The Lady de Tilly knew the weakness of her faithful old servitor, and although she smiled to herself, she would not hurt his feelings by entering the house before he was ready at his post to receive her. She continued walking about the lawn conversing with Amelie, Pierre, and Le Gardeur, until she saw old Felix with his wand and livery standing at the door, when, taking Pierre's arm, she led the way into the house.

The folding doors were open, and Felix with his wand walked before his lady and her companions into the mansion. They entered without delay, for the day had been warm, and the ladies were weary after sitting several hours in a canoe, a mode of travelling which admits of very little change of position in the voyagers.

The interior of the Manor House of Tilly presented the appearance of an old French chateau. A large hall with antique furniture occupied the center of the house, used occasionally as a court of justice when the Seigneur de Tilly exercised his judicial office for the trial of offenders, which was very rarely, thanks to the good morals of the people, or held a cour pleniere of his vassals, on affairs of the seigniory for apportioning the corvees for road-making and bridge-building, and, not the least important by any means, for the annual feast to his censitaires on the day of St. Michael de Thury.

From this hall, passages led into apartments and suites of rooms arranged for use, comfort, and hospitality. The rooms were of all sizes, panelled, tapestried, and furnished in a style of splendor suited to the wealth and dignity of the Seigneurs of Tilly. A stair of oak, broad enough for a section of grenadiers to march up it abreast, led to the upper chambers, bedrooms, and boudoirs, which looked out of old mullioned windows upon the lawn and gardens that surrounded the house, affording picturesque glimpses of water, hills, and forests far enough off for contemplation, and yet near enough to be accessible by a short ride from the mansion.

Pierre Philibert was startled at the strange familiarity of everything he saw: the passages and all their intricacies, where he, Le Gardeur, and Amelie had hid and found one another with cries of delight,--he knew where they all led to; the rooms with their antique and stately furniture, the paintings on the wall, before which he had stood and gazed, wondering if the world was as fair as those landscapes of sunny France and Italy and why the men and women of the house of Tilly, whose portraits hung upon the walls, looked at him so kindly with those dark eyes of theirs, which seemed to follow him everywhere, and he imagined they even smiled when their lips were illumined by a ray of sunshine.

Pierre looked at them again with a strange interest,--they were like the faces of living friends who welcomed him back to Tilly after years of absence.

Pierre entered a well-remembered apartment which he knew to be the favorite sitting-room of the Lady de Tilly. He walked hastily across it to look at a picture upon the wall which he recognized again with a flush of pleasure.

It was the portrait of Amelie painted by himself during his last visit to Tilly. The young artist, full of enthusiasm, had put his whole soul into the work, until he was himself startled at the vivid likeness which almost unconsciously flowed from his pencil. He had caught the divine upward expression of her eyes, as she turned her head to listen to him, and left upon the canvas the very smile he had seen upon her lips.

Those dark eyes of hers had haunted his memory forever after. To his imagination that picture had become almost a living thing. It was as a voice of his own that returned to his ear as the voice of Amelie. In the painting of that portrait Pierre had the first revelation of a consciousness of his deep love which became in the end the master passion of his life.

He stood for some minutes contemplating this portrait, so different from her in age now, yet so like in look and expression. He turned suddenly and saw Amelie; she had silently stepped up behind him, and her features in a glow of pleasure took on the very look of the picture.

Pierre started. He looked again, and saw every feature of the girl of twelve looking through the transparent countenance of the perfect woman of twenty. It was a moment of blissful revelation, for he felt an assurance at that moment that Amelie was the same to him now as in their days of youthful companionship. "How like it is to you yet, Amelie!"

said he; "it is more true than I knew how to make it!"

"That sounds like a paradox, Pierre Philibert!" replied she, with a smile. "But it means, I suppose, that you painted a universal portrait of me which will be like through all my seven ages. Such a picture might be true of the soul, Pierre, had you painted that, but I have outgrown the picture of my person."

"I could imagine nothing fairer than that portrait! In soul and body it is all true, Amelie."

"Flatterer that you are!" said she, laughing. "I could almost wish that portrait would walk out of its frame to thank you for the care you bestowed upon its foolish little original."

"My care was more than rewarded! I find in that picture my beau-ideal of the beauty of life, which, belonging to the soul, is true to all ages."

"The girl of twelve would have thanked you more enthusiastically for that remark, Pierre, than I dare do," replied she.

"The thanks are due from me, not from you, Amelie! I became your debtor for a life-long obligation when without genius I could do impossibilities. You taught me that paradox when you let me paint that picture."

Amelie glanced quickly up at him. A slight color came and went on her cheek. "Would that I could do impossibilities," said she, "to thank you sufficiently for your kindness to Le Gardeur and all of us in coming to Tilly at this time.

"It would be a novelty, almost a relief, to put Pierre Philibert under some obligation to us for we all owe him, would it not, Le Gardeur?"

continued she, clasping the arm of her brother, who just now came into the room. "We will discharge a portion of our debt to Pierre for this welcome visit by a day on the lake,--we will make up a water-party. What say you, brother? The gentlemen shall light fires, the ladies shall make tea, and we will have guitars and songs, and maybe a dance, brother! and then a glorious return home by moonlight! What say you to my programme, Le Gardeur de Repentigny? What say you, Pierre Philibert?"

"It is a good programme, sister, but leave me out of it. I shall only mar the pleasure of the rest; I will not go to the lake. I have been trying ever since my return home to recognize Tilly; everything looks to me in an eclipse, and nothing bright as it once was, not even you, Amelie. Your smile has a curious touch of sadness in it which does not escape my eyes; accursed as they have been of late, seeing things they ought not to see, yet I can see that, and I know it, too; I have given you cause to be sad, sister."

"Hush, brother! it is a sin against your dear eyes to speak of them thus! Tilly is as bright and joyous as ever. As for my smiles, if you detect in them one trace of that sadness you talk about, I shall grow as melancholy as yourself, and for as little cause. Come! you shall confess before three days, brother, if you will only help me to be gay, that your sister has the lightest heart in New France."

CHAPTER XXVII. CHEERFUL YESTERDAYS AND CONFIDENT TO-MORROWS.

The ladies retired to their several rooms, and after a general rearranging of toilets descended to the great parlor, where they were joined by Messire La Lande, the cure of the parish, a benevolent, rosy old priest, and several ladies from the neighborhood, with two or three old gentlemen of a military air and manner, retired officers of the army who enjoyed their pensions and kept up their respectability at a cheaper rate in the country than they could do in the city.

Felix Beaudoin had for the last two hours kept the cooks in hot water.

He was now superintending the laying of the table, resolved that, notwithstanding his long absence from home, the dinner should be a marvellous success.

Amelie was very beautiful to-day. Her face was aglow with pure air and exercise, and she felt happy in the apparent contentment of her brother, whom she met with Pierre on the broad terrace of the Manor House.

She was dressed with exquisite neatness, yet plainly. An antique cross of gold formed her only adornment except her own charms. That cross she had put on in honor of Pierre Philibert. He recognized it with delight as a birthday gift to Amelie which he had himself given her during their days of juvenile companionship, on one of his holiday visits to Tilly.

She was conscious of his recognition of it,--it brought a flush to her cheek. "It is in honor of your visit, Pierre," said she, frankly, "that I wear your gift. Old friendship lasts well with me, does it not? But you will find more old friends than me at Tilly who have not forgotten you."

"I am already richer than Croesus, if friendship count as riches, Amelie. The hare had many friends, but none at last; I am more fortunate in possessing one friend worth a million."

"Nay, you have the million too, if good wishes count in your favor, Pierre, you are richer"--the bell in the turret of the chateau began to ring for dinner, drowning her voice somewhat.

"Thanks to the old bell for cutting short the compliment, Pierre,"

continued she, laughing; "you don't know what you have lost! but in compensation you shall be my cavalier, and escort me to the dining-room."

She took the arm of Pierre, and in a merry mood, which brought back sweet memories of the past, their voices echoed again along the old corridors of the Manor House as they proceeded to the great dining-room, where the rest of the company were assembling.

The dinner was rather a stately affair, owing to the determination of Felix Beaudoin to do especial honor to the return home of the family.

How the company ate, talked, and drank at the hospitable table need not be recorded here. The good Cure's face, under the joint influence of good humor and good cheer, was full as a harvest moon. He rose at last, folded his hands, and slowly repeated "agimus gratias." After dinner the company withdrew to the brilliantly lighted drawing-room, where conversation, music, and a few games of cards for such as liked them, filled up a couple of hours longer.

The Lady de Tilly, seated beside Pierre Philibert on the sofa, conversed with him in a pleasant strain, while the Cure, with a couple of old dowagers in turbans, and an old veteran officer of the colonial marine, long stranded on a lee shore, formed a quartette at cards.

These were steady enthusiasts of whist and piquet, such as are only to be found in small country circles where society is scarce and amusements few. They had met as partners or antagonists, and played, laughed, and wrangled over sixpenny stakes and odd tricks and honors, every week for a quarter of a century, and would willingly have gone on playing till the day of judgment without a change of partners if they could have trumped death and won the odd trick of him.

Pierre recollected having seen these same old friends seated at the same card-table during his earliest visits to the Manor House. He recalled the fact to the Lady de Tilly, who laughed and said her old friends had lived so long in the company of the kings and queens that formed the paste-board Court of the Kingdom of Cocagne that they could relish no meaner amusement than one which royalty, although mad, had the credit of introducing.

Amelie devoted herself to the task of cheering her somewhat moody brother. She sat beside him, resting her hand with sisterly affection upon his shoulder, while in a low, sweet voice she talked to him, adroitly touching those topics only which she knew awoke pleasurable associations in his mind. Her words were sweet as manna and full of womanly tenderness and sympathy, skilfully wrapped in a strain of gaiety like a bridal veil which covers the tears of the heart.

Pierre Philibert's eyes involuntarily turned towards her, and his ears caught much of what she said. He was astonished at the grace and perfection of her language; it seemed to him like a strain of music filled with every melody of earth and heaven, surpassing poets in beauty of diction, philosophers in truth,--and in purity of affection, all the saints and sweetest women of whom he had ever read.

Her beauty, her vivacity, her modest reticences, and her delicate tact in addressing the captious spirit of Le Gardeur, filled Pierre with admiration. He could at that moment have knelt at her feet and worshipped in her the realization of every image which his imagination had ever formed of a perfect woman.

Now and then she played on the harp for Le Gardeur the airs which she knew he liked best. His sombre mood yielded to her fond exertions, and she had the reward of drawing at last a smile from his eyes as well as from his lips. The last she knew might be simulated, the former she felt was real, for the smile of the eye is the flash of the joy kindled in the glad heart.

Le Gardeur was not dull nor ungrateful; he read clearly enough the loving purpose of his sister. His brow cleared up under her sunshine.

He smiled, he laughed; and Amelie had the exquisite joy of believing she had gained a victory over the dark spirit that had taken possession of his soul, although the hollow laugh struck the ear of Pierre Philibert with a more uncertain sound than that which fluttered the fond hopes of Amelie.

Amelie looked towards Pierre, and saw his eyes fixed upon her with that look which fills every woman with an emotion almost painful in its excess of pleasure when first she meets it--that unmistakable glance from the eyes of a man who, she is proud to perceive, has singled her out from all other women for his love and homage.

Her face became of a deep glow in spite of her efforts to look calm and cold; she feared Pierre might have misinterpreted her vivacity of speech and manner. Sudden distrust of herself came over her in his presence,--the flow of her conversation was embarrassed, and almost ceased.

To extricate herself from her momentary confusion, which she was very conscious had not escaped the observation of Pierre,--and the thought of that confused her still more,--she rose and went to the harpsichord, to recover her composure by singing a sweet song of her own composition, written in the soft dialect of Provence, the Languedoc, full of the sweet sadness of a tender, impassioned love.

Her voice, tremulous in its power, flowed in a thousand harmonies on the enraptured ears of her listeners. Even the veteran card-players left a game of whist unfinished, to cluster round the angelic singer.

Pierre Philibert sat like one in a trance. He loved music, and understood it passing well. He had heard all the rare voices which Paris prided itself in the possession of, but he thought he had never known what music was till now. His heart throbbed in sympathy with every inflection of the voice of Amelie, which went through him like a sweet spell of enchantment. It was the voice of a disembodied spirit singing in the language of earth, which changed at last into a benediction and good-night for the parting guests, who, at an earlier hour than usual, out of consideration for the fatigue of their hosts, took their leave of the Manor House and its hospitable inmates.

The family, as families will do upon the departure of their guests, drew up in a narrower circle round the fire, that blessed circle of freedom and confidence which belongs only to happy households. The novelty of the situation kept up the interest of the day, and they sat and conversed until a late hour.

The Lady de Tilly reclined comfortably in her fauteuil looking with good-natured complacency upon the little group beside her. Amelie, sitting on a stool, reclined her head against the bosom of her aunt, whose arm embraced her closely and lovingly as she listened with absorbing interest to an animated conversation between her aunt and Pierre Philibert.