"I daresay you are right," said she. "Certainly, the purlieus of old Clerkenwell present a very confused picture to me; whereas, in the case of an old street like, say, Great Ormond Street, one has only to sweep away the modern buildings and replace them with glorious old houses like the few that remain, dig up the roadway and pavements and lay down cobble-stones, plant a few wooden posts, hang up one or two oil-lamps, and the transformation is complete. And a very delightful transformation it is."

"Very delightful; which, by the way, is a melancholy thought. For we ought to be doing better work than our forefathers; whereas what we actually do is to pull down the old buildings, clap the doorways, porticoes, paneling, and mantels in our museums, and then run up something inexpensive and useful and deadly uninteresting in their place."

My companion looked at me and laughed softly. "For a naturally cheerful, and even gay young man," said she, "you are most amazingly pessimistic. The mantle of Jeremiah--if he ever wore one--seems to have fallen on you, but without in the least impairing your good spirits excepting in regard to matters architectural."

"I have much to be thankful for," said I. "Am I not taken to the Museum by a fair lady? And does she not stay me with mummy cases and comfort me with crockery?"

"Pottery," she corrected; and then as we met a party of grave-looking women emerging from a side-street, she said: "I suppose those are lady medical students."

"Yes, on their way to the Royal Free Hospital. Note the gravity of their demeanor and contrast it with the levity of the male student."

"I was doing so," she answered, "and wondering why professional women are usually so much more serious than men."

"Perhaps," I suggested, "it is a matter of selection. A peculiar type of woman is attracted to the professions, whereas every man has to earn his living as a matter of course."

"Yes, I daresay that is the explanation. This is our turning."

We pa.s.sed into Heathcote Street, at the end of which was an open gate giving entrance to one of those disused and metamorphosed burial-grounds that are to be met with in the older districts of London; in which the dispossessed dead are jostled into corners to make room for the living. Many of the headstones were still standing, and others, displaced to make room for asphalted walks and seats, were ranged around by the walls exhibiting inscriptions made meaningless by their removal. It was a pleasant enough place on this summer afternoon, contrasted with the dingy streets whence we had come, though its gra.s.s was faded and yellow and the twitter of the birds in the trees mingled with the hideous Board-school drawls of the children who played around the seats and the few remaining tombs.

"So this is the last resting-place of the ill.u.s.trious house of Bellingham," said I.

"Yes; and we are not the only distinguished people who repose in this place. The daughter of no less a person than Richard Cromwell is buried here; the tomb is still standing--but perhaps you have been here before, and know it."

"I don't think I have ever been here before; and yet there is something about the place that seems familiar." I looked around, cudgeling my brains for the key to the dimly reminiscent sensations that the place evoked; until, suddenly, I caught sight of a group of buildings away to the west, enclosed within a wall heightened by a wooden trellis.

"Yes, of course!" I exclaimed. "I remember the place now. I have never been in this part before, but in that enclosure beyond, which opens at the end of Henrietta Street, there used to be and may be still, for all I know, a school of anatomy, at which I attended in my first year; in fact, I did my first dissection there."

"There was a certain gruesome appropriateness in the position of the school," remarked Miss Bellingham. "It would have been really convenient in the days of the resurrection men. Your material would have been delivered at your very door. Was it a large school?"

"The attendance varied according to the time of the year. Sometimes I worked there quite alone. I used to let myself in with a key and hoist my subject out of a sort of sepulchral tank by means of a chain tackle.

It was a ghoulish business. You have no idea how awful the body used to look to my unaccustomed eyes, as it rose slowly out of the tank. It was like the resurrection scene that you see on some old tombstones, where the deceased is shown rising out of his coffin while the skeleton, Death, falls vanquished with his dart shattered and his crown toppling off.

"I remember, too, that the demonstrator used to wear a blue ap.r.o.n, which created a sort of impression of a cannibal butcher's shop. But I am afraid I am shocking you."

"No you are not. Every profession has its unpresentable aspects, which ought not to be seen by outsiders. Think of the sculptor's studio and of the sculptor himself when he is modeling a large figure or a group in clay. He might be a bricklayer or a roadsweeper if you judge by his appearance. This is the tomb I was telling you about."

We halted before the plain coffer of stone, weathered and wasted by age, but yet kept in decent repair by some pious hands, and read the inscription, setting forth with modest pride, that here reposed Anna, sixth daughter of Richard Cromwell, "The Protector." It was a simple monument and commonplace enough, with the crude severity of the ascetic age to which it belonged. But still, it carried the mind back to those stirring times when the leafy shades of Gray's Inn Lane must have resounded with the clank of weapons and the tramp of armed men; when this bald recreation-ground was a rustic churchyard, standing amidst green fields and hedgerows, and countrymen leading their pack-horses into London through the Lane would stop to look in over the wooden gate.

Miss Bellingham looked at me critically as I stood thus reflecting, and presently remarked: "I think you and I have a good many mental habits in common."

I looked up inquiringly, and she continued: "I notice that an old tombstone seems to set you meditating. So it does me. When I look at an ancient monument, and especially an old headstone, I find myself almost unconsciously retracing the years to the date that is written on the stone. Why do you think that is? Why should a monument be so stimulating to the imagination? And why should a common headstone be more so than any other?"

"I suppose it is," I answered reflectively, "that a churchyard monument is a peculiarly personal thing and appertains in a peculiar way to a particular time. And the circ.u.mstance that it has stood untouched by the pa.s.sing years while everything around has changed, helps the imagination to span the interval. And the common headstone, the memorial of some dead and gone farmer or laborer who lived and died in the village hard by, is still more intimate and suggestive. The rustic, childish sculpture of the village mason and the artless doggerel of the village schoolmaster, bring back the time and place and the conditions of life more vividly than the more scholarly inscriptions and the more artistic enrichments of monuments of greater pretensions. But where are your own family tombstones?"

"They are over in that farther corner. There is an intelligent, but inopportune, person apparently copying the epitaphs. I wish he would go away. I want to show them to you."

I now noticed, for the first time, an individual engaged, notebook in hand, in making a careful survey of a group of old headstones.

Evidently he was making a copy of the inscriptions, for not only was he poring attentively over the writing on the face of the stone, but now and again he helped out his vision by running his fingers over the worn lettering.

"That is my grandfather's tombstone that he is copying now," said Miss Bellingham; and even as she spoke, the man turned and directed a searching glance at us with a pair of keen, spectacled eyes.

Simultaneously we uttered an exclamation of surprise; for the investigator was Mr. Jellicoe.

CHAPTER XVI

O ARTEMIDORUS, FAREWELL!

Whether or not Mr. Jellicoe was surprised to see us, it is impossible to say. His countenance (which served the ordinary purposes of a face, inasmuch as it contained the princ.i.p.al organs of special sense, with inlets to the alimentary and respiratory tracts) was, as an apparatus for the expression of the emotions, a total failure. To a thought-reader it would have been about as helpful as the face carved upon the handle of an umbrella; a comparison suggested, perhaps, by a certain resemblance to such an object. He advanced, holding open his notebook and pencil, and having saluted us with a stiff bow and an old-fashioned flourish of his hat, shook hands rheumatically and waited for us to speak.

"This is an unexpected pleasure, Mr. Jellicoe," said Miss Bellingham.

"It is very good of you to say so," he replied.

"And quite a coincidence--that we should all happen to come here on the same day."

"A coincidence, certainly," he admitted; "and if we had all happened not to come--which must have occurred frequently--that also would have been a coincidence."

"I suppose it would," said she, "but I hope we are not interrupting you."

"Thank you, no. I had just finished when I had the pleasure of perceiving you."

"You were making some notes in reference to the case, I imagine," said I. It was an impertinent question, put with malice aforethought for the mere pleasure of hearing him evade it.

"The case?" he repeated. "You are referring, perhaps, to Stevens versus the Parish Council?"

"I think Doctor Berkeley was referring to the case of my uncle's will,"

Miss Bellingham said quite gravely, though with a suspicious dimpling about the corners of her mouth.

"Indeed," said Mr. Jellicoe. "There is a case, is there; a suit?"

"I mean the proceedings inst.i.tuted by Mr. Hurst."

"Oh, but that was merely an application to the Court, and is, moreover, finished and done with. At least, so I understand. I speak, of course, subject to correction; I am not acting for Mr. Hurst, you will be pleased to remember. As a matter of fact," he continued, after a brief pause, "I was just refreshing my memory as to the wording of the inscriptions on these stones, especially that of your grandfather, Francis Bellingham. It has occurred to me that if it should appear by the finding of the coroner's jury that your uncle is deceased, it would be proper and decorous that some memorial should be placed here. But, as the burial ground is closed, there might be some difficulty about erecting a new monument, whereas there would probably be none in adding an inscription to one already existing. Hence these investigations.

For if the inscriptions on your grandfather's stone had set forth that 'here rests the body of Francis Bellingham,' it would have been manifestly improper to add 'also that of John Bellingham, son of the above.' Fortunately the inscription was more discreetly drafted, merely recording the fact that this monument is 'sacred to the memory of the said Francis,' and not committing itself as to the whereabouts of the remains. But perhaps I am interrupting you."

"No, not at all," replied Miss Bellingham (which was grossly untrue; he was interrupting _me_ most intolerably); "we were going to the British Museum and just looked in here on our way."

"Ha," said Mr. Jellicoe, "now, I happen to be going to the Museum too, to see Doctor Norbury. I suppose that is another coincidence?"

"Certainly it is," Miss Bellingham replied; and then she asked: "Shall we walk together?" and the old curmudgeon actually said "yes"--confound him!

We returned to the Gray's Inn Road, where, as there was now room for us to walk abreast, I proceeded to indemnify myself for the lawyer's unwelcome company by leading the conversation back to the subject of the missing man.

"Was there anything, Mr. Jellicoe, in Mr. John Bellingham's state of health that would make it probable that he might die suddenly?"