"Oh yes," he answered. "They're good in that way." He turned back hesitatingly to Mrs. Horn, and said, with a blush, "I thank you for a happy evening."

"Oh, I am very glad," she replied, in her murmur.

One of the old friends of the house arched her eyebrows in saying good-night, and offered the two young men remaining seats home in her carriage. Beaton gloomily refused, and she kept herself from asking the student of human nature, till she had got him into her carriage, "What is Moffitt, and what did you say about it?"

"Now you see, Margaret," said Mrs. Horn, with bated triumph, when the people were all gone.

"Yes, I see," the girl consented. "From one point of view, of course it's been a failure. I don't think we've given Miss Dryfoos a pleasure, but perhaps n.o.body could. And at least we've given her the opportunity of enjoying herself."

"Such people," said Mrs. Horn, philosophically, "people with their money, must of course be received sooner or later. You can't keep them out. Only, I believe I would rather let some one else begin with them.

The Leightons didn't come?"

"I sent them cards. I couldn't call again."

Mrs. Horn sighed a little. "I suppose Mr. Dryfoos is one of your fellow-philanthropists?"

"He's one of the workers," said Margaret. "I met him several times at the Hall, but I only knew his first name. I think he's a great friend of Father Benedict; he seems devoted to the work. Don't you think he looks good?"

"Very," said Mrs. Horn, with a color of censure in her a.s.sent. "The younger girl seemed more amiable than her sister. But what manners!"

"Dreadful!" said Margaret, with knit brows, and a pursed mouth of humorous suffering. "But she appeared to feel very much at home."

"Oh, as to that, neither of them was much abashed. Do you suppose Mr.

Beaton gave the other one some hints for that quaint dress of hers? I don't imagine that black and lace is her own invention. She seems to have some sort of strange fascination for him."

"She's very picturesque," Margaret explained. "And artists see points in people that the rest of us don't."

"Could it be her money?" Mrs. Horn insinuated. "He must be very poor."

"But he isn't base," retorted the girl, with a generous indignation that made her aunt smile.

"Oh no; but if he fancies her so picturesque, it doesn't follow that he would object to her being rich."

"It would with a man like Mr. Beaton!"

"You are an idealist, Margaret. I suppose your Mr. March has some disinterested motive in paying court to Miss Mela--Pamela, I suppose, is her name. He talked to her longer than her literature would have lasted."

"He seems a very kind person," said Margaret.

"And Mr. Dryfoos pays his salary?"

"I don't know anything about that. But that wouldn't make any difference with him."

Mrs. Horn laughed out at this security; but she was not displeased by the n.o.bleness which it came from. She liked Margaret to be high-minded, and was really not distressed by any good that was in her.

The Marches walked home, both because it was not far, and because they must spare in carriage hire at any rate. As soon as they were out of the house, she applied a point of conscience to him.

"I don't see how you could talk to that girl so long, Basil, and make her laugh so."

"Why, there seemed no one else to do it, till I thought of Kendricks."

"Yes, but I kept thinking, Now he's pleasant to her because he thinks it's to his interest. If she had no relation to 'Every Other Week,' he wouldn't waste his time on her."

"Isabel," March complained, "I wish you wouldn't think of me in he, him, and his; I never personalize you in my thoughts: you remain always a vague unindividualized essence, not quite without form and void, but nounless and p.r.o.nounless. I call that a much more beautiful mental att.i.tude toward the object of one's affections. But if you must he and him and his me in your thoughts, I wish you'd have more kindly thoughts of me."

"Do you deny that it's true, Basil?"

"Do you believe that it's true, Isabel?"

"No matter. But could you excuse it if it were?"

"Ah, I see you'd have been capable of it in my place, and you're ashamed."

"Yes," sighed the wife, "I'm afraid that I should. But tell me that you wouldn't, Basil!"

"I can tell you that I wasn't. But I suppose that in a real exigency, I could truckle to the proprietary Dryfooses as well as you."

"Oh no; you mustn't, dear! I'm a woman, and I'm dreadfully afraid. But you must always be a man, especially with that horrid old Mr. Dryfoos.

Promise me that you'll never yield the least point to him in a matter of right and wrong!"

"Not if he's right and I'm wrong?"

"Don't trifle, dear! You know what I mean. Will you promise?"

"I'll promise to submit the point to you, and let you do the yielding.

As for me, I shall be adamant. Nothing I like better."

"They're dreadful, even that poor, good young fellow, who's so different from all the rest; he's awful, too, because you feel that he's a martyr to them."

"And I never did like martyrs a great deal," March interposed.

"I wonder how they came to be there," Mrs. March pursued, unmindful of his joke.

"That is exactly what seemed to be puzzling Miss Mela about us. She asked, and I explained as well as I could; and then she told me that Miss Vance had come to call on them and invited them; and first they didn't know how they could come till they thought of making Conrad bring them. But she didn't say why Miss Vance called on them. Mr. Dryfoos doesn't employ her on 'Every Other Week.' But I suppose she has her own vile little motive."

"It can't be their money; it can't be!" sighed Mrs. March.

"Well, I don't know. We all respect money."

"Yes, but Miss Vance's position is so secure. She needn't pay court to those stupid, vulgar people."

"Well, let's console ourselves with the belief that she would, if she needed. Such people as the Dryfooses are the raw material of good society. It isn't made up of refined or meritorious people--professors and litterateurs, ministers and musicians, and their families. All the fashionable people there to-night were like the Dryfooses a generation or two ago. I dare say the material works up faster now, and in a season or two you won't know the Dryfooses from the other plutocrats. THEY will--a little better than they do now; they'll see a difference, but nothing radical, nothing painful. People who get up in the world by service to others--through letters, or art, or science--may have their modest little misgivings as to their social value, but people that rise by money--especially if their gains are sudden--never have. And that's the kind of people that form our n.o.bility; there's no use pretending that we haven't a n.o.bility; we might as well pretend we haven't first-cla.s.s cars in the presence of a vestibuled Pullman. Those girls had no more doubt of their right to be there than if they had been d.u.c.h.esses: we thought it was very nice of Miss Vance to come and ask us, but they didn't; they weren't afraid, or the least embarra.s.sed; they were perfectly natural--like born aristocrats. And you may be sure that if the plutocracy that now owns the country ever sees fit to take on the outward signs of an aristocracy--t.i.tles, and arms, and ancestors--it won't falter from any inherent question of its worth. Money prizes and honors itself, and if there is anything it hasn't got, it believes it can buy it."

"Well, Basil," said his wife, "I hope you won't get infected with Lindau's ideas of rich people. Some of them are very good and kind."

"Who denies that? Not even Lindau himself. It's all right. And the great thing is that the evening's enjoyment is over. I've got my society smile off, and I'm radiantly happy. Go on with your little pessimistic diatribes, Isabel; you can't spoil my pleasure."

"I could see," said Mela, as she and Christine drove home together, "that she was as jealous as she could be, all the time you was talkun'

to Mr. Beaton. She pretended to be talkun' to Conrad, but she kep' her eye on you pretty close, I can tell you. I bet she just got us there to see how him and you would act together. And I reckon she was satisfied.