"We can have an announcement made," one suggested.

"No!"

The second man shrugged: "Do they have a mobile phone?"

"They're not living in the dark ages."

Stupid answerthey advised me to make contact with them.

We left, heading slowly towards the pier. I watched helplessly as the huge white craft shuddered, ready for departure.

"Come home, Julie," Sylvana urged, tugging at my right arm. "We'll think of somethingit's not over yet."

But in her mind it was over: in her mind this was a painful but necessary and permanent expulsion of marital baggage.

On the pier, I clung like gridlock to the railing, mute, staring at the catamaran. The huge foghorn bellowed. The blue strip at the base of the craft began to wash with sea water and the thing started to grumble like a vast rectangular fridge.

On impulse I phoned Ronan.

He asked me where I was. I told him I was changing our bedclothes. The catamaran had begun to move now. It was making a low, machine-like hum.

"Julie...I'm sorry..."

"Don't tell me you're sorry, you bastard."

"I couldn't tell you directly. I didn't want to upset you."

"Oh, well now."

"More than was necessary."

"Is this this necessary?" necessary?"

"Julie, you smashed my surgery. You can't just expect...That's not a small thing."

"I told you: I did not smash your surgery. It was probably that woman's partner. I smashed everything else but not your surgery."

Silence.

"Whatever."

"You don't believe me."

"It doesn't matter."

"I know; you'd go anyway."

He didn't reply.

"Where are you going?" I asked him.

"I can't say."

"I suggest you look at your ticket."

"Julie..." He sighed. "How do I put this..."

"This is how you should put it: "Julie, screw you for all the times we've had together because I never loved you, I was just using you as a trolley while I shopped around for someone else.""

"That's not it at all."

"How is it, then? You're bored with me. Is that it? I don't give you a kick any more?"

"Of course you do..."

"Maybe it's the way I'm kicking you that's all wrong?"

"Julie, my plane is about to leave."

"What did you just say?"

"My plane. Cellphones are counter to regulations on planes."

"You're trying to tell me that you are sitting on a plane?"

"I'm quite entitled to travel on a plane."

"Mother's right. You're a fraud."

"Whatever."

"She thinks you're contemptible."

"Who could blame her for thinking that?"

"And totally insensitive. Those things you wrote about her in the letterit just proves it."

"I'm not afraid to be blunt."

"You're doing so well it'd be a shame to end it on a soft note."

The craft emited a deep-bellied foghorn roar, which resounded throughout the harbour.

"Julie, I have to go now," he said after a while.

"Of course. Your Stena Sealink catamaran is just about to take off into the air."

"What?"

For the first time I noticed the sounds of the harbour. The wind whirring through the narrow gaps in the pier wall. The splash of water licking and lushing the seaweed-bedecked stone, the yacht ropes whipping and tinkling against their masts like Christmas chimes.

"Julie, where are you?"

Pause.

"I'm flattered you would want to know."

No reply.

"Are cellphones still counter to regulations?" I laughed bitterly. "Have you fastened your seat belt? And extinguished your cigarette? Are you enjoying the oxygen-mask drill? Have you taken off yet?"

Still no reply.

I started walking in the direction of the harbour mouth, towards which the huge craft was zooming.

"Or is taking off something you do in the back seats of cars, or in conference hotel rooms, or public restrooms, or in wheatfields, or in kitchens? Or on desks? Or in my bedroom when I'm away?"

"All that's over, Julie."

"Yes, it's history."

"She means nothing to me."

"Well, don't you think you should have the courtesy to tell her? What if she has feelings and needs herself? And hopes for the future? Have you considered that possibility? She'll need you to be gentle with her when you break it off. I'm sure she's not a shaggable piece of meat that you can just dispose of when you've had your fill. Unlike me."

"You still think I'm with that woman, don't you?"

A huge, angular, fearsome seagull hovered above me in the light breeze, not moving, squawking for some reason. Calling its mate, perhaps, to one of these rare, roller-coaster experiences that seabirds are born to enjoy.

Pedestrians were stopping on the pier to look out at the Stena craft, rumbling through its channel.

"Enjoy Paris," said I idly.

"Cannes, actually."

"Oh, so it's Cannes now? You know, it's funny, Ronan. We were happy then. You and me. Don't try to tell me you weren't. And don't even bother trying to tell me that people change. They change far less than you imagine and when you discover this it'll be too late for you."

"I didn't mean it to happen like this, Julie."

"I hadn't planned this send-off myself. Goodbye, Ronan."

"Wait."

The ferry passed through the harbour mouth and disappeared from view behind the high wall of the pier.

"Look, Julie..."

"Unless you tell me now now that you're returning on the next ferry, it's over between us." that you're returning on the next ferry, it's over between us."

No reply.

All that remained in the harbour was the troubled rush and surge of the ship's wake, the memory of cataclysm. And an eerie quiet, like the peace after a storm. I climbed the steps to the top level of the pier and peered out to sea. The craft was suddenly much smaller.

"Did you hear what I said? Unless you tell me that you've made a mistake and you're coming home, it's all over. I mean it, Ronan."

"You destroyed my means of livelihood, Julie."

"I'm warning you, Ronan. If we don't resolve things now, they will never be resolved."

Nothing for several seconds.

"Julie," he says with irritation, "as I tried to explain in the letter..."

I pressed the 'off' button.

53 53.

It's five thirty. I am leaning with my back against the french windows on the balcony of my marital home, staring out to sea, a burning cigarette in one hand and a brandy in the other. Musing about my sorry, useless life.

Mother is presumably at bridge. She hasn't a clue what's happened. She should be in shortly. Sylvana is in the lounge behind me, reading another vampire book. She wants me to tell Mother everything. In Sylvana's mind, this will accelerate the painful process of acceptance.

Thick, wintry clouds are gathering over the bay and a warm, restless breeze is fluttering against my hair. On the horizon is a thin, sunlit band of bright-blue, receding with the advent of dark clouds. The world wants to rain. Soon it will scatter its teardrops on road and rooftop, brush against tree, cry rivulets down window-pane.

I want the rain to come.

Safely departed, the Stena Sealink has now well disappeared over the horizon, skiing over the seas to Britain. Thief of the man I love.

I can see them on the rear deck staring out to sea back towards Ireland, hypnotized by the giant milk churn of the jets gushing white foam backwards for fifty metres. They are sailing east in the floodlit sunshine, enfolding them both in its heat and hope.

I fill up my glass with another brandy from the bottle on the plastic table beside me. I wash it down.

On the table are some cards I discovered in Ronan's denuded drawers. Cards I once sent him. One features two teddy bears wearing straw hats, sitting on a bed of roses. It's a birthday card in which I personally wrote the following: 'All the happiness I've found in life I've found in you. Have a wonderful Birthday. All my love'. The bottom of the page is covered in Xs.

Another card I sent him is a blotch of reds and violets surrounding a love heart. I wrote: "You make the good times we spend together the best times ever. I'm so glad I married you. Happy Valentine's Day." Then my name, with a heart over the 'i' and Xs everywhere.

The first few spearheads of rain fall like a mass of pin-tips fleeting against the dark-shadowed daylight.

I stare at the cards again. I rip them both up and throw them back on the table. Waste of a life that they were. I move to the far side of the balcony in case anybody is watching me in my present state.

My mother has just returned. She and Sylvana are in the lounge, talking about me. Sylvana is telling her everything that happened. I can hear them through the gap in the trench windows. In between earnest silences they are making cool judgements about my case. Between them, they are deciding my fate. Mother's harsh voice is dispensing common sense like a doctor's cures. Sylvana's is firm and low, and quietly agreeing.

I should let him go, Mother says. Now I hear her telling Sylvana about the time my father returned home and how, like a fool, she took him back. She doesn't want me to make the same mistake.

Has she forgotten what it's like to be in love?

I must be beside myself, she says. I resent this. She is speaking as if I am suffering impaired judgement, as if I am somehow unable to see reason. Above all, as if I am no longer able to decide anything for myself.

Sylvana appears to agree with this diagnosis of my unfortunate situation. She says that what I need most of all at this point is peace and quiet to come to terms with what's happened.