The Phrygians a.s.sociated the same great doctrine with the persons of Atys and Cybele. Atys was a lovely shepherd youth pa.s.sionately loved by the mother of the G.o.ds.28 He suddenly died; and she, in frantic grief, wandered over the earth in search of him, teaching the people where she went the arts of agriculture. He was at length restored to her. Annually the whole drama was performed by the a.s.sembled nation with sobs of woe succeeded by ecstasies of joy.29 Similar to this, in the essential features, was the Eleusinian myth. Aidoneus s.n.a.t.c.hed the maiden Kore down to his gloomy empire. Her mother, Demeter, set off in search of her, scattering the blessings of agriculture, and finally discovered her, and obtained the promise of her society for half of every year. These adventures were dramatized and explained in the mysteries which she, according to tradition, inst.i.tuted at Eleusis.

The form of the legend was somewhat differently incorporated with the Bacchic Mysteries. It was elaborately wrought up by the Orphic poets. The distinctive name they gave to Bacchus or Dionysus was Zagreus. He was the son of Zeus, and was chosen by him to sit on the throne of heaven. Zeus gave him Apollo and the Curetes as guards; but the brutal t.i.tans, instigated by jealous Hera, disguised themselves and fell on the unfortunate youth while his attention was fixed on a splendid mirror, and, after a fearful conflict, overcame him and tore him into seven pieces. Pallas, however, saved his palpitating heart, and Zeus swallowed it.

Zagreus was then begotten again.30 He was destined to restore the golden age. His devotees looked to him for the liberation of their souls through the purifying rites of his Mysteries. The initiation shadowed out an esoteric doctrine of death and a future life, in the mock murder and new birth of the aspirant, who impersonated Zagreus.31

The Northmen constructed the same drama of death around the young Balder, their G.o.d of gentleness and beauty. This legend, as Dr.

Oliver has shown, const.i.tuted the secret of the Gothic Mysteries.32 Obscure and dread prophecies having crept among the G.o.ds that the death of the beloved Balder was at hand, portending universal ruin, a consultation was held to devise means for averting the calamity. At the suggestion of Balder's mother, Freya, the Scandinavian Venus, an oath that they would not be instrumental in causing his death was

27 Asiatic Researches, vol. iii. p. 187.

28 See article Atys in Smith's Cla.s.s. Dict. with references.

29 Lucretius, De Rerum Natura, lib. ii. 11. 605-655.

30 Muller, Hist. Greek Lit., ch. xvi.

31 Lobeck, Aglaophamus, lib. iii. cap. 5, sect. 13.

32 History of Initiation, Lect. X.

exacted from all things in nature except the mistletoe, which, on account of its frailty and insignificance, was scornfully neglected. Asa Loke, the evil principle of the Norse faith, taking advantage of this fatal exception, had a spear made of mistletoe, and with it armed Hodur, a strong but blind G.o.d. Freya, rejoicing in fancied security, to convince Balder of his charmed exemption from wounds, persuaded him to be the mark for the weapons of the G.o.ds. But, alas! when Hodur tilted at him, the devoted victim was transpierced and fell lifeless to the ground. Darkness settled over the world, and bitter was the grief of men and G.o.ds over the innocent and lovely Balder. A deputation imploring his release was sent to the queen of the dead. Hela so far relented as to promise his liberation to the upper world on condition that every thing on earth wept for him. Straightway there was a universal mourning.

Men, beasts, trees, metals, stones, wept. But an old withered giantess Asa Loke in disguise shed no tears; and so Hela kept her beauteous and lamented prey. But he is to rise again to eternal life and joy when the twilight of the G.o.ds has pa.s.sed.33 This entire fable has been explained by the commentators, in all its details, as a poetic embodiment of the natural phenomena of the seasons. But it is not improbable that, in addition, it bore a profound doctrinal reference to the fate of man which was interpreted to the initiates.

A great deal has been written concerning the ceremonies and meaning of the celebrated Celtic Mysteries established so long at Samothrace, and under the administration of the Druids throughout ancient Gaul and Britain. The aspirant was led through a series of scenic representations, "without the aid of words," mystically shadowing forth in symbolic forms the doctrine of the transmigration of souls. He a.s.sumed successively the shapes of a rabbit, a hen, a grain of wheat, a horse, a tree, and so on through a wide range of metamorphoses enacted by the aid of secret dramatic machinery.

He died, was buried, was born anew, rising from his dark confinement to life again. The hierophant enclosed him in a little boat and set him adrift, pointing him to a distant rock, which he calls "the harbor of life." Across the black and stormy waters he strives to gain the beaconing refuge.

In these scenes and rites a recondite doctrine of the physical and moral relations and destiny of man was shrouded, to be unveiled by degrees to their docile disciples by the Druidic mystagogues.34

It may appear strange that there should be in connection with so many of the old religions of the earth these arcana only to be approached by secret initiation at the hands of hierophants. But it will seem natural when we remember that those religions were in the exclusive keeping of priesthoods, which, organized with wondrous cunning and perpetuated through ages, absorbed the science, art, and philosophy of the world, and, concealing their wisdom in the mystic signs of an esoteric language, wielded the mighty enginery of superst.i.tion over the people at will. The scenes and instructions through which the priests led the unenlightened candidate were the hiding of their power. Thus, wherever was a priesthood we should expect to find mysteries and initiations. Historic fact justifies the

33 Pigott, Manual of Scandinavian Mythology, pp. 288-300.

34 Davies, Mythology and Rites of the British Druids, pp. 207-257; 390-392; 420, 555, 572. The accuracy of many of Davies's translations has been called in question. His statements, even on the matters affirmed above, must be received with some reservation of faith.

supposition; learning unveils the obscure places of antiquity, and shows us the templed or cavernous rites of the religious world, from Hindostan to Gaul, from Egypt to Norway, from Athens to Mexico. And this brings us to the Mysteries of Vitzliputzli, established in South America. Dr. Oliver, in the twelfth lecture of his History of Initiation, gathering his materials from various sources, gives a terrific account of the dramatic ritual here employed. The walls, floor, images, were smeared and caked with human blood. Fresh slaughters of victims were perpetrated at frequent intervals. The candidate descended to the grim caverns excavated under the foundations of the temple. This course was denominated "the path of the dead." Phantoms flitted before him, shrieks appalled him, pitfalls and sacrificial knives threatened him. At last, after many frightful adventures, the aspirant arrived at a narrow stone fissure terminating the range of caverns, through which he was thrust, and was received in the open air, as a person born again, and welcomed with frantic shouts by the mult.i.tudes who had been waiting for him without during the process of his initiation.

Even among the savage tribes of North America striking traces have been found of an initiation into a secret society by a mystic death and resurrection. Captain Jonathan Carver, who spent the winter of 1776 with the Naudowessie Indians, was an eye witness of the admission of a young brave into a body which they ent.i.tled Wakou Kitchewah, or Friendly Society of the Spirit. "This singular initiation," he says, "took place within a railed enclosure in the centre of the camp at the time of the new moon." First came the chiefs, clad in trailing furs. Then came the members of the society, dressed and painted in the gayest manner. When all were seated, one of the princ.i.p.al chiefs arose, and, leading the young man forward, informed the meeting of his desire to be admitted into their circle. No objection being offered, the various preliminary arrangements were made; after which the director began to speak to the kneeling candidate, telling him that he was about to receive a communication of the spirit. This spirit would instantly strike him dead; but he was told not to be terrified, because he should immediately be restored to life again, and this experience was a necessary introduction to the advantages of the community he was on the point of entering. Then violent agitation distorted the face and convulsed the frame of the old chief. He threw something looking like a small bean at the young man. It entered his mouth, and he fell lifeless as suddenly as if he had been shot. Several a.s.sistants received him, rubbed his limbs, beat his back, stripped him of his garments and put a new dress on him, and finally presented him to the society in full consciousness as a member.36

All the Mysteries were funereal. This is the most striking single phenomenon connected with them. They invariably began in darkness with groans and tears, but as invariably ended in festive triumph with shouts and smiles. In them all were a symbolic death, a mournful entombment, and a glad resurrection. We know this from the abundant direct testimony of unimpeachable ancient writers, and also from their indirect descriptions of the ceremonies and allusions to them. For example, Apuleius says, "The delivery of the Mysteries is celebrated as a thing resembling a voluntary death: the initiate, being, after a manner, born

36 Travels in the Interior of North America, ch. vii.

again, is restored to a new life." 36 Indeed, all who describe the course of initiation agree in declaring that the aspirant was buried for a time within some narrow s.p.a.ce, a typical coffin or grave. This testimony is confirmed by the evidence of the ruins of the chief temples and sacred places of the pagan world. These abound with s.p.a.cious caverns, labyrinthine pa.s.sages, and curious recesses; and in connection with them is always found some excavation evidently fitted to enclose a human form. Such hollow beds, covered with flat stones easily removed, are still to be seen amidst the Druidic remains of Britain and Gaul, as well as in nearly every spot where tradition has located the celebration of the Mysteries, in Greece, India, Persia, Egypt.37

It becomes a most interesting question whence these symbols and rites had their origin, and what they were really meant to shadow forth. Bryant, Davies, Faber, Oliver, and several other well known mythologists, have labored, with no slight learning and ingenuity, to show that all these ceremonies sprang from traditions of the Deluge and of Noah's adventures at that time. The mystic death, burial, and resurrection of the initiate, they say, are a representation of the entrance of the patriarch into the ark, his dark and lonesome sojourn in it, and his final departure out of it. The melancholy wailings with which the Mysteries invariably began, typified the mourning of the patriarchal family over their confinement within the gloomy and sepulchral ark; the triumphant rejoicings with which the initiations always ended, referred to the glad exit of the patriarchal family from their floating prison into the blooming world. The advocates of this theory have laboriously collected all the materials that favor it, and skilfully striven by their means to elucidate the whole subject of ancient paganism, especially of the Mysteries. But, after reading all that they have written, and considering it in the light of impartial researches, one is constrained to say that they have by no means made out their case. It is somewhat doubtful if there be any ground whatever for believing that traditions concerning Noah's deluge and the ark, and his doings in connection with them, in any way entered into the public doctrines and forms, or into the secret initiations, of the heathen religions. At all events, there can be no doubt that the Arkite theorists have exaggerated the importance and extent of these views beyond all tolerable bounds, and even to absurdity. But our business with them now is only so far as they relate to the Mysteries. Our own conviction is that the real meaning of the rites in the Mysteries was based upon the affecting phenomena of human life and death and the hope of another life. We hold the Arkite theory to be arbitrary in general, unsupported by proofs, and inconsistent in detail, unable to meet the points presented.

In the first place, a fundamental part of the ancient belief was that below the surface of the earth was a vast, sombre under world, the destination of the ghosts of men, the Greek Hades, the Roman Orcus, the Gothic h.e.l.l. A part of the service of initiation was a symbolic descent into this realm. Apuleius, describing his initiation, says, "I approached to the confines

36 Golden a.s.s, Eng. trans., by Thomas Taylor, p. 280.

37 Copious instances are given in Oliver's History of Initiation, in Faber's Origin of Pagan Idolatry, and in Maurice's Indian Antiquities.

of death and trod on the threshold of Proserpine." 38 Orpheus, to whom the introduction of the Mysteries into Greece from the East was ascribed, wrote a poem, now lost, called the "Descent into Hades." Such a descent was attributed to Hercules, Theseus, Rhampsinitus, and many others.39 It is painted in detail by Homer in the adventure of his hero Ulysses, also by Virgil much more minutely through the journey of Aneas. Warburton labors with great learning and plausibility, and, as it seems to us, with irresistible cogency, to show that these descents are no more nor less than exoteric accounts of what was dramatically enacted in the esoteric recesses of the Mysteries.40 Any person must be invincibly prejudiced who can doubt that the Greek Hades meant a capacious subterranean world of shades. Now, to a.s.sert, as Bryant and his disciples do,41 that "Hades means the interior of Noah's ark," or "the abyss of waters on which the ark floated, as a coffin bearing the relics of dead Nature," is a purely arbitrary step taken from undue attachment to a mere theory. Hades means the under world of the dead, and not the interior of Noah's ark.

Indeed, in the second place, Faber admits that in the Mysteries "the ark itself was supposed to be in Hades, the vast central abyss of the earth." But such was not the location of Noah's vessel and voyage. They were on the face of the flood, above the tops of the mountains. It is beyond comparison the most reasonable supposition in itself, and the one best supported by historic facts, that the representations of a mystic burial and voyage in a ship or boat shown in the ancient religions were symbolic rites drawn from imagination and theory as applied to the impressive phenomena of nature and the lot of man. The Egyptians and some other early nations, we know, figured the starry worlds in the sky as ships sailing over a celestial sea. The earth itself was sometimes emblematized in the same way. Then, too, there was the sepulchral barge in which the Egyptian corpses were borne over the Acherusian lake to be entombed. Also the "dark blue punt" in which Charon ferried souls across the river of death. In these surely there was no reference to Noah's ark. It seems altogether likely that what Bryant and his coadjutors have constructed into the Arkite system of interpretation was really but an emblematic showing forth of a natural doctrine of human life and death and future fate. A wavering boat floating on the deep might, with striking fitness, typify the frail condition of humanity in life, as when Hercules is depicted sailing over the ocean in a golden cup; and that boat, safely riding the flood, might also represent the cheerful faith of the initiate in a future life, bearing him fearlessly through all dangers and through death to the welcoming society of Elysium, as when Danae and her babe, tossed over the tempestuous sea in a fragile chest, were securely wafted to the sheltering sh.o.r.e of Seriphus. No emblem of our human state and lot, with their mysteries, perils, threats, and promises, could be either more natural or more impressive than that of a vessel launched on the deep. The dying Socrates said "that he should trust his soul on the hope of a future life as upon a raft, and launch away into the unknown." Thus the imagination broods over and explores the shows and secrets, presageful warnings and alluring

38 Golden a.s.s, Taylor's trans., p. 283.

39 Herodotus, lib. il. cap. cxxii.

40 Divine Legation of Moses, book ii. sect. iv.

41 Faber, Mysteries of the Cabiri, ch. v.: On the Connection of the Fabulous Hades with the Mysteries.

invitations, storms and calms, island homes and unknown havens, of the dim seas of nature and of man, of time and of eternity.42

Thirdly, the defenders of the Arkite theory are driven into gross inconsistencies with themselves by the falsity of their views. The dilaceration of Zagreus into fragments, the mangling of Osiris and scattering of his limbs abroad, they say, refer to the throwing open of the ark and the going forth of the inmates to populate the earth. They usually make Osiris, Zagreus, Adonis, and the other heroes of the legends enacted in the Mysteries, representatives of the diluvian patriarch himself; but here, with no reason whatever save the exigencies of their theory, they make these mythic personages representatives of the ark, a view which is utterly unfounded and glaringly wanting in a.n.a.logy. When Zagreus is torn in pieces, his heart is preserved alive by Zeus and born again into the world within a human form. After the body of Osiris had been strewn piecemeal, the fragments were fondly gathered by Isis, and he was restored to life. There is no plausible correspondence between these cases and the sending out from the ark of the patriarchal family to repeople the world. Their real purpose would seem plainly to be to symbolize the thought that, however the body of man crumbles in pieces, there is life for him still, he does not hopelessly die. They likewise say that the egg which was consecrated in the Mysteries, at the beginning of the rites, was intended as an emblem of the ark resting on the abyss of waters, and that its latent hatching was meant to suggest the opening of the ark to let the imprisoned patriarch forth. This hypothesis has no proof, and is needless. It is much more plausible to suppose that the egg was meant as a symbol of a new life about to burst upon the candidate, a symbol of his resurrection from the mystic tomb wherein he was buried during one stage of initiation; for we know that the initiation was often regarded as the commencement of a fresh life, as a new birth. Apuleius says, "I celebrated the most joyful day of my initiation as my natal day."

Faber argues, from the very close similarity of all the differently named Mysteries, that they were all Arkite, all derived from one ma.s.s of traditions reaching from Noah and embodying his history.43 The a.s.serted fact of general resemblance among the inst.i.tuted Mysteries is unquestionable; but the inference above drawn from it is unwarrantable, even if no better explanation could be offered. But there is another explanation ready, more natural in conception, more consistent in detail, and better sustained by evidence. The various Mysteries celebrated in the ancient nations were so much alike not because they were all founded on one world wide tradition about the Noachian deluge, but because they all grew out of the great common facts of human destiny in connection with natural phenomena. The Mysteries were funereal and festive, began in sorrow and ended in joy, not because they represented first Noah's sad entrance into the ark and then his glad exit from it, but because they began with showing the initiate that he must die, and ended with showing him that he should live again in a happier state. Even the most prejudiced advocates of the Arkite theory

42 Procopius, in his History of the Gothic War, mentions a curious popular British superst.i.tion concerning the ferriage of souls among the neighboring islands at midnight. See Grimm's Deutsche Mythologie, kap. xxvi. zweite ausgabe.

43 Mysteries of the Cabiri, ch. 10: Comparison of the Various Mysteries.

are forced to admit, on the explicit testimony of the ancients, that the initiates pa.s.sed from the darkness and horrors of Tartarus to the bliss and splendors of Elysium by a dramatic resurrection from burial in the black caverns of probation to admission within the illuminated hall or dome of perfection.44 That the idea of death and of another life runs through all the Mysteries as their cardinal tenet is well shown in connection with the rites of the celebrated Cave of Trophonius at Lebadea in Boeotia. Whoso sought this oracle must descend head foremost over an inclined plane, bearing a honey cake in his hand. Aristophanes speaks of this descent with a shudder of fear.45 The adventurer was suddenly bereft of his senses, and after a while returned to the upper air. What he could then remember composed the Divine revelation which had been communicated to him in his unnatural state below. Plutarch has given a full account of this experience from one Timarchus, who had himself pa.s.sed through it.46 The substance of it is this. When Timarchus reached the bottom of the cave, his soul pa.s.sed from his body, visited the under world of the departed, saw the sphere of generation where souls were reborn into the upper world, received some explanation of all these things: then, returning into the body, he was taken up out of the cave. Here is no allusion to any traditions of the Deluge or the ark; but the great purpose is evidently a doctrine of the destiny of man after death.

Before the eyes and upon the heart of all mankind in every age has pa.s.sed in common vision the revolution of the seasons, with its beautiful and sombre changes, phenomena having a power of suggestion irresistible to stir some of the most profound sentiments of the human breast. The day rolls overhead full of light and life and activity; then the night settles upon the scene with silent gloom and repose. So man runs his busy round of toil and pleasure through the day of existence; then, fading, following the sinking sun, he goes down in death's night to the pallid populations of shade. Again: the fruitful bloom of summer is succeeded by the bleak nakedness of winter. So the streams of enterprise and joy that flowed full and free along their banks in maturity, overhung by blossoming trees, are shrivelled and frozen in the channels of age, and above their sepulchral beds the leafless branches creak in answer to the shrieks of the funereal blast. The flush of childish gayety, the bloom of youthful promise, when a new comer is growing up sporting about the hearth of home, are like the approach of the maiden and starry Spring, "Who comes sublime, as when, from Pluto free, Came, through the flash of Zeus, Persephone." And then draw hastily on the long, lamenting autumnal days, when "Above man's grave the sad winds wail and rain drops fall, And Nature sheds her leaves in yearly funeral."

44 Faber, Mysteries of the Cabiri, ch. 10, pp. 331-356. Dion Chrysostom describes this scene: Oration XII.

45 The Clouds, 1. 507.

46 Essay on the Demon of Socrates. See also Pansanias, lib. ix.

cap. x.x.xix.

The flowers are gone, the birds are gone, the gentle breezes are gone; and man too must go, go mingle with the pale people of dreams. But not wholly and forever shall he die. The sun soars into new day from the embrace of night; summer restored hastens on the heels of retreating winter; vegetation but retires and surely returns, and the familiar song of the birds shall sweeten the renewing woods afresh for a million springs. Apollo weeping over the beauteous and darling boy, his slain and drooped Hyacinthus, is the sun shorn of his fierce beams and mourning over the annual wintry desolation: it is also Nature bewailing the remediless loss of man, her favorite companion. It was these general a.n.a.logies and suggestions, striking the imagination, affecting the heart, enlisting the reason, wrought out, personified, and dramatized by poets, taken up with a ma.s.s of other a.s.sociated matter by priestly societies and organized in a scheme of legendary doctrine and an imposing ritual, that const.i.tuted the basis and the central meaning of the old Mysteries; and not a vapid tradition about Noah and his ark.

The aim of these inst.i.tutions as they were wielded was threefold; and in each particular they exerted tremendous power. The first object was to stretch over the wicked the restraining influence of a doctrine of future punishment, to fill them with a fearful looking for judgment in the invisible world. And a considerable proportion of this kind of fear among the ancients is to be traced to the secret influence of the Mysteries, the revelations and terrors there applied. The second desire was to encourage the good and obedient with inspiring hopes of a happy fate and glorious rewards beyond the grave. Plutarch writes to his wife, (near the close of his letter of consolation to her,) "Some say the soul will be entirely insensible after death; but you are too well acquainted with the doctrines delivered in the Mysteries of Bacchus, and with the symbols of our fraternity, to harbor such an error." The third purpose was, by the wonders and splendors, the secret awe, the mysterious authority and venerable sanctions, thrown around the society and its ceremonies, to establish its doctrines in the reverential acceptance of the people, and thus to increase the power of the priesthood and the state. To compa.s.s these ends, the hidden science, the public force, the vague superst.i.tion, the treasured wealth, and all the varied resources available by the ancient world, were marshalled and brought to bear in the Mysteries. By chemical and mechanical secrets then in their exclusive possession, the mystagogues worked miracles before the astonished novices.47 They had the powers of electricity, gunpowder, hydrostatic pressure, at their command.48 Their rites were carried out on the most magnificent scale. The temple at Eleusis could hold thirty thousand persons. Imagine what effect might be produced, under such imposing and prepared circ.u.mstances, on an ignorant mult.i.tude, by a set of men holding all the scientific secrets and mechanical inventions till then discovered, illumination flashing after darkness successively before their smitten eyes, the floors seeming to heave and the walls to crack, thunders bellowing through the mighty dome; now yawning revealed beneath them the ghostly chimera of Tartarus, with all the shrieking and horrid scenery gathered there; now

47 Anthon's Cla.s.s. Dict., art. "Elicius."

48 Salverte, Des Sciences Occultes, ou Essai sur la Magie. See also editor's introduction to Thomson's Eng. trans. of Salverte's work.