"Iss. 'How's Miss Marty?' says he. 'Agein' rapidly,' says I. The nerve that some folks have! Comes up to me as cool as my lord and holds out a hand. He've a-grown into a sort of commercial; stomach like a bow-window, with a watch-guard looped across. I'd a mind to say 'Eggs'

to 'en, it so annoyed me."

"I hope you didn't."

"No. 'Twould have seemed like bearin' malice. 'Tis an old tale, after all, that feat of his."

"Nine an' thirty year, come seventeenth o' September next. Did he say any more?"

"Said the weather-gla.s.s was risin', but too fast to put faith in."

"I mean, did he ask any more about me?"

"Iss: wanted to know if you was married. I reckon he meant that for a bit o' pleasantness."

"Not that! Ah, not that!"

Job laid down knife and fork with their points resting on the rim of his plate, and, with a lump of pasty in one cheek, looked at his sister. She had pushed back her chair a bit, and her fingers were plucking the edge of the table-cloth.

"Not that!" she repeated once more, and hardly above a whisper. She did not lift her eyes. Before Job could speak--

"He was my lover," she said, and shivered.

"Mar--ty--"

She looked up now, hardened her ugly, twitching face, forced her eyes to meet her brother's, and went on breathlessly--

"I swear to you, Job--here, across this table--he was my lover; and I ruined 'en. He was the only man, 'cept you and father, that ever kissed me; and I betrayed 'en. As the Lord liveth, I stood up in the box and swore away his name to save mine. An' what's more, he made me."

"Mar--ty Lear!"

"Don't hinder me, Job. It's G.o.d's truth I'm tellin' 'ee. His folks were a low lot, an' father'd have broken every bone o' me. But we used to meet in the orchard 'most every night. Don't look so, brother. I'm past sixty, an' nothin' known; an' now evil an' good's the same to me."

"Go on."

"Well, the last night he came over 'twas spring tides, an' past the flood. I was waitin' for 'en in the orchard, down in the corner by the Adam's Pearmain. We could see the white front o' the house from there, and us in the dark shadow: and there was the gap handy, that Amos could snip through at a pinch--you fenced it up yoursel' the very summer that father died in the fall. That night, Amos was late an' the dew heavy, an' no doubt I lost my temper waitin' out there in the long gra.s.s. We had words, I know; an' I reckon the tide ran far out while we quarrelled. Anyway, he left me in wrath, an' I stood there under the appletree, longin' for 'en to come back an' make friends again.

But the time went on, an' I didn' hear his footstep--no, nor his oars pullin' away--though hearkenin' with all my ears.

"An' then I heard a terrible sound." Miss Marty paused and drew the back of her hand across her dry lips before proceeding.

"--a terrible sound--a sort of low breathin', but fierce; an'

something worse, a suck-suckin' of the mud below; an' I ran down. I suppose, in his anger, he took no care how he walked round the point (for he al'ays moored his boat round the point, out o' sight), an'

went wide an' was taken. There he was, above his knees in it, and far out it seemed to me, in the light o' the young moon. For all his fightin', he heard me, and whispers out o' the dark--

"'Little girl, it's got me. Hush! don't shout, or they'll catch you.'

"'Can't you get out?' I whispered back.

"'No,' says he, 'I'm afraid I can't, unless you run up to the linhay an' fetch a rope.'

"It was no more I stayed to hear, but ran up hot-foot to the linhay and back inside the minute, with the waggon rope.

"'Hold the end,' he panted, 'and throw with all your strength.' And I threw, but the rope fell short. Twice again I threw, but missed each cast by a yard and more. He wouldn't let me come near the mud.

"Then I fell to runnin' to an' fro on the edge o' the firm ground, an'

sobbin' between my teeth because I could devise nothin'. And all the while he was fightin' hard.

"'I'll run an' call father an' Job,' says I.

"'Hush'ee now! Be you crazed? Do you want to let 'em know all?'

"'But it'll kill you, dear, won't it?'

"'Likely it will,' said he. Then, after a while of battlin', he whispers again, 'Little girl, I don't want to die. Death is a cold end. But I reckon you shall save me an' your name as well. Take the rope, coil it as you run, and hang it back in the linhay, quick! Then run you to the hen-house an' bring me all the eggs you can find. Be quick and ax no questions, for it's little longer I can hold up. It's above my waist,' he says.

"I didn' know what he meant, but ran for my life to the linhay, and hung up the rope, an' then to the hen-house. I could tell prety well where to find a dozen eggs or more in the dark, an' in three minutes I'd groped about an' gathered 'em in the lap o' my dress. Then back I ran. I could just spy 'en--a dark spot out there in the mud.

"'How many?' he axed, an' his voice was like a rook's.

"'A dozen, or near.'

"'Toss 'em here. Don't come too nigh, an' shy careful, so's I can catch.'

"I stepped down pretty nigh to the brim o' the mud an' tossed 'em out to him. Three fell short in my hurry, but the rest he got hold of somehow.

"'That's right,' he calls, hoa.r.s.e and low, 'they'll think egg-stealin' nateral to a low family like our'n. Now back to your room--undress--an' cry out, sayin', there's a man shoutin' for help down 'pon the mud; and, dear, be quick! When you wave your candle twice at the window, I'll shout like a Trojan.'

"An' I did it, Job; for the cruelty in a fearful woman pa.s.ses knowledge. An' you rescued 'en an' he went to gaol. For he said 'twas the only way. An' his mother took it as quite reasonable that her husband's son should take to the bad--'twas the way of all them Trudgeons. Father to son, they was of no account. Egg-stealin' was just the little hole-an'-corner wickedness that 'd come nateral to 'em."

"I rec'lect now," said Job Lear very slowly, "that the wain-rope was wet i' my hands when I unhitched 'en that night from the hook, an' I wondered, it bein' the end of a week's dryth. But in the dark an' the confusion o' savin' the wastrel's life it slipped my thoughts, else--"

"Else you'd ha' wetted it wi' the blood o' my back, Job. But the rope's been frayed to powder this many year. An' you needn't look at me like that. I'm past sixty, an' I've done my share of repentin'. He didn't say if he was married, did he?"

SEVEN-AN'-SIX.

The old fish-market at Troy was just a sagged lean-to roof on the northern side of the Town Quay, resting against the dead wall of the harbour-master's house, and propped in front by four squat granite columns. This roof often let in rain enough to fill the pits worn in the paving-stones by the feet of gossiping generations; and the whole was wisely demolished a few years back to make place for a Working Men's Inst.i.tute--a red building, where they take in all the chief London newspapers. Nevertheless I have, in some moods, caught myself hankering after the old shelter, where the talk was unchartered always, and where no notices were suspended against smoking; and I know it used to be worth visiting on dirty evenings about the time of the Equinox, when the town-folk a.s.sembled to watch the high tide and the chances of its flooding the streets about the quay.

Early one September afternoon, about two years before its destruction, a small group of watermen, a woman or two, and a fringe of small children were gathered in the fish-market around a painter and his easel. The painter--locally known as Seven-an'-Six--was a white-haired little man, with a clean-shaven face, a complexion of cream and roses, a high unwrinkled brow, and blue eyes that beamed an engaging trustfulness on his fellow-creatures, of whom he stood ready to paint any number at seven shillings and sixpence a head. As this method of earning a livelihood did not allow him to sojourn long in one place--which, indeed, was far from his desire--he spent a great part of his time upon the cheaper seats of obscure country vehicles. He delighted in this life of perennial transience, and enjoyed painting the portraits which justified it; and was, on the whole, one of the happiest of men.

Just now he was enjoying himself amazingly, being keenly alive not merely to the crowd's admiration, but to the rare charm of that which he was trying to paint. Some six paces before him there leant against one of the granite pillars a woman of exceeding beauty: her figure tall, supple, full of strength, in every line, her face brown and broad-browed, with a heavy chin that gave character to the rest of her features, and large eyes, black as sloes, that regarded the artist and the group at his elbow with a sombre disdain. The afternoon sunshine slanted down the pillar, was broken by the ma.s.s of dark hair she rested against it, and ran down again along her firm and rounded arm to the sun-bonnet she dangled by its strings. Behind her, the quay's edge shone bright against the green water of the harbour, where, half a cable's length from sh.o.r.e, a small three-masted schooner lay at anchor, with her Blue Peter fluttering at the fore.

"He's gettin' her to-rights," observed one of the crowd.

A woman said, "I wish I'd a-been took in my young days, when I was comely."

"Then, whyever wasn't 'ee, Mrs. Slade?"