DeNora, Tia. Beethoven and the Construction of Genius: Musical Politics in Vienna, 17921803. University of California Press, 1995.

Derrida, Jacques. The Truth in Painting. Translated by Geoffrey Bennington and Ian Macleod. University of Chicago Press, 1987.

d.i.c.kinson, Goldsworthy Lowes. Appearances. New York: Doubleday, Page & Company, 1915.

DiMedeo, Annette Maria. Frances McCollin: Her Life and Music. Lanham, MD: Rowman & Littlefield, 1990.

DiOrio, Al. Bobby Darin: The Incredible Story of an Amazing Life. Philadelphia: Running Press, 2004.

Douglas, Susan J. Listening In: Radio and the American Imagination. University of Minnesota Press, 2004.

Duckworth, Alistair M., editor. Howards End: Case Studies in Contemporary Criticism. Basingstoke: Palgrave Macmillan, 1996.

Duncan, Malcolm C. Duncan's Masonic Ritual and Monitor. New York: d.i.c.k & Fitzgerald, 1866.

Dwight, John Sullivan. "Academy of Music-Beethoven's Symphonies." The Pioneer 1, no. 2 (January-February 1843): 5660.

Dwight, John Sullivan. "Beethoven's Symphony in C Minor." Dwight's Journal of Music IV (October 8, 1853): 13.

[Dwight, John Sullivan.] "Musical Review: Music in Boston During the Last Winter." The Harbinger 1, no. 8 (August 2, 1845): 12324.

Dwight, John Sullivan. "Musical Review: Music in Boston During the Last Winter.-No. III," The Harbinger 1, no. 10 (August 16, 1845): 15457.

[Dwight, John Sullivan.] "Review: Festus, a Poem." The Harbinger 2, no. 2 (December 20, 1845): 2527.

Dwight, John Sullivan. "The Sentiment of Various Musical Composers." Sartain's Union Magazine of Literature and Art VIII, no. 2 (February 1851): 13233; Reprinted in Dwight's Journal of Music I (July 3, 1852): 9899.

Dwight, John Sullivan. "Valedictory." Dwight's Journal of Music XLI (September 3, 1881): 12224.

Dwight, John Sullivan. "What Lack We Yet?" Dwight's Journal of Music XL (September 11, 1880): 150.

Dyer, Richard. Only Entertainment. London: Routledge, 2002.

Ealy, George Thomas. "Of Ear Trumpets and a Resonance Plate: Early Hearing Aids and Beethoven's Hearing Perception." 19th Century Music 17, no. 3 (Spring 1994): 26273.

Eldridge, Richard. "Hegel on Music." In Hegel and the Arts, Stephen Houlgate, editor, pp. 11945. Northwestern University Press, 2007.

Ellis, William Ashton. Life of Richard Wagner. London: Kegan Paul, Trench, Trubner & Co., Ltd., 1906.

Ellison, Ralph. Invisible Man. New York: Vintage Books, 1995.

Ellison, Ralph. Shadow and Act. New York: Random House, 1964.

Emerson, Ralph Waldo. The Complete Works of Ralph Waldo Emerson. Boston: Houghton, Mifflin and Company, 190304.

Emerson, Ralph Waldo. Poems. Boston and New York: Houghton, Mifflin and Company, 1884.

Emerson, Ralph Waldo. "Thoughts on Modern Literature," The Dial 1, no. 2 (October 1840): 13758.

Engels, Friedrich. Dialectics of Nature. Translated by C. P. Dutt. New York: International Publishers, 1960.

Erlich, Cyril. First Philharmonic: A History of the Royal Philharmonic Society. Oxford University Press, 1995.

Evans, Richard J. Rereading German History 18001996: From Unification to Reunification. London: Routledge, 1997.

Eyries, Patrice, Mike Callahan, David Edwards, and Randy Watts. "Private Stock Alb.u.m Discography," http://bsnpubs.com/nyc/privatestock/privatestock.html.

Federhofer, h.e.l.lmut. Heinrich Schenker: Nach Tagebuchern und Briefen in der Oswald Jonas Memorial Collection, University of California, Riverside. Hildesheim: Georg Olms Verlag, 1985.

Fetzer, John F. Romantic Orpheus: Profiles of Clemens Brentano. University of California Press, 1974.

Fillion, Mich.e.l.le. "Edwardian Perspectives on Nineteenth-Century Music in E. M. Forster's A Room with a View." 19th-Century Music 25, no. 2/3 (Autumn 2001Spring 2002): 26695.

Finley, John H., Jr. Four Stages of Greek Thought. Stanford University Press, 1966.

Foata, Anne. "The Knocking at the Door. A Fantasy on Fate, Forster, and Beethoven's Fifth." Cahiers victoriens et edouardiens 44 (1996): 13545.

Ford, Dennis. The Search for Meaning: A Short History. University of California Press, 2008.

Ford, John Lane. Dower and Curse. London: Tinsley Brothers, 1872.

Forster, E. M. Goldsworthy Lowes d.i.c.kinson. New York: Harcourt Brace Jovanovich,1962.

Forster, E. M. Howards End. Mineola, NY: Dover Publications, 2002.

Forster, E. M. Two Cheers for Democracy. New York: Harcourt, Brace & World, Inc.,1951.

Forster, E. M. "A View Without a Room: Old Friends Fifty Years Later." The New York Times Book Review, July 27, 1958.

Forte, Allen. "Heinrich Schenker." In The New Grove Dictionary of Music and Musicians, Stanley Sadie, editor, vol. 16, pp. 62728. London: Macmillan, 1980.

Franks, Henry. "Geist." In Papers of the Manchester Literary Club, vol. IV, pp. 95106. London: Abel Heywood and Sons, 1878.

Frothingham, Octavius Brooks. George Ripley. Boston: Houghton, Mifflin and Company, 1886.

Fuller, Margaret. "Lives of the Great Composers, Haydn, Mozart, Handel, Bach, Beethoven." The Dial 2, no. 2 (October 1841): 148203.

Fuller, Margaret. Papers on Literature and Art. New York: John Wiley, 1848.

Fuller, Samuel. A Third Face: My Tale of Writing, Fighting, and Filmmaking. New York: Alfred A. Knopf, 2002.

Fuller Maitland, J. A., editor. Grove's Dictionary of Music and Musicians. New York: Macmillan, 1911.

"Funds for Study with Schoenberg." The New York Times, September 26, 1933.

Gay, Peter. Pleasure Wars: The Bourgeois Experience: Victoria to Freud. New York: W. W. Norton & Co., 1998.

"George Jellinek." The American Journal of International Law 5, no. 3 (July 1911): 71618.

"German Music? Maybe; Muck's Successor Undecided on Symphony Policy." New York Tribune, October 30, 1918: 9.

"German Opera Cut from List at Metropolitan." New York Tribune, November 2, 1917: 1.

Germana, Nicholas A. The Orient of Europe: The Mythical Image of India and Competing Images of German National Ident.i.ty. Cambridge Scholars Press, 2009.

"Germans Honor War Dead: Hear Opera Singers and Orators at Carnegie Hall Meeting." The New York Times, May 30, 1916: 7.

Gifford, Peggy. Moxy Maxwell Does Not Love Writing Thank-You Notes. New York: Random House, 2008.

Gilbert, Martin. The Churchill War Papers: The Ever-Widening War, 1941. Vol. 3. New York: W. W. Norton & Co., 2001.

Gillen, Francis. "Howards End and the Neglected Narrator." NOVEL: A Forum on Fiction 3, no. 2 (Winter 1970): 13952.

Glendinning, Victoria. Leonard Woolf: A Biography. New York: Free Press, 2006.

Goldbeck, Edward. "Beethoven." Chicago Daily Tribune, January 2, 1916: A5.

Goldman, William. Adventures in the Screen Trade. New York: Warner Books, 1983.

Goodman, Nelson. Languages of Art: An Approach to a Theory of Symbols. New York: Bobbs-Merrill, 1968.

Gordimer, Nadine. Beethoven Was One-Sixteenth Black and Other Stories. New York: Farrar, Straus and Giroux, 2007.

Gordon, Edwin E. Tonal and Rhythm Patterns: An Objective a.n.a.lysis. Albany: State University of New York Press, 1976.

Gould, Stephen Jay. The Flamingo's Smile: Reflections in Natural History. New York: W. W. Norton & Co., 1985.

[Grace, Harvey.] "Interludes." The Musical Times, September 1, 1920: 59497.

Graham, Maryemma, and Amritjit Singh, editors. Conversations with Ralph Ellison. University Press of Mississippi, 1995.

Graves, Charles L. The Life & Letters of George Grove, C.B. London: Macmillan and Co., 1903.

Great Exhibition of the Works of Industry of All Nations, 1851. Official Descriptive and Ill.u.s.trated Catalogue. London: Spicer Brothers, Wholesale Stationers; W. Clowes and Sons, Printers, 1851.

"The Great Lower Rhine Music Festival at Dusseldorf, Whitsuntide 1830." In Senner et al., The Critical Reception of Beethoven's Compositions by His German Contemporaries, vol. 2, p. 132. Originally published in Cacilia 12, no. 48 (1830): 3067.

Green, James F. "Beethoven's Fifth Symphony: A Forgotten Anecdote Discovered." The Beethoven Journal 25, no. 1 (Summer 2010): 3637.

Grondin, Simon. "Timing and Time Perception: A Review of Recent Behavioral and Neuroscience Findings and Theoretical Directions." Attention, Perception, & Psychophysics 72 (2010): 56182.

Grove, George. Beethoven and His Nine Symphonies. London and New York: Novello, Ewer and Co., 1896.

Grove, George, editor. A Dictionary of Music and Musicians. London: Macmillan& Co., 1880.

Haas, Frithjof. Hans von Bulow: Leben und Wirken. Wilhelmshaven: Florian Noetzel Verlag, 2002.

Hale, Philip. Philip Hale's Boston Symphony Programme Notes. Edited by John N. Burk. Garden City, NY: Doubleday, Doran, & Co., 1935.

Haley, Alex. "Playboy Interview: Malcolm X." Playboy (May 1963): 5363.

Halliday, Jean. "Hyundai Push Not for Cla.s.sical-Music Purists." Advertising Age, July 19, 2007. http://adage.com/article?article_id=119412.

Hallward, Peter. Out of This World: Deleuze and the Philosophy of Creation. London: Verso, 2006.

Hamann, J. G. "Aesthetica in nuce: A Rhapsody in Cabbalistic Prose." Translated by Joyce P. Crick. In Cla.s.sic and Romantic German Aesthetics, edited by J. M. Bernstein, p. 124. Cambridge University Press, 2003.

Harbison, Beth. Shoe Addicts Anonymous. New York: Macmillan, 2008.

Harding, James M. "Adorno, Ellison, and the Critique of Jazz." Cultural Critique 31 (Autumn 1995): 12958.

Harding, Walter, George Brenner, and Paul A. Doyle, editors. Henry David Th.o.r.eau: Studies and Commentaries. Fairleigh d.i.c.kinson University Press, 1972.

Hare, Nathan. "The Black Anglo-Saxons." Negro Digest 2, no. 7 (May 1962): 5256.

Haweis, Hugh Reginald. Music and Morals. New York: Harper and Brothers, 1872.

Haweis, Hugh Reginald. Travel and Talk: 18859395. London: Chatto & Windus, 1897.

Hawthorne, Nathaniel. The Blithedale Romance and Fanshawe. The Centenary Edition of the Works of Nathaniel Hawthorne, vol. 3. Ohio State University Press, 1964.

Hawthorne, Nathaniel. The Letters, 18131843. Edited by Thomas Woodson, L. Neal Smith, and Norman Holmes Pearson. The Centenary Edition of the Works of Nathaniel Hawthorne, vol. 15. Ohio State University Press,1984.

Hegel, G. W. F. Aesthetics: Lectures on Fine Art. Translated by T. M. Knox. Oxford: Clarendon Press, 1975.

Hegel, G. W. F. The Difference Between Fichte's and Sch.e.l.ling's System of Philosophy. Translated by Walter Cerf and H. S. Harris. Albany: SUNY Press, 1977.

Hegel, G. W. F. Hegel's Lectures on the History of Philosophy. Translated by E. S. Haldane. London: Routledge & Kegan Paul Ltd., 1955.

Hegel, G. W. F. Hegel's Philosophy of Mind. Translated by William Wallace. Oxford: Clarendon Press, 1894.

Hegel, G. W. F. Hegel's Philosophy of Right. Translated by S. W. Dyde. London: George Bell and Sons, 1896.

Hegel, G. W. F. Lectures on Logic. Translated by Clark Butler. Indiana University Press, 2008.

Hegel, G. W. F. Lectures on the Philosophy of History. Translated by J. Sibree. London: George Bell and Sons, 1902.

Herrick, Robert. The Poetical Works of Robert Herrick. Edited by F. W. Moorman. Oxford: Clarendon Press, 1915.

Higginson, Thomas Wentworth. Army Life in a Black Regiment. Boston: Houghton, Mifflin and Company, 1900.

Higginson, Thomas Wentworth. Part of a Man's Life. Boston: Houghton, Mifflin and Company, 1905.

Hoffmann, E. T. A. E. T. A. Hoffmanns Briefwechsel. Edited by Friedrich Schnapp. Munchen: Winkler-Verlag, 1967.

Hoffmann, E. T. A. E. T. A. Hoffmann's Musical Writings: Kreisleriana; The Poet and the Composer; Music Criticism. Edited by David Charlton; translated by Martyn Clarke. Cambridge University Press, 2004.

Hoffmann, E.T.A. "Review." In Senner et al., The Critical Reception of Beethoven's Compositions by His German Contemporaries, vol. 2, pp. 95112. Originally published in Allgemeine musikalische Zeitung 12 (July 4 and 11, 1810): 63042 and 65259.