She was soon suspected, but receiving timely warning of her danger, from a high patroness at Court, Marie fled to New France in the disguise of a paysanne, one of a cargo of unmarried women sent out to the colony on matrimonial venture, as the custom then was, to furnish wives for the colonists. Her sole possession was an antique cabinet with its contents, the only remnant saved from the fortune of her father, Exili.

Marie Exili landed in New France, cursing the Old World which she had left behind, and bringing as bitter a hatred of the New, which received her without a shadow of suspicion that under her modest peasant's garb was concealed the daughter and inheritrix of the black arts of Antonio Exili and of the sorceress La Voisin.

Marie Exili kept her secret well. She played the ingenue to perfection.

Her straight figure and black eyes having drawn a second glance from the Sieur Corriveau, a rich habitan of St. Valier, who was looking for a servant among the crowd of paysannes who had just arrived from France, he could not escape from the power of their fascination.

He took Marie Exili home with him, and installed her in his household, where his wife soon died of some inexplicable disease which baffled the knowledge of both the doctor and the curate, the two wisest men in the parish. The Sieur Corriveau ended his widowhood by marrying Marie Exili, and soon died himself, leaving his whole fortune and one daughter, the image of her mother, to Marie.

Marie Exili, ever in dread of the perquisitions of Desgrais, kept very quiet in her secluded home on the St. Lawrence, guarding her secret with a life-long apprehension, and but occasionally and in the darkest ways practising her deadly skill. She found some compensation and relief for her suppressed passions in the clinging sympathy of her daughter, Marie Josephte dit La Corriveau, who worshipped all that was evil in her mother, and in spite of an occasional reluctance, springing from some maternal instinct, drew from her every secret of her life. She made herself mistress of the whole formula of poisoning as taught by her grandfather Exili, and of the arts of sorcery practised by her wicked grandmother, La Voisin.

As La Corriveau listened to the tale of the burning of her grandmother on the Place de Greve, her own soul seemed bathed in the flames which rose from the faggots, and which to her perverted reason appeared as the fires of cruel injustice, calling for revenge upon the whole race of the oppressors of her family, as she regarded the punishers of their crimes.

With such a parentage, and such dark secrets brooding in her bosom, Marie Josephte, or, as she was commonly called, La Corriveau, had nothing in common with the simple peasantry among whom she lived.

Years passed over her, youth fled, and La Corriveau still sat in her house, eating her heart out, silent and solitary. After the death of her mother, some whispers of hidden treasures known only to herself, a rumor which she had cunningly set afloat, excited the cupidity of Louis Dodier, a simple habitan of St. Valier, and drew him into a marriage with her.

It was a barren union. No child followed, with God's grace in its little hands, to create a mother's feelings and soften the callous heart of La Corriveau. She cursed her lot that it was so, and her dry bosom became an arid spot of desert, tenanted by satyrs and dragons, by every evil passion of a woman without conscience and void of love.

But La Corriveau had inherited the sharp intellect and Italian dissimulation of Antonio Exili: she was astute enough to throw a veil of hypocrisy over the evil eyes which shot like a glance of death from under the thick black eyebrows.

Her craft was equal to her malice. An occasional deed of alms, done not for charity's sake, but for ostentation; an adroit deal of cards, or a horoscope cast to flatter a foolish girl; a word of sympathy, hollow as a water bubble, but colored with iridescent prettiness, averted suspicion from the darker traits of her character.

If she was hated, she was also feared by her neighbors, and although the sign of the cross was made upon the chair whereon she had sat in a neighbor's house, her visits were not unwelcome, and in the manor-house, as in the cabin of the woodman, La Corriveau was received, consulted, rewarded, and oftener thanked than cursed, by her witless dupes.

There was something sublime in the satanic pride with which she carried with her the terrible secrets of her race, which in her own mind made her the superior of every one around her, and whom she regarded as living only by her permission or forbearance.

For human love other than as a degraded menial, to make men the slaves of her mercenary schemes, La Corriveau cared nothing. She never felt it, never inspired it. She looked down upon all her sex as the filth of creation and, like herself, incapable of a chaste feeling or a pure thought. Every better instinct of her nature had gone out like the flame of a lamp whose oil is exhausted; love of money remained as dregs at the bottom of her heart. A deep grudge against mankind, and a secret pleasure in the misfortunes of others, especially of her own sex, were her ruling passions.

Her mother, Marie Exili, had died in her bed, warning her daughter not to dabble in the forbidden arts which she had taught her, but to cling to her husband and live an honest life as the only means of dying a more hopeful death than her ancestors.

La Corriveau heard much, but heeded little. The blood of Antonio Exili and of La Voisin beat too vigorously in her veins to be tamed down by the feeble whispers of a dying woman who had been weak enough to give way at last. The death of her mother left La Corriveau free to follow her own will. The Italian subtlety of her race made her secret and cautious. She had few personal affronts to avenge, and few temptations in the simple community where she lived to practise more than the ordinary arts of a rural fortune-teller, keeping in impenetrable shadow the darker side of her character as a born sorceress and poisoner.

Fanchon Dodier, in obedience to the order of her mistress, started early in the day to bear the message entrusted to her for La Corriveau. She did not cross the river and take the king's highway, the rough though well-travelled road on the south shore which led to St. Valier.

Angelique was crafty enough amid her impulsiveness to see that it were better for Fanchon to go down by water and return by land: it lessened observation, and might be important one day to baffle inquiry. La Corriveau would serve her for money, but for money also she might betray her. Angelique resolved to secure her silence by making her the perpetrator of whatever scheme of wickedness she might devise against the unsuspecting lady of Beaumanoir. As for Fanchon, she need know nothing more than Angelique told her as to the object of her mission to her terrible aunt.

In pursuance of this design, Angelique had already sent for a couple of Indian canoemen to embark Fanchon at the quay of the Friponne and convey her to St. Valier.

Half-civilized and wholly-demoralized red men were always to be found on the beach of Stadacona, as they still called the Batture of the St.

Charles, lounging about in blankets, smoking, playing dice, or drinking pints or quarts,--as fortune favored them, or a passenger wanted conveyance in their bark canoes, which they managed with a dexterity unsurpassed by any boatman that ever put oar or paddle in water, salt or fresh.

These rough fellows were safe and trusty in their profession. Fanchon knew them slightly, and felt no fear whatever in seating herself upon the bear skin which carpeted the bottom of their canoe.

They pushed off at once from the shore, with scarcely a word of reply to her voluble directions and gesticulations as they went speeding their canoe down the stream. The turning tide bore them lightly on its bosom, and they chanted a wild, monotonous refrain as their paddles flashed and dipped alternately in stream and sunshine;

"Ah! ah! Tenaouich tenaga!

Tenaouich tenaga, ouich ka!"

"They are singing about me, no doubt," said Fanchon to herself. "I do not care what people say, they cannot be Christians who speak such a heathenish jargon as that: it is enough to sink the canoe; but I will repeat my paternosters and my Ave Marias, seeing they will not converse with me, and I will pray good St. Anne to give me a safe passage to St. Valier." In which pious occupation, as the boatmen continued their savage song without paying her any attention, Fanchon, with many interruptions of worldly thoughts, spent the rest of the time she was in the Indian canoe.

Down past the green hills of the south shore the boatmen steadily plied their paddles, and kept singing their wild Indian chant. The wooded slopes of Orleans basked in sunshine as they overlooked the broad channel through which the canoe sped, and long before meridian the little bark was turned in to shore and pulled up on the beach of St.

Valier.

Fanchon leaped out without assistance, wetting a foot in so doing, which somewhat discomposed the good humor she had shown during the voyage. Her Indian boatmen offered her no help, considering that women were made to serve men and help themselves, and not to be waited upon by them.

"Not that I wanted to touch one of their savage hands," muttered Fanchon, "but they might have offered one assistance! Look there,"

continued she, pulling aside her skirt and showing a very trim foot wet up to the ankle; "they ought to know the difference between their red squaws and the white girls of the city. If they are not worth politeness, WE are. But Indians are only fit to kill Christians or be killed by them; and you might as well courtesy to a bear in the briers as to an Indian anywhere."

The boatmen looked at her foot with supreme indifference, and taking out their pipes, seated themselves on the edge of their canoe, and began to smoke.

"You may return to the city," said she, addressing them sharply; "I pray to the bon Dieu to strike you white;--it is vain to look for manners from an Indian! I shall remain in St. Valier, and not return with you."

"Marry me, be my squaw, Ania?" replied one of the boatmen, with a grim smile; "the bon Dieu will strike out papooses white, and teach them manners like palefaces."

"Ugh! not for all the King's money. What! marry a red Indian, and carry his pack like Fifine Perotte? I would die first! You are bold indeed, Paul La Crosse, to mention such a thing to me. Go back to the city! I would not trust myself again in your canoe. It required courage to do so at all, but Mademoiselle selected you for my boatmen, not I. I wonder she did so, when the brothers Ballou, and the prettiest fellows in town, were idle on the Batture."

"Ania is niece to the old medicine-woman in the stone wigwam at St.

Valier; going to see her, eh?" asked the other boatman, with a slight display of curiosity.

"Yes, I am going to visit my aunt Dodier; why should I not? She has crocks of gold buried in the house, I can tell you that, Pierre Ceinture!"

"Going to get some from La Corriveau, eh? crocks of gold, eh?" said Paul La Crosse.

"La Corriveau has medicines, too! get some, eh?" asked Pierre Ceinture.

"I am going neither for gold nor medicines, but to see my aunt, if it concerns you to know, Pierre Ceinture! which it does not!"

"Mademoiselle des Meloises pay her to go, eh? not going back ever, eh?"

asked the other Indian.

"Mind your own affairs, Paul La Crosse, and I will mind mine!

Mademoiselle des Meloises paid you to bring me to St. Valier, not to ask me impertinences. That is enough for you! Here is your fare; now you can return to the Sault au Matelot, and drink yourselves blind with the money!"

"Very good, that!" replied the Indian. "I like to drink myself blind, will do it to-night! Like to see me, eh? Better that than go see La Corriveau! The habitans say she talks with the Devil, and makes the sickness settle like a fog upon the wigwams of the red men. They say she can make palefaces die by looking at them! But Indians are too hard to kill with a look! Fire-water and gun and tomahawk, and fever in the wigwams, only make the Indians die."

"Good that something can make you die, for your ill manners! look at my stocking!" replied Fanchon, with warmth. "If I tell La Corriveau what you say of her there will be trouble in your wigwam, Pierre Ceinture!"

"Do not do that, Ania!" replied the Indian, crossing himself earnestly; "do not tell La Corriveau, or she will make an image of wax and call it Pierre Ceinture, and she will melt it away before a slow fire, and as it melts my flesh and bones will melt away, too! Do not tell her, Fanchon Dodier!" The Indian had picked up this piece of superstition from the white habitans, and, like them, thoroughly believed in the supernatural powers of La Corriveau.

"Well, leave me! get back to the city, and tell Mademoiselle I arrived safe at St. Valier," replied Fanchon, turning to leave them.

The Indians were somewhat taken down by the airs of Fanchon, and they stood in awe of the far-reaching power of her aunt, from the spell of whose witchcraft they firmly believed no hiding-place, even in the deepest woods, could protect them. Merely nodding a farewell to Fanchon, the Indians silently pushed their canoe into the stream, and, embarking, returned to the city by the way they came.

A fine breezy upland lay before Fanchon Dodier. Cultivated fields of corn, and meadows ran down to the shore. A row of white cottages, forming a loosely connected street, clustered into something like a village at the point where the parish church stood, at the intersection of two or three roads, one of which, a narrow green track, but little worn by the carts of the habitans, led to the stone house of La Corriveau, the chimney of which was just visible as you lost sight of the village spire.

In a deep hollow, out of sight of the village church, almost out of hearing of its little bell, stood the house of La Corriveau, a square, heavy structure of stone, inconvenient and gloomy, with narrow windows and an uninviting door. The pine forest touched it on one side, a brawling stream twisted itself like a live snake half round it on the other. A plot of green grass, ill kept and deformed, with noxious weeds, dock, fennel, thistle, and foul stramonium, was surrounded by a rough wall of loose stones, forming the lawn, such as it was, where, under a tree, seated in an armchair, was a solitary woman, whom Fanchon recognized as her aunt, Marie Josephte Dodier, surnamed La Corriveau.

La Corriveau, in feature and person, took after her grand-sire Exili.