"You heard her," Johnny said, "she's having dinner."

"I don't believe in cops," Feo said.

"What the h.e.l.l is up with her?" Donald repeated. "Gonzo isn't the greatest, but at least he doesn't gab so d.a.m.n much."

Feo peered out through the window.

"Cops don't just come here and eat," he said. "She's probably investigating something."

"Is that a problem?" Johnny asked. "Are you working under the table?"

For a moment, Feo looked upset and he shot Johnny an angry look, but then he resumed his carefree demeanor.

"No, but I am from Portugal," he said.

Johnny waited for an explanation but it never appeared, and he simply shrugged.

Pirjo, who had hardly said one word all evening, laughed. A dry, joyless laugh that made even Donald look up.

"I am from Finland," she said.

"I am from Smland," Johnny said.

"Tessie is from the USA," Pirjo said.

"Gonzo is from Gonzoland," Feo added.

Everyone's gaze was directed at Donald. It was as if a great seriousness had gripped the staff of Dakar, as if someone had entered the kitchen in order to deliver some grave news.

The meat chef turned a fillet in the pan and then looked around, allowing his gaze to travel from Johnny, on to Pirjo, and finally landing on Feo with a contemplative smile, stroking his chin with one hand while the other reached for a frying pan, seemingly of its own accord.

"I was born in Kerala," he said after a couple of trembling seconds of absolute silence, turning his back to the others and pulling down yet another pan from the rack above the stove. He held it outstretched above his head for a moment, as if it were a torch.

"Kerala," he repeated.

Feo burst into a thunderous laughter but stopped as suddenly.

"Where is that?" Pirjo asked.

"To the East," Donald said.

"So is Lempala," she said.

"And we are all gathered here," Johnny said. "In Dakar's kitchen."

For a few moments he experienced a feeling of expansion, despite the limited s.p.a.ce of the kitchen. He was suddenly very happy that he had left Jonkoping and Sofia. It was as if life had taken a little hop, and not simply straight up in order to land in the same spot, but Johnny now knew that the move to Uppsala meant a forward movement. He studied Feo, who was leaning over a plate of anglerfish, and then let his gaze wander over to the head chef. Donald really was a complicated person. Johnny could not yet decide when he was joking and when he was serious.

His face looked as if it had been carved out of marble, with heavy cheeks and a meaty nose above the deeply set eyes. Eyes that appeared to regard the kitchen as the only possible refuge, but also a prison for the dreams he painstakingly concealed behind a dismissive facade.

Donald had worked in perhaps fifteen different kitchens in his thirty years as a chef. Johnny had met many of these cooking nomads. If they could maintain some semblance of balance between the late work shifts, the subsequent late nights, alcohol, and an attempt at a social life, then their professional skill could flower and become a security in any stormy and stressful kitchen, a rock for many a restaurant owner.

Maybe Donald was this kind of man, he would find out in time. He watched over the plates that left Dakar's kitchen like a hawk, and they were a series of perfection.

"This and nothing else," he said and showed Johnny how the veal should look.

"Nothing else," he repeated and polished away a spot that was quite invisible to Johnny.

He nodded, studied the plate, and, realizing that there was nothing to alter, tried to memorize the arrangement.

Donald left the kitchen at ten o'clock. Pirjo also went home after Johnny promised to handle the cleaning up. He put things away, rinsed and scrubbed the floor while Feo made a rapid inventory check and called in orders to suppliers' answering machines. at ten o'clock. Pirjo also went home after Johnny promised to handle the cleaning up. He put things away, rinsed and scrubbed the floor while Feo made a rapid inventory check and called in orders to suppliers' answering machines.

Afterward they each sat down with a beer. Feo smoked a cigarette, only one, in silence, with obvious pleasure.

"You go home," Johnny said. "I'll take out the garbage."

Feo shook his head.

"This is the best time," he said and smiled at Johnny. "Let's drink some coffee and have a calva. We have to celebrate your start here."

"How come you speak such good Swedish?"

"Practice," Feo said. "I talk with my wife all the time and she corrects me. Our place is like a language course. It is the only way to become a person, to understand the words. Should I go around like a svartskalle svartskalle and understand nothing?" and understand nothing?"

"One thing," Johnny said. "Where does Donald come from? He said Kerala, but that's in India."

"His father was a missionary," Feo answered. "Donald lived in India for fifteen years. You should taste his bean dishes and lamb cooked in yogurt. He could open an Indian restaurant."

He stood up, left the kitchen, and returned with espresso and calvados on a platter.

"Slobodan's treat," he said.

They drank their coffee in silence. Johnny experienced the fatigue in his body as a pleasant mutedness. Voices and laughter could be heard from the dining room and the bar while the kitchen rested in stillness. The best time, Johnny thought, and stared into the shimmer of the calvados for a long time before he tasted it.

The spirits exploded in his mouth and he jerked forward as if he had received a violent blow to his back, but he managed to put the gla.s.s down before he ran over to the sink.

Feo watched him but said nothing. Johnny remained leaning over the sink. He spit, and did everything he could to quell his impulse to retch.

"d.a.m.n," he said, when his body had calmed down, "it must have gone down the wrong way."

"Have a little water," Feo said.

After exchanging a few words with Mns in the bar, Feo and Johnny said their good-byes in the alley outside Dakar's kitchen entrance. The Portuguese unlocked his bicycle and rolled away. Johnny stood and watched his new colleague as he left. with Mns in the bar, Feo and Johnny said their good-byes in the alley outside Dakar's kitchen entrance. The Portuguese unlocked his bicycle and rolled away. Johnny stood and watched his new colleague as he left.

He should have known better than to have a strong drink like that. It had started about a year ago, the nausea and heaving and a diffuse ache in his abdomen. An ache that sometimes turned into a stabbing pain. Beer was all right and sometimes also white wine, even if the enjoyment of having a gla.s.s was now diminished since he feared the nausea and pain. At first, Sofia had urged him to go to a doctor, but then it was as if she had lost interest in his well-being and she stopped commenting on his contorted expressions.

What had Feo thought? Did he sense that Johnny's claim that the drink had gone down the wrong way had been a lie? Feo had not said anything, but his eyes revealed that he had not completely bought the explanation.

Johnny walked home. He did not mind that it was a long way, perhaps two kilometers. He actually appreciated the mild and restful evening, the occasional person he encountered did not bother him, and he thought that his new city reminded him of a foreign country. It was a feeling he would carry with him for a long time, that he was a guest, a stranger who did not have any duties to the town and its inhabitants.

If anyone talked to him, posed a question, or sought his opinion, he could excuse himself with the fact that he was new, a temporary visitor, and in this way avoid all responsibility.

It was Sofia, connected to his dream of a life with meaning, who haunted him. He knew that his self-imposed outsider status was a defense . He lived as if in quarantine. Working as a cook at Dakar was the only thing that made him human, a social creature. He did not seek the company of others, their warmth or acceptance. He could just as well have been wandering in an uninhabited land. It was as if he had taken a job that was offered out of habit. Lacking all will, he had allowed himself to be influenced by his sister and moved to Uppsala.

There had been a time when he had loved his work, but his goal of becoming a great chef had started to fade. Now he saw it as his only possibility to survive, nothing more. It gave him a salary and the illusion that he had a task. The pa.s.sion was gone, and deep inside he was terrified. At least thirty more years in the business and the disdain for food magazines, enthusiastic guests, and curious aquaintances, their constant chatter about newly discovered dishes, exhausted him, made him increasingly embittered. His former friends had no idea what it was like: the constant pressure to turn out beautiful presentations of delicious food, while life itself was distasteful and anything but beautiful.

When did the whole thing start, this process of decomposition as life crumbled away? Or rather, rotted, as there was nothing life-affirming about the process, no healthy microorganisms that diligently and naturally went about their business. This was oxygen-poor putrefaction, the stinking decay of unblemished blood and flesh, that was wreaking havoc inside Johnny.

He observed this change with fear but also fascination, because it was with the misanthropy of a m.a.s.o.c.h.i.s.t that he presided over his own deterioration as a human being. He wanted, and did not want, to sink to the bottom and from thence spread his inhuman venom, spiked with self-disgust and an increasing animosity, to the people around him who still appeared to nurture hope.

When he arrived at the apartment, a one-bedroom flat by Klockarangen, he lit a candle. Candles belonged to winter, the dark season, but as he was unpacking his things he had found a candle, which he placed on the old teak coffee table. apartment, a one-bedroom flat by Klockarangen, he lit a candle. Candles belonged to winter, the dark season, but as he was unpacking his things he had found a candle, which he placed on the old teak coffee table.

The candle gave off the slightly sweet scent of vanilla. He sat for a while in the sofa, made of a plasticky artificial leather, and stared at the fluttering flame before he got up with a sigh, blew it out, and went to bed.

He fell asleep and slept heavily and without dreaming for ten hours, but was awakened by a nightmare when it was already late morning. He sat up with a start. The morning sun shone in through the provisionally erected curtains.

Nine.

Eva Willman took out two apples and put them on either side of the kitchen table. It created an appealing picture, full of promise, as if Patrik and Hugo's future rested on the fact that each morning there were two gleaming red apples at their places. apples and put them on either side of the kitchen table. It created an appealing picture, full of promise, as if Patrik and Hugo's future rested on the fact that each morning there were two gleaming red apples at their places.

Even though it was only six-thirty she wanted to wake them up, get in those extra few minutes and tell them about Dakar. When they were young, they always woke up early, and they had some time together before Eva had to leave for work and the children to their school or child care programs, but now breakfast usually consisted of some sleepy comments, a few whining complaints, and a couple of sandwiches consumed in haste.

She looked at the apples, red, thick-skinned, with stickers declaring their land of origin: New Zealand. Someone sends fruit from the other side of the globe, she thought, and pictured an orchard in a foreign land. There were people there, dressed in khaki shorts and T-shirts with logos on the front. They drove small vehicles with carts on the back. From time to time they stopped, reached for an apple, and applied a tiny sticker. Eva imagined that they had a Patrik and a Hugo in their thoughts as they carefully laid the apples in a basket.

She made coffee and waited for the children to wake up. Today things would start in earnest. She couldn't help feeling it in her stomach. She was going to shadow Tessie, who was teaching her.

One thing that worried her was p.r.o.nouncing the names of the dishes correctly. Anglerfish and duck breast were no problem, but the menu consisted of so much more. Then there were the wines with all those foreign names. Eva had brought home both the menu and the wine list and practiced the p.r.o.nunciation, had even asked Patrik and Hugo for help.

And even if she had basically mastered the p.r.o.nunciation then the question remained about what it meant. She had no idea what "confit" and conca.s.se conca.s.se were, or if "Gevrey Chambertin" was a red or white wine. were, or if "Gevrey Chambertin" was a red or white wine.

She hoped that Tessie would have patience and that the guests would not get irritated or make fun of her.

Eva had decided she would try not to talk too much. If she adopted a calm att.i.tude and did not chatter on, the guests could get the impression that she was skilled and reliable. She couldn't screw up this job. Whatever it took, she was going to become a knowledgeable and quick-witted waitress, someone Slobodan Andersson could rely on.

This was not only a job, it was her entry to another life. That was how she felt. She was going to enter new areas, meet people other than the same old in Savja and in the ICA store in Vilan, and become more interesting herself. She did not know anyone who worked at a restaurant, there were not many among her few acquaintances who were in the habit of going out to eat. Now she would be able to talk about something beyond the usual.

Suddenly she was frightened. What if it didn't work out?

"Hugo!" she cried out. "It's time!"

There was no sense in calling Patrik, he had to be shaken awake in the mornings.

Ten.

A piece of whale carca.s.s that had washed ash.o.r.e-that was how Haver had described the body, and Ann Lindell understood why as she studied the photographs that were arranged in a row on the table. that had washed ash.o.r.e-that was how Haver had described the body, and Ann Lindell understood why as she studied the photographs that were arranged in a row on the table.

The feeling of revulsion was mixed with equal parts tingling antic.i.p.ation.

"Do you believe me when I say that all investigators love a murder?" Ottosson had asked her many years ago. Back then she had dismissed his statement as absurd, now she was prepared to admit he was right.

Even the fact that she was given a reason to walk up to the wall map gave meaning to her life, and she studied it with the resolute concentration of a general, following the course of the Fyris river, memorizing new names and wondering if she had ever been to the Sunnersta hole, the old hillside gravel pit that had become a ski slope.

Her gaze traveled from the ridge to the river and located Lugnet. In the river, in the reeds, lay a human body that in Ola Haver's eyes had been transformed to a lump of flesh.

The body had been discovered by two boys who had been throwing rocks at the wild ducks that lived in the reeds. One of the boys, eleven years of age, had stayed by the body while his friend had run across a paddock and up to the road in order to flag down a car.

When Haver later asked the eleven-year-old why he had remained behind, if he hadn't found it creepy, the boy had replied that he didn't want the birds pecking at the man.

Even though Lindell had lived in Uppsala for many years, she had never taken the road between Nntuna and Flottsund. Fredriksson had said that it was a beautiful road, especially in spring. He liked to watch the birds that gathered along the Fyris river. In April, the northern lapwings held a great conference on the open fields by the Flottsund bridge.

"Then I know it's spring," Fredriksson said. He had two interests: birds and harness racing.

Ottosson even had a literary reference. He claimed that the Swedish writer Goran Tunstrom had written a novel that was partly set in this area, and that the book was worth reading. Ottosson offered to bring it in if anyone was interested, but no one responded.

Lindell let them talk without interrupting. Instead, she focused on her own tension, increasing her enjoyment.

"Could it be a boating accident?" Ottosson threw out, while he examined the police photographs. "Perhaps he fell overboard?"

He was leaning over the images.

"With his throat cut?"

"Yes, an outboard motor," Ottosson said, and turned his head to give her a look that said: agree with me, let it be a tragic accident.

It took several seconds before Lindell understood what he meant.

"In his underwear and nothing else?" she said.

"No, of course not," Ottosson muttered.

"Who is he?"

"He doesn't really look Swedish," Fredriksson said.

"What do you mean, Swedish?"

"Not born in Sweden, I mean," Fredriksson said, his eyes twinkling at Lindell.