"Under your tuition."

Willoughby leaned to her, bowing languidly. He was easier in his pain for having hoodwinked the lady. She was the outer world to him; she could tune the world's voice; prescribe which of the two was to be pitied, himself or Clara; and he did not intend it to be himself, if it came to the worst. They were far away from that at present, and he continued:

"Probably a man's power of putting on a face is not equal to a girl's.

I detest petty dissensions. Probably I show it when all is not quite smooth. Little fits of suspicion vex me. It is a weakness, not to play them off, I know. Men have to learn the arts which come to women by nature. I don't sympathize with suspicion, from having none myself."

His eyebrows shot up. That ill-omened man Flitch had sidled round by the bushes to within a few feet of him. Flitch primarily defended himself against the accusation of drunkenness, which was hurled at him to account for his audacity in trespassing against the interdict; but he admitted that he had taken "something short" for a fortification in visiting scenes where he had once been happy--at Christmastide, when all the servants, and the butler at head, grey old Mr. Chessington, sat in rows, toasting the young heir of the old Hall in the old port wine!

Happy had he been then, before ambition for a shop, to be his own master and an independent gentleman, had led him into his quagmire:--to look back envying a dog on the old estate, and sigh for the smell of Patterne stables: sweeter than Arabia, his drooping nose appeared to say.

He held up close against it something that imposed silence on Sir Willoughby as effectively as a cunning exordium in oratory will enchain mobs to swallow what is not complimenting them; and this he displayed secure in its being his licence to drivel his abominable pathos. Sir Willoughby recognized Clara's purse. He understood at once how the must have come by it: he was not so quick in devising a means of stopping the tale. Flitch foiled him. "Intact," he replied to the question: "What have you there?" He repeated this grand word. And then he turned to Mrs. Mountstuart to speak of Paradise and Adam, in whom he saw the prototype of himself: also the Hebrew people in the bondage of Egypt, discoursed of by the clergymen, not without a likeness to him.

"Sorrows have done me one good, to send me attentive to church, my lady," said Flitch, "when I might have gone to London, the coachman's home, and been driving some honourable family, with no great advantage to my morals, according to what I hear of. And a purse found under the seat of a fly in London would have a poor chance of returning intact to the young lady losing it."

"Put it down on that chair; inquiries will be made, and you will see Sir Willoughby," said Mrs. Mountstuart. "Intact, no doubt; it is not disputed."

With one motion of a finger she set the man rounding.

Flitch halted; he was very regretful of the termination of his feast of pathos, and he wished to relate the finding of the purse, but he could not encounter Mrs. Mountstuart's look; he slouched away in very close resemblance to the ejected Adam of illustrated books.

"It's my belief that naturalness among the common people has died out of the kingdom," she said.

Willoughby charitably apologized for him. "He has been fuddling himself."

Her vigilant considerateness had dealt the sensitive gentleman a shock, plainly telling him she had her ideas of his actual posture. Nor was he unhurt by her superior acuteness and her display of authority on his grounds.

He said, boldly, as he weighed the purse, half tossing it: "It's not unlike Clara's."

He feared that his lips and cheeks were twitching, and as he grew aware of a glassiness of aspect that would reflect any suspicion of a keen-eyed woman, he became bolder still!

"Laetitia's, I know it is not. Hers is an ancient purse."

"A present from you!"

"How do you hit on that, my dear lady?"

"Deductively."

"Well, the purse looks as good as new in quality, like the owner."

"The poor dear has not much occasion for using it."

"You are mistaken: she uses it daily."

"If it were better filled, Sir Willoughby, your old scheme might be arranged. The parties do not appear so unwilling. Professor Crooklyn and I came on them just now rather by surprise, and I assure you their heads were close, faces meeting, eyes musing."

"Impossible."

"Because when they approach the point, you won't allow it! Selfish!"

"Now," said Willoughby, very animatedly, "question Clara. Now, do, my dear Mrs. Mountstuart, do speak to Clara on that head; she will convince you I have striven quite recently against myself, if you like.

I have instructed her to aid me, given her the fullest instructions, carte blanche. She cannot possibly have a doubt. I may look to her to remove any you may entertain from your mind on the subject. I have proposed, seconded, and chorussed it, and it will not be arranged. If you expect me to deplore that fact, I can only answer that my actions are under my control, my feelings are not. I will do everything consistent with the duties of a man of honour perpetually running into fatal errors because he did not properly consult the dictates of those feelings at the right season. I can violate them: but I can no more command them than I can my destiny. They were crushed of old, and so let them be now. Sentiments we won't discuss; though you know that sentiments have a bearing on social life: are factors, as they say in their later jargon. I never speak of mine. To you I could. It is not necessary. If old Vernon, instead of flattening his chest at a desk, had any manly ambition to take part in public affairs, she would be the woman for him. I have called her my Egeria. She would be his Cornelia.

One could swear of her that she would have noble offspring!--But old Vernon has had his disappointment, and will moan over it up to the end.

And she? So it appears. I have tried; yes, personally: without effect.

In other matters I may have influence with her: not in that one. She declines. She will live and die Laetitia Dale. We are alone: I confess to you, I love the name. It's an old song in my ears. Do not be too ready with a name for me. Believe me--I speak from my experience hitherto--there is a fatality in these things. I cannot conceal from my poor girl that this fatality exists . . ."

"Which is the poor girl at present?" said Mrs. Mountstuart, cool in a mystification.

"And though she will tell you that I have authorized and Clara Middleton--done as much as man can to institute the union you suggest, she will own that she is conscious of the presence of this--fatality, I call it for want of a better title between us. It drives her in one direction, me in another--or would, if I submitted to the pressure. She is not the first who has been conscious of it."

"Are we laying hold of a third poor girl?" said Mrs. Mountstuart. "Ah!

I remember. And I remember we used to call it playing fast and loose in those days, not fatality. It is very strange. It may be that you were unblushingly courted in those days, and excusable; and we all supposed . . . but away you went for your tour."

"My mother's medical receipt for me. Partially it succeeded. She was for grand marriages: not I. I could make, I could not be, a sacrifice.

And then I went in due time to Dr. Cupid on my own account. She has the kind of attraction. . . But one changes! On revient toujours. First we begin with a liking; then we give ourselves up to the passion of beauty: then comes the serious question of suitableness of the mate to match us; and perhaps we discover that we were wiser in early youth than somewhat later. However, she has beauty. Now, Mrs Mountstuart, you do admire her. Chase the idea of the 'dainty rogue' out of your view of her: you admire her: she is captivating; she has a particular charm of her own, nay, she has real beauty."

Mrs. Mountstuart fronted him to say: "Upon my word, my dear Sir Willoughby, I think she has it to such a degree that I don't know the man who could hold out against her if she took the field. She is one of the women who are dead shots with men. Whether it's in their tongues or their eyes, or it's an effusion and an atmosphere--whatever it is, it's a spell, another fatality for you!"

"Animal; not spiritual!"

"Oh, she hasn't the head of Letty Dale."

Sir Willoughby allowed Mrs. Mountstuart to pause and follow her thoughts.

"Dear me!" she exclaimed. "I noticed a change in Letty Dale last night; and to-day. She looked fresher and younger; extremely well: which is not what I can say for you, my friend. Fatalizing is not good for the complexion."

"Don't take away my health, pray," cried Willoughby, with a snapping laugh.

"Be careful," said Mrs. Mountstuart. "You have got a sentimental tone.

You talk of 'feelings crushed of old'. It is to a woman, not to a man that you speak, but that sort of talk is a way of making the ground slippery. I listen in vain for a natural tongue; and when I don't hear it, I suspect plotting in men. You show your under-teeth too at times when you draw in a breath, like a condemned high-caste Hindoo my husband took me to see in a jail in Calcutta, to give me some excitement when I was pining for England. The creature did it regularly as he breathed; you did it last night, and you have been doing it to-day, as if the air cut you to the quick. You have been spoilt. You have been too much anointed. What I've just mentioned is a sign with me of a settled something on the brain of a man."

"The brain?" said Sir Willoughby, frowning.

"Yes, you laugh sourly, to look at," said she. "Mountstuart told me that the muscles of the mouth betray men sooner than the eyes, when they have cause to be uneasy in their minds."

"But, ma'am, I shall not break my word; I shall not, not; I intend, I have resolved to keep it. I do not fatalize, let my complexion be black or white. Despite my resemblance to a high-caste malefactor of the Calcutta prison-wards . . ."

"Friend! friend! you know how I chatter."

He saluted her finger-ends. "Despite the extraordinary display of teeth, you will find me go to execution with perfect calmness; with a resignation as good as happiness."

"Like a Jacobite lord under the Georges."

"You have told me that you wept to read of one: like him, then. My principles have not changed, if I have. When I was younger, I had an idea of a wife who would be with me in my thoughts as well as aims: a woman with a spirit of romance, and a brain of solid sense. I shall sooner or later dedicate myself to a public life; and shall, I suppose, want the counsellor or comforter who ought always to be found at home.

It may be unfortunate that I have the ideal in my head. But I would never make rigorous demands for specific qualities. The cruellest thing in the world is to set up a living model before a wife, and compel her to copy it. In any case, here we are upon the road: the die is cast. I shall not reprieve myself. I cannot release her. Marriage represents facts, courtship fancies. She will be cured by-and-by of that coveting of everything that I do, feel, think, dream, imagine . . . ta-ta-ta-ta ad infinitum. Laetitia was invited here to show her the example of a fixed character--solid as any concrete substance you would choose to build on, and not a whit the less feminine."

"Ta-ta-ta-ta ad infinitum. You need not tell me you have a design in all that you do, Willoughby Patterne."

"You smell the autocrat? Yes, he can mould and govern the creatures about him. His toughest rebel is himself! If you see Clara . . . You wish to see her, I think you said?"