Mrs. March listened with mounting fervor, and when he stopped, she cried out, "Well, my dear, I do believe you are right! It is ideal, as you say; it's a perfect poem. And I shall always say--"

She stopped at the mocking light which she caught in his look, and perceived that he had been amusing himself with her perennial enthusiasm for all sorts of love-affairs. But she averred that she did not care; what he had said was true, and she should always hold him to it.

They were again in the wedding-journey sentiment in which they had left Carlsbad, when they found themselves alone together after their escape from the pressure of others' interests. The tide of travel was towards Frankfort, where the grand parade was to take place some days later.

They were going to Weimar, which was so few hours out of their way that they simply must not miss it; and all the way to the old literary capital they were alone in their compartment, with not even a stranger, much less a friend to molest them. The flying landscape without was of their own early autumnal mood, and when the vineyards of Wurzburg ceased to purple it, the heavy after-math of hay and clover, which men, women, and children were loading on heavy wains, and driving from the meadows everywhere, offered a pastoral and pleasing change. It was always the German landscape; sometimes flat and fertile, sometimes hilly and poor; often clothed with dense woods, but always charming, with castled tops in ruin or repair, and with levels where Gothic villages drowsed within their walls, and dreamed of the mediaeval past, silent, without apparent life, except for some little goose-girl driving her flock before her as she sallied out into the nineteenth century in search of fresh pasturage.

As their train mounted among the Thuringian uplands they were aware of a finer, cooler air through their open window. The torrents foamed white out of the black forests of fir and pine, and brawled along the valleys, where the hamlets roused themselves in momentary curiosity as the train roared into them from the many tunnels. The afternoon sunshine had the glister of mountain sunshine everywhere, and the travellers had a pleasant bewilderment in which their memories of Switzerland and the White Mountains mixed with long-dormant emotions from Adirondack sojourns. They chose this place and that in the lovely region where they lamented that they had not come at once for the after-cure, and they appointed enough returns to it in future years to consume all the summers they had left to live.

LIX.

It was falling night when they reached Weimar, where they found at the station a provision of omnibuses far beyond the hotel accommodations.

They drove first to the Crown-Prince, which was in a promising state of reparation, but which for the present could only welcome them to an apartment where a canvas curtain cut them off from a freshly plastered wall. The landlord deplored the fact, and sent hospitably out to try and place them at the Elephant. But the Elephant was full, and the Russian Court was full too. Then the landlord of the Crown-Prince bethought himself of a new hotel, of the second cla.s.s, indeed, but very nice, where they might get rooms, and after the delay of an hour, they got a carriage and drove away from the Crown-Prince, where the landlord continued to the last as benevolent as if they had been a profit instead of a loss to him.

The streets of the town at nine o'clock were empty and quiet, and they instantly felt the academic quality of the place. Through the pale night they could see that the architecture was of the cla.s.sic sentiment which they were destined to feel more and more; at one point they caught a fleeting glimpse of two figures with clasped hands and half embraced, which they knew for the statues of Goethe and Schiller; and when they mounted to their rooms at the Grand-Duke of Saxe-Weimar, they pa.s.sed under a fresco representing Goethe and four other world-famous poets, Shakspere, Milton, Ta.s.so, and Schiller. The poets all looked like Germans, as was just, and Goethe was naturally chief among them; he marshalled the immortals on their way, and Schiller brought up the rear and kept them from going astray in an Elysium where they did not speak the language. For the rest, the hotel was brand-new, of a quite American freshness, and was pervaded by a sweet smell as of straw matting, and provided with steam-radiators. In the sense of its homelikeness the Marches boasted that they were never going away from it.

In the morning they discovered that their windows looked out on the grand-ducal museum, with a gardened s.p.a.ce before and below its cla.s.sicistic bulk, where, in a whim of the weather, the gay flowers were full of sun. In a pleasant illusion of taking it unawares, March strolled up through the town; but Weimar was as much awake at that hour as at any of the twenty-four, and the tranquillity of its streets, where he encountered a few pa.s.sers several blocks apart, was their habitual mood. He came promptly upon two objects which he would willingly have shunned: a 'denkmal' of the Franco-German war, not so furiously bad as most German monuments, but antipathetic and uninteresting, as all patriotic monuments are; and a woman-and-dog team. In the shock from this he was sensible that he had not seen any woman-and-dog teams for some time, and he wondered by what civic or ethnic influences their distribution was so controlled that they should have abounded in Hamburg, Leipsic, and Carlsbad, and wholly ceased in Nuremberg, Ansbach, and Wurzburg, to reappear again in Weimar, though they seemed as characteristic of all Germany as the ugly denkmals to her victories over France.

The Goethe and Schiller monument which he had glimpsed the night before was characteristic too, but less offensively so. German statues at the best are conscious; and the poet-pair, as the inscription calls them, have the air of showily confronting posterity with their clasped hands, and of being only partially rapt from the spectators. But they were more unconscious than any other German statues that March had seen, and he quelled a desire to ask Goethe, as he stood with his hand on Schiller's shoulder, and looked serenely into s.p.a.ce far above one of the typical equipages of his country, what he thought of that sort of thing. But upon reflection he did not know why Goethe should be held personally responsible for the existence of the woman-and-dog team. He felt that he might more reasonably attribute to his taste the prevalence of cla.s.sic profiles which he began to note in the Weimar populace. This could be a sympathetic effect of that pa.s.sion for the antique which the poet brought back with him from his sojourn in Italy; though many of the people, especially the children, were bow-legged. Perhaps the antique had: begun in their faces, and had not yet got down to their legs; in any case they were charming children, and as a test of their culture, he had a mind to ask a little girl if she could tell him where the statue of Herder was, which he thought he might as well take in on his ramble, and so be done with as many statues as he could. She answered with a pretty regret in her tender voice, "That I truly cannot," and he was more satisfied than if she could, for he thought it better to be a child and honest, than to know where any German statue was.

He easily found it for himself in the place which is called the Herder Platz after it. He went into the Peter and Paul Church there; where Herder used to preach sermons, sometimes not at all liked by the n.o.bility and gentry for their revolutionary tendency; the sovereign was shielded from the worst effects of his doctrine by worshipping apart from other sinners in a glazed gallery. Herder is buried in the church, and when you ask where, the sacristan lifts a wooden trap-door in the pavement, and you think you are going down into the crypt, but you are only to see Herder's monumental stone, which is kept covered so to save it from pa.s.sing feet. Here also is the greatest picture of that great soul Luke Kranach, who had sincerity enough in his paining to atone for all the swelling German sculptures in the world. It is a crucifixion, and the cross is of a white birch log, such as might have been cut out of the Weimar woods, shaved smooth on the sides, with the bark showing at the edges. Kranach has put himself among the spectators, and a stream of blood from the side of the Savior falls in baptism upon the painter's head. He is in the company of John the Baptist and Martin Luther; Luther stands with his Bible open, and his finger on the line, "The blood of Jesus cleanseth us."

Partly because he felt guilty at doing all these things without his wife, and partly because he was now very hungry, March turned from them and got back to his hotel, where she was looking out for him from their open window. She had the air of being long domesticated there, as she laughed down at seeing him come; and the continued brilliancy of the weather added to the illusion of home.

It was like a day of late spring in Italy or America; the sun in that gardened hollow before the museum was already hot enough to make him glad of the shelter of the hotel. The summer seemed to have come back to oblige them, and when they learned that they were to see Weimar in a festive mood because this was Sedan Day, their curiosity, if not their sympathy, accepted the chance gratefully. But they were almost moved to wish that the war had gone otherwise when they learned that all the public carriages were engaged, and they must have one from a stable if they wished to drive after breakfast. Still it was offered them for such a modest number of marks, and their driver proved so friendly and conversable, that they a.s.sented to the course of history, and were more and more reconciled as they bowled along through the grand-ducal park beside the waters of the cla.s.sic Ilm.

The waters of the cla.s.sic Ilm are sluggish and slimy in places, and in places clear and brooklike, but always a dull dark green in color. They flow in the shadow of pensive trees, and by the brinks of sunny meadows, where the after-math wanders in heavy windrows, and the children sport joyously over the smooth-mown surfaces in all the freedom that there is in Germany. At last, after immemorial appropriation the owners of the earth are everywhere expropriated, and the people come into the pleasure if not the profit of it. At last, the prince, the knight, the n.o.ble finds, as in his turn the plutocrat will find, that his property is not for him, but for all; and that the nation is to enjoy what he takes from it and vainly thinks to keep from it. Parks, pleasaunces, gardens, set apart for kings, are the play-grounds of the landless poor in the Old World, and perhaps yield the sweetest joy of privilege to some state-sick ruler, some world-weary princess, some lonely child born to the solitude of sovereignty, as they each look down from their palace windows upon the leisure of overwork taking its little holiday amidst beauty vainly created for the perpetual festival of their empty lives.

March smiled to think that in this very Weimar, where sovereignty had graced and enn.o.bled itself as nowhere else in the world by the companionship of letters and the arts, they still were not hurrying first to see the palace of a prince, but were involuntarily making it second to the cottage of a poet. But in fact it is Goethe who is forever the prince in Weimar. His greatness blots out its history, his name fills the city; the thought of him is its chiefest imitation and largest hospitality. The travellers remembered, above all other facts of the grand-ducal park, that it was there he first met Christiane Vulpius, beautiful and young, when he too was beautiful and young, and took her home to be his love, to the just and lasting displeasure of Fran von Stein, who was even less reconciled when, after eighteen years of due reflection, the love of Goethe and Christiane became their marriage.

They, wondered just where it was he saw the young girl coming to meet him as the Grand-Duke's minister with an office-seeking pet.i.tion from her brother, Goethe's brother author, long famed and long forgotten for his romantic tale of "Rinaldo Rinaldini."

They had indeed no great mind, in their American respectability, for that rather matter-of-fact and deliberate liaison, and little as their sympathy was for the pa.s.sionless intellectual intrigue with the Frau von Stein, it cast no halo of sentiment about the Goethe cottage to suppose that there his love-life with Christiane began. Mrs. March even resented the fact, and when she learned later that it was not the fact at all, she removed it from her a.s.sociations with the pretty place almost indignantly.

In spite of our facile and multiple divorces we Americans are worshipers of marriage, and if a great poet, the minister of a prince, is going to marry a poor girl, we think he had better not wait till their son is almost of age. Mrs. March would not accept as extenuating circ.u.mstances the Grand-Duke's G.o.dfatherhood, or Goethe's open constancy to Christiane, or the tardy consecration of their union after the French sack of, Weimar, when the girl's devotion had saved him from the rudeness of the marauding soldiers. For her New England soul there were no degrees in such guilt; and, perhaps there are really not so many as people have tried to think, in their deference to Goethe's greatness.

But certainly the affair was not so simple for a grand-ducal minister of world-wide renown, and he might well have felt its difficulties, for he could not have been proof against the censorious public opinion of Weimar, or the yet more censorious private opinion of Fran von Stein.

On that lovely Italo-American morning no ghost of these old dead embarra.s.sments lingered within or without the Goethe garden-house. The trees which the poet himself planted flung a sun-shot shadow upon it, and about its feet basked a garden of simple flowers, from which the sweet lame girl who limped through the rooms and showed them, gathered a parting nosegay for her visitors. The few small livingrooms were above the ground-floor, with kitchen and offices below in the Italian fashion; in one of the little chambers was the camp-bed which Goethe carried with him on his journeys through Italy; and in the larger room at the front stood the desk where he wrote, with the chair before it from which he might just have risen.

All was much more livingly conscious of the great man gone than the proud little palace in the town, which so abounds with relics and memorials of him. His library, his study, his study table, with everything on it just as he left it when

"Cadde la stanca mana"

are there, and there is the death-chair facing the window, from which he gasped for "more light" at last. The handsome, well-arranged rooms are full of souvenirs of his travel, and of that pa.s.sion for Italy which he did so much to impart to all German hearts, and whose modern waning leaves its records here of an interest pathetically, almost amusingly, faded. They intimate the cla.s.sic temper to which his mind tended more and more, and amidst the mult.i.tude of sculptures, pictures, prints, drawings, gems, medals, autographs, there is the sense of the many-mindedness, the universal taste, for which he found room in little Weimar, but not in his contemporaneous Germany. But it is all less keenly personal, less intimate than the simple garden-house, or else, with the great troop of people going through it, and the custodians lecturing in various voices and languages to the attendant groups, the Marches had it less to themselves, and so imagined him less in it.

LX.

All palaces have a character of tiresome unlivableness which is common to them everywhere, and very probably if one could meet their proprietors in them one would as little remember them apart afterwards as the palaces themselves. It will not do to lift either houses or men far out of the average; they become spectacles, ceremonies; they cease to have charm, to have character, which belong to the levels of life, where alone there are ease and comfort, and human nature may be itself, with all the little delightful differences repressed in those who represent and typify.

As they followed the custodian through the grand-ducal Residenz at Weimar, March felt everywhere the strong wish of the prince who was Goethe's friend to ally himself with literature, and to be human at least in the humanities. He came honestly by his pa.s.sion for poets; his mother had known it in her time, and Weimar was the home of Wieland and of Herder before the young Grand-Duke came back from his travels bringing Goethe with him, and afterwards attracting Schiller. The story of that great epoch is all there in the Residenz, told as articulately as a palace can.

There are certain Poets' Rooms, frescoed with ill.u.s.trations of Goethe, Schiller, and Wieland; there is the room where Goethe and the Grand-Duke used to play chess together; there is the conservatory opening from it where they liked to sit and chat; everywhere in the pictures and sculptures, the engraving and intaglios, are the witnesses of the tastes they shared, the love they both had for Italy, and for beautiful Italian things. The prince was not so great a prince but that he could very nearly be a man; the court was perhaps the most human court that ever was; the Grand-Duke and the grand poet were first boon companions, and then monarch and minister working together for the good of the country; they were always friends, and yet, as the American saw in the light of the New World, which he carried with him, how far from friends! At best it was make-believe, the make-believe of superiority and inferiority, the make-believe of master and man, which could only be the more painful and ghastly for the endeavor of two generous spirits to reach and rescue each other through the asphyxiating unreality; but they kept up the show of equality faithfully to the end. Goethe was born citizen of a free republic, and his youth was nurtured in the traditions of liberty; he was one of the greatest souls of any time, and he must have known the impossibility of the thing they pretended; but he died and made no sign, and the poet's friendship with the prince has pa.s.sed smoothly into history as one of the things that might really be. They worked and played together; they dined and danced, they picnicked and poetized, each on his own side of the impa.s.sable gulf; with an air of its not being there which probably did not deceive their contemporaries so much as posterity.

A part of the palace was of course undergoing repair; and in the gallery beyond the conservatory a company of workmen were sitting at a table where they had spread their luncheon. They were somewhat subdued by the consciousness of their august environment; but the sight of them was charming; they gave a kindly interest to the place which it had wanted before; and which the Marches felt again in another palace where the custodian showed them the little tin dishes and saucepans which the German Empress Augusta and her sisters played with when they were children. The sight of these was more affecting even than the withered wreaths which they had left on the death-bed of their mother, and which are still mouldering there.

This was in the Belvedere, the country house on the height overlooking Weimar, where the grand-ducal family spend the month of May, and where the stranger finds himself amid overwhelming a.s.sociations of Goethe, although the place is so full of relics and memorials of the owners. It seemed in fact to be a storehouse for the wedding-presents of the whole connection, which were on show in every room; Mrs. March hardly knew whether they heightened the domestic effect or took from it; but they enabled her to verify with the custodian's help certain royal intermarriages which she had been in doubt about before.

Her zeal for these made such favor with him that he did not spare them a portrait of all those which March hoped to escape; he pa.s.sed them over, scarcely able to stand, to the gardener, who was to show them the open-air theatre where Goethe used to take part in the plays.

The Natur-Theater was of a cla.s.sic ideal, realized in the trained vines and clipped trees which formed the coulisses. There was a gra.s.sy s.p.a.ce for the chorus and the commoner audience, and then a few semicircular gradines cut in the turf, one alcove another, where the more honored spectators sat. Behind the seats were plinths bearing the busts of Goethe, Schiller, Wieland, and Herder. It was all very pretty, and if ever the weather in Weimar was dry enough to permit a performance, it must have been charming to see a play in that open day to which the drama is native, though in the late hours it now keeps in the thick air of modern theatres it has long forgotten the fact. It would be difficult to be Greek under a German sky, even when it was not actually raining, but March held that with Goethe's help it might have been done at Weimar, and his wife and he proved themselves such enthusiasts for the Natur-Theater that the walnut-faced old gardener who showed it put together a sheaf of the flowers that grew nearest it and gave them to Mrs. March for a souvenir.

They went for a cup of tea to the cafe which looks, as from another eyebrow of the hill, out over lovely little Weimar in the plain below.

In a moment of sunshine the prospect was very smiling; but their spirits sank over their tea when it came; they were at least sorry they had not asked for coffee. Most of the people about them were taking beer, including the pretty girls of a young ladies' school, who were there with their books and needle-work, in the care of one of the teachers, apparently for the afternoon.

Mrs. March perceived that they were not so much engaged with their books or their needle-work but they had eyes for other things, and she followed the glances of the girls till they rested upon the people at a table somewhat obliquely to the left. These were apparently a mother and daughter, and they were listening to a young man who sat with his back to Mrs. March, and leaned low over the table talking to them. They were both smiling radiantly, and as the girl smiled she kept turning herself from the waist up, and slanting her face from this side to that, as if to make sure that every one saw her smiling.

Mrs. March felt her husband's gaze following her own, and she had just time to press her finger firmly on his arm and reduce his cry of astonishment to the hoa.r.s.e whisper in which he gasped, "Good gracious!

It's the pivotal girl!"

At the same moment the girl rose with her mother, and with the young man, who had risen too, came directly toward the Marches on their way out of the place without noticing them, though Burnamy pa.s.sed so near that Mrs. March could almost have touched him.

She had just strength to say, "Well, my dear! That was the cut direct."

She said this in order to have her husband rea.s.sure her. "Nonsense! He never saw us. Why didn't you speak to him?"

"Speak to him? I never shall speak to him again. No! This is the last of Mr. Burnamy for me. I shouldn't have minded his not recognizing us, for, as you say, I don't believe he saw us; but if he could go back to such a girl as that, and flirt with her, after Miss Triscoe, that's all I wish to know of him. Don't you try to look him up, Basil! I'm glad-yes, I'm glad he doesn't know how Stoller has come to feel about him; he deserves to suffer, and I hope he'll keep on suffering: You were quite right, my dear--and it shows how true your instinct is in such things (I don't call it more than instinct)--not to tell him what Stoller said, and I don't want you ever should."

She had risen in her excitement, and was making off in such haste that she would hardly give him time to pay for their tea, as she pulled him impatiently to their carriage.

At last he got a chance to say, "I don't think I can quite promise that; my mind's been veering round in the other direction. I think I shall tell him."

"What! After you've seen him flirting with that girl? Very well, then, you won't, my dear; that's all! He's behaving very basely to Agatha."

"What's his flirtation with all the girls in the universe to do with my duty to him? He has a right to know what Stoller thinks. And as to his behaving badly toward Miss Triscoe, how has he done it? So far as you know, there is nothing whatever between them. She either refused him outright, that last night in Carlsbad, or else she made impossible conditions with him. Burnamy is simply consoling himself, and I don't blame him."

"Consoling himself with a pivotal girl!" cried Mrs. March.

"Yes, with a pivotal girl. Her pivotality may be a nervous idiosyncrasy, or it may be the effect of tight lacing; perhaps she has to keep turning and twisting that way to get breath. But attribute the worst motive: say it is to make people look at her! Well, Burnamy has a right to look with the rest; and I am not going to renounce him because he takes refuge with one pretty girl from another. It's what men have been doing from the beginning of time."

"Oh, I dare say!"

"Men," he went on, "are very delicately const.i.tuted; very peculiarly.

They have been known to seek the society of girls in general, of any girl, because some girl has made them happy; and when some girl has made them unhappy, they are still more susceptible. Burnamy may be merely amusing himself, or he may be consoling himself; but in either case I think the pivotal girl has as much right to him as Miss Triscoe. She had him first; and I'm all for her."