The Friendly Road - Part 12
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Part 12

So I tramped that morning; and as I tramped I let my mind go out warmly to the people living all about on the farms or in the hills. It is pleasant at times to feel life, as it were, in general terms: no specific Mr. Smith or concrete Mr. Jones, but just human life. I love to think of people all around going out busily in the morning to their work and returning at night, weary, to rest. I like to think of them growing up, growing old, loving, achieving, sinning, failing--in short, living.

In such a live-minded mood as this it often happens that the most ordinary things appear charged with new significance. I suppose I had seen a thousand rural-mail boxes along country roads before that day, but I had seen them as the young farmer saw the sign-man. They were mere inert objects of iron and wood.

But as I tramped, thinking of the people in the hills, I came quite unexpectedly upon a sandy by-road that came out through a thicket of scrub oaks and hazel-brush, like some shy countryman, to join the turn-pike. As I stood looking into it--for it seemed peculiarly inviting--I saw at the entrance a familiar group of rural-mail boxes.

And I saw them not as dead things, but for the moment--the illusion was over-powering--they were living, eager hands outstretched to the pa.s.sing throng I could feel, hear, see the farmers up there in the hills reaching out to me, to all the world, for a thousand inexpressible things, for more life, more companionship, more comforts, more money.

It occurred to me at that moment, whimsically and yet somehow seriously, that I might respond to the appeal of the shy country road and the outstretched hands. At first I did not think of anything I could do--save to go up and eat dinner with one of the hill farmers, which might not be an unmixed blessing!--and then it came to me.

"I will write a letter!"

Straightway and with the liveliest amus.e.m.e.nt I began to formulate in my mind what I should say:

Dear Friend: You do not know me. I am a pa.s.serby in the road. My name is David Grayson. You do not know me, and it may seem odd to you to receive a letter from an entire stranger. But I am something of a farmer myself, and as I went by I could not help thinking of you and your family and your farm. The fact is, I should like to look you up, and talk with you about many things. I myself cultivate a number of curious fields, and raise many kinds of crops--

At this interesting point my inspiration suddenly collapsed, for I had a vision, at once amusing and disconcerting, of my hill farmer (and his practical wife!) receiving such a letter (along with the country paper, a circular advertising a cure for catarrh, and the most recent catalogue of the largest mail-order house in creation). I could see them standing there in their doorway, the man with his coat off, doubtfully scratching his head as he read my letter, the woman wiping her hands on her ap.r.o.n and looking over his shoulder, and a youngster squeezing between the two and demanding, "What is it, Paw?"

I found myself wondering how they would receive such an unusual letter, what they would take it to mean. And in spite of all I could do, I could imagine no expression on their faces save one of incredulity and suspicion. I could fairly see the shrewd worldly wise look come into the farmer's face; I could hear him say:

"Ha, guess he thinks we ain't cut our eye-teeth!" And he would instantly begin speculating as to whether this was a new scheme for selling him second-rate nursery stock, or the smooth introduction of another sewing-machine agent.

Strange world, strange world! Sometimes it seems to me that the hardest thing of all to believe in is simple friendship. Is it not a comment upon our civilization that it is so often easier to believe that a man is a friend-for-profit, or even a cheat, than that he is frankly a well-wisher of his neighbours?

These reflections put such a damper upon my enthusiasm that I was on the point of taking again to the road, when it came to me powerfully: Why not try the experiment? Why not?

"Friendship," I said aloud, "is the greatest thing in the world. There is no door it will not unlock, no problem it will not solve. It is, after all, the only real thing in this world."

The sound of my own voice brought me suddenly to myself, and I found that I was standing there in the middle of the public road, one clenched fist absurdly raised in air, delivering an oration to a congregation of rural-mail boxes!

And yet, in spite of the humorous aspects of the idea, it still appeared to me that such an experiment would not only fit in with the true object of my journeying, but that it might be full of amusing and interesting adventures. Straightway I got my notebook out of my bag and, sitting down near the roadside, wrote my letter. I wrote it as though my life depended upon it, with the intent of making some one household there in the hills feel at least a little wave of warmth and sympathy from the great world that was pa.s.sing in the road below. I tried to prove the validity of a kindly thought with no selling device attached to it; I tried to make it such a word of frank companionship as I myself, working in my own fields, would like to receive.

Among the letter-boxes in the group was one that stood a little detached and behind the others, as though shrinking from such prosperous company.

It was made of unpainted wood, with leather hinges, and looked shabby in comparison with the jaunty red, green, and gray paint of some of the other boxes (with their c.o.c.ky little metallic flags upraised). It bore the good American name of Clark--T. N. Clark--and it seemed to me that I could tell something of the Clarks by the box at the crossing.

"I think they need a friendly word," I said to myself.

So I wrote the name T. N. Clark on my envelope and put the letter in his box.

It was with a sense of joyous adventure that I now turned aside into the sandy road and climbed the hill. My mind busied itself with thinking how I should carry out my experiment, how I should approach these Clarks, and how and what they were. A thousand ways I pictured to myself the receipt of the letter: it would at least be something new for them, something just a little disturbing, and I was curious to see whether it might open the rift of wonder wide enough to let me slip into their lives.

I have often wondered why it is that men should be so fearful of new ventures in social relationships, when I have found them so fertile, so enjoyable. Most of us fear (actually fear) people who differ from ourselves, either up or down the scale. Your Edison pries fearlessly into the intimate secrets of matter; your Marconi employs the mysterious properties of the "jellied ether," but let a man seek to experiment with the laws of that singular electricity which connects you and me (though you be a millionaire and I a ditch-digger), and we think him a wild visionary, an academic person. I think sometimes that the science of humanity to-day is in about the state of darkness that the natural sciences were when Linneus and Cuvier and Lamarck began groping for the great laws of natural unity. Most of the human race is still groaning under the belief that each of us is a special and unrelated creation, just as men for ages saw no relationships between the fowls of the air, the beasts of the field, and the fish of the sea. But, thank G.o.d, we are beginning to learn that unity is as much a law of life as selfish struggle, and love a more vital force than avarice or l.u.s.t of power or place. A Wandering Carpenter knew it, and taught it, twenty centuries ago.

"The next house beyond the ridge," said the toothless old woman, pointing with a long finger, "is the Clarks'. You can't miss it," and I thought she looked at me oddly.

I had been walking briskly for some three miles, and it was with keen expectation that I now mounted the ridge and saw the farm for which I was looking, lying there in the valley before me. It was altogether a wild and beautiful bit of country--stunted cedars on the knolls of the rolling hills, a brook trailing its way among alders and willows down a long valley, and s.h.a.ggy old fields smiling in the sun. As I came nearer I could see that the only disharmony in the valley was the work (or idleness) of men. A broken mowing-machine stood in the field where it had been left the summer before, rusty and forlorn, and dead weeds marked the edges of a field wherein the spring ploughing was now only half done. The whole farmstead, indeed, looked tired. As for the house and barn, they had reached that final stage of decay in which the best thing that could be said of them was that they were picturesque.

Everything was as different from the farm of the energetic and joyous Stanleys, whose work I had shared only a few days before, as anything that could be imagined.

Now, my usual way of getting into step with people is simplicity itself.

I take off my coat and go to work with them and the first thing I know we have become first-rate friends. One doesn't dream of the possibilities of companionship in labour until he has tried it.

But how shall one get into step with a man who is not stepping?

On the porch of the farmhouse, there in the mid-afternoon, a man sat idly; and children were at play in the yard. I went in at the gate, not knowing in the least what I should say or do, but determined to get hold of the problem somewhere. As I approached the step, I swung my bag from my shoulder.

"Don't want to buy nothin'," said the man.

"Well," said I, "that is fortunate, for I have nothing to sell. But you've got something I want."

He looked at me dully.

"What's that?"

"A drink of water."

Scarcely moving his head, he called to a shy older girl who had just appeared in the doorway.

"Mandy, bring a dipper of water."

As I stood there the children gathered curiously around me, and the man continued to sit in his chair, saying absolutely nothing, a picture of dull discouragement.

"How they need something to stir them up," I thought.

When I had emptied the dipper, I sat down on the top step of the porch, and, without saying a word to the man, placed my bag beside me and began to open it. The shy girl paused, dipper in hand, the children stood on tiptoe, and even the man showed signs of curiosity. With studied deliberation I took out two books I had with me and put them on the porch; then I proceeded to rummage for a long time in the bottom of the bag as though I could not find what I wanted. Every eye was glued upon me, and I even heard the step of Mrs. Clark as she came to the but I did not look up or speak. Finally I pulled out my tin whistle and, leaning back against the porch column, placed it to my lips, and began playing in Tom Madison's best style (eyes half closed, one toe tapping to the music, head nodding, fingers lifted high from the stops), I began playing "Money Musk," and "Old Dan Tucker." Oh, I put vim into it, I can tell you! And bad as my playing was, I had from the start an absorption of attention from my audience that Paderewski himself might have envied.

I wound up with a lively trill in the high notes and took my whistle from my lips with a hearty laugh, for the whole thing had been downright good fun, the playing itself, the make-believe which went with it, the surprise and interest in the children's faces, the slow-breaking smile of the little girl with the dipper.

"I'll warrant you, madam," I said to the woman who now stood frankly in the doorway with her hands wrapped in her ap.r.o.n, "you haven't heard those tunes since you were a girl and danced to 'em."

"You're right," she responded heartily.

"I'll give you another jolly one," I said, and, replacing my whistle, I began with even greater zest to play "Yankee Doodle."

When I had gone through it half a dozen times with such added variations and trills as I could command, and had two of the children hopping about in the yard, and the forlorn man tapping his toe to the tune, and a smile on the face of the forlorn woman, I wound up with a rush and then, as if I could hold myself in no longer (and I couldn't either!), I suddenly burst out:

Yankee doodle dandy!

Yankee doodle dandy!

Mind the music and the step, And with the girls be handy.

It may seem surprising, but I think I can understand why it was--when I looked up at the woman in the doorway there were tears in her eyes!

"Do you know 'John Brown's Body'?" eagerly inquired the little girl with the dipper, and then, as if she had done something quite bold and improper, she blushed and edged toward the doorway.

"How does it go?" I asked, and one of the bold lads in the yard instantly puckered his lips to show me, and immediately they were all trying it.

"Here goes," said I, and for the next few minutes, and in my very best style, I hung Jeff Davis on the sour apple-tree, and I sent the soul of John Brown marching onward with an altogether unnecessary number of hallelujahs.

I think sometimes that people--whole families of 'em--literally perish for want of a good, hearty, whole-souled, mouth-opening, throat-stretching, side-aching laugh. They begin to think themselves the abused of creation, they begin to advise with their livers and to hate their neighbours, and the whole world becomes a miserable dark blue place quite unfit for human habitation. Well, all this is often only the result of a neglect to exercise properly those muscles of the body (and of the soul) which have to do with honest laughter.

I've never supposed I was an especially amusing person, but before I got through with it I had the Clark family well loosened up with laughter, although I wasn't quite sure some of the time whether Mrs. Clark was laughing or crying. I had them all laughing and talking, asking questions and answering them as though I were an old and valued neighbour.