spiritual paroxysm. Still, the gentle daughter of the terrible preacher loved her and judged her kindly. She was modest enough to think that perhaps the natural state of some girls might be at least as good as her own after the spiritual change of which she had been the subject. A manifest heresy, but not new, nor unamiable, nor inexplicable.

The excellent Bishop Joseph Hall, a painful preacher and solid divine of Puritan tendencies, declares that he prefers good-nature before grace in the election of a wife; because, saith he, "it will be a hard Task, where the Nature is peevish and froward, for Grace to make an entire Conquest whilst Life lasteth." An opinion apparently entertained by many modern ecclesiastics, and one which may be considered very encouraging to those young ladies of the politer circles who have a fancy for marrying bishops and other fashionable clergymen. Not of course that "grace" is so rare a gift among the young ladies of the upper social sphere; but they are in the habit of using the word with a somewhat different meaning from that which the good Bishop attached to it.

CHAPTER XVIII. VILLAGE POET.

It was impossible for Myrtle to be frequently at Olive's without often meeting Olive's brother, and her reappearance with the bloom on her cheek was a signal which her other admirers were not likely to overlook as a hint to recommence their flattering demonstrations; and so it was that she found herself all at once the centre of attraction to three young men with whom we have made some acquaintance, namely, Cyprian Eveleth, Gifted Hopkins, and Murray Bradshaw.

When the three girls were together at the house of Olive, it gave Cyprian a chance to see something of Myrtle in the most natural way.

Indeed, they all became used to meeting him in a brotherly sort of relation; only, as he was not the brother of two of them, it gave him the inside track, as the sporting men say, with reference to any rivals for the good-will of either of these. Of course neither Bathsheba nor Myrtle thought of him in any other light than as Olive's brother, and would have been surprised with the manifestation on his part of any other feeling, if it existed. So he became very nearly as intimate with them as Olive was, and hardly thought of his intimacy as anything more than friendship, until one day Myrtle sang some hymns so sweetly that Cyprian dreamed about her that night; and what young person does not know that the woman or the man once idealized and glorified in the exalted state of the imagination belonging to sleep becomes dangerous to the sensibilities in the waking hours that follow? Yet something drew Cyprian to the gentler and more subdued nature of Bathsheba, so that he often thought, like a gayer personage than himself, whose divided affections are famous in song, that he could have been blessed to share her faithful heart, if Myrtle had not bewitched him with her unconscious and innocent sorceries. As for poor, modest Bathsheba, she thought nothing of herself, but was almost as much fascinated by Myrtle as if she had been one of the s.e.x she was born to make in love with her.

The first rival Cyprian was to encounter in his admiration of Myrtle Hazard was Mr. Gifted Hopkins. This young gentleman had the enormous advantage of that all-subduing accomplishment, the poetical endowment.

No woman, it is pretty generally understood, can resist the youth or man who addresses her in verse. The thought that she is the object of a poet's love is one which fills a woman's ambition more completely than all that wealth or office or social eminence can offer. Do the young millionnaires and the members of the General Court get letters from unknown ladies, every day, asking for their autographs and photographs?

Well, then!

Mr. Gifted Hopkins, being a poet, felt that it was so, to the very depth of his soul. Could he not confer that immortality so dear to the human heart? Not quite yet, perhaps,--though the "Banner and Oracle" gave him already "an elevated niche in the Temple of Fame," to quote its own words,--but in that glorious summer of his genius, of which these spring blossoms were the promise. It was a most formidable battery, then, which Cyprian's first rival opened upon the fortress of Myrtle's affections.