"True ones. If this keeps on, I shall begin using you as critic for all my new songs."

"Like the fabled dog? I wish you would. But, truly, I am not joking. You are quite spoiling me for my usual diet of recitals. Do you realize that, for the past two months, you have sung to me on an average of two hours a week?"

Thayer smiled contentedly down at her, as he sat by the piano, with one muscular arm thrown across the rack.

"Well, what of it?" he inquired.

"Nothing, except that people say you are refusing engagements."

"A fellow must have a little time to enjoy his friends," he returned coolly. "I can't be expected to sing, six nights a week."

"Your logic betrays your artistic nature. You have sung at five recitals, this week. This is the sixth night; but you've not been silent."

"You know you wanted to hear _Faust_ sung again."

"Yes, and so did Mrs. Stanley want you to sing at her house."

He looked up sharply.

"Who told you?"

"Mr. Arlt."

"Arlt shouldn't tell tales. But I had three good reasons for refusing: I don't like Mrs. Stanley; she doesn't treat Arlt as well as she treats her pug dog, and moreover you had asked me to dinner. I never sing after a good dinner."

"But you mustn't refuse engagements."

"I didn't. I kept one."

"Engagements to sing, I mean. You seem to forget that you are a star."

"All the more reason I should stop twinkling now and then. I can't be on duty, the whole time. Besides, Miss Gannion," he rose from the piano and came forward to her side; "we can't give out, all the time. We must stop occasionally to take something in, else our mental fuel runs low. I wonder if you realize that this is the one place in New York City where I can be entirely off my guard, entirely at home. A place like this means a good deal to an isolated man."

"I am very glad," she said quietly.

"Most people forget that a public singer has a private personality," he went on thoughtfully. "We are supposed to divide our time into even thirds, practising, singing and receiving compliments. It gets to be a positive delight to discuss the weather and the fashion in neckties."

"And to sing by the hour for your friends?" she inquired.

"It is our easiest way of speaking to them."

She laughed.

"But, on the other hand, you are demoralizing me completely. You have no idea what empty, formal affairs recitals seem to me now; they are so impersonal. I feel like grumbling, because I can't talk over each item of the programme with the one who does it. I said something of the sort to Miss Dane, the other day; but she told me she always dreaded the sound of a speaking voice after one of your songs."

"She might have a species of choral service evolved for social use,"

Thayer suggested dryly. "The Gregorian tones would lend dignity even to conventionalities, and they are quite within the powers of any amateur."

There was an interval of silence which Miss Gannion employed in bringing herself back to the physical world around her. Thayer's singing always swayed her profoundly; it gave her the impression of the ultimate satisfaction of a wish which had haunted her whole life. During the past two months, she and Thayer had established relations of cordial friendship. They had met frequently in the world which already was clamorous for Thayer's appearing, and Thayer was a frequent guest at Miss Gannion's home. He always sang to her; it had become so much a matter of routine that now he never waited for an invitation. Once seated at the piano, talking and singing by turns, she allowed him to follow out the bent of his mood; but, wherever it led him, she was always conscious of the insistent, throbbing note which told her that, underneath his self-control, there pulsed a fiery nature which was curbed, but not yet tamed, that the day might come when the Puritan would meet the Russian face to face, and the Russian would be dominant, if only for one brief hour. And then? Often as she asked herself the question, Margaret Gannion never swerved from her original answer. In the end, the Puritan would rule. No man could so dominate others and fail to dominate himself.

Thayer, meanwhile, had risen and was thoughtfully pacing the room. Miss Gannion shook off the last of her reverie and turned to watch him.

"What is it, Mr. Thayer?" she inquired suddenly.

He came back to the fire and, deliberately moving the trinkets on the mantel, made a place for his elbow. Then he hesitated, with his clear, deep-set eyes resting on her face.

"I think I am going to ask your advice," he said slowly.

"Or my approval. It amounts to the same thing in a man."

It was a direct challenge, and it was made with deliberate intention.

Accustomed as she was to the semi-imaginary mental crises of struggling, strenuous youth, she yet shrank from the intentness of Thayer's mood.

He ignored the challenge.

"No; it is advice whether to act at all. Later, when I have acted, it will be time to demand your approval."

"But you may not like my advice."

"Very possibly. I am not binding myself to follow it."

Her color came again this time not altogether from pleasure.

"Then why do you ask it?"

"Because I need fresh light on the subject. As often as I go over it, I find myself in a mental blind alley, and I am hoping that, if I talk it over with you, I shall clear up my ideas and perhaps get some new ones."

His tone was dispa.s.sionate, yet kindly. With a pang, Miss Gannion admitted to herself the futility of her ever hoping to gain so impersonal an att.i.tude. She was intensely feminine, which is to say, intensely subjective. Talking to Thayer in his present mood gave her the feeling that unexpectedly she had collided with an iceberg. Glittering coldness is an admirable surface to watch; but not an altogether comfortable one upon which to rest. The touch set her to stinging, although she realized that the sting was out of all proportion to the touch. She was silent, and Thayer went on,--

"You know the people, one of them much better than I do."

"Then it is not about yourself?"

Thayer shook his head.

"I rarely ask help in solving my own problems," he replied. Then, as he saw her face, he suddenly realized that he had hurt her in some unknown fashion. "That sounds rather brutal," he added; "but, if you will think it over a bit, you will see it is wise. I don't believe in wasting words, and there is no real use in talking some things over. A man knows he can't state his own problem impartially to someone else, so of course he isn't going to trust someone else's solution of the problem."

Her smile came back again.

"No," she a.s.sented; "but there is a certain comfort in talking things over."

"Not for me. If I have anything to do, I grit my teeth and do it, and waste as little thought upon it as possible. Iteration makes good into a bore. It is best to let it alone. And of bad, the less said, the better, that is, when it is a matter of one's own personality. But now I want to talk about Miss Dane."

"Beatrix?"

"Yes. I have felt anxious about her lately, and I haven't known whether to keep still, or to speak. It all seems a good deal like meddling, and I really know her so little."

It was unlike his usual directness to wander on in this fashion, and Miss Gannion wondered. She started to speak; then she thought better of it and leaned back in her chair. The ticking of the clock and the snapping of the fire mingled in a staccato duet. A stick burned in two and fell apart, with tiny, torch-like flames dancing on its upturned ends. Methodically Thayer bent over and piled up the embers. Then he spoke again.