The Emancipated - Part 22
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Part 22

They laughed together.

"You are younger than you were then," he continued, in his most characteristic voice, the voice which was musical and alluring, and suggestive of his nature's pa.s.sionate depths and heights. "You have grown into health of body and soul, and out of all the evil things that would have robbed you of natural happiness. Nothing ever made me more glad than first seeing you at the villa. I didn't know what you had become, and in looking at you I rejoiced on your account. You would gladden even miserable old age, like sunlight on a morning of spring."

Cecily moved towards the tea-table in silence. She began to fill one of the cups, but put the teapot down again and waited for a moment. Having resumed her purpose, she looked round and saw Elgar seated sideways on a chair by the window. With the cup of tea in her hand, she approached him and offered it without speaking. He rose quickly to take it, and went to another part of the room.

"I hope Miriam will stay here the whole winter," Cecily said, as she seated herself by the table.

"I hope so," he a.s.sented absently, putting his tea aside. "How long are you and Mrs. Lessingham likely to stay?"

"At least till February, I think."

"Shall you get as far as Amalfi some day?"

"Oh yes And Miriam will come with us, I hope. And to Capri too."

"I must see Capri. I shouldn't wonder if I go there soon; probably it would suit my purpose better than Amalfi. Yet I must be alone, if I am to work. I haven't Mallard's detachment. That seems to you a paltry confession of weakness."

"No, indeed. I am told that Mr. Mallard is quite exceptional in his power of disregarding everything but his work."

"Exceptional in many things, no doubt. I must seem very insignificant in comparison."

"Why should you? Mr. Mallard is so much older; he has long been fixed in his course."

"Older, yes," a.s.sented Elgar, with satisfaction. "Perhaps at his age I too may have done something worth doing."

"Who could doubt it?"

"It does me good to hear you say that!"

He moved from his distant place, and threw himself in one of his usual careless att.i.tudes on a nearer chair. "But Miriam has no faith in me, not a jot Does she speak harshly of me to you?"

"No."

Cecily shook her head, and seemed unable to speak more than the monosyllable.

"But she has nothing encouraging to say? She shows that she looks upon me as one of whom no good can come? That is the impression you have received from her?"

Cecily looked at him gravely.

"She has scarcely spoken of you at all--scarcely more than the few words that were inevitable."

"In itself a condemnation."

Cecily was mute. Before Elgar could say anything more, the door opened.

With a sudden radiance on her features, the girl looked up to greet Mrs. Lessingham's entrance.

"How long you have been, aunt!"

"Yes; I am sorry. How do you do, Mr. Elgar? Tea, Cecily, lest I perish!"

From the doorway her quick glance had scrutinized both the young people. Of course she betrayed no surprise; neither did she make exhibition of pleasure. Her greeting of the visitor was gracefully casual, given in pa.s.sing. She sank upon a low chair as if overcome with weariness. Mrs. Lessingham had nothing to learn in the arts wherewith social intercourse is kept smooth in spite of nature's improprieties.

When she chose, she could be the awe-inspiring chaperon, no less completely than she was at other times the contemner of the commonplace.

"So you leave us to-morrow, Mr. Elgar? I have just met Mr. Spence, and heard the news from him. I am glad you could find a moment to call. You are going to be very busy, I hear, for the rest of the winter."

"I hope so," Elgar replied, walking across the room to fetch his half-emptied teacup.

"We shall look eagerly for the results of your work."

For ten minutes the conversation kept a rather flat course. Cecily only spoke when addressed by her aunt; then quite in her usual way. Elgar took the first opportunity to signal departure. When Cecily gave him her hand, it was with a moment's unfaltering look--a look very different from that which charmed everyday acquaintances at their coming and going, unlike anything man or woman had yet seen on her countenance. The faintest smile hovered about her lips as she said, "Good-bye;" her steadfast eyes added the hope which there was no need to speak.

When he was gone, Mrs. Lessingham sipped her tea in silence. Cecily moved about and presently brought a book to her chair by the tea-table.

"No doubt you had the advantage of hearing Mr. Elgar's projects detailed," said her aunt, with irony which presumed a complete understanding between them.

"No." Cecily shook her head and smiled.

"Curious how closely he and Mr. Marsh resemble each other at times."

"Do you think so?"

"Haven't you noticed it? There are differences, of course. Mr. Elgar is originally much better endowed; though at present I should think he is even less to be depended upon, either intellectually or morally. But they belong to the same species. What numbers of such young men I have met!"

"What are the characteristics of the species, aunt?" Cecily inquired, with a pleasant laugh.

"I dare say you know them almost as well as I do. You might write an essay on 'The Young Man of Promise' of our day. I should be rather too severe; you would treat them with a lighter hand, and therefore more effectually."

In speaking, she kept her eyes on the girl, who appeared to muse the subject with sportful malice.

"I am not sure," said Cecily, "that Mr. Elgar would come into the essay."

"You mean that his promise is too obviously delusive?"

"Not exactly that. I rather think he should have an essay to himself."

"Of what tendency?" asked Mrs. Lessingham, still closely observant.

"Oh, it would need much meditation; but I think I could make it interesting."

With another laugh, she dismissed the subject; nor did her aunt endeavour to revive it.

The morrow was Sunday. Elgar knew at what time his tram left for Salerno; the time-table was the same as for other days. Yet he lay in bed till nearly noon, till the train had long since started. No, he should not go to-day.

It irked him to rise at all. He had not slept; his head was hot, and his hands shook nervously. Dressed, he sat down for a minute, and remained seated half an hour, gazing at the wall. When at length he left the house, he walked without seeing anything, stumbling against things and people.

Of course, he knew last night that there was no journey for him to-day.

Promise? A promise is void when its fulfilment has become impossible.

Very likely Mallard had a conviction that he would not come back at the appointed time. To-morrow, perhaps; and perhaps not even to-morrow It had got beyond his control.