The Eternal City - The Eternal City Part 43
Library

The Eternal City Part 43

"Did I hear my name as I entered?"

"I was saying," said Roma, "that if the Municipality should throw up my fountain...."

The little man made an amusing gesture, and the constrained silence was broken by some awkward laughter.

"Roma," said the testy voice of the Countess, "I think I've done my duty by you, and now the Baron will take me back. Natalina! Where's Natalina?"

But half-a-dozen hands took hold of the invalid chair, and the Baron followed it into the bedroom.

"Wonderful man!" "Wonderful!" whispered various voices as the Minister's smile disappeared through the door.

The conversation had begun to languish when the Princess Bellini arrived, and then suddenly it became lively and general.

"I'm late, but do you know, my dear," she said, kissing Roma on both cheeks, "I've been nearly torn to pieces in coming. My carriage had to plough its way through crowds of people."

"Crowds?"

"Yes, indeed, and the streets are nearly impassable. Another demonstration, I suppose! The poor must always be demonstrating."

"Ah! yes," said Don Camillo. "Haven't you heard the news, Roma?"

"I've been working all night and all day, and I have heard nothing,"

said Roma.

"Well, to prevent a recurrence of the disgraceful scene of yesterday, the King has promulgated the Public Security Act by royal decree, and the wonderful crisis is at an end."

"And now?"

"Now the Prime Minister is master of the situation, and has begun by proclaiming the mass meeting which was to have been held in the Coliseum."

"Good thing too," said Count Mario. "We've heard enough of liberal institutions lately."

"And of the scandalous speeches of professional agitators," said Madame Sella.

"And of the liberty of the press," said Senator Palomba. And then the effeminate old dandy, the fashionable dressmaker, and the oily little Mayor exchanged significant nods.

"Wait! Only wait!" said Roma, in a low voice, to Rossi, who was standing in silence by her side.

"Unhappy Italy!" said the American Ambassador. "With the largest array of titled nobility and the largest army of beggars. The one class sipping iced drinks in the piazzas during the playing of music, and the other class marching through the streets and conspiring against society."

"You judge us from a foreign standpoint, dear friend," said Don Camillo, "and forget our love of a pageant. The Princess says our poor are always demonstrating. We are all always demonstrating. Our favourite demonstration is a funeral, with drums beating and banners waving. If we cannot have a funeral we have a wedding, with flowers and favours and floods of tears. And when we cannot have either, we put up with a revolution, and let our Radical orators tell us of the wickedness of taxing the people's bread."

"Always their bread," said the Princess, with a laugh.

"In America, dear General, you are so tragically sincere, but in Italy we are a race of actors. The King, the Parliament, the Pope himself...."

"Shocking!" said the little Princess. "But if you had said as much of our professional agitators...."

"Oh, they are the most accomplished and successful actors, Princess.

But we are all actors in Italy, from the greatest to the least, and the 'curtain' is to him who can score off everybody else."

"So," began the American, "to be Prime Minister in Rome...."

"Is to be the chief actor in Europe, and his leading part is that in which he puts an end to his adversary amidst a burst of inextinguishable laughter."

"What is he driving at?" said the English to the American Ambassador.

"Don't you know? Haven't you heard what is coming?" And then some further whispering.

"Wait, only wait!" said Roma.

"Gi-gi," said the Princess, "how stupid you are! You're all wrong about Roma. Look at her now. To think that men can be so blind! And the Baron is no better than the rest of you. He's too proud to believe what I tell him, but he'll learn the truth some day. He is here, of course? In the Countess's room, isn't he?... How do you like my dress?"

"It's perfect."

"Really? The black and the blue make a charming effect, don't they? They are the Baron's favourite colours. How agitated our hostess is! She seems to have all the world here. When are we to see the wonderful work?

What's she waiting for? Ah, there's the Baron coming out at last!"

"They're all here, aren't they?" said Roma, looking round with flushed cheeks and flaming eyes at the jangling, slandering crew, who had insulted and degraded David Rossi.

"Take care," he answered, but she only threw up her head and laughed.

Then the company went down the circular iron staircase to the studio.

Roma walked first with her rapid step, talking nervously and laughing frequently.

The fountain stood in the middle of the floor, and the guests gathered about it.

"Superb!" they exclaimed one after another. "Superb!" "Superb!"

The little Mayor was especially enthusiastic. He stood near the Baron, and holding up both hands he cried:

"Marvellous! Miraculous! Fit to take its place beside the masterpieces of old Rome!"

"But surely this is 'Hamlet' without the prince," said the Baron. "You set out to make a fountain representing Christ and His twelve apostles, and the only figure you leave unfinished is Christ Himself."

He pointed to the central figure above the dish, which was merely shaped out and indicated.

"Not only one, your Excellency," said Don Camillo. "Here is another unfinished figure--intended for Judas, apparently."

"I left them to the last on purpose," said Roma. "They were so important, and so difficult. But I have studies for both of them in the boudoir, and you shall give me your advice and opinion."

"The saint and the satyr, the God and the devil, the betrayed and the betrayer--what subjects for the chisel of the artist!" said Don Camillo.

"Just so," said the Mayor. "She must do the one with all the emotions of love, and the other with all the faculties of hate."

"Not that art," said Don Camillo, "has anything to do with life--that is to say, real life...."

"Why not?" said Roma sharply. "The artist has to live in the world, and he isn't blind. Therefore, why shouldn't he describe what he sees around him?"