So the days passed by in alternation of business and pastime, but all made a pleasure for the agreeable inmates of the Manor House. Philibert gave himself up to the delirium of enchantment which the presence of Amelie threw over him. He never tired of watching the fresh developments of her gloriously-endowed nature. Her beauty, rare as it was, grew day by day upon his wonder and admiration, as he saw how fully it corresponded to the innate grace and nobility of her mind.
She was so fresh of thought, so free from all affectation, so gentle and winning in all her ways, and, sooth to say, so happy in the admiration of Philibert, which she was very conscious of now. It darted from his eyes at every look, although no word of it had yet passed his lips. The radiance of her spirits flashed like sunbeams through every part of the old Manor House.
Amelie was carried away in a flood of new emotion; she tried once or twice to be discreetly angry with herself for admitting so unreservedly the pleasure she felt in Pierre's admiration; she placed her soul on a rack of self-questioning torture, and every inquisition she made of her heart returned the self-same answer: she loved Pierre Philibert!
It was in vain she accused herself of possible impropriety: that it was bold, unmaidenly, censurable, nay, perhaps sinful, to give her heart before it had been asked for; but if she had to die for it, she could not conceal the truth, that she loved Pierre Philibert! "I ought to be angry with myself," said she. "I try to be so, but I cannot! Why?"
"Why?" Amelie solved the query as every true woman does, who asks herself why she loves one man rather than another. "Because he has chosen me out in preference to all others, to be the treasure-keeper of his affections! I am proud," continued Amelie, "that he gives his love to me, to me! unworthy as I am of such preference. I am no better than others." Amelie was a true woman: proud as an empress before other men, she was humble and lowly as the Madonna in the presence of him whom she felt was, by right of love, lord and master of her affections.
Amelie could not overcome a feeling of tremor in the presence of Pierre since she made this discovery. Her cheek warmed with an incipient flush when his ardent eyes glanced at her too eloquently. She knew what was in his heart, and once or twice, when casually alone with Philibert, she saw his lips quivering under a hard restraint to keep in the words, the dear words, she thought, which would one day burst forth in a flood of passionate eloquence, overwhelming all denial, and make her his own forever.
Time and tide, which come to all once in our lives, as the poet says, and which must be taken at their flood to lead to fortune, came at length to Amelie de Repentigny.
It came suddenly and in an unlooked-for hour, the great question of questions to her as to every woman.
The hour of birth and the hour of death are in God's hand, but the hour when a woman, yielding to the strong enfolding arm of a man who loves her, falters forth an avowal of her love, and plights her troth, and vows to be one with him till death, God leaves that question to be decided by her own heart. His blessing rests upon her choice, if pure love guides and reason enlightens affection. His curse infallibly follows every faithless pledge where no heart is, every union that is not the marriage of love and truth. These alone can be married, and where these are absent there is no marriage at all in the face of Heaven, and but the simulation of one on earth, an unequal yoking, which, if man will not sunder, God will at last, where there is neither marriage nor giving in marriage, but all are as his angels.
The day appointed for the long-planned excursion to the beautiful Lake of Tilly came round. A numerous and cheerful water-party left the Manor House in the bright, cool morning to spend the day gipsying in the shady woods and quiet recesses of the little lake. They were all there: Amelie's invitation to her young friends far and near had been eagerly accepted. Half a dozen boats and canoes, filled with light-hearted companions and with ample provisions for the day, shot up the narrow river, and after a rapid and merry voyage, disembarked their passengers and were drawn up on the shores and islands of the lake.
That bright morning was followed by a sunny day of blue skies, warm yet breezy. The old oaks wove a carpet of shadows, changing the pattern of its tissue every hour upon the leaf-strewn floor of the forest.
The fresh pines shed their resinous perfume on every side in the still shade, but out in the sunshine the birds sang merrily all day.
The groups of merrymakers spent a glorious day of pleasure by the side of the clear, smooth lake, fishing and junketing on shore, or paddling their birch canoes over its waters among the little islands which dotted its surface.
Day was fast fading away into a soft twilight; the shadows which had been drawing out longer and longer as the sun declined, lay now in all their length, like bands stretched over the greensward. The breeze went down with the sun, and the smooth surface of the lake lay like a sheet of molten gold reflecting the parting glories of the day that still lit up the western sky.
A few stars began to twinkle here and there--they were not destined to shine brilliantly to-night, for they would ere long be eclipsed by the splendor of the full moon, which was just at hand, rising in a hemisphere of light, which stood like a royal pavilion on the eastern horizon. From it in a few minutes would emerge the queen of heaven, and mildly replace the vanishing glory of the day.
The company, after a repast under the trees, rose full of life and merriment and rearranged themselves into little groups and couples as chance or inclination led them. They trooped down to the beach to embark in their canoes for a last joyous cruise round the lake and its fairy islands, by moonlight, before returning home.
Amid a shower of lively conversation and laughter, the ladies seated themselves in the light canoes, which danced like corks upon the water.
The gentlemen took the paddles, and, expert as Indians in the use of them, swept out over the surface of the lake, which was now all aglow with the bright crimson of sunset.
In the bow of one of the canoes sat the Arion of Tilly, Jean de La Marche; a flute or two accompanied his violin, and a guitar tinkled sweetly under the fingers of Heloise de Lotbiniere. They played an old air, while Jean led the chorus in splendid voice:
"'Nous irons sur l'eau, Nous y prom-promener, Nous irons jouer dans l'isle.'"
The voices of all united in the song as the canoes swept away around a little promontory, crowned with three pine-trees, which stood up in the blaze of the setting sun like the three children in the fiery furnace, or the sacred bush that burned and was not consumed.
Faint and fainter, the echoes repeated the receding harmony, until at last they died away. A solemn silence succeeded. A languor like that of the lotus-eaters crept over the face of nature and softened the heart to unwonted tenderness. It was the hour of gentle thoughts, of low spoken confidences, and love between young and sympathizing souls, who alone with themselves and God confess their mutual love and invoke his blessing upon it.
CHAPTER XXIX. FELICES TER ET AMPLIUS.
Amelie, by accident or by contrivance of her fair companions,--girls are so wily and sympathetic with each other,--had been left seated by the side of Philibert, on the twisted roots of a gigantic oak forming a rude but simple chair fit to enthrone the king of the forest and his dryad queen. No sound came to break the quiet of the evening hour save the monotonous plaint of a whippoorwill in a distant brake, and the ceaseless chirm of insects among the leafy boughs and down in the ferns that clustered on the knolls round about.
Philibert let fall upon his knee the book which he had been reading. His voice faltered, he could not continue without emotion the touching tale of Paolo and Francesca da Rimini. Amelie's eyes were suffused with tears of pity, for her heart had beat time to the music of Dante's immortal verse as it dropped in measured cadence from the lips of Philibert.
She had read the pathetic story before, but never comprehended until now the weakness which is the strength of love. Oh, blessed paradox of a woman's heart! And how truly the Commedia, which is justly called Divine, unlocks the secret chambers of the human soul.
"Read no more, Pierre," said she, "that book is too terrible in its beauty and in its sadness! I think it was written by a disembodied spirit who had seen all worlds, knew all hearts, and shared in all sufferings. It sounds to me like the sad voice of a prophet of woe."
"Amelie," replied he, "believe you there are women faithful and true as Francesca da Rimini? She would not forsake Paolo even in the gloomy regions of despair. Believe you that there are such women?"
Amelie looked at him with a quick, confident glance. A deep flush covered her cheek, and her breath went and came rapidly; she knew what to answer, but she thought it might seem overbold to answer such a question. A second thought decided her, however. Pierre Philibert would ask her no question to which she might not answer, she said to herself.
Amelie replied to him slowly, but undoubtingly: "I think there are such women, Pierre," replied she, "women who would never, even in the regions of despair, forsake the man whom they truly love, no, not for all the terrors recorded in that awful book of Dante!"
"It is a blessed truth, Amelie," replied he, eagerly; and he thought, but did not say it, "Such a woman you are; the man who gets your love gets that which neither earth nor heaven nor hell can take away."
He continued aloud, "The love of such a woman is truly given away, Amelie; no one can merit it! It is a woman's grace, not man's deserving."
"I know not," said she; "it is not hard to give away God's gifts: love should be given freely as God gives it to us. It has no value except as the bounty of the heart, and looks for no reward but in its own acceptance."
"Amelie!" exclaimed he, passionately, turning full towards her; but her eyes remained fixed upon the ground. "The gift of such a woman's love has been the dream, the ambition of my life! I may never find it, or having found it may never be worthy of it; and yet I must find it or die! I must find it where alone I seek it--there or nowhere! Can you help me for friendship's sake--for love's sake, Amelie de Repentigny, to find that one treasure that is precious as life, which is life itself to the heart of Pierre Philibert?"
He took hold of her passive hands. They trembled in his, but she offered not to withdraw them. Indeed, she hardly noticed the act in the tide of emotion which was surging in her bosom. Her heart moved with a wild yearning to tell him that he had found the treasure he sought,--that a love as strong and as devoted as that of Francesca da Rimini was her own free gift to him.
She tried to answer him, but could not. Her hand still remained fast locked in his. He held to it as a drowning man holds to the hand that is stretched to save him.
Philibert knew at that moment that the hour of his fate was come.
He would never let go that hand again till he called it his own, or received from it a sign to be gone forever from the presence of Amelie de Repentigny.
The soft twilight grew deeper and deeper every moment, changing the rosy hues of the west into a pale ashen gray, over which hung the lamp of love,--the evening star, which shines so brightly and sets so soon,--and ever the sooner as it hastens to become again the morning star of a brighter day.
The shadow of the broad, spreading tree fell darker round the rustic seat where sat these two--as myriads have sat before and since, working out the problems of their lives, and beginning to comprehend each other, as they await with a thrill of anticipation the moment of mutual confidence and fond confession.
Pierre Philibert sat some minutes without speaking. He could have sat so forever, gazing with rapture upon her half-averted countenance, which beamed with such a divine beauty, all aglow with the happy consciousness of his ardent admiration, that it seemed the face of a seraph; and in his heart, if not on his knees, he bent in worship, almost idolatrous, at her feet.
And yet he trembled, this strong man who had faced death in every form but this! He trembled by the side of this gentle girl,--but it was for joy, not for fear. Perfect love casts out fear, and he had no fear now for Amelie's love, although she had not yet dared to look at him. But her little hand lay unreprovingly in his,--nestling like a timid bird which loved to be there, and sought not to escape. He pressed it gently to his heart; he felt by its magnetic touch, by that dumb alphabet of love, more eloquent than spoken words, that he had won the heart of Amelie de Repentigny.
"Pierre," said she,--she wanted to say it was time to rejoin their companions, but the words would not come. Her face was still half-averted, and suffused with an unseen blush, as she felt his strong arm round her; and his breath, how sweet it seemed, fanning her cheek.
She had no power, no will to resist him, as he drew her close, still closer to his heart.
She trembled, but was happy. No eye saw but God's through the blessed twilight; and "God will not reprove Pierre Philibert for loving me,"
thought she, "and why should I?" She tried, or simulated, an attempt at soft reproof, as a woman will who fears she may be thought too fond and too easily won, at the very moment she is ready to fall down and kiss the feet of the man before her.
"Pierre," said she, "it is time we rejoin our companions; they will remark our absence. We will go."
But she still sat there, and made no effort to go. A gossamer thread could have held her there forever, and how could she put aside the strong arm that was mightier than her own will?
Pierre spoke now; the feelings so long pent up burst forth in a torrent that swept away every bond of restraint but that of love's own laws.
He placed his hand tenderly on her cheek, and turned her glowing face full towards him. Still she dared not look up. She knew well what he was going to say. She might control her words, but not her tell-tale eyes.
She felt a wild joy flashing and leaping in her bosom, which no art could conceal, should she look up at this moment in the face of Pierre Philibert.