On the same day that Mr. Fowler was writing a letter of thanks to Mr. Pierce, Mr. Pierce was preparing to crack the mansion of Mr. Trent. Involved in this plan were five people: Pierce, who had some inside knowledge of the layout of the house; Agar, who would make the wax impression of the key; Agar's woman, who would act as "crow," or lookout; and Barlow who would be a "stall," providing diversion.

There was also the mysterious Miss Miriam. She was essential to the planned housebreak, for she would carry out what was called "the carriage fakement" This was one of the most clever methods of breaking into a house. For its effect, the carriage fakement relied upon a solid social custom of the day--- the tipping of servants.

In Victorian England, roughly 10 percent of the entire population was "in service," and nearly all were poorly paid. The poorest paid were those whose tasks brought them in contact with visitors and house guests: the butler and the hall porter relied on tips for most of their annual income. Thus the notorious disdain of the porter for insubstantial callers--- and thus, too, the "carriage fakement "

By nine o'clock on the evening of November 12, 1854, Pierce had his confederates in their places. The crow, Agar's woman, lounged across the street from the Trent mansion. Barlow, the stall, had slipped down the alley toward the tradesman's entrance and the dog pens at the back of the house. Pierce and Agar were concealed in shrubbery right next to the front door. When all was in readiness, an elegant closed carriage drew up to the curb in front of the house, and the bell was rung.

The Trent household's hall porter heard the ring, and opened the door. He saw the carriage drawn up at the curb. Dignified and conscious of tips, the porter was certainly not going to stand in the doorway and shout into the night to inquire what was wanted. When, after a moment, no one emerged from the carriage, he went down the steps to the curb to see if he could be of service.

Inside the carriage he saw a handsome, refined woman who asked if this was the residence of Mr. Robert Jenkins. The porter said it was not, but he knew of Mr. Jenkins; the house was around the corner, and he gave directions.

While this was happening, Pierce and Agar slipped into the house through the open front door. They proceeded directly to the cellar door. This door was locked, but Agar employed a twirl, or picklock, and had it open in a moment. The two men were inside the cellar, with the door closed behind them, by the time the porter received his shilling from the lady in the carriage. The porter tossed the coin in the air, caught it, walked back to the house, and locked up the door once more, never suspecting he had been tricked.

That was the carriage fakement.

In the light of a narrow-beam lantern, Pierce checked his watch. It was 9:04. That gave them an hour to find the key before Barlow provided his diversion to cover their escape.

Pierce and Agar moved stealthily down the creaking stairs into the depths of the cellar. They saw the wine racks, locked behind iron gratings. These new locks yielded easily to Agar's attentions. At 9:11, they swung the grating door open and entered the wine cellar proper. They immediately began the search for the key.

There was no way to be clever about the search. It was a slow and painstaking business. Pierce could make only one a.s.sumption about the hiding place: since Mr. Trent's wife was the person who usually went into the cellar, and since Mr. Trent did not want her coming across the key by accident, the banker probably hid his key at some inconveniently high location. They first searched the tops of the racks, feeling with their fingers. It was dusty, and there was soon a good deal of dust in the air.

Agar, with his bad lungs, had difficulty suppressing his cough. Several times his stifled grunts were sufficiently loud to alarm Pierce, but the Trent household never heard them.

Soon it was 9:30. Now, Pierce knew, time was beginning to work against them. Pierce searched more frantically and became impatient, hissing his complaints to Agar, who wielded the spot of light from the hot shaded lantern.

Ten more minutes pa.s.sed, and Pierce began to sweat. And then, with startling suddenness, his fingers felt something cold on the top of the wine-rack crossbars. The object fell to the ground with a metallic clink. A few moments of scrambling around on the earthern floor of the cellar, and they had the key. It was 9:45.

Pierce held it into the spot from the lantern. In darkness, Agar groaned.

"What is it?" Pierce whispered.

"That's not it."

"What do you mean?"

"I mean it's not the ruddy key, it's the wrong one."

Pierce turned the key over in his hands. "Are you sure?" he whispered, but even as he spoke he knew Agar was right. The key was dusty and old; there was grime in the crevices of the p.r.o.ngs. Agar spoke his thoughts.

"n.o.body's touched her in ten years."

Pierce swore, and continued his search, while Agar held the lantern. Agar looked at the key critically.

"d.a.m.n me but she's odd," he whispered. "I never seen the likes of it. Small as she is, delicate-like, could be a lady's twirl to some female trifle, you ask me---"

"---Shut up," Pierce hissed.

Agar fell silent. Pierce searched, feeling his heart thump in his chest, not looking at his clock, not wanting to know the time. Then his fingers again felt cold metal. He brought it into the light.

It was a shiny key.

"That's for a safe," Agar said when he saw it.

"Right," Pierce said, sighing. He took the lantern and held it for Agar. Agar fished two wax blanks from his pockets. He held them in his hands to warm them a moment, and then he pressed the key into them, first one side, then the other.

"Time?" he whispered.

"Nine-fifty-one," Pierce said.

"I'll do another," Agar said, and repeated the process with a second set of blanks. This was common practice among the most adept screwsmen, for one never knew when a blank might be later injured after a break-in. When he had two sets, Pierce returned the key to its hiding place.

"Nine-fifty-seven."

"Crikey, it's close."

They left the wine cellar, locking it behind them, and slipped up the stairs to the bas.e.m.e.nt door. Then they waited.

Barlow, lurking in the shadows near the servants' quarters, checked his own pocket watch and saw it was ten o'clock. He had a moment of hesitation. On the one hand, every minute his accomplices spent inside the Trent household was dangerous; on the other hand, they might not have finished their work, despite the planned schedule. He had no wish to be the villain, greeted by the spectacle of their angry faces when they made their escape.

Finally he muttered to himself, "Ten is ten," and, carrying a bag, he moved back to the dog kennels. Three dogs were there, including the new gift of a made dog from Mr. Pierce. Barlow bent over the run and pushed four squeaking rats out of the bag and into the enclosure. Immediately, the dogs began to yelp and bark, raising a terrible din.

Barlow slipped off into the shadows as he saw the lights come on in one window after another in the servants' quarters.

Pierce and Agar, hearing the commotion, opened the cellar door and moved into the hallway, locking that door behind them. There was the sound of running footsteps at the back of the house. They unfastened the locks and bolts of the front door, let themselves out, and disappeared into the night.

They left behind their only one sign of their visit: the unlocked front door. They knew that in the morning the hall porter, being first to arise, would come upon the front door and find the locks open. But the porter would remember the incident of the carriage the night before, and would a.s.sume that he had forgotten to lock up afterward. He might secretly suspect a housebreak, but as the day went on and nothing was discovered missing, he would forget all about it.

In any case, no burglary of the Trent residence was, ever reported to authorities. The mysterious commotion of the dogs was explained by the bodies of the dead rats in the kennel. There was some discussion of how the rats had found their way into the dog run, but the Trent household was large and busy, and there was no time for idle speculation on trivial matters.

Thus, by dawn of November 13, 1854, Edward Pierce had the first of the four keys he needed. He immediately directed his attention to obtaining the second key.

Chapter 19.

The a.s.signation

Mr. Henry Fowler could scarcely believe his eyes. There, in the faint glow of the street gas lamp, was a delicate creature, rosy-cheeked and wonderfully young. She could not be much past the age of consent of twelve, and her very posture, bearing, and timid manner bespoke her tender and uninitiated state.

He approached her; she replied softly, halting, with downcast eyes, and led him to a brothel lodging house not far distant. Mr. Fowler eyed the establishment with some trepidation, for the exterior was not particularly prepossessing. Thus it was a pleasant surprise when the child's gentle knock at the door received an answer from an exceedingly beautiful woman, whom the child called "Miss Miriam." Standing in the hallway, Fowler saw that this accommodation house was not one of those crude establishments where beds rented for five shillings an hour and the proprietor came round and rapped on the door with a stick when the time was due; on the contrary, here the furnishings were plush velvet, with rich drapings, fine Persian carpets, and appointments of taste and quality. Miss Miriam comported herself with extraordinary dignity as she requested one hundred and fifty pounds; her manner was so wellborn that Fowler paid without a quibble, and he proceeded directly to an upstairs room with the little girl, whose name was Sarah.

Sarah explained that she had lately come from Derbyshire, that her parents were dead, that she had an older brother off in the Crimea, and a younger brother in the poorhouse. She talked of all these events almost gaily as they ascended the stairs. Fowler thought he detected a certain overexcited quality to her speech; no doubt the poor child was nervous at her first experience, and he reminded himself to be gentle.

The room they entered was as superbly furnished as the downstairs sitting room; it was red and elegant, and the air was softly perfumed with the scent of jasmine. He looked about briefly, for a man could never be too careful. Then he bolted the door and turned to face the girl.

"Well, now," he said.

"Sir?" she said.

"Well, now," he said. "Shall, we, ah..."

"Oh, yes, of course, sir," she said, and the simple child began to undress him. He found it extraordinary, to stand in the midst of this elegant--- very nearly decadent--- room and have a little child who stood barely to his waist reach up with her little fingers and pluck at his b.u.t.tons, undressing him. Altogether, it was so remarkable he submitted pa.s.sively, and soon was naked, although she was still attired.

"What is this?" she asked, touching a key around his neck on a silver chain.

"Just a--- ah--- key," he replied.

"You'd best take it off," she said, "it may harm me."

He took it off. She dimmed the gaslights, and then disrobed. The next hour or two was magical to Henry Fowler, an experience so incredible, so astounding he quite forgot his painful condition. And he certainly did not notice that a stealthy hand slipped around one of the heavy red velvet drapes and plucked away the key from atop his clothing; nor did he notice when, a short time later, the key was returned.

"Oh, sir," she cried, at the vital moment. "Oh, sir!"

And Henry Fowler was, for a brief instant, more filled with life and excitement than he could ever remember in all his forty-seven years.

Chapter 20.

The Coopered Ken

The ease with which Pierce and his fellow conspirators obtained the first two keys gave them a sense of confidence that was soon to prove false. Almost immediately after obtaining Fowler's key, they ran into difficulties from an unexpected quarter: the South Eastern Railway changed its routine for the dispatcher's offices in London Bridge Station.

The gang employed Miss Miriam to watch the routine of the offices, and in late December, 1854, she returned with bad news. At a meeting in Pierces house, she told both Pierce and Agar that the railway company had hired a jack who now guarded the premises at night.

Since they had been planning to break in at night, this was sour news indeed. But according to Agar, Pierce covered his disappointment quickly. "What's his rig?" he asked.

"He comes on duty at lock-up each night, at seven sharp," Miss Miriam said.

"And what manner of fellow is he?"

"He's a ream escop," she replied, meaning a real policeman. "He's forty or so; square-rigged, fat. But I'll wager he doesn't sleep on the job, and he's no lushington."

"Is he armed?"

"He is," she said, nodding.

"Where's he lurk, then?" Agar said.

"Right at the door. Sits up at the top of the steps by the door, and does not move at all. He has a small paper bag at his side, which I think is his supper." Miss Miriam could not be sure of that, because she dared not remain watching the station office too late in the day for fear of arousing suspicion.

"Crikey," Agar said in disgust. "Sits right by the door? He's coopered that ken."

"I wonder why they put on a night guard," Pierce said.

"Maybe they knew we were giving it the yack," Agar said, for they had kept the office under surveillance, off and on, for a period of months, and someone might have noticed.

Pierce sighed.

"No gammon now," Agar said.

"There's always a gammon," Pierce said.

"It's coopered for sure," Agar said.

"Not coopered," Pierce said, "just a little more difficult is all."

"How you going to knock it over, then?" Agar said.

"At the dinner hour," he said.

"In broad daylight?" Agar said, aghast.

"Why not?" Pierce said.

The following day, Pierce and Agar watched the midday routine of the office. At one o'clock, the London Bridge Station was crowded with pa.s.sengers coming and going; porters hauling luggage behind elegant travelers on their way to coaches; hawkers shouting refreshments for sale; and three or four policemen moving around, keeping order and watching for buzzers--- pickpockets--- since train stations were becoming their new favorite haunt. The dipper would nail his quarry as he boarded the train, and the victim would not discover the robbery until he was well out of London.

The a.s.sociation of pickpockets with train stations became so notorious that when William Frith painted one of the most famous pictures of his generation, "The Railway Station," in 1862, the chief focus of the composition was two detectives pinching a thief.

Now the London Bridge Station had several Metropolitan Police constables. And the railway companies had private guards as well.

"It's fair aswarm with miltonians," Agar said unhappily, looking around the station platforms.

"Never mind that," Pierce said. He watched the railway office.

At one o'clock, the clerks clambered down the iron stairs, chattering among themselves, off to lunch. The traffic manager, a stern gentleman in muttonchop whiskers, remained inside. The clerks were back at two o'clock, and the office routine resumed.

The next day, the manager went to lunch but two of the clerks remained behind, skipping lunch.

By the third day, they knew the pattern: one or more of the men in the office went to lunch for an hour at one o'clock, but the office was never left unattended. The conclusion was clear.

"No daylight gammon," Agar said.

"Perhaps Sunday," Pierce said, thinking aloud.

In those days--- and indeed to the present day--- the British railway system strongly resisted operations on the Sabbath. It was considered unnecessary and unseemly for any company to do business on Sunday, and the railways in particular had always shown an oddly moralistic bent. For example, smoking on railway carriages was forbidden long after smoking became a widespread custom in society; a gentleman who wished to enjoy a cigar was obliged to tip the railroad porter--- another forbidden act--- and this state of affairs continued, despite the intense pressure of public opinion, until 1868, when Parliament finally pa.s.sed a law forcing the railroads to allow pa.s.sengers to smoke.