"'Hecaten voco!

Voco Tisiphonem!

Spargens avernales aquas, Te morti devoveo, te diris ago!"'

The terrible drops of the aqua tofana glittered like dew on the glowing flowers, taking away in a moment all their fragrance, while leaving all their beauty unimpaired. The poison sank into the very hearts of the roses, whence it breathed death from every petal and every leaf, leaving them fair as she who had sent them, but fatal to the approach of lip or nostril, fit emblems of her unpitying hate and remorseless jealousy.

La Corriveau wrapped the bouquet in a medicated paper of silver tissue, which prevented the escape of the volatile death, and replacing the roses carefully in the basket, prepared for her departure to Beaumanoir.

CHAPTER XL. QUOTH THE RAVEN, "NEVERMORE!"

It was the eve of St. Michael. A quiet autumnal night brooded over the forest of Beaumanoir. The moon, in her wane, had risen late, and struggled feebly among the broken clouds that were gathering slowly in the east, indicative of a storm. She shed a dim light through the glades and thickets, just enough to discover a path where the dark figure of a woman made her way swiftly and cautiously towards the Chateau of the Intendant.

She was dressed in the ordinary costume of a peasant-woman, and carried a small basket on her arm, which, had she opened it, would have been found to contain a candle and a bouquet of fresh roses carefully covered with a paper of silver tissue,--nothing more. An honest peasant-woman would have had a rosary in her basket, but this was no honest-peasant woman, and she had none.

The forest was very still,--it was steeped in quietness. The rustling of the dry leaves under the feet of the woman was all she heard, except when the low sighing of the wind, the sharp bark of a fox, or the shriek of an owl, broke the silence for a moment, and all was again still.

The woman looked watchfully around as she glided onwards. The path was known to her, but not so familiarly as to prevent the necessity of stopping every few minutes to look about her and make sure she was right.

It was long since she had travelled that way, and she was looking for a landmark--a gray stone that stood somewhere not far from where she was, and near which she knew that there was a footpath that led, not directly to the Chateau, but to the old deserted watch-tower of Beaumanoir.

That stone marked a spot not to be forgotten by her, for it was the memorial of a deed of wickedness now only remembered by herself and by God. La Corriveau cared nothing for the recollection. It was not terrible to her, and God made no sign; but in his great book of account, of which the life of every man and woman forms a page, it was written down and remembered.

On the secret tablets of our memory, which is the book of our life, every thought, word, and deed, good or evil, is written down indelibly and forever; and the invisible pen goes on writing day after day, hour after hour, minute after minute, every thought, even the idlest, every fancy the most evanescent: nothing is left out of our book of life which will be our record in judgment! When that book is opened and no secrets are hid, what son or daughter of Adam is there who will not need to say, "God be merciful?"

La Corriveau came suddenly upon the gray stone. It startled her, for its rude contour, standing up in the pale moonlight, put on the appearance of a woman. She thought she was discovered, and she heard a noise; but another glance reassured her. She recognized the stone, and the noise she had heard was only the scurrying of a hare among the dry leaves.

The habitans held this spot to be haunted by the wailing spirit of a woman in a gray robe, who had been poisoned by a jealous lover. La Corriveau gave him sweatmeats of the manna of St. Nicholas, which the woman ate from his hand, and fell dead at his feet in this trysting-place, where they met for the last time. The man fled to the forest, haunted by a remorseful conscience, and died a retributive death: he fell sick, and was devoured by wolves. La Corriveau alone of mortals held the terrible secret.

La Corriveau gave a low laugh as she saw the pale outline of the woman resolve itself into the gray stone. "The dead come not again!" muttered she, "and if they do she will soon have a companion to share her midnight walks round the Chateau!" La Corriveau had no conscience; she knew not remorse, and would probably have felt no great fear had that pale spirit really appeared at that moment, to tax her with wicked complicity in her murder.

The clock of the Chateau struck twelve. Its reverberations sounded far into the night as La Corriveau emerged stealthily out of the forest, crouching on the shady side of the high garden hedges, until she reached the old watch-tower, which stood like a dead sentinel at his post on the flank of the Chateau.

There was an open doorway, on each side of which lay a heap of fallen stones. This was the entrance into a square room, dark and yawning as a cavern. It was traversed by one streak of moonshine, which struggled through a grated window set in the thick wall.

La Corriveau stood for a few moments looking intently into the gloomy ruin; then, casting a sharp glance behind her, she entered. Tired with her long walk through the forest, she flung herself upon a stone seat to rest, and to collect her thoughts for the execution of her terrible mission.

The dogs of the Chateau barked vehemently, as if the very air bore some ominous taint; but La Corriveau knew she was safe: they were shut up in the courtyard, and could not trace her to the tower. A harsh voice or two and the sound of whips presently silenced the barking dogs, and all was still again.

She had got into the tower unseen and unheard. "They say there is an eye that sees everything," muttered she, "and an ear that hears our very thoughts. If God sees and hears, he does nothing to prevent me from accomplishing my end; and he will not interfere to-night! No, not for all the prayers she may utter, which will not be many more! God if there be one--lets La Corriveau live, and will let the lady of Beaumanoir die!"

There was a winding stair of stone, narrow and tortuous, in one corner of the tower. It led upwards to the roof and downwards to a deep vault which was arched and groined. Its heavy, rough columns supported the tower above, and divided the vaults beneath. These vaults had formerly served as magazines for provisions and stores for the use of the occupants of the Chateau upon occasions when they had to retire for safety from a sudden irruption of Iroquois.

La Corriveau, after a short rest, got up with a quick, impatient movement. She went over to an arched doorway upon which her eyes had been fixed for several minutes. "The way is down there," she muttered; "now for a light!"

She found the entrance to the stair open; she passed in, closing the door behind her so that the glimmer might not be seen by any chance stroller, and struck a light. The reputation which the tower had of being haunted made the servants very shy of entering it, even in the day-time; and the man was considered bold indeed who came near it after dark.

With her candle in her hand, La Corriveau descended slowly into the gloomy vault. It was a large cavern of stone, a very habitation of darkness, which seemed to swallow up the feeble light she carried. It was divided into three portions, separated by rough columns.

A spring of water trickled in and trickled out of a great stone trough, ever full and overflowing with a soft, tinkling sound, like a clepsydra measuring the movements of eternity. The cool, fresh, living water diffused throughout the vaults an even, mild temperature the year round.

The gardeners of the Chateau took advantage of this, and used the vault as a favorite storeroom for their crops of fruit and vegetables for winter use in the Chateau.

La Corriveau went resolutely forward, as one who knew what she sought and where to find it, and presently stood in front of a recess containing a wooden panel similar to that in the Chateau, and movable in the same manner. She considered it for some moments, muttering to herself as she held aloft the candle to inspect it closely and find the spring by which it was moved.

La Corriveau had been carefully instructed by Mere Malheur in every point regarding the mechanism of this door. She had no difficulty in finding the secret of its working. A slight touch sufficed when the right place was known. She pressed it hard with her hand; the panel swung open, and behind it gaped a dark, narrow passage leading to the secret chamber of Caroline.

She entered without hesitation, knowing whither it led. It was damp and stifling. Her candle burned dimmer and dimmer in the impure air of the long shut-up passage. There were, however, no other obstacles in her way. The passage was unincumbered; but the low arch, scarcely over her own height, seemed to press down upon her as she passed along, as if to prevent her progress. The fearless, wicked heart bore her up,--nothing worse than herself could meet her; and she felt neither fear at what lay before her nor remorse at what was behind.

The distance to be traversed was not far, although it seemed to her impatience to be interminable. Mere Malheur, with her light heels, could once run through it in a minute, to a tryst in the old tower. La Corriveau was thrice that time in groping her way along it before she came to a heavy, iron-ribbed door set in a deep arch, which marked the end of the passage.

That black, forbidding door was the dividing of light from darkness, of good from evil, of innocence from guilt. On one side of it, in a chamber of light, sat a fair girl, confiding, generous, and deceived only through her excess of every virtue; on the other, wickedness, fell and artful, was approaching with stealthy footsteps through an unseen way, and stood with hand upraised to knock, but incapable of entering in unless that unsuspecting girl removed the bar.

As the hour of midnight approached, one sound after another died away in the Chateau. Caroline, who had sat counting the hours and watching the spectral moon as it flickered among the drifting clouds, withdrew from the window with a trembling step, like one going to her doom.

She descended to the secret chamber, where she had appointed to meet her strange visitor and hear from strange lips the story that would be told her.

She attired herself with care, as a woman will in every extremity of life. Her dark raven hair was simply arranged, and fell in thick masses over her neck and shoulders. She put on a robe of soft, snow-white texture, and by an impulse she yielded to, but could not explain, bound her waist with a black sash, like a strain of mourning in a song of innocence. She wore no ornaments save a ring, the love-gift of Bigot, which she never parted with, but wore with a morbid anticipation that its promises would one day be fulfilled. She clung to it as a talisman that would yet conjure away her sorrows; and it did! but alas! in a way little anticipated by the constant girl! A blast from hell was at hand to sweep away her young life, and with it all her earthly troubles.

She took up a guitar mechanically, as it were, and as her fingers wandered over the strings, a bar or two of the strain, sad as the sigh of a broken heart, suggested an old ditty she had loved formerly, when her heart was full of sunshine and happiness, when her fancy used to indulge in the luxury of melancholic musings, as every happy, sensitive, and imaginative girl will do as a counterpoise to her high-wrought feelings.

In a low voice, sweet and plaintive as the breathings of an Aeolian harp, Caroline sang her Minne-song:--

"'A linnet sat upon a thorn At evening chime.

Its sweet refrain fell like the rain Of summer-time.

Of summer-time when roses bloomed, And bright above A rainbow spanned my fairy-land Of hope and love!

Of hope and love! O linnet, cease Thy mocking theme!

I ne'er picked up the golden cup In all my dream!

In all my dream I missed the prize Should have been mine; And dreams won't die! though fain would I, And make no sign!'"

The lamps burned brightly, shedding a cheerful light upon the landscapes and figures woven into the tapestry behind which was concealed the black door that was to admit La Corriveau.

It was oppressively still. Caroline listened with mouth and ears for some sound of approaching footsteps until her heart beat like the swift stroke of a hammer, as it sent the blood throbbing through her temples with a rush that almost overpowered her.

She was alone, and lonely beyond expression. Down in these thick foundations no sound penetrated to break the terrible monotony of the silence around her, except the dull, solemn voice of the bell striking the hour of midnight.

Caroline had passed a sleepless night after the visit of Mere Malheur, sometimes tossing on her solitary couch, Sometimes starting up in terror. She rose and threw herself despairingly upon her knees, calling on Christ to pardon her, and on the Mother of Mercies to plead for her, sinner that she was, whose hour of shame and punishment had come!

The mysterious letter brought by Mere Malheur, announcing that her place of concealment was to be searched by the Governor, excited her liveliest apprehensions. But that faded into nothingness in comparison with the absolute terror that seized her at the thoughts of the speedy arrival of her father in the Colony.

Caroline, overwhelmed with a sense of shame and contrition, pictured to herself in darkest colors the anger of her father at the dishonor she had brought upon his unsullied name.

She sat down, she rose up, she walked her solitary chamber, and knelt passionately on the floor, covering her face with her hands, crying to the Madonna for pity and protection.

Poor self-accuser! The hardest and most merciless wretch who ever threw stones at a woman was pitiful in comparison with Caroline's inexorable condemnation of herself.