CHAPTER VI.

Eugene collected and reported faithfully every day, and had managed to save a little money. Margaret was now a part of his past. His landlady, Mrs. Woodruff, had gone to live with a daughter in Sedalia, Missouri, and he had moved to a comparatively nice house in East Twenty-first Street on the South Side. It had taken his eye because of a tree in a fifty foot s.p.a.ce of ground before it. Like his other room it cost him little, and he was in a private family. He arranged a twenty cent rate per meal for such meals as he took there, and thus he managed to keep his bare living expenses down to five dollars a week. The remaining nine he spent sparingly for clothes, car-fare, and amus.e.m.e.nts--almost nothing of the latter. When he saw he had a little money in reserve he began to think of looking up the Art Inst.i.tute, which had been looming up in his mind as an avenue of advancement, and find out on what condition he could join a night cla.s.s in drawing. They were very reasonable, he heard, only fifteen dollars a quarter, and he decided to begin if the conditions were not too severe. He was beginning to be convinced that he was born to be an artist--how soon he could not tell.

The old Art Inst.i.tute, which preceded the present impressive structure, was located at Michigan Avenue and Monroe Street, and presented an atmosphere of distinction which was not present in most of the structures representing the public taste of the period. It was a large six storey building of brown stone, and contained a number of studios for painters, sculptors, and music teachers, besides the exhibition rooms and the rooms for the cla.s.ses. There were both day and evening cla.s.ses, and even at that time a large number of students. The western soul, to a certain extent, was fired by the wonder of art. There was so little of it in the life of the people--the fame of those who could accomplish things in this field and live in a more refined atmosphere was great. To go to Paris! To be a student in any one of the great ateliers of that city! Or of Munich or Rome, to know the character of the artistic treasures of Europe--the life of the Art quarter--that was something. There was what might have been termed a wild desire in the breast of many an untutored boy and girl to get out of the ranks of the commonplace; to a.s.sume the character and the habiliments of the artistic temperament as they were then supposed to be; to have a refined, semi-languorous, semi-indifferent manner; to live in a studio, to have a certain freedom in morals and temperament not accorded to the ordinary person--these were the great things to do and be. Of course, art composition was a part of this. You were supposed ultimately to paint great pictures or do n.o.ble sculptures, but in the meanwhile you could and should live the life of the artist. And that was beautiful and wonderful and free.

Eugene had long had some sense of this. He was aware that there were studios in Chicago; that certain men were supposed to be doing good work--he saw it in the papers. There were mentions now and then of exhibitions, mostly free, which the public attended but sparingly. Once there was an exhibition of some of the war pictures of Verestchagin, a great Russian painter who had come West for some purpose. Eugene saw them one Sunday afternoon, and was enthralled by the magnificence of their grasp of the elements of battle; the wonder of color; the truth of character; the dramatic quality; the sense of force and danger and horror and suffering which was somehow around and in and through everything that was shown. This man had virility and insight; stupendous imagination and temperament. Eugene stood and stared, wondering how such things could be done. Ever afterward the name of Verestchagin was like a great call to his imagination; that was the kind of an artist to be if you were going to be one.

Another picture came there once, which appealed to another side of his nature, although primarily the basis of its appeal was artistic. It was a great, warm tinted nude by Bouguereau, a French artist who was startling his day with his daring portrayal of the nude. The types he depicted were not namby-pamby little slim-bodied women with spindling qualities of strength and pa.s.sion, but great, full-blown women whose voluptuous contour of neck and arms and torso and hip and thigh was enough to set the blood of youth at fever heat. The man obviously understood and had pa.s.sion, love of form, love of desire, love of beauty. He painted with a sense of the bridal bed in the background; of motherhood and of fat, growing babies, joyously nursed. These women stood up big in their sense of beauty and magnetism, the soft lure of desire in their eyes, their full lips parted, their cheeks flushed with the blood of health. As such they were anathema to the conservative and puritanical in mind, the religious in temperament, the cautious in training or taste. The very bringing of this picture to Chicago as a product for sale was enough to create a furore of objection. Such pictures should not be painted, was the cry of the press; or if painted, not exhibited. Bouguereau was conceived of by many as one of those dastards of art who were endeavoring to corrupt by their talent the morals of the world; there was a cry raised that the thing should be suppressed; and as is always the case in all such outbursts of special cla.s.s opposition, the interest of the general public was aroused.

Eugene was one of those who noted the discussion. He had never seen a picture by Bouguereau or, indeed, an original nude by any other artist. Being usually at liberty after three o'clock, he was free to visit some of these things, and having found it possible to do his work in good clothes he had come to wear his best suit every day. He was a fairly presentable youth with a solemn mien, and his request to be shown anything in any art store would have aroused no surprise. He looked as though he belonged to the intellectual and artistic cla.s.ses.

Not being sure of what reception would be accorded one so young--he was now nearing twenty--he nevertheless ventured to stop at the gallery where the Bouguereau was being exhibited and ask to see it. The attendant in charge eyed him curiously, but led him back to a room hung in dark red, and turning on a burst of incandescent bulbs set in the ceiling of a red plush hung cabinet, pulled back the curtain revealing the picture. Eugene had never seen such a figure and face. It was a dream of beauty--his ideal come to life. He studied the face and neck, the soft ma.s.s of brown, sensuous hair ma.s.sed at the back of the head, the flowerlike lips and soft cheeks. He marveled at the suggestion of the b.r.e.a.s.t.s and the abdomen, that potentiality of motherhood that is so firing to the male. He could have stood there hours dreaming, luxuriating, but the attendant who had left him alone with it for a few minutes returned.

"What is the price of this?" Eugene asked.

"Ten thousand dollars," was the reply.

He smiled solemnly. "It's a wonderful thing," he said, and turned to go. The attendant put out the light.

This picture, like those of Verestchagin, made a sharp impression on him. Curiously he had no longing to paint anything of this kind. He only rejoiced to look at it. It spoke to him of his present ideal of womanhood--physical beauty, and he longed with all his heart to find a creature like that who would look on him with favor.

There were other exhibitions--one containing a genuine Rembrandt--which impressed him, but none like these that had definitely stirred him. His interest in art was becoming eager. He wanted to find out all about it--to do something himself. One day he ventured to call at the Art Inst.i.tute building and consult the secretary, who explained to him what the charges were. He learned from her, for she was a woman of a practical, clerical turn, that the cla.s.ses ran from October to May, that he could enter a life or antique cla.s.s or both, though the antique alone was advisable for the time, and a cla.s.s in ill.u.s.tration, where costumes of different periods were presented on different models. He found that each cla.s.s had an instructor of supposed note, whom it was not necessary for him to see. Each cla.s.s had a monitor and each student was supposed to work faithfully for his own benefit. Eugene did not get to see the cla.s.s rooms, but he gained a sense of the art of it all, nevertheless, for the halls and offices were decorated in an artistic way, and there were many plaster casts of arms, legs, busts, and thighs and heads. It was as though one stood in an open doorway and looked out upon a new world. The one thing that gratified him was that he could study pen and ink or brush in the ill.u.s.tration cla.s.s, and that he could also join a sketch cla.s.s from five to six every afternoon without extra charges if he preferred to devote his evening hours to studying drawing in the life cla.s.s. He was a little astonished to learn from a printed prospectus given him that the life cla.s.s meant nude models to work from--both men and women. He was surely approaching a different world now. It seemed necessary and natural enough, and yet there was an aloof atmosphere about it, something that suggested the inner precincts of a shrine, to which only talent was admitted. Was he talented? Wait! He would show the world, even if he was a raw country boy.

The cla.s.ses which he decided to enter were first a life cla.s.s which convened Monday, Wednesday and Friday evenings at seven in one of the study rooms and remained in session until ten o'clock, and second a sketch cla.s.s which met from five to six every afternoon. Eugene felt that he knew little or nothing about figure and anatomy and had better work at that. Costume and ill.u.s.tration would have to wait, and as for the landscapes, or rather city-scapes, of which he was so fond, he could afford to defer those until he learned something of the fundamentals of art.

Heretofore he had rarely attempted the drawing of a face or figure except in miniature and as details of a larger scene. Now he was confronted with the necessity of sketching in charcoal the head or body of a living person, and it frightened him a little. He knew that he would be in a cla.s.s with fifteen or twenty other male students. They would be able to see and comment on what he was doing. Twice a week an instructor would come around and pa.s.s upon his work. There were honors for those who did the best work during any one month, he learned from the prospectus, namely: first choice of seats around the model at the beginning of each new pose. The cla.s.s instructors must be of considerable significance in the American art world, he thought, for they were N. A.'s, and that meant National Academicians. He little knew with what contempt this honor was received in some quarters, or he would not have attached so much significance to it.

One Monday evening in October, armed with the several sheets of paper which he had been told to purchase by his all-informing prospectus, he began his work. He was a little nervous at sight of the brightly lighted halls and cla.s.s rooms, and the moving crowd of young men and women did not tend to allay his fears. He was struck at once with the quality of gaiety, determination and easy grace which marked the different members of this company. The boys struck him as interesting, virile, in many cases good looking; the girls as graceful, rather dashing and confident. One or two whom he noted were beautiful in a dark way. This was a wonderful world.

The rooms too, were exceptional. They were old enough in use to be almost completely covered, as to the walls, with the acc.u.mulation of paint sc.r.a.ped from the palettes. There were no easels or other paraphernalia, but simply chairs and little stools--the former, as Eugene learned, to be turned upside down for easels, the latter for the students to sit on. In the center of the room was a platform, the height of an ordinary table, for the model to pose on, and in one corner a screen which const.i.tuted a dressing room. There were no pictures or statuary--just the bare walls--but curiously, in one corner, a piano. Out in the halls and in the general lounging center were pictures of nude figures or parts of figures posed in all sorts of ways which Eugene, in his raw, youthful way, thought suggestive. He secretly rejoiced to look at them but he felt that he must not say anything about what he thought. An art student, he felt sure, must appear to be indifferent to such suggestion--to be above such desire. They were here to work, not to dream of women.

When the time came for the cla.s.ses to a.s.semble there was a scurrying to and fro, conferring between different students, and then the men found themselves in one set of rooms and the women in another. Eugene saw a young girl in his room, sitting up near the screen, idly gazing about. She was pretty, of a slightly Irish cast of countenance, with black hair and black eyes. She wore a cap that was an imitation of the Polish national head-dress, and a red cape. Eugene a.s.sumed her to be the cla.s.s model and secretly wondered if he was really to see her in the nude. In a few minutes all the students were gathered, and then there was a stir as there strolled in a rather vigorous and picturesque man of thirty-six or thereabouts, who sauntered to the front of the room and called the cla.s.s to order. He was clad in a shabby suit of grey tweed and crowned with a little brown hat, shoved rakishly over one ear, which he did not trouble to take off. He wore a soft blue hickory shirt without collar or tie, and looked immensely self-sufficient. He was tall and lean and raw-boned, with a face which was long and narrow; his eyes were large and wide set, his mouth big and firm in its lines; he had big hands and feet, and an almost rolling gait. Eugene a.s.sumed instinctively that this was Mr. Temple Boyle, N. A., the cla.s.s instructor, and he imagined there would be an opening address of some kind. But the instructor merely announced that Mr. William Ray had been appointed monitor and that he hoped that there would be no disorder or wasting of time. There would be regular criticism days by him--Wednesdays and Fridays. He hoped that each pupil would be able to show marked improvement. The cla.s.s would now begin work. Then he strolled out.

Eugene soon learned from one of the students that this really was Mr. Boyle. The young Irish girl had gone behind the screen. Eugene could see partially, from where he was sitting, that she was disrobing. It shocked him a little, but he kept his courage and his countenance because of the presence of so many others. He turned a chair upside down as he saw the others do, and sat down on a stool. His charcoal was lying in a little box beside him. He straightened his paper on its board and fidgeted, keeping as still as he could. Some of the students were talking. Suddenly he saw the girl divest herself of a thin, gauze shirt, and the next moment she came out, naked and composed, to step upon the platform and stand perfectly erect, her arms by her side, her head thrown back. Eugene tingled and blushed and was almost afraid to look directly at her. Then he took a stick of charcoal and began sketching feebly, attempting to convey something of this personality and this pose to paper. It seemed a wonderful thing for him to be doing--to be in this room, to see this girl posing so; in short, to be an art student. So this was what it was, a world absolutely different from anything he had ever known. And he was self-called to be a member of it.

CHAPTER VII.

It was after he had decided to enter the art cla.s.s that Eugene paid his first visit to his family. Though they were only a hundred miles away, he had never felt like going back, even at Christmas. Now it seemed to him he had something definite to proclaim. He was going to be an artist; and as to his work, he was getting along well in that. Mr. Mitchly appeared to like him. It was to Mr. Mitchly that he reported daily with his collections and his unsatisfied bills. The collections were checked up by Mr. Mitchly with the cash, and the unpaid bills certified. Sometimes Eugene made a mistake, having too much or too little, but the "too much" was always credited against the "too little," so that in the main he came out even. In money matters there was no tendency on Eugene's part to be dishonest. He thought of lots of things he wanted, but he was fairly well content to wait and come by them legitimately. It was this note in him that appealed to Mitchly. He thought that possibly something could be made of Eugene in a trade way.

He left the Friday night preceding Labor Day, the first Monday in September, which was a holiday throughout the city. He had told Mr. Mitchly that he thought of leaving Sat.u.r.day after work for over Sunday and Monday, but Mr. Mitchly suggested that he might double up his Sat.u.r.day's work with Thursday's and Friday's if he wished, and go Friday evening.

"Sat.u.r.day's a short day, anyhow," he said. "That would give three days at home and still you wouldn't be behind in your work."

Eugene thanked his employer and did as suggested. He packed his bag with the best he had in the way of clothes, and journeyed homeward, wondering how he would find things. How different it all was! Stella was gone. His youthful unsophistication had pa.s.sed. He could go home as a city man with some prospects. He had no idea of how boyish he looked--how much the idealist he was--how far removed from hard, practical judgment which the world values so highly.

When the train reached Alexandria, his father and Myrtle and Sylvia were at the depot to greet him--the latter with her two year old son. They had all come down in the family carryall, which left one seat for Eugene. He greeted them warmly and received their encomiums on his looks with a befitting sense of humility.

"You're bigger," his father exclaimed. "You're going to be a tall man after all, Eugene. I was afraid you had stopped growing."

"I hadn't noticed that I had grown any," said Eugene.

"Ah, yes," put in Myrtle. "You're much bigger, Gene. It makes you look a little thinner. Are you good and strong?"

"I ought to be," laughed Eugene. "I walk about fifteen or twenty miles a day, and I'm out in the air all the time. If I don't get strong now I never will."

Sylvia asked him about his "stomach trouble." About the same, he told her. Sometimes he thought it was better, sometimes worse. A doctor had told him to drink hot water in the morning but he didn't like to do it. It was so hard to swallow the stuff.

While they were talking, asking questions, they reached the front gate of the house, and Mrs. Witla came out on the front porch. Eugene, at sight of her in the late dusk, jumped over the front wheel and ran to meet her.

"Little ma," he exclaimed. "Didn't expect me back so soon, did you?"

"So soon," she said, her arms around his neck. Then she held him so, quite still for a few moments. "You're getting to be a big man," she said when she released him.

He went into the old sitting room and looked around. It was all quite the same--no change. There were the same books, the same table, the same chairs, the same pulley lamp hanging from the center of the ceiling. In the parlor there was nothing new, nor in the bed rooms or the kitchen. His mother looked a little older--his father not. Sylvia had changed greatly--being slightly "peaked" in the face compared to her former plumpness; it was due to motherhood, he thought. Myrtle seemed a little more calm and happy. She had a real "steady" now, Frank Bangs, the superintendent of the local furniture factory. He was quite young, good-looking, going to be well-off some day, so they thought. "Old Bill," one of the big horses, had been sold. Rover, one of the two collies, was dead. Jake the cat had been killed in a night brawl somewhere.

Somehow, as Eugene stood in the kitchen watching his mother fry a big steak and make biscuits and gravy in honor of his coming, he felt that he did not belong to this world any more. It was smaller, narrower than he had ever thought. The town had seemed smaller as he had come through its streets, the houses too; and yet it was nice. The yards were sweet and simple, but countrified. His father, running a sewing machine business, seemed tremendously limited. He had a country or small town mind. It struck Eugene as curious now, that they had never had a piano. And Myrtle liked music, too. As for himself, he had learned that he was pa.s.sionately fond of it. There were organ recitals in the Central Music Hall, of Chicago, on Tuesday and Friday afternoons, and he had managed to attend some after his work. There were great preachers like Prof. Swing and the Rev. H. W. Thomas and the Rev. F. W. Gunsaulus and Prof. Saltus, liberal thinkers all, whose public services in the city were always accompanied by lovely music. Eugene had found all these men and their services in his search for life and to avoid being lonely. Now they had taught him that his old world was no world at all. It was a small town. He would never come to this any more.

After a sound night's rest in his old room he went down the next day to see Mr. Caleb Williams at the Appeal office, and Mr. Burgess, and Jonas Lyle, and John Summers. As he went, on the court house square he met Ed Mitch.e.l.l and George Taps and Will Groniger, and four or five others whom he had known in school. From them he learned how things were. It appeared that George Anderson had married a local girl and was in Chicago, working out in the stock yards. Ed Waterbury had gone to San Francisco. The pretty Sampson girl, Bessie Sampson, who had once gone with Ted Martinwood so much, had run away with a man from Anderson, Indiana. There had been a lot of talk about it at the time. Eugene listened.

It all seemed less, though, than the new world that he had entered. Of these fellows none knew the visions that were now surging in his brain. Paris--no less--and New York--by what far route he could scarcely tell. And Will Groniger had got to be a baggage clerk at one of the two depots and was proud of it. Good Heavens!

At the office of the Appeal things were unchanged. Somehow Eugene had had the feeling that two years would make a lot of difference, whereas the difference was in him only. He was the one who had undergone cataclysmic changes. He had a been a stove polisher, a real estate a.s.sistant, a driver and a collector. He had known Margaret Duff, and Mr. Redwood, of the laundry, and Mr. Mitchly. The great city had dawned on him; Verestchagin, and Bouguereau, and the Art Inst.i.tute. He was going on at one pace, the town was moving at another one--a slower, but quite as fast as it had ever gone.

Caleb Williams was there, skipping about as of yore, cheerful, communicative, interested. "I'm glad to see you back, Eugene," he declared, fixing him with the one good eye which watered. "I'm glad you're getting along--that's fine. Going to be an artist, eh? Well, I think that's what you were cut out for. I wouldn't advise every young fellow to go to Chicago, but that's where you belong. If it wasn't for my wife and three children I never would have left it. When you get a wife and family though--" he paused and shook his head. "I gad! You got to do the best you can." Then he went to look up some missing copy.

Jonas Lyle was as portly, phlegmatic and philosophic as ever. He greeted Eugene with a solemn eye in which there was inquiry. "Well, how is it?" he asked.

Eugene smiled. "Oh, pretty good."

"Not going to be a printer, then?"

"No, I think not."

"Well, it's just as well, there're an awful lot of them."

While they were talking John Summers sidled up.

"How are you, Mr. Witla?" he inquired.

Eugene looked at him. John was certainly marked for the grave in the near future. He was thinner, of a bluish-grey color, bent at the shoulders.

"Why, I'm fine, Mr. Summers," Eugene said.

"I'm not so good," said the old printer. He tapped his chest significantly. "This thing's getting the best of me."

"Don't you believe it," put in Lyle. "John's always gloomy. He's just as good as ever. I tell him he'll live twenty years yet."

"No, no," said Summers, shaking his head, "I know."

He left after a bit to "go across the street," his customary drinking excuse.

"He can't last another year," Lyle observed the moment the door was closed. "Burgess only keeps him because it would be a shame to turn him out. But he's done for."

"Anyone can see that," said Eugene. "He looks terrible."

So they talked.

At noon he went home. Myrtle announced that he was to come with her and Mr. Bangs to a party that evening. There were going to be games and refreshments. It never occurred to him that in this town there had never been dancing among the boys and girls he moved with, and scarcely any music. People did not have pianos--or at least only a few of them.

After supper Mr. Bangs called, and the three of them went to a typical small town party. It was not much different from the ones Eugene had attended with Stella, except that the partic.i.p.ants were, in the main, just that much older. Two years make a great deal of difference in youth. There were some twenty-two young men and women all crowded into three fair sized rooms and on a porch, the windows and doors leading to which were open. Outside were brown gra.s.s and some autumn flowers. Early crickets were chirping, and there were late fire-flies. It was warm and pleasant.

The opening efforts to be sociable were a little stiff. There were introductions all around, much smart badinage among town dandies, for most of them were here. There were a number of new faces--girls who had moved in from other towns or blossomed into maturity since Eugene had left.

"If you'll marry me, Madge, I'll buy you a nice new pair of seal skin earrings," he heard one of the young bloods remark.

Eugene smiled, and the girl laughed back. "He always thinks he's so cute."

It was almost impossible for Eugene to break through the opening sense of reserve which clogged his actions at everything in the way of social diversion. He was a little nervous because he was afraid of criticism. That was his vanity and deep egotism. He stood about, trying to get into the swing of the thing with a bright remark or two. Just as he was beginning to bubble, a girl came in from one of the other rooms. Eugene had not met her. She was with his prospective brother-in-law, Bangs, and was laughing in a sweet, joyous way which arrested his attention. She was dressed in white, he noticed, with a band of golden brown ribbon pulled through the loops above the flounces at the bottom of her dress. Her hair was a wonderful ashen yellow, a great ma.s.s of it--and laid in big, thick braids above her forehead and ears. Her nose was straight, her lips were thin and red, her cheek-bones faintly but curiously noticeable. Somehow there was a sense of distinction about her--a faint aroma of personality which Eugene did not understand. It appealed to him.

Bangs brought her over. He was a tight, smiling youth, as sound as oak, as clear as good water.

"Here's Miss Blue, Eugene. She's from up in Wisconsin, and comes down to Chicago occasionally. I told her you ought to know her. You might meet up there sometime."

"Say, but that's good luck, isn't it?" smiled Eugene. "I'm sure I'm glad to know you. What part of Wisconsin do you come from?"

"Blackwood," she laughed, her greenish-blue eyes dancing.

"Her hair is yellow, her eyes are blue, and she comes from Blackwood," commented Bangs. "How's that?" His big mouth, with its even teeth, was wide with a smile.

"You left out the blue name and the white dress. She ought to wear white all the time."

"Oh, it does harmonize with my name, doesn't it?" she cried. "At home I do wear white mostly. You see I'm just a country girl, and I make most of my things."

"Did you make that?" asked Eugene.

"Of course I did."

Bangs moved away a little, looking at her as if critically. "Well, that's really pretty," he p.r.o.nounced.

"Mr. Bangs is such a flatterer," she smiled at Eugene. "He doesn't mean any thing he says. He just tells me one thing after another."

"He's right," said Eugene. "I agree as to the dress, and it fits the hair wonderfully."

"You see, he's lost, too," laughed Bangs. "That's the way they all do. Well, I'm going to leave you two. I've got to get back. I left your sister in the hands of a rival of mine."

Eugene turned to this girl and laughed his reserved laugh. "I was just thinking what was going to become of me. I've been away for two years, and I've lost track of some of these people."

"I'm worse yet. I've only been here two weeks and I scarcely know anybody. Mrs. King takes me around everywhere, but it's all so new I can't get hold of it. I think Alexandria is lovely."

"It is nice. I suppose you've been out on the lakes?"

"Oh, yes. We've fished and rowed and camped. I have had a lovely time but I have to go back tomorrow."

"Do you?" said Eugene. "Why I do too. I'm going to take the four-fifteen."

"So am I!" she laughed. "Perhaps we can go together."

"Why, certainly. That's fine. I thought I'd have to go back alone. I only came down for over Sunday. I've been working up in Chicago."

They fell to telling each other their histories. She was from Blackwood, only eighty-five miles from Chicago, and had lived there all her life. There were several brothers and sisters. Her father was evidently a farmer and politician and what not, and Eugene gleaned from stray remarks that they must be well thought of, though poor. One brother-in-law was spoken of as a banker; another as the owner of a grain elevator; she herself was a school teacher at Blackwood--had been for several years.

Eugene did not realize it, but she was fully five years older than himself, with the tact and the superior advantage which so much difference in years brings. She was tired of school-teaching, tired of caring for the babies of married sisters, tired of being left to work and stay at home when the ideal marrying age was rapidly pa.s.sing. She was interested in able people, and silly village boys did not appeal to her. There was one who was begging her to marry him at this moment, but he was a slow soul up in Blackwood, not actually worthy of her nor able to support her well. She was hopefully, sadly, vaguely, madly longing for something better, and as yet nothing had ever turned up. This meeting with Eugene was not anything which promised a way out to her. She was not seeking so urgently--nor did she give introductions that sort of a twist in her consciousness. But this young man had an appeal for her beyond anyone she had met recently. They were in sympathetic accord, apparently. She liked his clear, big eyes, his dark hair, his rather waxen complexion. He seemed something better than she had known, and she hoped that he would be nice to her.

CHAPTER VIII.

The rest of that evening Eugene spent not exactly with, but near Miss Blue--Miss Angela Blue, as he found her name to be. He was interested in her not so much from the point of view of looks, though she was charming enough, but because of some peculiarity of temperament which lingered with him as a grateful taste might dwell on the palate. He thought her young; and was charmed by what he considered her innocence and unsophistication. As a matter of fact she was not so much young and unsophisticated as an unconscious simulator of simplicity. In the conventional sense she was a thoroughly good girl, loyal, financially honest, truthful in all commonplace things, and thoroughly virtuous, moreover, in that she considered marriage and children the fate and duty of all women. Having had so much trouble with other peoples' children she was not anxious to have any, or at least many, of her own. Of course, she did not believe that she would escape with what seemed to be any such good fortune. She fancied that she would be like her sisters, the wife of a good business or professional man; the mother of three or four or five healthy children; the keeper of an ideal middle cla.s.s home; the handmaiden of her husband's needs. There was a deep current of pa.s.sion in her which she had come to feel would never be satisfied. No man would ever understand, no man at least whom she was likely to meet; but she knew she had a great capacity to love. If someone would only come along and arouse that--be worthy of it--what a whirlwind of affection she would return to him! How she would love, how sacrifice! But it seemed now that her dreams were destined never to be fulfilled, because so much time had slipped by and she had not been courted by the right one. So here she was now at twenty-five, dreaming and longing--the object of her ideals thus accidentally brought before her, and no immediate consciousness that that was the case.

It does not take s.e.xual affinity long to manifest itself, once its subjects are brought near to each other. Eugene was older in certain forms of knowledge, broader in a sense, potentially greater than she would ever comprehend; but nevertheless, swayed helplessly by emotion and desire. Her own emotions, though perhaps stronger than his, were differently aroused. The stars, the night, a lovely scene, any exquisite attribute of nature could fascinate him to the point of melancholy. With her, nature in its largest aspects pa.s.sed practically unnoticed. She responded to music feelingly, as did Eugene. In literature, only realism appealed to him; for her, sentiment, strained though not necessarily unreal, had the greatest charm. Art in its purely aesthetic forms meant nothing at all to her. To Eugene it was the last word in the matter of emotional perception. History, philosophy, logic, psychology, were sealed books to her. To Eugene they were already open doors, or, better yet, flowery paths of joy, down which he was wandering. Yet in spite of these things they were being attracted toward each other.

And there were other differences. With Eugene convention meant nothing at all, and his sense of evil and good was something which the ordinary person would not have comprehended. He was p.r.o.ne to like all sorts and conditions of human beings--the intellectual, the ignorant, the clean, the dirty, the gay, the sorrowful, white, yellow, black. As for Angela, she had a distinct preference for those who conducted themselves according to given standards of propriety. She was brought up to think of those people as best who worked the hardest, denied themselves the most, and conformed to the ordinary notions of right and wrong. There was no questioning of current standards in her mind. As it was written socially and ethically upon the tables of the law, so was it. There might be charming characters outside the pale, but they were not admitted to a.s.sociation or sympathy. To Eugene a human being was a human being. The ruck of misfits or ne'er-do-wells he could laugh joyously with or at. It was all wonderful, beautiful, amusing. Even its grimness and tragedy were worth while, although they hurt him terribly at times. Why, under these circ.u.mstances, he should have been so thoroughly attracted to Angela remains a mystery. Perhaps they complemented each other at this time as a satellite complements a larger luminary--for Eugene's egoism required praise, sympathy, feminine coddling; and Angela caught fire from the warmth and geniality of his temperament.

On the train next day Eugene had nearly three hours of what he deemed most delightful talk with her. They had not journeyed far before he had told her how he had traveled this way, on this train, at this hour, two years before; how he had walked about the streets of the big city, looking for a place to sleep, how he had got work and stayed away until he felt that he had found himself. Now he was going to study art and then to New York or Paris, and do magazine ill.u.s.trating and possibly paint pictures. He was truly your flamboyant youth of talent when he got to talking--when he had a truly sympathetic ear. He loved to boast to someone who really admired him, and he felt that he had admiration here. Angela looked at him with swimming eyes. He was really different from anything she had ever known, young, artistic, imaginative, ambitious. He was going out into a world which she had longed for but never hoped to see--that of art. Here he was telling her of his prospective art studies, and talking of Paris. What a wonderful thing!

As the train neared Chicago she explained that she would have to make an almost immediate connection with one which left over the Chicago Milwaukee and St. Paul, for Blackwood. She was a little lonely, to tell the truth, a little sick at heart, for the summer vacation was over and she was going back to teach school. Alexandria, for the two weeks she had been there visiting Mrs. King (formerly a Blackwood girl and school-day chum of hers), was lovely. Her girlhood friend had tried to make things most pleasant and now it was all over. Even Eugene was over, for he said nothing much of seeing her again, or had not so far. She was wishing she might see more of this world he painted in such glowing colors, when he said: "Mr. Bangs said that you come down to Chicago every now and then?"

"I do," she replied. "I sometimes come down to go to the theatres and shop." She did not say that there was an element of practical household commercialism in it, for she was considered one of the best buyers in the family and that she was sent to buy by various members of the family in quant.i.ties. From a practical household point of view she was a thoroughbred and was valued by her sisters and friends as someone who loved to do things. She might have come to be merely a family pack horse, solely because she loved to work. It was instinct to do everything she did thoroughly, but she worked almost exclusively in minor household matters.

"How soon do you expect to come down again?" he asked.