Clevedon had taken the magazine to the writing table. He was making notes when the door opened, only far enough for a bonneted head to make its appearance.

"I'm going," Noirot said. The bonnet withdrew, and she started to close the door.

He rose and started to the door. "Wait."

She stuck her head in again. "I haven't time to wait," she said. "I only wanted you to know the dress is done." She spoke coolly enough, yet he detected the note of triumph in her voice.

He reached the door, and opened it fully.

She had what appeared to be a shrouded body in her arms.

That must be the dress, tucked in among layers of tissue paper, and wrapped, like a mummy, in muslin.

"You're not carrying it yourself," he said. "Where's a footman?" He saw one loitering against the corridor wall. "There. You, Thomas."

"No." She waved Thomas back to his post in the corridor. "I promised to deliver it personally, and it will not leave my hands."

He glanced down at the corpse. "May I see it?" he said.

"Certainly not. I haven't time to unwrap it and wrap it up again. You'll see it tonight, and be astonished, like everybody else. At Almack's."

Almack's. A weight settled upon him. Another Wednesday night with the same people who gathered there every Wednesday night during the Season. The same conversations, enlivened by the latest scandal. That would be him, most likely, tonight. They'd be whispering about him behind their fans, behind their cards. Lady Warford would have plenty to say, and would imagine she expressed herself with the greatest subtlety while she dropped indignant hints as large and unmistakable as elephant dung.

He remembered what Longmore had said about his mother not allowing Clara to wear the dress. "I'd better come with you," he said. "Longmore was here-"

"I know," she said. "Sophy dealt with him. And I'll deal with Lady Warford, if that becomes necessary. I doubt it will. When Lady Clara sees herself in this dress-but never mind, I haven't time to boast, and you'd be bored, in any event."

"No, I wouldn't be bored," he said. He'd been reading La Belle a.s.semblee. He had ideas. "I've been-"

"It's half-past six," she said. "I've still got to get to Warford House."

"Take the curricle," he said.

"I don't know what I'm taking," she said. "Halliday promised I'd have your fastest vehicle. They're waiting for me."

He wanted to go with her. He wanted to see the dress, and Clara's face when she saw it. He wanted them all to see that it was business, and Noirot was not only talented but principled-to a point-when it came to her work, in any case-and honorable-to a point-when it came to her work, in any case...

But that, to his shame, wasn't the only reason he wanted to go with her.

He was near enough to breathe her scent, to see the faint wash of color come and go in her cheeks... and the pearly glow of her skin where the light caught it... and the tendrils of dark hair straying artfully from her bonnet, curling near her ears. He wanted to bring his hand up to cup her face and turn it to his and bring his mouth to hers...

Stupid, stupid, stupid.

And ign.o.ble as well, when she was carrying Clara's dress, and he loved Clara and had always loved her and couldn't bear the thought of hurting her.

He'd caused trouble enough. Lady Warford had probably been hara.s.sing Clara all day long, blaming her for Clevedon's negligence and misbehavior. The jealous cats who pretended to be their friends would be sure to sharpen their claws on Clara, too.

He stepped back from the door. "I should be a great idiot to keep you, after you've achieved what I could have sworn was impossible."

She stepped back, too. "Let's hope they let me deliver it."

Chapter Twelve.

A lady of genius will give a genteel air to her whole dress by a well-fancied suit of knots, as a judicious writer gives a spirit to a whole sentence by a single expression.

John Gay, English poet and dramatist (16851732) Marcelline reached Warford House at five minutes before seven. Though she arrived in Clevedon's carriage, his crest emblazoned on the door, she knew better than to go to the front door. She went round to the tradesmen's entrance, where she was made to wait. It had occurred to her that she might be rebuffed, but she'd refused to entertain doubts. The dress was magnificent. Lady Clara had understood she was in the hands of a master, else she'd have sent Marcelline away the other day, the minute she started tossing out her ladyship's wardrobe.

At last Lady Clara's maid, Davis, appeared and gave her permission to enter. Her expression grim, Davis led Marcelline past the staring servants and up the backstairs.

Her dour look was soon explained. Marcelline found both Lady Clara and her mother in the younger woman's dressing room. Clearly, they'd been quarreling, and it must have been a prodigious row, to make both ladies' faces so red. But when Davis entered and said, "The dressmaker is here, my lady," a silence fell, as heavy and immense as an elephant.

Lady Warford was nearly as tall as Clara, and obviously had been as beautiful once. She by no means looked like the battle-ax she was well known to be. Though a degree bulkier than her daughter, the marchioness was a handsome woman of middle age.

Battle she did, though, going promptly on the attack. "You!" said her ladyship. "How dare you show your face here!"

"Mama, please," Lady Clara said, her gaze darting to the parcel Marcelline carried. "Good heavens, I couldn't believe it when they said you were here with the dress. Your shop-I read that it burnt to the ground."

"It did, your ladyship, but I promised the dress."

"Dress or not, I cannot believe this creature has the effrontery to show her face-"

"You made my dress?" Lady Clara said. "You made it already?"

Marcelline nodded. She set down the parcel on a low table, untied the strings, unwrapped the muslin, and drew the dress out from the tissue paper she and her sisters had carefully tucked among its folds.

She heard three sharp intakes of breath.

"Oh, my goodness," said Lady Clara. "Oh, my goodness."

"This is outrageous," Lady Warford said, though with less a.s.surance than before. "Oh, Clara, how can you bear to take anything from this creature's hands?"

"I've nothing else to wear," Lady Clara said.

"Nothing else! Nothing else!"

But Lady Clara ignored her mother, and signaled her maid to help her out of her dressing gown. Lady Warford sank onto a chair and glowered over the proceedings as Marcelline and the maid dressed Lady Clara.

Then Lady Clara moved to study herself in the horse-dressing gla.s.s.

"Oh," she said. "Oh, my goodness."

The maid stood, her fist to her mouth.

Lady Warford stared.

Marcelline's creation comprised a white c.r.a.pe robe over a white satin under-dress. The neckline, cut very low, displayed Lady Clara's smooth shoulders and bosom to great advantage, and the soft white enhanced the translucency of her complexion. Marcelline had kept the embellishments simple and spare, to better showcase the magnificent cut of the dress and the perfection of the drapery, particularly the graceful folds of the bodice. A few judiciously placed papillon bows adorned the very short, very full sleeves and trimmed the edges of the robe where it opened over the satin under-dress. The robe was delicately embroidered in gold, silver, and black sprigs. The style was not French, but it was just dashing enough to be not completely English.

Most important, though, the dress became the wearer. No, it was more than merely becoming. It made Lady Clara's beauty almost unbearable.

Lady Clara could see that.

Her maid could see that.

Even her mother could see that.

The dressing room's silence was profound.

Marcelline let them stare while she studied her handiwork. Thanks to her fanaticism about measurements, the fit was nearly perfect. She wouldn't have to take the hem up or down. The neckline needed a little work in order to lie perfectly smoothly across the back. The puffs Davis had provided weren't large enough to support the sleeves properly. But these and a few other very minor matters were easily corrected. Marcelline quickly set about making the adjustments.

When the technical work was done, she guided Davis in adding the finishing touches: a silver and gold wreath set just so to frame the plaited knot of her ladyship's hair, heavy gold earrings, a gauze scarf. White silk slippers and white kid gloves embroidered in silver and gold silk finished the ensemble.

All of this took nearly an hour, while Lady Warford grew increasingly impatient, muttering about the time. She gave Marcelline scarcely a minute to admire her masterpiece. She'd made them late for dinner, Lady Warford complained, and swept Lady Clara out of the dressing room without another word.

No thanks, certainly.

Davis admitted gruffly that her mistress looked very well, indeed. Then she ushered Marcelline down the backstairs like a dirty secret, and back to the tradesman's entrance.

As she stepped out into the night, Marcelline told herself she was very, very happy.

She'd done what had to be done. Lady Clara had never looked so beautiful in all her life, and she knew it and her mother knew it. Everyone at Almack's would see that. Clevedon, too. He would fall in love with Lady Clara all over again.

And in the midst of her triumph, Marcelline felt a stab, sharp and deep.

She knew what it was. She was a fine liar, but lying to herself wasn't a useful skill.

The truth was, she wanted to be Lady Clara, or someone like her: one of his kind. She wanted to be the one he fell in love with, and once would be enough.

Never mind, she told herself. Her daughter was alive. Her sisters were alive. They'd start fresh-and after this night, the ton would be beating a path to their door.

Clevedon had hardly arrived at Almack's before he was calculating how long it would be before he could decently escape. He wouldn't stay as long as he ought to-at least in Lady Warford's opinion-but it wasn't his job to please Lady Warford. He'd come solely on Clara's account, and he doubted Clara expected him to live in her pocket.

He'd arrived as late as he decently could. This didn't improve matters, because Clara had little time for him, there wasn't another interesting female in the place this night, and he was tired of playing cards with the same people. She'd saved only one dance for him. She hadn't been sure he'd turn up at all, she said, and the other gentlemen were so pressing.

They certainly did press about her, a greater throng of them than usual. That, he supposed, was as she deserved. She looked very well in the dress Noirot and her women had slaved over. More important, he saw on the London ladies' faces the same expressions he'd noticed on their Parisian counterparts. He wished Noirot could see those faces.

The time dragged on until at last he could claim his one dance. As he led her out, he told Clara she was the most beautiful girl in the place.

"The dress makes more of a difference than I could have guessed," she said. "I couldn't believe Madame Noirot was able to complete it so quickly, after all that had happened."

"She was determined," he said.

She glanced up at him and swiftly away and said, "Your dressmaker is a proud creature, I think."

Proud. Obstinate. Pa.s.sionate.

"She's your dressmaker, my dear, not mine," he said.

"Everyone says she's yours. She lives in your house, with her family. Have you adopted her?"

"I didn't know what else to do with them on short notice," he said.

There was a pause in the conversation as they began to dance. Then Clara said, "I read once, that if one saves someone's life, the person saved belongs to the rescuer."

"I beg you won't start that ridiculous hero talk, too," he said. "It isn't as though a man has a choice. If your mother had been trapped in that burning shop, I should have hardly stood by, looking on. Longmore would have done exactly what I did, no matter what he says."

"Oh, he had something to say," Clara said. "When he returned to Warford House after visiting you today, he told Mama not to make a fuss over a lot of dictatorial milliners. He said it was just like you to house the provoking creatures. He said they were ridiculous. Their shop had burned down, their child had nearly burnt to death, they had nothing but the clothes on their backs and some rubbishy ledgers, yet all they could think about was making my dress."

"They're dictatorial," he said. "You saw for yourself."

He'd seen, too: Noirot, as imperious as a queen, ordering Clara about.

So sure of herself. So obstinate. So pa.s.sionate.

"I daresay everyone is shocked at me for having anything to do with her," Clara said.

"Everyone is easily shocked," he said.

"But I wanted the dress," she said. "In spite of what Harry said, Mama didn't want to let Mrs. Noirot in the house. But I made a dreadful fuss, and she gave in. I'm a vain creature, it seems."

"What nonsense," he said. "It's long past time you stopped hiding your light under a bushel. Sometimes I wonder whether your mother-"

He broke off, dismayed at what he'd been about to say, and shocked that he'd only thought of it now: that her vain, proud mother had deliberately dressed her daughter like a dowd. She'd done it in hopes of keeping the other men off, because she was saving Clara for Clevedon.

She'd been saving Clara for a man who loved her but didn't want to be here, didn't want this life, and ached for something else, though he wasn't sure what the something else was.

No, he knew what it was.

But it was no use knowing because it was the one thing his power, position, and money couldn't buy.

"What were you about to observe regarding my mother?" Clara said.

"She's protective," he lied. "More than you like, I don't doubt. But you got what you wanted in the end."

He didn't notice the searching gaze Clara sent up at him. His own attention was wandering to the ladies' dresses floating about them. Nearly all wore the latter stages of court mourning: every shade of white, some black, soft shapes against the stark angles of black and white and grey of the men's attire.

The air was warm, and thick with scent, recalling another time and place. But this wasn't like Paris, and the difference wasn't merely the monochromatic colors.

It was the monochromatic mood.

There was no magic.

In Paris, there had been a kind of magic or perhaps unreality: the absurdity of that ball where Noirot didn't belong, yet made herself belong, where she was the sun, and everyone else became little planets and moons, orbiting about her.