Maggie waited again, but when she spoke it had an effect of abruptness.

"Why SHOULD you hold out forever?"

He gave, none the less, no start--and this as from the habit of taking anything, taking everything, from her as harmonious. But it was quite written upon him too, for that matter, that holding out wouldn't be, so very completely, his natural, or at any rate his acquired, form.

His appearance would have testified that he might have to do so a long time--for a man so greatly beset. This appearance, that is, spoke but little, as yet, of short remainders and simplified senses--and all in spite of his being a small, spare, slightly stale person, deprived of the general prerogative of presence. It was not by ma.s.s or weight or vulgar immediate quant.i.ty that he would in the future, any more than he had done in the past, insist or resist or prevail. There was even something in him that made his position, on any occasion, made his relation to any scene or to any group, a matter of the back of the stage, of an almost visibly conscious want of affinity with the footlights. He would have figured less than anything the stage-manager or the author of the play, who most occupy the foreground; he might be, at the best, the financial "backer," watching his interests from the wing, but in rather confessed ignorance of the mysteries of mimicry.

Barely taller than his daughter, he pressed at no point on the presumed propriety of his greater stoutness. He had lost early in life much of his crisp, closely-curling hair, the fineness of which was repeated in a small neat beard, too compact to be called "full," though worn equally, as for a mark where other marks were wanting, on lip and cheek and chin. His neat, colourless face, provided with the merely indispensable features, suggested immediately, for a description, that it was CLEAR, and in this manner somewhat resembled a small decent room, clean-swept and unenc.u.mbered with furniture, but drawing a particular advantage, as might presently be noted, from the outlook of a pair of ample and uncurtained windows. There was something in Adam Verver's eyes that both admitted the morning and the evening in unusual quant.i.ties and gave the modest area the outward extension of a view that was "big" even when restricted to stars. Deeply and changeably blue, though not romantically large, they were yet youthfully, almost strangely beautiful, with their ambiguity of your scarce knowing if they most carried their possessor's vision out or most opened themselves to your own. Whatever you might feel, they stamped the place with their importance, as the house-agents say; so that, on one side or the other, you were never out of their range, were moving about, for possible community, opportunity, the sight of you scarce knew what, either before them or behind them. If other importances, not to extend the question, kept themselves down, they were in no direction less obtruded than in that of our friend's dress, adopted once for all as with a sort of sumptuary scruple. He wore every day of the year, whatever the occasion, the same little black "cut away"

coat, of the fashion of his younger time; he wore the same cool-looking trousers, chequered in black and white--the proper harmony with which, he inveterately considered, was a sprigged blue satin necktie; and, over his concave little stomach, quaintly indifferent to climates and seasons, a white duck waistcoat. "Should you really," he now asked, "like me to marry?" He spoke as if, coming from his daughter herself, it MIGHT be an idea; which, for that matter, he would be ready to carry out should she definitely say so.

Definite, however, just yet, she was not prepared to be, though it seemed to come to her with force, as she thought, that there was a truth, in the connection, to utter. "What I feel is that there is somehow something that used to be right and that I've made wrong. It used to be right that you hadn't married, and that you didn't seem to want to. It used also"--she continued to make out "to seem easy for the question not to come up. That's what I've made different. It does come up. It WILL come up."

"You don't think I can keep it down?" Mr. Verver's tone was cheerfully pensive.

"Well, I've given you, by MY move, all the trouble of having to."

He liked the tenderness of her idea, and it made him, as she sat near him, pa.s.s his arm about her. "I guess I don't feel as if you had 'moved'

very far. You've only moved next door."

"Well," she continued, "I don't feel as if it were fair for me just to have given you a push and left you so. If I've made the difference for you, I must think of the difference."

"Then what, darling," he indulgently asked, "DO you think?"

"That's just what I don't yet know. But I must find out. We must think together--as we've always thought. What I mean," she went on after a moment, "is that it strikes me that I ought to at least offer you some alternative. I ought to have worked one out for you."

"An alternative to what?"

"Well, to your simply missing what you've lost--without anything being done about it."

"But what HAVE I lost?"

She thought a minute, as if it were difficult to say, yet as if she more and more saw it. "Well, whatever it was that, BEFORE, kept us from thinking, and kept you, really, as you might say, in the market. It was as if you couldn't be in the market when you were married to me. Or rather as if I kept people off, innocently, by being married to you. Now that I'm married to some one else you're, as in consequence, married to n.o.body. Therefore you may be married to anybody, to everybody. People don't see why you shouldn't be married to THEM."

"Isn't it enough of a reason," he mildly inquired, "that I don't want to be?"

"It's enough of a reason, yes. But to BE enough of a reason it has to be too much of a trouble. I mean FOR you. It has to be too much of a fight.

You ask me what you've lost," Maggie continued to explain. "The not having to take the trouble and to make the fight--that's what you've lost. The advantage, the happiness of being just as you were--because I was just as _I_ was--that's what you miss."

"So that you think," her father presently said, "that I had better get married just in order to be as I was before?"

The detached tone of it--detached as if innocently to amuse her by showing his desire to accommodate--was so far successful as to draw from her gravity a short, light laugh. "Well, what I don't want you to feel is that if you were to I shouldn't understand. I SHOULD understand.

That's all," said the Princess gently.

Her companion turned it pleasantly over. "You don't go so far as to wish me to take somebody I don't like?"

"Ah, father," she sighed, "you know how far I go--how far I COULD go.

But I only wish that if you ever SHOULD like anybody, you may never doubt of my feeling how I've brought you to it. You'll always know that I know that it's my fault."

"You mean," he went on in his contemplative way, "that it will be you who'll take the consequences?"

Maggie just considered. "I'll leave you all the good ones, but I'll take the bad."

"Well, that's handsome." He emphasised his sense of it by drawing her closer and holding her more tenderly. "It's about all I could expect of you. So far as you've wronged me, therefore, we'll call it square. I'll let you know in time if I see a prospect of your having to take it up.

But am I to understand meanwhile," he soon went on, "that, ready as you are to see me through my collapse, you're not ready, or not AS ready, to see me through my resistance? I've got to be a regular martyr before you'll be inspired?"

She demurred at his way of putting it. "Why, if you like it, you know, it won't BE a collapse."

"Then why talk about seeing me through at all? I shall only collapse if I do like it. But what I seem to feel is that I don't WANT to like it. That is," he amended, "unless I feel surer I do than appears very probable. I don't want to have to THINK I like it in a case when I really shan't. I've had to do that in some cases," he confessed--"when it has been a question of other things. I don't want," he wound up, "to be MADE to make a mistake."

"Ah, but it's too dreadful," she returned, "that you should even have to FEAR--or just nervously to dream--that you may be. What does that show, after all," she asked, "but that you do really, well within, feel a want? What does it show but that you're truly susceptible?"

"Well, it may show that"--he defended himself against nothing. "But it shows also, I think, that charming women are, in the kind of life we're leading now, numerous and formidable."

Maggie entertained for a moment the proposition; under cover of which, however, she pa.s.sed quickly from the general to the particular. "Do you feel Mrs. Rance to be charming?"

"Well, I feel her to be formidable. When they cast a spell it comes to the same thing. I think she'd do anything."

"Oh well, I'd help you," the Princess said with decision, "as against HER--if that's all you require. It's too funny," she went on before he again spoke, "that Mrs. Rance should be here at all. But if you talk of the life we lead, much of it is, altogether, I'm bound to say, too funny. The thing is," Maggie developed under this impression, "that I don't think we lead, as regards other people, any life at all. We don't at any rate, it seems to me, lead half the life we might. And so it seems, I think, to Amerigo. So it seems also, I'm sure, to f.a.n.n.y a.s.singham."

Mr. Verver-as if from due regard for these persons--considered a little.

"What life would they like us to lead?"

"Oh, it's not a question, I think, on which they quite feel together.

SHE thinks, dear f.a.n.n.y, that we ought to be greater."

"Greater--?" He echoed it vaguely. "And Amerigo too, you say?"

"Ah yes"-her reply was prompt "but Amerigo doesn't mind. He doesn't care, I mean, what we do. It's for us, he considers, to see things exactly as we wish. f.a.n.n.y herself," Maggie pursued, "thinks he's magnificent. Magnificent, I mean, for taking everything as it is, for accepting the 'social limitations' of our life, for not missing what we don't give him."

Mr. Verver attended. "Then if he doesn't miss it his magnificence is easy."

"It IS easy-that's exactly what I think. If there were things he DID miss, and if in spite of them he were always sweet, then, no doubt, he would be a more or less unappreciated hero. He COULD be a Hero--he WILL be one if it's ever necessary. But it will be about something better than our dreariness. _I_ know," the Princess declared, "where he's magnificent." And she rested a minute on that. She ended, however, as she had begun. "We're not, all the same, committed to anything stupid.

If we ought to be grander, as f.a.n.n.y thinks, we CAN be grander. There's nothing to prevent."

"Is it a strict moral obligation?" Adam Verver inquired.

"No--it's for the amus.e.m.e.nt."

"For whose? For f.a.n.n.y's own?"

"For everyone's--though I dare say f.a.n.n.y's would be a large part." She hesitated; she had now, it might have appeared, something more to bring out, which she finally produced. "For yours in particular, say--if you go into the question." She even bravely followed it up. "I haven't really, after all, had to think much to see that much more can be done for you than is done."

Mr. Verver uttered an odd vague sound. "Don't you think a good deal is done when you come out and talk to me this way?"

"Ah," said his daughter, smiling at him, "we make too much of that!" And then to explain: "That's good, and it's natural--but it isn't great. We forget that we're as free as air."

"Well, THAT'S great," Mr. Verver pleaded. "Great if we act on it. Not if we don't."

She continued to smile, and he took her smile; wondering again a little by this time, however; struck more and more by an intensity in it that belied a light tone. "What do you want," he demanded, "to do to me?" And he added, as she didn't say: "You've got something in your mind." It had come to him within the minute that from the beginning of their session there she had been keeping something back, and that an impression of this had more than once, in spite of his general theoretic respect for her present right to personal reserves and mysteries, almost ceased to be vague in him. There had been from the first something in her anxious eyes, in the way she occasionally lost herself, that it would perfectly explain. He was therefore now quite sure.

"You've got something up your sleeve."