"Take them, think it over, give Dylan a call."

"You don't care if I sell them?"

Barrett Rude Junior eyeballed his son in return. "Nah, man, I don't care." His disappointment was irrational, huge. "But once you're all the way up there, why not check it out? It's bread you want, I'll give give you bread, Gus." you bread, Gus."

His pushing only stoked Mingus's own resistance, he saw now. If your old man doesn't want to go see Ray Charles why should you want to go? Too much effort all around, this day especially. Brooklyn was a tropical place, faint marimba notes suspended in the yellow air, now a Mister Softee truck's incessant, circular tune, rising and falling like an ambulance whine as it positioned itself on Bergen, Bond, Dean, Pacific, drawing sluggish kids like ants to a soda spill. Manhattan seemed a thousand miles away, another city.

Barrett Rude Junior could have done with a soft-dipped cone himself come to think of it.

Getting one was another whole story altogether.

Didn't see himself standing at no ice-cream truck.

Under the marimba and the Mister Softee jingle he breath-chanted nihhh-gahhhh, nihhh-gahhh nihhh-gahhhh, nihhh-gahhh, the tune, let's admit it now, going nowhere, unfolding into nothing but itself. Nigger Nigger would be a song unsung, more dust blown away. Besides, the four-track recorder was impossibly distant, a rumor as farfetched and unlikely as the ice-cream cone, as Manhattan. would be a song unsung, more dust blown away. Besides, the four-track recorder was impossibly distant, a rumor as farfetched and unlikely as the ice-cream cone, as Manhattan.

You don't fetch fetch what's too what's too far far. Hence the phrase.

Now, how was it that blow always make him want to close his eyes? Made no sense at all.

And why couldn't Mingus answer one simple goddamn question?

When Barrett Rude Junior opened his eyes again hours had passed. He'd been wallowing there all afternoon and into the dusk hour, Mingus long gone wherever wherever with the tickets. He awoke entombed in the dark, heat-glazed to the leather chair, the folds of his chin and neck chafed with sweat. The curtain flapped lightly in a useless breeze which had quietly worn the knoll of cocaine and chased grains to the edges of the mirror. Probably on the carpet as well. with the tickets. He awoke entombed in the dark, heat-glazed to the leather chair, the folds of his chin and neck chafed with sweat. The curtain flapped lightly in a useless breeze which had quietly worn the knoll of cocaine and chased grains to the edges of the mirror. Probably on the carpet as well.

He'd already spilled it on the water bed the night before, a new layer of sheen between his body and the sheets. Let it cover the whole house in a layer-it would be there when he'd need it, he'd run his fingers over the walls, snort the carpet. He'd bring a woman home and use her like a sponge to pick it up and get high cleaning it off her body.

True enough, he'd need to get this part of his life stashed away before Barrett Rude Senior got sprung and came up north.

Now haul your ass up splash water on your neck get out the damn house already, it's nighttime.

The Duffield was a grand ruin of an Art Deco movie palace, an experiment in what happened if you never cleaned a place for fifty years, just sold tickets and stale candy to stick to the floor and flat cola to erode the hinges of the sprung upholstered chairs when it spilled. One chair in four was upright enough to sit in. Others looked like they might have been attacked, stabbed by angry gangs. The walls were panels of torn crimson felt between gold-painted cherubs and rosettes, now blackened and nose-chipped into dingy gargoyles. The place was unnaturally dark. Red exit signs hovered in the murk, cigarette haze floated up through the projector beam to nest in the massive wrecked chandelier, below the peeling vault of the ceiling, the misaligned film played over the edges of the heavy rotting curtain at both sides of the screen. The screen itself showed bullet holes and was prominently tagged by Strike and Bel II.

Barrett Rude Junior paid for his ticket and went inside, found a seat under the balcony. Bingo Long Bingo Long was started already, maybe half over. The air was cold and rank. The place was two-thirds full, heads clustered in groups to the distant reaches of the giant room, all smoking and laughing and talking back to the movie. Squeals and moans in the darkest corners. A woman could be giving birth to twins in the balcony, nobody'd know. Barrett Rude leaned back, tested his springs, settled in. He'd had the foresight to ferry in a brown sack with a forty-ounce Colt, not troubling to hide it from the indifferent ticket ripper. Now he eased the cap off. It voiced a quick was started already, maybe half over. The air was cold and rank. The place was two-thirds full, heads clustered in groups to the distant reaches of the giant room, all smoking and laughing and talking back to the movie. Squeals and moans in the darkest corners. A woman could be giving birth to twins in the balcony, nobody'd know. Barrett Rude leaned back, tested his springs, settled in. He'd had the foresight to ferry in a brown sack with a forty-ounce Colt, not troubling to hide it from the indifferent ticket ripper. Now he eased the cap off. It voiced a quick shuffff shuffff of freed carbonation, answered by an envious murmur from those in the Duffield near enough to have heard: of freed carbonation, answered by an envious murmur from those in the Duffield near enough to have heard: Wish I'd thought of that, damn Wish I'd thought of that, damn.

Bingo Long was no good. It stunk, in fact, full of cloying Dixieland jazz and Billy Dee Williams in a three-piece suit like he thought he was Redford in was no good. It stunk, in fact, full of cloying Dixieland jazz and Billy Dee Williams in a three-piece suit like he thought he was Redford in The Black Sting The Black Sting. Plus too little Richard Pryor, too much James Earl Jones making like Paul Robeson, that tired nobility jive. Didn't matter. It was half over and soon Car Wash Car Wash would start and the crowd was good and the air was cold and the liquor was cold. He only had to stretch it out, not drink it up before the second feature. Everyone was here to see would start and the crowd was good and the air was cold and the liquor was cold. He only had to stretch it out, not drink it up before the second feature. Everyone was here to see Car Wash Car Wash in the first place. Not that they'd be any quieter then. in the first place. Not that they'd be any quieter then.

It was at the break when the lights rose that he saw them, the nappy dark head and the straight and nearly blond-haired head beside it, the two of them slumped twenty rows closer, at the front where the screen surely loomed like a sky they couldn't see to the edges of, their identical blue Pro Keds thrown up across the seats in front of them. Mingus had rounded up Dylan, sure-probably dragged him uptown to Radio City to scalp the tickets too. Unloaded them on some white folks in evening dress, no doubt. Then hauled ass back to Brooklyn, like he'd read Barrett Rude Junior's mind, for the double feature. Shit, it didn't take a mind reader. Anyone in their right mind for a mile around was at the Duffield tonight, and if you'd delivered free Ray Charles tickets to their mailboxes that morning it wouldn't be any different. Who wouldn't want to be here jeering through Bingo Long Bingo Long in the dark, anticipation just making things better, waiting for in the dark, anticipation just making things better, waiting for Car Wash Car Wash, all that Norman WhitfieldRose Royce pizzazz on the soundtrack? Only proved the boy had sense.

It was entirely possible that one song could destroy your life. Yes, musical doom could fall on a lone human form and crush it like a bug. The song, that song that song, was sent from somewhere else to find you, to pick the scab of your whole existence. The song was your personal shitty fate, manifest as a throb of pop floating out of radios everywhere.

At the very least the song was the soundtrack to your destruction, the theme theme. Your days reduced to a montage cut to its cowbell beat, inexorable doubled bass line and raunch vocal, a sort of chanted sneer, surrounded by groans of pleasure. The stutter and blurt of what-a tuba tuba ? French horn? Rhythm guitar and trumpet, pitched to mockery. The singer might as well have held a gun to your head. How it could have been allowed to happen, how it could have been allowed on the ? French horn? Rhythm guitar and trumpet, pitched to mockery. The singer might as well have held a gun to your head. How it could have been allowed to happen, how it could have been allowed on the radio radio ? That song ought to be illegal. It wasn't racist-you'll never sort that one out, don't even start-so much as anti- ? That song ought to be illegal. It wasn't racist-you'll never sort that one out, don't even start-so much as anti- you you.

Yes they were dancing, and singing, and movin' to the groovin', and just when it hit me, somebody turned around and shouted - - Every time your sneakers met the street, the end of that summer, somebody was hurling it at your head, that song that song.

Forget what happens when you start haunting the green-tiled halls of Intermediate School 293.

September 7, 1976, the week Dylan Ebdus began seventh grade in the main building on Court Street and Butler, Wild Cherry's "Play That Funky Music" was the top song on the rhythm and blues charts. Fourteen days later it topped Billboard Billboard 's pop charts. Your misery's anthem, number-one song in the nation. 's pop charts. Your misery's anthem, number-one song in the nation.

Sing it through gritted teeth: WHITE BOY! WHITE BOY!

Lay down the boogie and play that funky music 'til you die.

When Dylan Ebdus first spotted Arthur Lomb the other boy was feigning pain in the far corner of the schoolyard. At some distance Dylan heard the cries and turned from the entrance of the school to look. Catching sight of Arthur Lomb was like noticing the flight and fall of a bird across a distance of leaf-blurred sky, that flicker at the corner of vision, the abrupt plummeting. Like the flying man too, something Dylan did and didn't wish to have noticed. It occurred at that moment of slippage after the bell had rung and the gym teachers who patrolled the yard had returned inside, ahead of the flood of students, so the yard became a lawless zone, that terrible sudden reframing of space which could happen anywhere, even inside the corridors of the school. Nevertheless it was a clumsy mistake for the boy now cringing on the ground to be caught so far from the yard's entrance, a mistake Dylan felt he couldn't forgive. He wouldn't have forgiven it in himself.

Arthur Lomb fell to his knees and clutched his chest and keened. His words were briefly audible across the depopulating yard.

"I can't breathe! " "

Then, each syllable riding a sharp insuck of air, "I! " Pause. " " Pause. "Can't! " Pause. " " Pause. "Breathe! " "

Arthur Lomb was pretending asthma or some other weakness. It was an identifiable method: preemptive suffering. Nobody could do much with a kid who was already crying. He'd become useless, untillable soil. He had no spirit to crush and it was faintly disgusting, in poor taste. Anyway, this weirdly gasping kid might not know the rules and talk, tattle to some distant cloddish figure of authority what he imagined had been done to him. He might even be truly sick, fucked up, in pain, who knew? Your only option was to say Dang, white boy, what's your problem? I didn't even touch you. Dang, white boy, what's your problem? I didn't even touch you. And move on. And move on.

Dylan admired the strategy, feeling at once a cool quiver of recognition and a hot bolt of shame. He felt that he was seeing his double, his stand-in. It was at least true that any punishment Arthur Lomb endured was likely otherwise Dylan's, or anyway that a gang of black kids couldn't knock Dylan to the pavement or put him in a yoke at the exact moment they were busy doing it to Arthur Lomb.

From that point on Arthur Lomb's reddish hair and hunched shoulders were easy to spot, though he and Dylan had different homerooms, and schedules which kept them from overlapping anywhere except the schoolyard at lunch hour. Arthur Lomb dressed in conspicuous striped polo shirts and wore soft brown shoes. His pants were often highwaters. Dylan once heard a couple of black girls serenading Arthur Lomb with a couplet he hadn't himself elicited since fourth grade, snapping their fingers and harmonizing high and low like a doo-wop group: The flood is over, the land is dry, so why do you wear your pants so high The flood is over, the land is dry, so why do you wear your pants so high ? ?

Arthur Lomb carried an enormous and bright blue backpack, an additional blight. All his schoolbooks must be inside, or maybe a couple of stone tablets. The bag itself would have tugged Arthur Lomb to the ground if he'd stood up straight. As it was the bag glowed as a target, begged to be jerked downward to crumple Arthur Lomb to the corridor floor to enact his shortness-of-breath routine. Dylan had seen it done five times already before he and Arthur Lomb ever spoke. Dylan had even heard kids chanting the song the song at Arthur Lomb as they slapped at his reddened neck or the top of his head while he squirmed on the floor. Play that at Arthur Lomb as they slapped at his reddened neck or the top of his head while he squirmed on the floor. Play that fucking fucking music, white boy! Stretching the last two words to a groaning, derisive, Bugs-Bunnyesque music, white boy! Stretching the last two words to a groaning, derisive, Bugs-Bunnyesque whyyyyyyyboy! whyyyyyyyboy!

There were just three other white kids in the school, all girls, with their own girl factors to work out. One shared Dylan's homeroom, an Italian girl, black-haired and sullen and tiny, dwarfed by the girls all around them who exploded with hormonal authority. The black and Puerto Rican girls had risen to some other place where they were rightly furious at anything in view, jostling at one another and at the teachers in a rage of sex. However, their very size offered an approach: it was feasible to pass unseen below. Homeroom was a place for honing silence in a theater of noise and so the Italian girl and Dylan never spoke. As for Arthur Lomb, Dylan supposed he and the other boy had been kept apart intentionally by some unseen pitying intelligence, to avoid making both more conspicuous in their resemblance. This was a policy Dylan endorsed heartily, whether it existed outside of his own brain or not. Even at that remove, Arthur Lomb bore the mingled stink of Dylan's oppression mixed with his own, so that it was hard to tell where one began and the other left off. Dylan wasn't in any hurry to get closer. Really, he wanted no part of Arthur Lomb.

It was the library where they finally spoke. Dylan and Arthur Lomb's two homerooms had been deposited there together for a period, the school librarian covering some unexplained absence of teachers for an afternoon, a blip in the routine nobody cared about anyway. Most kids sent to the library never arrived there, ended up outside the building instead, taking the word as a euphemism for class dismissed class dismissed. So the I.S. 293 library was drab but peaceful, an eddy of calm. Below a poster advertising A Hero Ain't Nothin' But a Sandwich A Hero Ain't Nothin' But a Sandwich, a book the library didn't actually offer, Dylan placed himself against a wall and flipped open issue number two of the Marvel Comics adaptation of Logan's Run Logan's Run. As the period ticked away glacially, Arthur Lomb buzzed him twice, squinting to see the title of the comic, then pursing lips in false concentration as he mimed browsing the half-empty shelves nearby, before stepping close enough for Dylan to hear him speak in an angry, clenched whisper.

"That guy George Perez can't draw Farrah Fawcett to save his life."

This was a startling allusion to several bodies of knowledge simultaneously. Dylan could only glare, his curiosity mingled with the certainty that he and Arthur Lomb were more objectionable, more unpardonable, together than apart. Up close Arthur Lomb had a blinky agitated quality to his features which made Dylan himself want to knock him down. His face seemed to reach for something, his features like a grasping hand. Dylan wondered if there might be a pair of glasses tucked in the background somewhere, perhaps in a side pocket of the monumental blue backpack.

Dylan hurried the comic book into his binder. He'd bought it on Court Street at lunchtime and debated allowing it to be seen inside the school, a breach of general good sense. It was a lousy comic, though, stiff with fidelity to the movie, and Dylan had decided he wouldn't care anymore than he'd be surprised if it was taken away. This, a conversation with his homely double, wasn't the price he'd expected to pay. But Arthur Lomb seemed to sense the dent he'd made in Dylan's attention and pressed on.

He smirked again at the comic book where it had vanished into the binder.

"Seen it?"

"What?"

"Logan's Run."

Fuck you looking at? Dylan wanted to shriek at Arthur Lomb, before it was too late, before Dylan succumbed to his loneliness and allowed himself to meet Arthur, the other white boy. Dylan wanted to shriek at Arthur Lomb, before it was too late, before Dylan succumbed to his loneliness and allowed himself to meet Arthur, the other white boy.

"Not yet," Dylan said instead.

"Farrah Fawcett is a fox fox."

Dylan didn't answer. He couldn't know, and was only chagrined that he even knew what Arthur Lomb was talking about.

"Don't feel bad. I bought ten copies of Logan's Run #1 Logan's Run #1." Arthur Lomb spoke in a hurried whisper, showing some awareness of his surroundings, but compelled to spill what he had, to force Dylan know to him. "You have have to buy number ones, it's an investment. I've got ten of to buy number ones, it's an investment. I've got ten of Eternals Eternals, ten of 2001 2001, ten of Omega Omega, ten of Ragman Ragman, ten of Kobra Kobra. And all those comics stink. You know the comics shop on Seventh Avenue? The buildings on that corner are all brand-new because a plane crashed there, you heard about it? A 747 tried to crash-land in Prospect Park and missed, no kidding. Big disaster. Anyway, guy runs that shop is an a-hole. I stole a copy of Blue Beetle #1 Blue Beetle #1 from him once. It was pathetically easy. Blue Beetle is Charlton, you ever hear of from him once. It was pathetically easy. Blue Beetle is Charlton, you ever hear of Charlton Charlton Comics? Went out of business. Number one's a number one, doesn't matter. You know Comics? Went out of business. Number one's a number one, doesn't matter. You know Fantastic Four #1 Fantastic Four #1 goes for four hundred dollars? The Blue Beetle might be an all-time record for the stupidest character ever. He was drawn by Ditko, guy who created Spider-Man. Ditko can't really draw, that's the weird thing. Makes everything look like a cartoon. Doesn't matter, it's a number one. Put it in plastic and put it on the shelf, that's what I say. You use plastic, don't you?" goes for four hundred dollars? The Blue Beetle might be an all-time record for the stupidest character ever. He was drawn by Ditko, guy who created Spider-Man. Ditko can't really draw, that's the weird thing. Makes everything look like a cartoon. Doesn't matter, it's a number one. Put it in plastic and put it on the shelf, that's what I say. You use plastic, don't you?"

"Of course," said Dylan resentfully.

He understood every word Arthur Lomb said. Worse, he felt his sensibility colonized by Arthur's, his future interests co-opted.

They were doomed to friendship.

chapter8.

Three weeks earlier, Dylan Ebdus had stood on the slate in front of Mingus Rude's stoop, waiting.

Women trudged little kids to kindergarten at the Y or moved alone up Nevins to the subway. Two gays from Pacific Street tugged leashed dachshunds, in another world. A bunch of black girls swept up from the projects to gather Marilla, who was in high school now, at Sarah J. Hale, down on Third Avenue. They shared a cigarette for breakfast, rumbled around the corner in a ball of smoke and laughter. All under the angled morning light, distant Jersey haze, merry solvent-factory stink getting you mildly high, the pillar of the Williamsburg Savings Bank clock tower organizing the sky, time different on its two visible faces but either way it was time to go, today the first day of school everywhere in the world, possibly. This day when summer ended was as hot as summer, even at eight in the morning.

Only one thing wrong with this picture, as the block cleared, the bus breathed past, a dog barked in a cycle like code. Dylan standing in long pants and with his backpack full of unruined binder pages and dumb pencils and hidden glasses and still-virgin El Marko. He felt like an apple skinned for inspection at the new school, already souring in the sun. Those dogs could tell and probably anybody else too, he stank of panic.

If Mingus Rude would walk with him up Dean Street to Smith or Court, walk through the doors of the school with him, side by side, it might be different.

Dylan went to the shuttered basement window and rapped. Mingus's own entrance under the stairs had no doorbell.

Dylan should have planned it with him in advance, he saw now.

Up the stoop, he rang the bell.

He rang it again, shifting in his Keds, anxious, time ticking away, the day and the prospect of seventh grade rapidly spoiling with him in the sun.

Then, like an irrational puppet, panicked, he leaned on the doorbell and let it ring in a continuous trill.

He was still ringing it when the door opened.

It wasn't Mingus, but Barrett Rude Junior in a white bathrobe, naked underneath, unhidden to the street, arms braced in the door, looking down. Face clotted with sleep, he blinked in the slanted, scouring light. He lifted his arm to cover his eyes with shade, looking like he wanted to wave the day off as a bad idea, a passing mistake.

"Hell you doing, Little Dylan?"

Dylan took a step back from the door, to the first step down.

"Don't never never be ringing my doorbell seven in the morning, man." be ringing my doorbell seven in the morning, man."

"Mingus-"

"You'll see Mingus at the got-damn got-damn school." Barrett Rude was waking into his anger, his voice like a cloud of hammers. "Get out of here now." school." Barrett Rude was waking into his anger, his voice like a cloud of hammers. "Get out of here now."

Seventh grade was where it turned out when you finally joined Mingus Rude in the main building Mingus Rude was never there. As if Mingus walked another Dean Street to school, another Court Street, had actually all this time gone to another I.S. 293 entirely. The only evidence in the opposite direction was the proliferation of DOSE DOSE tags on lampposts and mailboxes and on trucks which moved wearily through the neighborhood, Mingus's handiwork spread in a nimbus with the school building at the center. Every few days, it seemed, produced a fresh supply. Dylan would covertly push a forefinger against the metal, wondering if he could measure in the tackiness of the ink the tag's vintage. If his finger stuck slightly Dylan imagined he'd followed Mingus by minutes to the spot, barely missed catching him in the act. tags on lampposts and mailboxes and on trucks which moved wearily through the neighborhood, Mingus's handiwork spread in a nimbus with the school building at the center. Every few days, it seemed, produced a fresh supply. Dylan would covertly push a forefinger against the metal, wondering if he could measure in the tackiness of the ink the tag's vintage. If his finger stuck slightly Dylan imagined he'd followed Mingus by minutes to the spot, barely missed catching him in the act.

For three weeks Mingus Rude was like the flying man, a rumor with himself Dylan couldn't confirm. Mingus's vacancy from his own schooldays, and from Dylan's, was the secret premise of an existence which was otherwise unchanged except by being worse every possible way. Seventh grade was sixth grade desublimated, uncorked. It was the Lord of the Rings Lord of the Rings trilogy to sixth grade's trilogy to sixth grade's The Hobbit The Hobbit, the real story at last, all the ominous foreshadowed stuff flushed from the margins and into view. It wasn't for children, seventh grade. You could read the stress of even entering the building in the postures of the teachers, the security guards. Nobody could relax in such a racial and hormonal disaster area.

Bodies ranged like ugly cartoons, as though someone without talent was scribbling in flesh.

The biggest shapes were the angriest. That's what they were, shapes-between hiding your glasses and averting your gaze you were Mr. Magoo now. The less you met anyone's eyes the less chance you'd ever risk doing it, a self-fulfilling program.

Chinese kids had apparently gotten some warning well in advance, and had thoroughly disappeared.

Puerto Rican or Dominican kids seemed to be tiptoeing away from the scene of everything. They decorated themselves differently and spoke more Spanish each passing hour. The way they occupied space in homeroom or gym class they were there and not there, an operation of mass adjacency.

The scariest fights were between two black girls.

On Court Street and Smith Street it wasn't even clear who was and wasn't in your school. Other bodies floated around, loose elements. A couple of black kids might corner you and ask, "You Italian or a white boy?" and all you'd know for sure was not to point out that the Italian kids were were white. A black kid might be scared of something, might be watching his back on Court like an Italian kid watched his on Smith, but whatever they were scared of it was never going to be you. Anyway, no Italian kid would've answered white. A black kid might be scared of something, might be watching his back on Court like an Italian kid watched his on Smith, but whatever they were scared of it was never going to be you. Anyway, no Italian kid would've answered I'm Italian I'm Italian. He'd have said Fuck you Fuck you think think I am? I am? Or just grabbed his dick through his pants and sucked his teeth, flared his nostrils. Or just grabbed his dick through his pants and sucked his teeth, flared his nostrils.

You, you were a million miles from any such procedure.

More in the market for a case of fake asthma.

The day after Dylan Ebdus and Arthur Lomb spoke of the Blue Beetle in the library, Mingus Rude resurfaced. At three o'clock, the hour when the doors were thrown open and the school exploded onto the October-bright pavement, when Court Street shopkeepers stood arms-crossed in doorways, their jaws chewing gum or nothing at all, just chewing under narrowed eyes. Dylan used the Butler Street entrance, looking to be lost in the flow of anonymous faces as he left the building, hoping to be carried a distance down Court Street disguised in a clot of anybodies before exposing himself as a solitary white boy. Today he stopped. Mingus sat cross-legged on the rise of a mailbox on the corner of Court and Butler, regarding the manic outflow of kids with a Buddha's calm, as though from an even greater height than the mailbox, another planet maybe. He might have been sitting there placidly for hours, unnoticed by the school security guards or the older Italian teenagers who roamed Court, that's how it felt. Dylan understood at once that not only hadn't Mingus been inside the school today, he'd never crossed its doors since summer, since the start of his eighth-grade year.

"Yo, Dill-man!" said Mingus, laughing. "I was looking for you, man. Where you been?"

Mingus unfolded his legs and slid off the mailbox, pulled Dylan sideways out of the crowd, like there was never a question they left school together, like they'd done it every day for three weeks. They crossed Court, into Cobble Hill, Dylan hitching his backpack high on his shoulders and trotting to keep up. Mingus led him up Clinton Street to Atlantic Avenue, kids from I.S. 293 all left instantly behind. There the neighborhood opened out, the shipyards visible under the Brooklyn-Queens Expressway, the avenue tilting down to the yellow-glinting water. It was as though Mingus knew paths from the school Dylan in his stupefaction couldn't have plotted for himself.

"I haven't seen you-" Dylan began.

"Whenever you call me, I'll be there," Mingus sang. "Whenever you need me, I'll be there - - I been a-round! I been a-round! Here." He crumpled a couple of dollars into Dylan's hands and nodded him to the Arab newsstand on the corner of Clinton. "Get me a pack of Kools, Super-D." He tipped his head again. "I'll be over here." Here." He crumpled a couple of dollars into Dylan's hands and nodded him to the Arab newsstand on the corner of Clinton. "Get me a pack of Kools, Super-D." He tipped his head again. "I'll be over here."

"I can't buy cigarettes."

"Say it's for your mom, say she always comes in there. He'll sell it to you, don't worry. Better let me hold your backpack."

Dylan tried not to turn his head at the rack of comics as he stepped into the narrow, darkened corridor of a shop.

"Uh, pack of Kools. It's for my mother."

The operation unfolded precisely as scripted. The guy raised an eyebrow at the word mother mother, then slid the Kools across the linoleum counter with nothing besides a grunt.

Back outside, Mingus stashed both cigarettes and change in his jacket-of-mystery, then led Dylan back along Clinton, toward the park on Amity Street.

"Dill-Man, D-Lone, Dillinger," Mingus chanted. "Diggity Dog, Deputy Dog, Dillimatic Dillimatic."

"I haven't seen you anywhere," Dylan said, unable to check the plaint in his voice.

"You all right, man?" Mingus asked. "Everything cool with you?"

Dylan knew precisely what everything everything Mingus meant-all of seventh grade, whatever went on or didn't inside the building which was apparently no longer Mingus's problem. Mingus meant-all of seventh grade, whatever went on or didn't inside the building which was apparently no longer Mingus's problem.

According to Mr. Winegar, science teacher, the universe was reportedly exploding in slow motion, everything falling away from everything else at a fixed rate. It was a good enough explanation for now.

"Everything cool?" Mingus demanded.

They were together and not together, Dylan saw now. Mingus Rude was unreachable, blurred, maybe high. There wasn't going to be any communing with his core, that vivid happy sadness which called out to Dylan's own.

Dylan shrugged, said, "Sure."