II

It was in March that I made Perry see a doctor. "Nothing organic," was Perry's report. Beyond that he was silent. So I went to the doctor myself.

"What's the matter with him?"

"He is not getting the proper nourishment," the doctor told me. "He must have plenty of milk and eggs, and good red meat."

It sounded easy enough, but it wasn't. Rosalie couldn't grasp the fact that diet in Perry's case was important. For the first time I saw a queer sort of obstinacy in her.

"Oh, my poor Peer!" And she laughed lightly. "Do they want to make a stuffed pig of you?"

Well, you simply couldn't get it into her head that Perry needed the bread that she sold for hyacinths. She cooked steaks and chops for him, and served them with an air of protest that took away his appet.i.te.

Of course there remained the eggs and milk, but he didn't like them.

What Perry really needed was three good meals a day according to the tradition of his mother's home.

But he couldn't have them. His mother was dead, and the home broken up.

The little bungalow, with its old brocades, its Venetian gla.s.s, its Florentine carvings, its sun-dial and its garden, was the best that life could offer him. And I must confess that he seemed to think it very good. He adored Rosalie. When in moments of rebellion against her seeming indifference I hinted that she lacked housewifely qualities he smiled and shifted the subject abruptly.

Once he said, "She feeds--my soul."

Of course she loved him. But love to her meant what it had meant in those first days on the Maine coast when she had seen him, slender and strong, his brown hair blowing back from his sun-tanned skin; it meant those first days in their new home when, handsome and debonair in the velvet coat which she had made him wear, he had added a high light to the picture she had made of her home.

This new Perry, pale and coughing--shivering in the warmth of the fire--did not fit into the picture. Her dreams of the future had not included a tired man who worked for his living, and who was dying for lack of intelligent care.

To put it into cold words makes it sound ghoulish. But of course Rosalie was not really that. She was merely absorbed in her own exalted theories and she was not maternal. I think when I compared her, unthinking, to the young moon, that I was subconsciously aware of her likeness to the "orbed maiden" whose white fire warms no one.

She tried to do her best, and I am quite sure that Perry never knew the truth--that he might have been saved if she could have left her heights for a moment and had become womanly and wifely. If she had mothered him a bit--poured out her tenderness upon him--oh, my poor Perry. He loved her too much to ask it, but I knew what it would have meant to him.

All through his last illness Rosalie clung to me. I think it grew to be a horror to her to see him, gaunt and exhausted, in the west room. He had a good nurse, toward the last, and good food. I had had a small fortune left to me, too late, by a distant relative. I paid for the cook and the nurse, and I sent flowers to Rosalie that she might take them to Perry and let his hungry eyes feed upon her.

It was in the winter that he died, and after all was over Rosalie and I went out and stood together on the little porch. There was snow on the ground and the bright stars seemed caught in the branches of the pines.

Rosalie shook and sobbed.

"I hate--death," she said. "Oh, Jim Crow, why did G.o.d let my poor Peer die?" She was completely unstrung. "Death is so--ugly."

I said, "It is not ugly. Peer will live again--like the daffodils in the spring."

"Do you believe that, Jim Crow?"

I did believe it, and I told her so--that even now her Peer was strong and well; and I think it comforted her. It gave her lover back to her, as it were, in the glory of his youth.

She did not wear mourning, or, rather, she wore mourning which was like that worn by no other woman. Her robes were of purple. She kept Perry's picture on the table, and out of the frame his young eyes laughed at us, so that gradually the vision of that ravaged figure in the west room faded.

I went to see her once a week. It seemed the only thing to do. She was utterly alone, with no family but the great-aunt and uncle who had been with her when she met Perry. She was a child in business matters, and Perry had left it to me to administer the affairs of his little estate.

Rosalie had her small bungalow, Perry's insurance, and she turned her knowledge of painting to practical account. She made rather special things in lamp-shades and screens, and was well paid for them.

I went, as I have said, once a week. A woman friend shared part of her house, but was apt to be out, and so I saw Rosalie usually alone. I lived now at the club and kept a car. Rosalie often dined with me, but I rarely ate at the bungalow. Now and then in the afternoon she made me a cup of tea, rather more, I am sure, for the picturesque service with her treasured Sheffield than for any desire to contribute to my own cheer or comfort.

And so, gradually, I grew into her life and she grew into mine. I was forty-five, she twenty-five. In the back of my mind was always a sense of the enormity of her offense against Perry. In my hottest moments I said to myself that she had sacrificed his life to her selfishness; she might have been a Borgia or a Medici.

Yet when I was with her my resentment faded; one could as little hold rancor against a child.

Thus the months pa.s.sed, and it was in the autumn, I remember, that a conversation occurred which opened new vistas. She had been showing me a parchment lamp-shade which she had painted. There was a peac.o.c.k with a spreading tail, and as she held the shade over the lamp the light shone through and turned every feathered eye into a glittering jewel. Rosalie wore one of her purple robes, and I can see her now as I shut my eyes, as glowing and gorgeous as some of those unrivaled masterpieces in the Pitti Palace.

"Jim Crow," she said, "I shall do a parrot next--all red and blue, with white rings round his eyes."

"You will never do anything better than that peac.o.c.k."

"Shan't I?" She left the shade over the lamp and sat down. "Do you think I shall paint peac.o.c.ks and parrots for the rest of my life, Jim Crow?"

"What would you like to do?" I asked her.

"Travel." She was eager. "Do you know, I have never been to Europe?

Perry used to tell me about it--Botticelli and Raphael--and Michaelangelo--"

"We had a great time," I said, remembering it all--that breathless search for beauty.

"He promised that some day he and I would go--together."

"Poor Perry!"

She rose restlessly.

"Oh, take me out somewhere, Jim Crow! I feel as if this little house would stifle me."

We motored to the country club. She wore the color which she now affected, a close little hat and a straight frock. People stared at her.

I think she was aware of their admiration and liked it.

She smiled at me as she sat down at the table. "I always love to come with you, Jim Crow."

"Why?"

"You do things so well, and you're such a darling."

I do not believe that it was intended as flattery. I am sure that she meant it. She was happy because of the lights and the lovely old room with its cavernous fireplace and its English chintzes; and out of her happiness she spoke.

She could not, of course, know the effect of her words on me. No one had ever called me a darling or had thought that I did things well.

She used, too, to tell me things about my looks. "You'd be like one of those distinguished gentlemen of Vand.y.k.e's if you'd wear a ruff and leave off your eye-gla.s.ses."

I wonder if you know how it seemed to have a child like that saying such things. For she was more than a child, she was a beautiful woman, and everything surrounding her was beautiful. And there had been a great many gray years before I met Perry and before the money came which made pleasant living possible.

"I like you because you are strong," was another of her tributes.

"How do you know I am strong?"