He knew that he had done a risky thing in a.s.sociating young Rickman with them in this high enterprise. But under all his doubts there lay a faith in the genius of his sub-editor, a faith the more fascinating because it was so far removed from any certainty. In giving Rickman his present post he conceived himself not only to be paying a debt of honour, but doing the best possible thing for _The Museion_. It was also, he considered, the best possible thing for Rickman. His work on the review would give him the discipline he most needed, the discipline he had never had. To be brought into line with an august tradition; to be caught up out of the slough of modern journalism into a rarer atmosphere; to breathe the eternal spirit of great literature (a spirit which according to Jewdwine did not blow altogether where it listed); to have his too exuberant individuality chastened and controlled, would be for Rickman an unspeakable benefit at this critical stage of his career.

The chastening and controlling were difficult. Rickman's phrases were frequently more powerful than polite. Like many young writers of violent imagination he was apt to be somewhat vividly erotic in his metaphors. And he had little ways that were very irritating to Jewdwine. He was wasteful with the office paper and with string; he would use penny stamps where halfpenny ones would have served his purpose; he had once permitted himself to differ with Jewdwine on a point of scholarship in the presence of the junior clerk. There were times when Jewdwine longed to turn him out and have done with him; and yet Rickman stayed on. When all was said and done there was a charm about him. Jewdwine in fact had proved the truth of Lucia's saying; he could rely absolutely on his devotion. He could not afford to let him go. Though Rickman tampered shamelessly with the traditions of the review, it could not be said that as yet he had injured its circulation. His contributions were noticed with approval in rival columns; and they had even been quoted by Continental critics with whom _The Museion_ pa.s.sed as being the only British review that had the true interests of literature at heart.

But though Rickman helped to bring fame to _The Museion_, _The Museion_ brought none to him. The ident.i.ty of its contributors was merged in that of its editor, and those brilliant articles were never signed.

The spring of ninety-three, which found Jewdwine comfortably seated on the summit of his ambition, saw Rickman almost as obscure as in the spring of ninety-two. His poems had not yet appeared. Vaughan evidently regarded them as so many sensitive plants, and, fearing for them the boisterous seasons of autumn and spring, had kept them back till the coming May, when, as he expressed it, the market would be less crowded. This delay gave time to that erratic artist, Mordaunt Crawley, to complete the remarkable ill.u.s.trations on which Vaughan relied chiefly for success. Vaughan had spared no expense, but naturally it was the artist and the printer, not the poet, whom he paid.

Rickman, however, had not thought of his _Saturnalia_ as a source of revenue. It had been such a pleasure to write them that the wonder was he had not been called upon to pay for that. Happily for him he was by this time independent. As sub-editor and contributor to _The Museion_, he was drawing two small but regular incomes. He could also count on a third (smaller and more uncertain) from _The Planet_, where from the moment of his capture by Jewdwine he had been reinstated.

He found it easy enough to work for both. _The Planet_ was poor, and it was out of sheer perversity that it indulged a disinterested pa.s.sion for literature. In fact, Maddox and his men were trying to do with gaiety of heart what Jewdwine was doing with superb solemnity.

But whenever Rickman mentioned Maddox to Jewdwine, Jewdwine would shrug his shoulders and say, "Maddox is not important"; and when he mentioned _The Museion_ to Maddox, Maddox would correct him with a laugh, "The Museum, you mean," and refer to his fellow-contributors as "a respectable collection of meiocene fossils." Maddox had conceived a jealous and violent admiration for Savage Keith Rickman. "Rickman," he said, "you shall not go over body and soul to _The Museion_." He regarded himself as the keeper and lover of Rickman's soul, and would not have been sorry to bring about a divorce between it and Jewdwine.

His irregular attentions were to save it from a suicidal devotion to a joyless consort. So that Rickman was torn between Maddox's enthusiasm for him and his own enthusiasm for Jewdwine.

That affection endured, being one with his impetuous and generous youth; while his genius, that thing alone and apart, escaped from Jewdwine. He knew that Jewdwine's incorruptibility left him nothing to expect in the way of approval and protection, and the knowledge did not greatly affect him. He preferred that his friend should remain incorruptible. That Jewdwine should greatly delight in his _Saturnalia_ was more than he at any time expected. For there his muse, Modernity, had begun to turn her back resolutely on the masters and the models, to fling off the golden fetters of rhyme, gird up her draperies to her naked thighs, and step out with her great swinging stride on perilous paths of her own. To be sure there were other things which Jewdwine had not seen, on which he himself felt that he might rest a pretty secure claim to immortality.

Of his progress thither his friends had to accept Vaughan's announcements as the only intimation. Rickman had not called upon any of the Junior Journalists to smooth the way for him. He had not, in fact, called on any of them at all, but as April advanced he retreated more and more into a foolish privacy; and with the approaches of May he vanished. One night, however, some Junior Journalists caught him at the club, belated, eating supper. They afterwards recalled that he had then seemed to them possessed by a perfect demon of indiscretion; and when his book finally appeared on the first of May, it was felt that it could hardly have been produced under more unfavourable auspices.

This reckless att.i.tude was evidently unaffected (n.o.body had ever accused Rickman of affectation); and even Maddox p.r.o.nounced it imprudent in the extreme. As for Jewdwine, it could not be accounted for by any motives known to him. His experience compelled him to take a somewhat cynical view of the literary character. Jewdwine among his authors was like a man insusceptible of pa.s.sion, but aware of the fascinations that caused him to be pursued by the solicitations of the fair. He was flattered by the pursuit, but the pursuer inspired him with the liveliest contempt. It had not yet occurred to him that Rickman could have any delicacy in approaching him. Still less could he believe that Rickman could be indifferent to the fate of his book.

His carelessness therefore did not strike him as entirely genuine.

There could be no doubt however as to the genuineness of Rickman's surprise when he came upon Jewdwine in the office reading _Saturnalia_.

He smiled upon him, innocent and unconscious. "Ah!" he said, "so you're reading it? You won't like it."

Jewdwine crossed one leg over the other, and it was wonderful the amount of annoyance he managed to convey by the gesture. His face, too, wore a worried and uncertain look; so worried and so uncertain that Rickman was sorry for him. He felt he must make it easy for him.

"At any rate, you won't admire its personal appearance."

"I don't. What possessed you to give it to Vaughan?"

"Some devil, I think."

"You certainly might have done better."

"Perhaps. If I'd taken the trouble. But I didn't."

Jewdwine raised his eyebrows (whenever he did that Rickman thought of someone who used to raise her eyebrows too, but with a difference).

"You see, it was last year. I let things slide."

Jewdwine looked as if he didn't see. "If you had come to me, I think I could have helped you."

"I didn't want to bother you. I knew you wouldn't care for the things."

"Well, frankly, I don't care very much for some of them. But I should have stretched a point to keep you clear of Crawley. I'm sorry he put temptation in your way."

"He didn't. They say I put temptation in his way. Horrid, isn't it, to think there's something in me that appeals to his diseased imagination?"

"It's a pity. And I don't know what I can do for you. You see you've identified yourself with a school I particularly abominate. It isn't a school. A school implies a master and some attempt at discipline. It should have a formula. Crawley has none."

"Oh, I don't know about that." He stood beside Jewdwine, who was gazing at the frontispiece. "Talk about absolute beauty, any fool can show you the beauty of a beautiful thing, or the ugliness of an ugly one; but it takes a clever beast like Crawley to show you beauty in anything so absolutely repulsive as that woman's face. Look at it!

He's got hold of something. He's caught the lurking fascination, the--the leer of life."

Jewdwine made a gesture of disgust.

"Of course, it's no good as an ill.u.s.tration. I don't see life with a leer on its face. But he can draw. Look at the fellow's line. Did you ever see anything like the purity of it? It's a high and holy abstraction. By Jove! He's got _his_ formula. Pure line remains pure, however b.e.s.t.i.a.l the object it describes. I wish he'd drawn it at ill.u.s.trating _me_. But I suppose if he saw it that way he had to draw it that way."

Jewdwine turned over the pages gingerly, as if he feared to be polluted. He was at the moment profoundly sorry for Rickman in this marriage of his art with Mordaunt Crawley's. Whatever might be said of Rickman's radiant and impetuous genius it neither lurked nor leered; it was in no way represented by that strange and shameless figure, half Maenad, half modern courtesan, the face foreshortened, tilted back in the act of emptying a wine-cup.

"At any rate," said Rickman, "he hasn't lied. He's had the courage to be his filthy self."

"Still, the result isn't exactly a flattering portrait of your Muse."

"She _is_ a caution. It's quite enough to make you and Hanson lump me with Letheby and that lot."

This touched Jewdwine in two sensitive places at once. He objected to being "lumped" with Hanson. He also felt that his generosity had been called in question. For a moment the truth that was in him looked out of his grave and earnest eyes.

"I do _not_ lump you with Letheby or anybody. On the contrary, I think you stand by yourself. Quite one half of this book is great poetry."

"You really think that?"

"Yes," said Jewdwine solemnly; "I do think it. That's why I deplore the appearance of the other half. But if you _had_ to publish, why couldn't you bring out your _Helen in Leuce_? It was far finer than anything you have here."

"Yes. Helen's all right _now_." His tone implied only too plainly that she was not all right when Jewdwine had approved of her.

"_Now?_ What on earth have you been doing to her?"

"Only putting a little life into her limbs. But Vaughan wouldn't have her at any price."

"My dear Rickman, you should have come to _me_. I hope to goodness Vaughan won't tempt you into any more _Saturnalia_."

"After all--what's wrong with them?"

Jewdwine leaned back, keenly alive to these stirrings of dissent; he withdrew, as it were, his protecting presence a foot or two farther.

He spoke slowly and with emphasis.

"Excess," said he; "too much of everything. Too much force, too much fire, and too much smoke with your fire. In other words, too much temperament, too much Rickman."

"Too much Rickman?"

"Yes; far too much. It's nothing but a flaming orgy of individuality."

"And that's why it's all wrong?" He really wondered whether there might not be something in that view after all.

"It seems so to me. Look here, my dear fellow. Because a poet happens to have been drunk once or twice in his life it's no reason why he should write a poem called _Intoxication_. That sort of exhibition, you know, is scandalous."

Rickman hung his head. That one poem he would have given anything at the moment to recall. It _was_ scandalous if you came to think of it.

Only in the joy of writing it he had not thought of it; that was all.

"It's simply astounding in a splendid scholar like you, Rickman. It's such an awful waste." He looked at him as he spoke, and his soul was in his eyes. It gave him a curious likeness to his cousin, and in that moment Rickman worshipped him. "Go back. Go back to your Virgil and your Homer and your Sophocles, and learn a little more restraint.