n.o.body believes him, he says. People ask him if such a village ever existed--of course, it never existed. What beautiful picture ever really existed save in the sunrise and in the sunset sky? Those living in the place about which these wonderful things are written look at each other in amazement, and ask what they mean. All this about Coate? Why, here are only half a dozen cottages, mean and squalid, with thatched roofs; and beyond the hedge are only fields with a great pond and bare hills beyond. "No one else," says Jefferies, "seems to have seen the sparkle on the brook, or heard the music at the hatch, or to have felt back through the centuries; and when I try to describe these things to them they look at me with stolid incredulity. No one seems to understand how I got food from the clouds, nor what there was in the night, nor why it is not so good to look out of window. They turn their faces away from me, so that perhaps, after all, I was mistaken, and there never was any such place, or any such meadows, and I was never there. And perhaps in course of time I shall find out also, when I pa.s.s away physically, that as a matter of fact there never was any earth." That, indeed, will be the most curious discovery possible in the after-world. No earth--then no Coate; no "Wild Life in a Southern County," and no "Gamekeeper at Home," because there has never been any home for any gamekeeper.

I have dwelt at some length upon these early years of Jefferies' life because they are all-important. They explain the whole of his after-life; they show how the book of Nature was laid open to this man in a way that it was never before presented to any man who had also the divine gift of utterance, namely, by a man who, though steeped in the wisdom of the field and forest--though he had read indeed in the book--could not read it aloud for all to hear.

In order to read this book aright, one must live apart from one's fellow-men and remain a stranger to their ambitions, ignorant of their crooked ways, their bickerings, and their pleasures. One must have quick and observant eyes, trained to watch and mark the infinite changes and variations in Nature, day by day; one must go to Nature's school from infancy in order to get this power. Nay; one must never cease to exercise this power, or it will be lost; it must be continually nourished and strengthened by being exercised. If one who has this power should go to live in the city, his eyes would grow as sluggish and as dim as ours; his ear would be blunted by the rolling of the carts, and his mind disturbed by the rush and the activity of the crowd. Again, if one who had this power should abandon the simple life, and should deaden his senses with luxury, sloth, and vice, he would quickly lose it. He _must_ live apart from men; all day long the sun must burn his cheek, the wind must blow upon it, the rain must beat upon it; he must never be out of reach of the fragrant wild flowers and the call and cry of the birds. Of such men literature can show but two or three--Gilbert White, Th.o.r.eau, and Jefferies--but the greatest of them all is Jefferies. No one before him has so lived among the fields; no one has heard so clearly the song of the flowers and the weeds and the blades of gra.s.s.

The million million blades of gra.s.s spoke to Jefferies as the Oak of Dodona spoke through its thousand leaves. When he went home he sat down and was inspired to translate that language, and to tell the world what the gra.s.s says and sings to him who can hear.

He who met the great G.o.d Pan face to face fell down dead. Still, even in these days, he who communes with the Sylvan Spirit presently dies to the ways of men, while his senses are opened to see the hidden things of hedge and meadow; while his soul is uplifted by the beauty and the variety and the order of the world; by the wondrous lives of the creatures, so full of peril, and so full of joy. Then, if he be permitted to reveal these things, what can we who receive this revelation give in exchange? What words of praise and grat.i.tude can we find in return for this unfolding of the Book of Fleeting Life?

As for us, we listened to the voice of this master for ten years; we shall hear no more of his discourses; but the old ones remain; we can go back to them again and again. It is the quality of truthful work that it never grows old or stale; one can return to it again and again; there is always something fresh in it, something new. In a great poem the lines always bring some new thought to the mind; in great music, the harmonies always call forth some fresh emotion, and inspire some new thought; in a true book there is always some new truth to be discovered. If all the rest of the literature of this day prove ephemeral and is doomed to swift oblivion, the work of Jefferies shall not perish. Our fashions change, and the things of which we write become old and pa.s.s away. But the everlasting hills abide, and the meadows still lie green and flowery, and the roses and wild honeysuckle still blossom in the hedge.

And those who have written of these are so few, and their words are so precious, that they shall not pa.s.s away, so long as their tongue endureth to be spoken and to be read.

CHAPTER II.

SIXTEEN TO TWENTY.

At the age of sixteen, Richard Jefferies had an adventure--almost the only adventure of his quiet life. It was an adventure which could only happen to a youth of strong imagination, capable of seeing no difficulties or dangers, and refusing to accept the word "impossible."

At this time he was a long and loose-limbed lad, regarded by his own family as at least an uncommon youth and a subject of anxiety as to his future, a boy who talked eagerly of things far beyond the limits of the farm, who was self-willed and masterful, whose ideas astonished and even irritated those whose thoughts were accustomed to move in a narrow, unchanging groove. He was also a boy, as we have seen, who had the power of imposing his own imagination upon others, even those of sluggish temperament--as Don Quixote overpowered the slow brain of Sancho Panza.

Richard Jefferies then, at the age of sixteen, conceived a magnificent scheme, the like of which never before entered a boy's brain. Above all things he wanted to see foreign countries. He therefore proposed to another lad nothing less than to undertake a walk through the whole of Europe, as far as Moscow and back again. The project was discussed and debated long and seriously. At last it was referred to the decision of the dog as to an oracle. In this way: if the dog wagged his tail within a certain time, they would go; if the dog's tail remained quiet, it should be taken as a warning or premonition against the journey.

Reliance should never, as a matter of fact, be placed in the oracle of the dog's tail; but this the lads were too young to understand. The tail wagged. The boys ran away. It was on November 11, in the year 1864. Now, here, certain details of the story are wanting. The novelist is never happy unless the whole machinery of his tale is clear in his own mind.

And I confess that I know not how the two boys raised the money with which to pay their preliminary expenses. You may support yourself, as Oliver Goldsmith did, by a flute or a fiddle, you may depend upon the benefactions of unknown kind hearts in a strange land, but the steamship company and the railway company must be always paid beforehand. Where did the pa.s.sage-money come from? Nay, as you will learn presently, there must have been quite a large bag of money to start with. Where did it come from? The other boy--the unknown--the _innominatus_--doubtless found that bag of gold.

They got to Dover and they crossed the Channel, and they actually began their journey. But I know not how far they got, nor how long a time, exactly, they spent in France--about a week, it would seem. They very quickly, however, made the humiliating discovery that they could not understand a word that was said to them, nor could they, save by signs, make themselves understood. Therefore they relinquished the idea of walking to Moscow, and reluctantly returned. But they would not go home; perhaps, because they were still athirst for adventure; perhaps, because they were ashamed. They then saw an advertis.e.m.e.nt in a newspaper which fired their imaginations again. The advertiser undertook, for an absurdly small sum, to take them across to New York. The amount named was just within the compa.s.s of their money. They resolved to see America instead of Russia; they called at the agent's office and paid their fares. Their tickets took them free to Liverpool, whither they repaired.

Unfortunately, when they reached Liverpool, they learned that the tickets did not include bedding of any kind, or provisions, so that if they went on board they would certainly be frozen and starved. What was to be done? They had no more money. They could not get their money returned. They were helpless. They resolved therefore to give up the whole project, and to go home again. Jefferies undertook to p.a.w.n their watches in order to get the money for the railway ticket. His appearance and manner, for some reason or other--p.a.w.ning being doubtless a new thing with him--roused so much suspicion in the mind of the p.a.w.nbroker that he actually gave the lad into custody. Happily, the superintendent of police believed his story--probably a telegram to Swindon strengthened his faith; he himself advanced them the money, keeping the watches as security, and sent them home after an expedition which lasted a fortnight altogether. There is no doubt as to the facts of the case.

The boys did actually start, with intent to march all the way across Europe as far as Russia and back again. But how they began, how they raised the money to pay the preliminary expenses, wants more light.

Also, there is no record as to their reception after they got home again. One suspects somehow that on this occasion the fatted calf was allowed to go on growing.

It must have been about this time that the lad began to have his bookish learning remarked and respected, if not encouraged. One of the upper rooms of the farmhouse--the other was the cheese-room--was set apart for him alone. Here he had his books, his table, his desk, and his bed.

This room was sacred. Here he read; here he spent all his leisure time in reading. He read during this period an immense quant.i.ty. Shakespeare, Chaucer, Scott, Byron, Dryden, Voltaire, Goethe--he was never tired of reading Faust--and it is said, but I think it must have been in translation, that he read most of the Greek and Latin masters. It is evident from his writings that he had read a great deal, yet he lacks the touch of the trained scholar. That cannot be attained by solitary and desultory reading, however omnivorous. His chief literary adviser in those days was Mr. William Morris, of Swindon, proprietor and editor of the _North Wilts Advertiser_. Mr. Morris is himself the author of several works, among others a "History of Swindon," and, as becomes a literary man with such surroundings, he is a well-known local antiquary.

Mr. Morris allowed the boy, who was at school with his own son, the run of his own library; he lent him books, and he talked with him on subjects which, one can easily understand, were not topics of conversation at Coate. Afterwards, when Jefferies had already become reporter for the local press, it was the perusal of a descriptive paper by Mr. Morris, on the "Lakes of Killarney," which decided the lad upon seriously attempting the literary career.

What inclined the lad to become a journalist? First of all, the narrow family circ.u.mstances prevented his being brought up to one of the ordinary professions: he might have become a clerk; he might have gone to London, where he had friends in the printing business; he might have emigrated, as his brother afterwards did; he might have gone into some kind of trade. As for farming, he had no taste for it; the idea of becoming a farmer never seems to have occurred to him as possible. But he could not bear the indoor life; to be chained all day long to a desk would have been intolerable to him; it would have killed him; he needed such a life as would give him a great deal of time in the open air. Such he found in journalism. His friend, Mr. Morris, gave him the first start by printing for him certain sketches and descriptive papers. And he had the courage to learn shorthand.

He had already before this begun to write.

"I remember"--I quote from a letter which has already furnished information about these early days--"that he once showed his brother a roll of ma.n.u.script which he said 'meant money' some day." It was necessary in that house to think of money first.

I wonder what that ma.n.u.script was. Perhaps poetry--a clever lad's first attempt at verse; there is never a clever lad who does not try his hand at verse. Perhaps it was a story--we shall see that he wrote many stories. At that time his handwriting was so bad that when he began to feed the press, the compositors bought him a copybook and a penholder and begged him to use it. He did use it, and his handwriting presently became legible at least, but it remained to the end a bad handwriting.

His note-books especially are very hard to read.

He was left by his father perfectly free and uncontrolled. He was allowed to do what he pleased or what he could find to do. This liberty of action made him self-reliant. It also, perhaps, increased his habit of solitude and reserve. In those days he used to draw a great deal, and is said to have acquired considerable power in pen-and-ink sketches, but I have never seen any of them.

At this period he was careless as to his dress and appearance; he suffered his hair to grow long until it reached his coat collar. "This,"

says one who knew him then, "with his bent form and long, rapid stride, made him an object of wonder in the town of Swindon. But he was perfectly unconscious of this, or indifferent to it."

Later on, he understood better the necessity of paying attention to personal appearance, and in his advice to the young journalist he points out that he should be quietly but well dressed, and that he should study genial manners.

In appearance Richard Jefferies was very tall--over six feet. He was always thin. At the age of seventeen his friends feared that he would go into a decline, which was happily averted--perhaps through his love for the open air. His hair was dark-brown; his beard was brown, with a shade of auburn; his forehead both high and broad; his features strongly marked; his nose long, clear, and straight; his lower lip thick; his eyebrows distinguished by the meditative droop; his complexion was fair, with very little colour. The most remarkable feature in his face was his large and clear blue eye; it was so full that it ought to have been short-sighted, yet his sight was far as well as keen. His face was full of thought; he walked with somewhat noiseless tread and a rapid stride.

He never carried an umbrella or wore a great-coat, nor, except in very cold weather, did he wear gloves. He had great powers of endurance in walking, but his physical strength was never great. In manner, as has been already stated, he was always reserved; at this time so much so as to appear morose to those who knew him but slightly. He made few friends. Indeed, all through life he made fewer friends than any other man. This was really because, for choice, he always lived as much in the country as possible, and partly because he had no sympathy with the ordinary pursuits of men. Such a man as Richard Jefferies could never be clubable. What would he talk about at the club? The theatre? He never went there. Literature of the day? He seldom read it. Politics? He belonged to the people, and cursed either party. That once said, he had nothing more to say. Art? He had ideas of his own on painting, and they were unconventional. Gossip and scandal? He never heard any. Wine? He knew nothing about wine. Yet to those whom he knew and trusted he was neither reserved nor morose. An eremite would be driven mad by chatter if he left his hermitage and came back to his native town; so this roamer among the hills could not endure the profitless talk of man, while Nature was willing to break her silence for him alone among the hills and in the woods.

He became, then, a journalist. It is a profession which leaves large gaps in the day, and sometimes whole days of leisure. The work, to such a lad as Jefferies, was easy; he had to attend meetings and report them; to write descriptive papers; to furnish and dress up paragraphs of news; to look about the town and pick up everything that was said or done; to attend the police courts, inquests, county courts, auctions, markets, and everything. The life of a country journalist is busy, but it is in great measure an out-door life.

Although Mr. Morris was his first literary friend and adviser, Jefferies was never attached to his paper as reporter. Perhaps there was no vacancy at the time. He obtained work on the _North Wilts Herald_, and afterwards became in addition the Swindon correspondent of the _Wilts and Gloucestershire Standard_, published at Cirencester. The editor of the _North Wilts Herald_ was a Mr. Piper, who died two years ago. Of him Jefferies always spoke with the greatest respect, calling him his old master. But in what sense he himself was a pupil I know not. Nor can I gather that Jefferies, who acquired his literary style much later, and after, as will be seen, the production of much work which has deservedly fallen into oblivion, learned anything as a writer from anybody. In the line which he afterwards struck out for himself--that of observations of nature--his master, as regards the subject-matter, was his father; as regards his style he had no master.

He filled these posts and occupied himself in this kind of work between the years 1865 and 1877.

But he did other things as well, showing that he never intended to sit down in ign.o.ble obscurity as the reporter of a country newspaper.

I have before me a little book called "Reporting, Editing, and Authorship," published without date at Swindon, and by John Snow and Co., Ivy Lane, London. I think it appeared in the year 1872, when he was in his twenty-fourth year. It is, however, the work of a very young man; the kind of work at which you must not laugh, although it amuses you, because it is so very much in earnest, and at the same time so very elementary. You see before you in these pages the ideal reporter--Jefferies was always zealous to do everything that he had to do as well as it could be done. It is divided into three chapters, but the latter two are vague and tentative, compared with the first. The little book should have been called, "He would be an Author."

"Let the aspirant," he says, "begin with acquiring a special knowledge of his own district. The power and habit of doing this may subsequently stand him in good stead as a war-correspondent. Let him next study the trade and industries peculiar to the place. If he is able to write of these graphically, he will acquire a certain connection and good-will among the masters. He will strengthen himself if he contributes papers upon these subjects to the daily papers or to the magazines; thus he will grow to be regarded as a representative man. Next, he should study everywhere the topography, antiquities, traditions, and general characteristics of the country wherever he goes; he should visit the churches, and write about them. He may go on to write a local history, or he may take a local tradition and weave a story round about it--things which local papers readily publish. Afterwards he may write more important tales for country newspapers, and so by easy stages rise to the grandeur of writing tales for the monthly magazines." Observe that so far the ambition of the writer is wholly in the direction of novels.

One piece of advice contrasts strongly with the description of him given by his cousin. He has found out that eccentricity of appearance and manner does not advance a man. Therefore he writes:

"A good personal manner greatly conduces to the success of the reporter. He should be pleasant and genial, but not loud: inquiring without being inquisitive: bold, but not presumptuous: and above all respectful. The reporter should be able to talk on all subjects with all men. He should dress well, because it obtains him immediate attention: but should be careful to avoid anything 'horsey' or fast. The more gentlemanly his appearance and tone, the better he will be received."

The chapter on Editing gives a tolerably complete account of the conduct of a country-town newspaper. The chapter on Authorship is daring, because the writer as yet knew nothing whatever of the subject. Among other mistakes is the very common one of supposing that a young man can help himself on by publishing at his own expense a ma.n.u.script which all the respectable publishing houses have refused. He himself subsequently acted upon this mistake, and lost his money without in the least advancing his reputation. The young writer can seldom be made to understand that all publishers are continually on the look-out for good work; that good work is almost certain (though mistakes have been made) to be taken up by the first publisher to whom it is offered; that if it is refused by good Houses, the reason is that it is not good work, and that paying for publication will not turn bad work into good. Jefferies concludes his little book by so shocking a charge against the general public that it shall be quoted just to show what this country lad of nineteen or twenty thought was the right and knowing thing to say about them:

"The public will read any commonplace clap-trap if only a well-known name be attached to it. Hence any amount of expenditure is justified with this object. It is better at once to realize the fact, however unpleasant it may be to the taste, and instead of trying to win the good-will of the public by laborious work, treat literature as a trade, which, like other trades, requires an immense amount of advertising."

This is Jefferies' own ideal of a journalist. In March, 1866, being then eighteen years of age, he began his work on the _North Wilts Herald_.

CHAPTER III.

LETTERS FROM 1866 TO 1872.

The princ.i.p.al sources of information concerning the period of early manhood are the letters--a large number of these are happily preserved--which he wrote to his aunt, Mrs. Harrild. In these letters, which are naturally all about himself, his work, his hopes, and his disappointments, he writes with perfect freedom and from his heart. It is still a boyish heart, young and innocent. "I always feel dull," he says, "when I leave you. I am happier with you than at home, because you enter into my prospects with interest and are always kind.... I wish I could have got something to do in the neighbourhood of Sydenham, which would have enabled me to live with you."

The letters reveal a youth taken too soon from school, but pa.s.sionately fond of reading--of industry and application intense and unwearied; he confesses his ambitions--they are for success; he knows that he has the power of success within him; he tries for success continually, and is as often beaten back, because, though this he cannot understand, in the way he tries success is impossible for him. Let us run through this bundle of letters.

One thing to him who reads the whole becomes immediately apparent, though it is not so clear from the extracts alone. It is the self-consciousness of the writer as regards style. That is because he is intended by nature to become a writer. He thinks how he may put things to the best advantage; he understands the importance of phrase; he wants not only to say a thing, but to say it in a striking and uncommon manner. Later on, when he has gotten a style to himself, he becomes more familiar and chatty. Thus, for instance, the boy speaks of the great organ at the Crystal Palace: "To me music is like a spring of fresh water in the midst of the desert to a wearied Arab." He was genuinely and truly fond of good music, and yet this phrase has in it a note of unreality. Again, he is speaking of one of his aunt's friends, and says, as if he was the author of "Evelina": "How is Mr. A.? I remember him as a pleasant gentleman, anxious not to give trouble, and the result is ..." and so forth. When one understands that these letters were written by the immature writer, such little things, with which they abound, are pleasing.

In March, 1866, he describes the commencement of his work on the _North Wilts Herald_; he speaks of the kindness of his chief and the pleasant nature of his work. In December of the same year he sends a story which he wants his uncle to submit to a London magazine. In June, 1867, he writes that he has completed his "History of Swindon" and its neighbourhood. This probably appeared in the pages of his newspaper.

In the same year he says that he has finished a story called "Malmesbury."

"Here I have no books--no old monkish records to a.s.sist me--everything must be hunted out upon the spot. I visit every place I have to refer to, copy inscriptions, listen to legends, examine antiquities, measure this, estimate that; and a thousand other employments essential to a correct account take up my time.

The walking I can do is something beyond belief. To give an instance. There is a book published some twenty years ago founded on a local legend. This I wanted, and have actually been to ten different houses in search of it; that is, have had a good fifty miles' walk, and as yet all in vain. However, I think I am on the right scent now, and believe I shall get it.

"This neighbourhood is a mine for an antiquary. I was given to understand at school that in ancient days Britain was a waste--uninhabited, rude and savage. I find this is a mistake. I see traces of former habitation, and former generations, in all directions. There, Roman coins; here, British arrowheads, tumuli, camps--in short, the country, if I may use the expression, seems alive with the dead. I am inclined to believe that this part of North Wilts, at least, was as thickly inhabited of yore as it is now, the difference being only in the spots inhabited having been exchanged for others more adapted to the wants of the times. I do not believe these sweeping a.s.sertions as to the barbarous state of our ancestors. The more I study the matter the more absurd and unfounded appear the notions popularly received."