McGuire, Christine. Until Judgment Day. New York: Simon and Schuster, 2003.

McLeod, Ken. " 'A Fifth of Beethoven': Disco, Cla.s.sical Music, and the Politics of Inclusion." American Music 24, no. 3 (Autumn 2006): 34763.

Mead, Darius, editor. The American Literary Emporium, or Friendship's Gift. NewYork: C. H. Camp, 1848.

Mehul, etienne Nicolas. Ariodant. Libretto by Francois Hoffmann. New York and London: Garland Publishing, 1980 (facsimile of the first printed edition).

Mehul, etienne Nicolas. Euphrosine, ou Le Tyran Corrige. Libretto by Francois Hoffmann. New York and London: Garland Publishing, 1980 (facsimile of the first printed edition).

Mehul, etienne Nicolas. Symphony no. 1 in G minor. Edited by David Charlton. Madison, WI: A-R Editions, 1985.

Mehul, etienne Nicolas. Three Symphonies. Edited by David Charlton. New York and London: Garland Publishing, 1982.

Mehul, etienne Nicolas. Uthal. Libretto by Jacques Benjamin Saint-Victor. New York and London: Garland Publishing, 1980 (facsimile of the first printed edition).

Melvin, Sheila, and Jindong Cai. Rhapsody in Red: How Western Cla.s.sical Music Became Chinese. New York: Algora Publishing, 2004.

Michelet, Jules. Historical View of the French Revolution. Translated by Charles c.o.c.ks. London: George Bell and Sons, 1888.

Minor, Ryan. "Prophet and Populace in Liszt's 'Beethoven' Cantatas." In Liszt and His World, edited by Christopher H. Gibbs and Dana Cooley, pp. 11366. Princeton University Press, 2006.

Mongredien, Jean. French Music from the Enlightenment to Romanticism 17891830. Translated by Sylvain Fremaux. Portland, OR: Amadeus Press, 1996.

Morse, Samuel F. B. Foreign Conspiracy Against the Liberties of the United States: The Numbers Under the Signature of Brutus, Originally Published in the New York Observer ("Seventh Edition"). New York: American and Foreign Christian Union, 1855.

"Mrs. Jay Quits: Announces She Will Lead No More Uprisings Against German Art." The New York Times, July 3, 1919: 11.

Muller, Wilhelm Christian. "Something on Ludwig van Beethoven." In Senner et al., The Critical Reception of Beethoven's Compositions by His German Contemporaries, vol. 1, 10111. Originally published in Allgemeine musikalische Zeitung 29 (May 23, 1827): 34554.

Muller-Doohm, Stefan. Adorno: A Biography. Cambridge: Polity Press, 2005.

Munzer, Kurt. Mademoiselle. In Die flammende Venus: Erotische Novellen, Reinhold Eichacker, editor, pp. 11932. Munich: Universal-Verlag, 1919.

Musgrave, Michael. The Musical Life of the Crystal Palace. Cambridge University Press, 1995.

Newman, William S. "Yet Another Major Beethoven Forgery by Schindler?" The Journal of Musicology 3, no. 4 (Autumn 1984): 397422.

"News. Leipzig." In Senner et al., The Critical Reception of Beethoven's Compositions by His German Contemporaries, vol. 2, p. 92. Originally published in Allgemeine musikalische Zeitung 11 (February 1, 1809): 281.

Nelson, Amy. Music for the Revolution: Musicians and Power in Early Soviet Russia. Pennsylvania State University Press, 2004.

Nietzsche, Friedrich. The Gay Science. Translated by Walter Kaufmann. New York: Vintage Books, 1974.

Nietzsche, Friedrich. Human, All Too Human. Translated by R. J. Hollindale. Cambridge University Press, 1986.

Nietzsche, Friedrich. On the Genealogy of Morals and Ecce h.o.m.o. Translated by Walter Kaufmann and R. J. Hollingdale. New York: Vintage Books, 1989.

Nietzsche, Friedrich. Thus Spoke Zarathustra. Translated by R. J. Hollingdale. London: Penguin Books, 2003.

Nietzsche, Friedrich. Twilight of the Idols and The Anti-Christ. Translated by R. J. Hollingdale. London: Penguin Books, 1990.

Nietzsche, Friedrich. Untimely Meditations. Translated by R. J. Hollingdale, Edited by Daniel Breazeale. Cambridge University Press, 1997.

Nietzsche, Friedrich. The Will to Power. Translated by Walter Kaufmann and R. J. Hollingdale. New York: Vintage Books, 1968.

"No Power to Bar Papers: Court Enjoins Mount Vernon from Banning Hearst by Law." The New York Times, June 5, 1918: 22.

Nohl, Ludwig. Life of Beethoven. Translated by John J. Lalor. Chicago: Jansen, McClurg & Co., 1881; originally published in Germany by Ernst Julius Gunther, Leipzig, 1867.

Nothnagle, Alan N. Building the East German Myth: Historical Mythology and Youth Propaganda in the German Democratic Republic, 19451989. University of Michigan Press, 1999.

Nottebohm, Gustav. Beethoveniana. Aufsatze und Mittheilungen. Leipzig: Verlag von C. F. Peters, 1872.

Nottebohm, Gustav. Ein Skizzenbuch von Beethoven aus dem Jahre 1803. Leipzig: Breitkopf und Hartel, 1880.

"Occasional Notes." The Musical Times, February 1, 1911: 8788.

[Ossoli,] Margaret Fuller. Memoirs of Margaret Fuller Ossoli. Boston: Phillips, Sampson and Company, 1852.

Oulibicheff, Alexandre. Beethoven, ses critiques et ses glossateurs. Paris: JulesGavelot, 1857.

"Our Representative Man." Punch, September 14, 1878: 11718.

Owens, Thomas Clarke, ed. Selected Correspondence of Charles Ives. University of California Press, 2007.

Paddison, Max. Adorno's Aesthetics of Music. Cambridge University Press, 1997.

"The Parliamentary Committee on Proprietary Remedies. Evidence Regarding Beecham's Pills." The British Medical Journal 1, no. 2718 (February 1, 1913): 234.

Perlis, Vivian. Charles Ives Remembered: An Oral History. Yale University Press, 1974.

Pierre, Constant, ed. Musique des fetes et ceremonies de la revolution francaise. Paris: Imprimerie Nationale, 1899.

Piggott, Jan. Palace of the People: The Crystal Palace at Sydenham, 18541936. University of Wisconsin Press, 2004.

Piper, Adrian. "Pa.s.sing for White, Pa.s.sing for Black." Transition 58 (1992): 432.

Pope, Franklin Leonard. "The American Inventors of the Telegraph." The Century 35, no. 6 (April 1888): 92444.

Prod'homme, J.-G. "La musique et les musiciens en 1848." Sammelbande der Internationalen Musikgesellschaft 14, no. 1 (October-December 1912): 15582.

Pynchon, Thomas. Gravity's Rainbow. New York: Viking Press, 1973.

Quintilian. Quintilian's Inst.i.tutes of Oratory. Translated by John Selby Watson. London: George Bell and Sons, 1876.

Radiguier, Henri. "La Musique Francaise de 1789 a 1815." In Encyclopedie de la musique et dictionnaire du conservatoire, Albert Lavignac and Lionel de la Laurencie, eds., 15621660. Paris: Librairie Delagrave, 1921.

Rampersad, Arnold. Ralph Ellison: A Biography. New York: Alfred A. Knopf, 1997.

von Ranke, Leopold. Fursten und volker von Sud-Europa im sechszehnten und siebzehnten jahrhundert. Berlin: Duncker und Humblot, 1834.

Reich, Christopher. The First Billion. New York: Random House, 2003.

Repp, Bruno H. "Sensorimotor synchronization and perception of timing: Effects of music training and task experience." Human Movement Science 29 (2010): 200213.

"Reunion in San Francisco." Billboard, May 5, 1945: 9.

Richards, Thomas. The Commodity Culture of Victorian England. Stanford University Press, 1990.

Ringer, Alexander L. "A French Symphonist at the Time of Beethoven: Etienne Nicolas Mehul." The Musical Quarterly 37, no. 4 (October 1951): 54365.

Ripley, George, and Charles A. Dana, editors. The New American Cyclopaedia: A Popular Dictionary of General Knowledge. New York: D. Appleton and Company, 1861.

Robertson, Priscilla. Revolutions of 1848: A Social History. Princeton University Press, 1952.

Rogers, J. A. s.e.x and Race: Volume III: Why White and Black Mix in Spite of Opposition. New York: J. A. Rogers, 1944.

Rosenbaum, Sandra P. Performance Practices in Cla.s.sic Piano Music. Indiana University Press, 1991.

Roth, Colin. "Carl Nielsen and the Danish Tradition of Storytelling." Carl Nielsen Studies, vol. 4 (2009): 16485.

Rubsamen, Walter H. "Schoenberg in America." The Musical Quarterly 37, no. 4 (October 1951): 46989.

Ruchames, Louis. "Wendell Phillips' Lovejoy Address." The New England Quarterly 47, no. 1 (March 1974): 10817.

Rudenstine, Angelica Zander. Modern Painting, Drawing & Sculpture Collected by Emily and Joseph Pulitzer, Jr., vol. 4. Harvard University Art Museums, 1988.

Rudolf, Anthony. Sage Eye: The Aesthetic Pa.s.sion of Jonathan Griffin. Berkeley, CA: Menard Press, 1992.

Rumph, Stephen. "A Kingdom Not of This World: The Political Context of E.T.A. Hoffmann's Beethoven Criticism." 19th-Century Music 19, no. 1 (Summer 1995): 5067.

Rush, Don. "Queen's Freddie Mercury: The Circus Magazine Tapes." Circus, March 17, 1977.

Sachs, Harvey. Toscanini. New York: Harper & Row, 1988.

Sagan, Carl, with F. D. Drake, Ann Druyan, Timothy Ferris, Jon Lomberg, and Linda Salzman Sagan. Murmurs of Earth: The Voyager Interstellar Record. New York: Random House, 1978.

Sargeant, Winthrop. "Musical Events." The New Yorker 47, no. 52 (February 12, 1972): 7073.

Sartre, Jean-Paul. Situations, vol. 4. Translated by Benita Eisler. New York: G. Braziller, 1965.

Sartre, Jean-Paul. War Diaries: Notebooks from a Phoney War 193940. Translated by Quentin h.o.a.re. London: Verso, 1999.

Saxe Wyndham, Henry. August Manns and the Sat.u.r.day Concerts: A Memoir and a Retrospect. London: Walter Scott Publishing Co., Ltd., 1909.

Schauffler, Robert Haven. Beethoven: The Man Who Freed Music. New York: Tudor Publishing Co., 1944.

Schauffler, Robert Haven. The Unknown Brahms. New York: Dodd, Mead andCompany, 1933.

Schenker, Heinrich. Counterpoint. Translated by John Rothgeb and Jurgen Thym. New York: Schirmer Books, 1987.

Schenker, Heinrich. Free Composition (Der freie Satz): Volume III of New Musical Theories and Fantasies. Translated by Ernst Oster. New York: Longman, 1979.

Schenker, Heinrich. Harmony. Edited by Oswald Jonas, translated by Elisabeth Mann Borgese. University of Chicago Press, 1954.

Schenker, Heinrich. Der Tonwille: Pamphlets in Witness of the Immutable Laws of Music. Translated by William Drabkin. Oxford University Press, 2004.

Schering, Arnold. Beethoven und der deutsche Idealismus: rede gehalten beim Festakt zur feier der 150. Wiederkehr des Geburtstages Ludwig van Beethovens an der vereinigten Friedrichs-Universitat Halle-Wittenberg am 16. Dezember 1920. Leipzig: Verlag von C. F. Kahnt, 1921.

Schickele, Peter. "New Horizons in Music Appreciation." Report from Hoople: P.D.Q. Bach on the Air, Vanguard 79268 (1967).

Schiller, Friedrich. Schiller's Complete Works. Edited and translated by C. J. Hempel. Philadelphia: I. Kohler, 1861.

Schiller, Friedrich. On the Aesthetic Education of Man. Translated by Elizabeth M. Wilkinson and L. A. Willoughby. Oxford University Press, 1983.

Schiller, Friedrich. Schillers Werke. Nationalausgabe. Neunundzwanzigster Band: Schillers Briefe 17961798. Edited by Norbert Oellers and Frithjof Stock. Weimar: Hermann Bohlaus Nachfolger, 1977.

Schindler, Anton. Beethoven As I Knew Him. Translated by Donald W. MacArdle. New York: Dover Publications, 1996. (Translation of Schindler, Biographie von Ludwig van Beethoven [1860].) Schindler, Anton. Biographie von Ludwig van Beethoven. 3rd ed. Munster, 1860.

Schindler, Anton. The Life of Beethoven. Translated and edited by Ignace Moscheles. London: Henry Colburn, 1841.

Schlegel, A. W. Kritische Schriften und Briefe. Stuttgart: W. Kohlhammer Verlag,1962.

Schmitz, Arnold. Das romantische Beethovenbild. Berlin und Bonn: Ferd. Dummlers Verlag, 1927.

Schoenberg, Arnold. Arnold Schoenberg: Letters. Edited by Erwin Stein. University of California Press, 1987.

Schopenhauer, Arthur. The World as Will and Representation. Translated by E. F. Payne. New York: Dover Publications, 1969.

Schrade, Leo. Beethoven in France. Yale University Press, 1942.

Schuller, Gunther. The Compleat Conductor. Oxford University Press, 1998.

Schumann, Robert. Music and Musicians: Essays and Criticisms. Translated by f.a.n.n.y Raymond Ritter. London: William Reeves, 1891.

Sears, Clara Endicott, "compiled by." Bronson Alcott's Fruitlands. Boston: Houghton Mifflin Company, 1915.

Senner, Wayne M., translator, and Robin Wallace and William Meredith, editors. The Critical Reception of Beethoven's Compositions by His German Contemporaries, 2 vols. University of Nebraska Press, 1999 (vol. 1); 2001 (vol. 2).

Shakespeare, William. Shakespear Theatrikalische Werke, VIItr. Band. Translated by Christoph Martin Wieland. Zurich: Orell, Gener und Comp., 1766.

Shandler, Jeffrey. While America Watches: Televising the Holocaust. Oxford University Press, 1999.

Shaw, George Bernard. Complete Plays with Prefaces. New York: Dodd, Mead & Co., 1962.

[Sheppard, Elizabeth Sara.] Rumour. London: Hurst and Blackett, 1858.

Shirakawa, Sam H. The Devil's Music Master: The Controversial Life and Career of Wilhelm Furtw.a.n.gler. Oxford University Press, 1992.