As Jack headed across the lot toward the old cars, Bucky came out of the old shop, dressed in a ratty L.L. Bean nightshirt with a Vermont Country Store nightcap on his head-Salvation Army seconds Jack figured. It was unlikely Bucky would have ordered them new.

"How're you doing, Buck?" Jack asked.

Bucky probably had no idea who Jack was, but Jack wanted to keep the encounter casual.

Especially since Bucky was holding a shotgun.

"Doing okay," Bucky said.

"You mind if I take a look at some of your cars?" Jack asked.

"You always do business this time of night?" Bucky asked.

The shotgun was still aimed at Jack's belly.

"Days get pretty busy," Jack said.

From the shop Jack heard the end of Gene Vincent's old rock-and-roll song "Race with the Devil."

"Golden oldies," Jack said, fixing a smile on his face. "Cruisin' one-oh-one point three on your dial."

Bucky raised the shotgun to Jack's head.

On the radio the The Dell Vikings' "Come Go With Me" started. Jack sang along.

Bucky blinked.

Jack sang.

Bucky lowered the shotgun.

Jack sang.

Bucky started nodding in time.

Jack started doing the Lindy he used to dance in junior high.

Bucky's whole body was moving in time to the music. His nightshirt swayed. The cone of his nightcap flip-flopped.

Jack reached for Bucky's hand.

Bucky dropped the shotgun and, grabbing Jack's hand, jitterbugged with him.

On the radio came the song's claps, catcalls, shouts.

Jack released Bucky's hand and slipped away into the dark toward the junkers.

Bucky sang along with the radio, dancing alone in the junkyard.

The two Dobermans stood, their heads cocked as if baffled at their master twirling under the moon, his white nightshirt and cap making him look like a rock-and-roll ghost.

3.

The moon streaked the roofs of the broken-down cars. Jack wandered through the jumble of cars, peering into windows, looking for Stickman or signs of where the boy slept. But all he saw was sprung seats, animal nests, a condom where some teenagers had used a car to fuck.

Could have been Stickman, but Jack doubted it. If the kid was using that much coke, it was unlikely he'd be able to get it up.

And wherever Stickman was sleeping would have, Jack assumed, a blanket, something to indicate more than a brief tryst.

In the distance from the shack, Jack heard Thurston Harris singing "Little Bitty Pretty One."

Jack wondered if Bucky was still dancing. Or prowling after him with the over-under.

Jack tried to ignore the music and listen for footsteps.

Nothing.

He continued his search among the junkers.

In the back of a Nash Rambler, the same era as the rock and roll the radio was playing, Jack found two crumpled Walmart blankets, Day-Glo green and orange, and three blue-striped pillows without pillow cases. The front seat of the car was filled with old beer cans, cartons from Long John Silver's, Wendy's, Burger King, empty Chinese food containers, their wire handles reflecting moonlight through the window. The car smelled rancid: stale grease, human sweat.

The floor of the station wagon was littered with drug paraphernalia: tiny plastic vials with colored caps, empty crack containers; a few broken glass tubes; steel wool; used propane torches.

Outside the car were crusts of dried vomit. Beyond that, but not far beyond, were pools of Stickman's runny shit, stinking and buzzing with blue bottle flies.

No signs, Jack noted, of toilet paper....

It looked as if Stickman had been here recently.

Jack held his hand over his nose and mouth as he circled the car, looking for other signs of the boy. Something that might indicate where Stickman might have gone. About five feet away from the car, Jack saw a sneaker, a worn Nike, lying on its side.

Jack walked toward it and, tripping over something, an overturned orange crate, he brushed his forehead against ... what? Jack stepped back and glanced up where he saw, foreshortened, one bare purple foot so swollen there were no creases in the skin on the sole, and another foot so swollen it billowed over the edge of the other Nike, swollen calves, also dark-streaked from the blood that had settled to the bottom of the body, pale white thighs dangling from piss-and shit-stained boxer shorts, the left thigh crusted with dried semen. The red and blue veins marbling the bare chest looked like Bucky's tattooed arms, and the skin looked pockmarked, as if some kind of bird had pecked at it.

Jack retched.

He didn't need to look at the face to know it was Stickman.

CHAPTER NINETEEN.

1.

"So this gal picks up this guy at a bar and takes him home, and, when the guy goes into her bedroom, all he sees are fluffy animals, fluffy animals on the bureau, fluffy animals on the TV, shelves and shelves of fluffy animals. So what? The guy thinks. The gal's got great tits, a great ass-fuck the fluffy animals. After they make love, the guy turns to the girl and asks, So how was I? And she says, You can take anything off the bottom shelf."

Jack sat on the bumper of a junked Honda Civic watching two patrolmen sip coffee from cardboard cups and trading jokes.

"A doctor tells this guy he's got maybe a day at most to live," the second cop said. "The guy goes home and tells his wife the bad news. She gets all bent out of shape. Weeping, the whole nine. In bed that night, the guy says to his wife, Honey, since I'm going to die why don't we mess around. The wife says, Of course, darling. And they fuck like crazy. One in the morning, the guy wakes his wife and says, Honey, since I'm going to die, would you mind if we did it again? The wife says, Of course we can, darling. And again they fuck like crazy. Three in the morning, the guy wakes his wife and says, I'm sorry to bother you, honey, but since I'm going to die, you mind if we go one more time? The wife sits up in bed, pissed, and says, Look, you don't have to wake up in the morning."

The police photographer, a gawky kid, tall, just out of Columbia-Greene Community College, moonlighting from the local newspaper, took pictures of Stickman's body, still hanging from the tree branch. The flash lit up the corpse. Its fingertips as fat as balloon animals. The hands swollen, dark from pooled blood. The forearms as big as sausages.

Like Popeye, Jack thought.

The knot of the noose above the bulging Adam's apple forced the dead man's chin up. Lines of saliva from the corners of his mouth down his chin made his jaw look like a ventriloquist dummy's. From his nostrils, which were crusted with cocaine, tracks of bloody mucus gave Stickman what looked like a painted bandito mustache. His open eyes had black rims, more pooled blood, at the bottom. His swollen, congested face had squared off like an Incan idol.

"Looks like one of those Mutant Teenage Turtles," a Crime Scene Unit technician said.

"Those freckles on the face," the County Coroner said to no one in particular. "Punctuate hemorrhages. Tardieu spots. Due to hydrostatic rupture of vessels."

The corpse's tongue, black from dried blood, poked between fat lips as if Stickman were French-kissing Death.

Another photographer's flash lit the face horribly.

"Don't touch the body," Sciortino said to one of the local deputies who had just put his arms around the dead man's legs. To lift the corpse down. "'Til CSU gives you the go ahead."

The deputy opened his arms wide and skipped back, tripping over the orange crate. Which Stickman could have used to stand on when hanging himself.

But he'd lifted the corpse just enough for the rope, which was tied with a simple slip knot, to slide a quarter of an inch up the neck before the dropping body yanked the noose tight again.

"What's the matter with you?" Sciortino asked the deputy, talking around the dead cigar clamped in the side of his mouth. "Never been to a hanging before?"

"I was at that couple," the deputy said, twitching his right shoulder forward pugnaciously, "who hanged themselves with the same rope. Over by Stottville."

Sciortino ignored him and drifted over toward the County Coroner.

When the noose slipped, it revealed a parchment-colored furrow, which had an indented impression of the weave of the rope. As if a worm had burrowed under Stickman's skin.

The breeze slowly turned the dangling body. Another photographer's flash.

And in the flash Jack saw the dead man's chest heave.

"Oh, shit!" Jack said.

Stickman's face twitched. His arms and legs gave a marionette dance.

"Sciortino!" Jack shouted. He had jumped up from the junker he'd been sitting on and, his right hand reaching toward the cop, had taken a step toward the hanging man. "The son of a bitch is alive!"

The coroner looked back over his shoulder.

"Just contractions," he said. "Hey, Jack, what the hell are you doing here?"

"He found the body," Sciortino said. "He keeps finding bodies."

The coroner was walking in a circle around the body, which was slowly twirling in the breeze.

"All you need is eleven pounds to occlude the carotid arteries," he was telling a man from the Sheriff's office, two state troopers and three Mycenae city cops, who looked bored. "Same for the trachea. Eleven pounds. Jugular veins, a little less. Only four-point-four pounds. But vertebral arteries, that's a biggie. Sixty-six pounds."

"Our friend up there got to weigh a hundred-thirty," Sciortino said. "A hundred-forty."

"His weight's enough you mean," the coroner said.

The coroner, part-time in his county job, used to be Jack's doctor. Danny Troubridge. Every time Jack had a check up, Troubridge would ask, "Any VD, Jack?"

"I don't mess around," Jack would say.

"Everyone messes around," Troubridge would say. "One way or another."

2.

"Pressure on the neck in the area of the carotid arteries can cause unconsciousness in ten seconds," Troubridge said. "Death is due to compression of the blood vessels of the neck so there's not enough oxygenated blood reaching the brain."

"Autoerotic?" Sciortino asked.

Troubridge shook his head no.

"Where are the traces?" Troubridge asked. "Where are the panties? The porno? The fetish gear? The mirror? The lemon in the mouth? No towel under the rope to protect the neck. Maybe he wouldn't have bothered with that though. The semen's nothing. Hanging, autoerotic or not, the guy's going to shoot off. But take a look. The noose, it's a simple noose. No complicated knots. Some of these kids, those Goths, you should see the knots they tie. Real elegant. Like Boy Scouts."

"Yeah," Sciortino said, picking a shred of tobacco from his upper lip. "They get their merit badges in piercing."

"And, see," Troubridge said, "he used ... it looks like clothesline, plain rope he probably got at Walmart or Ace. Oridinary rope, electric cord, belts-the mark of an amateur suicide."

"Amateur suicide, huh?" Jack said.

"Didn't tie or handcuff himself-," Troubridge said.

"How many times do you have to hang yourself to become a professional?" Jack asked.