The Divine Fire.

by May Sinclair.

BOOK I

DISJECTA MEMBRA POETAE

CHAPTER I

Horace Jewdwine had made the most remarkable of his many remarkable discoveries. At least he thought he had. He could not be quite sure, which was his excuse for referring it to his cousin Lucia, whose instinct (he would not call it judgement) in these matters was infallible--strangely infallible for so young a girl. What, he wondered, would she say to Savage Keith Rickman?

On Sat.u.r.day, when he first came down into Devonshire, he would have been glad to know. But to-day, which was a Tuesday, he was not interested in Rickman. To eat strawberries all morning; to lie out in the hammock all afternoon, under the beach-tree on the lawn of Court House; to let the peace of the old green garden sink into him; to look at Lucia and forget, utterly forget, about his work (the making of discoveries), that was what he wanted. But Lucia wanted to talk, and to talk about Rickman earnestly as if he were a burning question, when even lying in the hammock Jewdwine was so hot that it bothered him to talk at all.

He was beginning to be sorry that he had introduced him--the exciting topic, that is to say, not the man; for Rickman you could scarcely introduce, not at any rate to Lucia Harden.

"Well, Lucia?" He p.r.o.nounced her name in the Italian manner, "Loo-chee-a," with a languid stress on the vowels, and his tone conveyed a certain weary but polite forbearance.

Lucia herself, he noticed, had an ardent look, as if a particularly interesting idea had just occurred to her. He wished it hadn't. An idea of Lucia's would commit him to an opinion of his own; and at the moment Jewdwine was not prepared to abandon himself to anything so definite and irretrievable. He had not yet made up his mind about Rickman, and did not want to make it up now. Certainty was impossible owing to his somewhat embarra.s.sing acquaintance with the man. That, again, was where Lucia had come in. Her vision of him would be free and undisturbed by any suggestion of his bodily presence.

Meanwhile, Rickman's poem, or rather the first two Acts of his neo-cla.s.sic drama, _Helen in Leuce_, lay on Lucia's lap. Jewdwine had obtained it under protest and with much secrecy. He had promised Rickman, solemnly, not to show it to a soul; but he had shown it to Lucia. It was all right, he said, so long as he refrained from disclosing the name of the person who had written it. Not that she would have been any the wiser if he had.

"And it was you who discovered him?" Her voice lingered with a peculiarly tender and agreeable vibration on the "you." He closed his eyes and let that, too, sink into him.

"Yes," he murmured, "n.o.body else has had a hand in it--as yet."

"And what are you going to do with him now you have discovered him?"

He opened his eyes, startled by the uncomfortable suggestion. It had not yet occurred to him that the discovery of Rickman could entail any responsibility whatever.

"I don't know that I'm going to do anything with him. Unless some day I use him for an article."

"Oh, Horace, is that the way you treat your friends?"

He smiled. "Yes Lucy, sometimes, when they deserve it."

"You haven't told me your friend's name?"

"No. I betrayed his innocent confidence sufficiently in showing you his play. I can't tell you his name."

"After all, his name doesn't matter."

"No, it doesn't matter. Very likely you'll hear enough of it some day. You haven't told me what you think of him."

"I don't know what I think--But then, I don't know him."

"No," he said, roused to interest by her hesitation, "you don't know him. That's the beauty of it."

She gave the ma.n.u.script back into his hands. "Take him away. He makes me feel uncomfortable."

"To tell the truth, Lucy, he makes me feel uncomfortable, too."

"Why?"

"Well, when you think you've got hold of a genius, and you take him up and stake your reputation on him--and all the time you can't be sure whether it's a spark of the divine fire or a mere flash in the pan. It happens over and over again. The burnt critic dreads the divine fire."

His eyes were fixed on the t.i.tle page as if fascinated by the words, _Helen in Leuce_.

"But this is not bad--it's _not_ bad for two and twenty."

"Only two and twenty?"

"That's all. It looks as if he were made for immortality."

She turned to him that ardent gaze which made the hot day hotter.

"Dear Horace, you're going to do great things for him."

The worst of having a cousin who adores you is that magnificence is expected of you, regularly and as a matter of course. He was not even sure that Lucia did not credit him with power to work miracles. The idea was flattering but also somewhat inconvenient.

"I don't know about great things. I should like to do something. The question is what. He's a little unfortunate in--in his surroundings, and he's been ill, poor fellow. If one could give him a change. If one were only rich and could afford to send him abroad for a year. I _had_ thought of asking him down to Oxford."

"And why didn't you?"

"Well, you know, one gets rather crowded up with things in term time."

Lucia looked thoughtfully at the refined, luxurious figure in the hammock. Horace was ent.i.tled to the hammock, for he had been ill. He was ent.i.tled also to the ministrations of his cousin Lucia. Lucia spent her time in planning and doing kind things, and, from the sudden luminous sweetness of her face, he gathered that something of the sort was in preparation now.

It was. "Horace," she said, "would you like to ask him here?"

"No, Lucy, I wouldn't. I don't think it would do."

"But why not--if he's your friend?"

"If he's my friend."

"You _said_ he was your friend. You did, you know." (Another awkward consequence of a cousin's adoration; she is apt to remember and attach importance to your most trivial utterances.)

"Pardon me, I said he was my find."

"Where did you find him?"

"I found him in the City--in a shop."

She smiled at the rhythmic utterance. The tragedy of the revelation was such that it could be expressed only in blank verse.

"The shop doesn't matter."