A single incident disturbed this martial ceremony. Suddenly an unknown young man approached the Imperial gallery, and shouted: "Down with the Emperor! Liberty or death!" This ardent Republican was at once arrested.

His voice had been lost in the music and clatter of arms.

The rain continued, and soon soaked through the canvas and stuffs sheltering the throne, The Empress was obliged to leave, with her daughter, who had recently given birth to a child. The other Princesses followed this example, with the exception of Madame Murat, who, although lightly clad, remained exposed to the showers. She said that she was learning how to endure the inevitable discomforts of the highest rank.

At five o'clock Napoleon and Josephine were once more at the Tuileries where a state dinner was given in the Gallery of Diana. In the middle of this gallery the table of the Emperor and the Empress was placed beneath a magnificent canopy, on a platform. The Empress sat there with the Emperor on the right and the Pope on her left. The high officers of the crown, as well as a colonel-general of the Guard and a prefect of the palace, remained standing near the Imperial table.

Pages waited on the tables. The Archchancellor of the German Empire took his place at that of the Emperor. In the same gallery were set other tables for the French Princes and for the hereditary Prince of Baden, for the ministers, for the ladies and officers of the Imperial household.

After the dinner was a concert, at which the Pope consented to be present.

When that was over Pius VII. withdrew, and the evening ended with a ballet danced by the dancers of the opera in the great hall called since the Empire the Hall of the Marshals.

VII.

THE FESTIVITIES.

The winter of 1804-5 was very brilliant. Napoleon was anxious to give the beginning of his reign an air of splendor. He allowed his officials generous salaries, but he insisted on their spending all they received in sumptuous living, in entertaining freely, and receiving distinguished foreigners. Luxury became compulsory, and trade flourished beyond all expectations. Paris had never, even in the grandest days of the old monarchy, known greater social animation. This martial generation, accustomed to desire a short but merry life, aware that the festivities of day would be interrupted by the battles of the next, were as eager in the ball-room as on the battlefield. They hastened to enjoy their present prosperity as if they foresaw the disasters to come. French gallantry, which had been forgotten during the Revolution, resumed its sway. The women were like the fair mistresses of castles in the Middle Ages who gave their hearts to the bravest knights. Love and glory both became the fashion. The former Lady of the Bedchamber to Marie Antoinette, Madame Campan, who taught most of the young women of the court in her school at Saint Germain, had formed a group of beauties, trained in aristocratic manners, at the head of whom was her ablest, most intelligent pupil, Hortense de Beauharnais, who had been married to Prince Louis Bonaparte.

The Grand Chamberlain, M. de Talleyrand, a poor bishop but an excellent specimen of a grand lord, and the Grand Master of Ceremonies, M. de Segur, whose success as amba.s.sador of Louis XVI. at the court of Catherine was very great, set the tone in the households of the Emperor and the Empress.

Napoleon set an example of luxury and elegance. Grand dinners, concerts, official entertainments succeeded one another with startling rapidity.

Josephine, who was wildly fond of dress, was glad of an excuse to indulge her extravagant tastes. The Emperor's three sisters lived like real princesses, rivalling one another in magnificence. Princes Joseph and Louis displayed the pomp of future kings.

Almost all the women of the court were young and pretty. It would have been hard to confer on any one, to the exclusion of the rest, the palm of beauty. There were three who were especially distinguished: Madame Maret (later the d.u.c.h.ess of Ba.s.sano); Madame Savary (later the d.u.c.h.ess of Rovigo); and Madame de Canisy (later the d.u.c.h.ess of Vicenza). The last named had married M. de Canisy, the Emperor's equerry. Later, she got a divorce and married M. de Caulaincourt, Duke of Vicenza and Grand Equerry.

At Saint Helena Napoleon thus recounted the origin of this famous beauty: "Madame de Lomene, the Cardinal's niece, before being put to death in the Revolution, entrusted to Father Patrault her two young daughters. When the terror was over, Madame de Brienne, their aunt, who had weathered the storm and still possessed a large fortune, demanded them of Father Patrault, who refused to give them up for a long time, on the ground that their mother had urged him to bring them up as peasants." And Napoleon went on: "I was then General of the Army of the Interior; and was able to secure the return of the two children, though with some difficulty, for Patrault resisted in every way in his power. They were the women whom you afterwards knew as Madame de Marnesia, and as the beautiful Madame de Canisy."

The d.u.c.h.ess of Abrantes, in recalling the brilliant winter of 1804-5, says, in her Memoirs: "One especially impressive beauty, particularly in the ball-room, was Madame de Canisy, I have often compared her to a muse.

It would be impossible for a single face to present a fuller combination of charms than hers: she possessed regular features, a delightful expression, an attractive smile; her hair was silky and glossy. Seldom have I seen anything more charming than Madames de Canisy, Maret, and Savary in entering a ball-room together,"

There was no lack of entertainments at which these beauties shone. The one given at the Hotel de Ville, December 16, 1804, to the Emperor and the Empress, was so costly that it kept the city of Paris for many years in debt. Napoleon, Josephine, Princes Joseph and Louis drove to it in the coronation coach. Batteries of artillery, stationed on the Pont Neuf, announced the moment of their arrival, while tables covered with poultry, and fountains of wine, attracted an enormous crowd to the place; almost every one had a share in this distribution of food, thanks to the precautions taken by the authorities of delivering it only to those who presented a ticket. The front of the Hotel de Ville was illuminated with colored lanterns. When the Empress entered the apartments reserved for her, she found there a complete and magnificent gold toilet-service: it was a present from the City Council. The President of the Council thus addressed her: "Madame: How could the Parisians, who are so capable of distinguishing what is good, delicate, and n.o.ble, let slip this opportunity of paying their homage to the profound tenderness, the touching grace, the true dignity that characterize Your Majesty? The happy influence of these rare qualities already makes itself felt in all cla.s.ses of society, and while your august spouse elevates France in glory, you inspire it to resume the first rank among the races most renowned for urbanity." The hall in which the Imperial banquet was to be given was called the Hall of Victories. On the door was the inscription _Fasti Napoleoni_, and at intervals, separated by military trophies and standards, were Latin inscriptions in honor of Napoleon. Before dinner he was presented with a table-service of silver-gilt by the city of Paris.

Then he took his seat, with the Empress, on a platform beneath a canopy, and the meal began. During dinner, a band, hidden behind green foliage, played a symphony of Haydn's, and then was sung a cantata full of flattery for the Emperor and the Empress.

After the dinner there were magnificent fireworks. As the first rockets rose, a second cantata was sung. One of the pieces of fireworks represented a man-of-war with eighty guns: its decks, masts, sails, and rigging were represented by glowing lights. Another, which the Emperor himself set off, represented Mount Saint Bernard sending forth a volcanic eruption from snow-covered rocks. In the centre appeared the image of Napoleon at the head of his army, riding up the steep slope of the mountain.

This entertainment, which closed with a ball at which seven hundred persons were present, was a real apotheosis. Madame de Remusat, speaking of the extravagant adulation devised for this occasion, says: "A great deal has been said about the fulsome flatteries of Louis XIV. during his reign; I am sure that altogether they would not amount to a tenth part of those that Bonaparte received. I remember that at another festivity given by the city to the Emperor a few years later, since all inscription had been exhausted, there were placed above the throne on which he was to sit, these words from Scripture, in gold letters: _Ego sum qui sum_,--and no one was shocked."

The Senate and the Legislative Body also gave grand entertainments in honor of the coronation. That of the Legislative Body was particularly brilliant. This a.s.sembly, which rivalled the Senate in obsequiousness, had decided that a marble statue should be raised to the Emperor in the room where it sat, in honor of the drawing up of the civil code. The day when this statue was to be inaugurated was chosen for the festivity. The Empress, followed by a magnificent suite, reached the Palace of the Legislative Body at about seven in the evening. As she entered, musicians intoned Gluck's famous chorus, which used to be sung on formal occasions in the reign of Louis XVI., in honor of Marie Antoinette:--

"What charms! What majesty!"

Unanimous applause emphasized the allusions. Then on the President's invitation, Marshals Murat and Ma.s.sena raised the veils that covered the statue, and all eyes beheld the figure of Napoleon, wearing on his brow a laurel wreath, in which were mingled oak and olive leaves. Later, at the time of his abdication at Fontainebleau, Napoleon expressed a regret that he had permitted his statue to be made during his lifetime.

Then M. de Vaublanc ascended the tribune, and made a speech full of extravagant praise; it ended thus: "You live, all of you, threatened by the perils of the times; you live, and you owe your life to him whose statue you behold. You return unfortunate exiles; you breathe once more the delicious air of your own country; you embrace your fathers, your children, your wives, your friends; all this you owe to him whose statue you behold. There is no longer any question of his glory; I say nothing about it; I invoke humanity on one side, grat.i.tude on the other; I ask you to whom you are indebted for this great, extraordinary, unexpected good fortune. You all answer with me, It is to the great man whose statue you behold." Throughout the whole speech, a perfect masterpiece of official composition, adulation came in like a chorus. The President in his turn uttered a similar eulogy: "Very few at the time," says Constant, who describes this occasion, "found this praise extravagant; possibly their opinions have changed since then."

After the speeches, dinner was served to three hundred guests, followed by a magnificent ball. Though, in the middle of the winter, there was a great show of shrubs and flowers. The Halls of Lucretia and of the Reunion, in which there was dancing, were like one large bed of roses, laurels, lilacs, jonquils, lilies, and jasmine.

Perhaps the finest of all the entertainments was that given to the Emperor and Empress by the marshals of the Empire in the Opera House. It cost each, marshal ten thousand francs. The Opera House at that time was in the rue de Richelieu, where it had been since 1794. (It was the one torn down during the Restoration, on account of the murder of the Duke of Berry, who was killed on the threshold.) By means of a floor placed level with the stage over the orchestra and the pit, there was made a magnificent ball- room. Twenty-four chandeliers hung from the ceiling, and candelabra were set on each side of every box. The decorations consisted of silver gauze, and wreaths of flowers. The uniforms of the men and the dresses of the women were almost equally magnificent. The eyes of the spectators were dazzled by dresses trimmed with precious stones. Never had there been seen such profusion of light, flowers, perfumes, and diamonds. In this magical setting, fashionable beauties, with their dresses worked with silver and gold foil, their turbans of Eastern stuffs, their jewels and ancient cameos, appeared like sultanas. It was a most sumptuous and fairy-like show.

The marshals arrived at eight in the evening, the Empress at ten, the Emperor at eleven; as he entered the ball-room, the applause was so violent that it was feared that the candles would be put out. A military march was played, and then there was a concert, closing with the Abbe Rose's _Vivat Imperator_, which had made such an impression on the Coronation Day. After the concert, Prince Louis Bonaparte, Marshal Murat, Eugene de Beauharnais, and Marshal Berthier opened the ball with the Princesses. The Emperor walked twice around the hall, as if he were reviewing troops. Then he sat down by the side of the Empress on a raised platform, and withdrew before the end of the ball.

Besides all these entertainments there were the grand levees and concerts at the Tuileries. The Hall of the Marshals was an impressive sight on those evenings, filled, as it was, with young and pretty women, in gorgeous dresses, and with men resplendent with stars, epaulettes, feathered hats, and sword-belts set with diamonds. After the concert the company would go to the Gallery of Diana, where the supper-tables were set: that of the Empress, those of the Princesses, of the Lady of Honor, of the Lady of the Bedchamber, of the Ladles of the Palace. "All these tables," says the d.u.c.h.ess of Abrantes, "were occupied by women with roses on their heads, and smiles on their lips, and often with tears in their eyes; for vanity, everywhere triumphant, holds its court especially at court. There, favor is everything, disgrace is everything. A chance word or glance of the Emperor or Empress is a blow and a serious one. What, then, must be the result of an invitation sent or withheld?"

During the concert the Empress made up the supper-table; that is to say, chose the women who were to sit at her table, commissioning her chamberlain to notify those she had selected. The Princesses did the same, and the officers of their households likewise informed the women whom they had chosen. There were but twelve places at the Empress's table; eight or ten at those of the Princesses. When the chamberlains came to bring these most welcome invitations, there fluttered through the eight hundred or thousand women present at the concerts and grand levees an anxious emotion which amused observers. The aspect of the Gallery of Diana was most impressive. On the Empress's table shone a golden service amid gla.s.s and Sevres ware. During the supper the men strolled up and down the gallery, but as soon as the Emperor appeared, awe and fear appeared on every face.

It seemed as if the times of Louis XIV. had returned, of which La Bruyere said: "Nothing so disfigures certain courtiers as the presence of their Prince; I can sometimes scarcely recognize them, so altered are their features, so degraded their faces. The proud and haughty ones are the most disturbed, for they change the most; and the upright and modest man comes out best; he has nothing to change." The d.u.c.h.ess of Abrantes, recalling the intimidation caused by Napoleon's approach, wrote: "Even those who nowadays talk about the Corsican with a great show of scorn, those very ones (I have seen them, and I am not the only one,) were the most timid before the very shadow of his hat." The women trembled even more. They dreaded the questions the Emperor might put to them, and, according to Madame de Remusat, there was not one who would not gladly have been anywhere else. During the First Empire, everything, even the festivities, wore a military air. The sovereign always had the air of a commanding general. Discipline prevailed, at a ball as well as in a camp, and the young men took part in those pleasures only to return with renewed zeal and courage to the battle-field.

VIII.

THE ETIQUETTE OF THE IMPERIAL PALACE.

By the beginning of 1805 the court was definitely formed. After laborious studies on the part of a special commission, and long discussions in which Napoleon took as interested a part as he did in the preparation of the civil code, all the wheels of etiquette had been arranged, and the machinery worked with perfect regularity. The Emperor attached great importance to the subject, from both a political and a social point of view. In his eyes, etiquette had the great advantage of drawing between him and those who had recently been his superiors, a distinct line of separation. He looked upon it as a useful tool of government, as an accompaniment of glory absolutely essential for a sovereign, especially for one of recent origin. He was very proud of his court, of the wealth it displayed, and of the vast results he obtained at a comparatively small expense, and at Saint Helena he liked to recall its agreeable memory.

"The Emperor's court," we read in the _Memorial_, "was in every respect much more magnificent than anything that had been seen up to that time, and cost infinitely less. The suppression of abuses, order and regularity in the accounts, made the great difference. His hunting, with the exception of a few useless or absurd particulars, such as the use of falcons, was as splendid and as crowded as that of Louis XIV., and it cost only four hundred thousand francs a year, while the King's cost seven millions. It was the same way with the table; Duroc's order and severity wrought wonders. Under the kings, the palaces were not permanently furnished; the same furniture was transported from one palace to another; there were no accommodations for the people of the court; every one had to provide for himself. Under him, however, there was no one in attendance, who, in the room allotted him, was not as comfortable as at home, or even more comfortable, so far as what was essential and proper was concerned."

The court moved as smoothly as a well-drilled regiment. Napoleon would have shown no mercy to the slightest disregard of the rules he had himself drawn up after long meditation. The courtiers were expected to be as familiar with the code of etiquette as were the officers with the manual of arms. The Emperor noticed the minutest details, busied himself with everything, saw everything. There had been much more lat.i.tude at court under the old monarchy, and those of the old regime who entered the Emperor's court were soon wearied by the inflexible severity of its discipline. The court, moreover, was very splendid. The Faubourg Saint Germain brought to it its politeness and conversational charm. For his part, Napoleon speedily a.s.sumed the manners of a European sovereign, while preserving his martial character. He was at the same time Emperor and commander-in-chief. Yet the military element did not control his court; the civil element was more powerful there than in other European courts, the Russian, for example. Napoleon would never have suffered in his presence the faintest sign of the familiarity of the camp; every one who crossed the threshold of the Tuileries was compelled to preserve the manners, the bearing, the language of a courtier.

The levees and couchees of the sovereign were restored as in the time of the Bourbons; though under the monarchy they were real things, and a mere imitation under the Empire. These moments were not devoted to the petty details of toilette, but rather to receiving, morning and evening, those members of the civil and military household who had to receive his direct orders or enjoyed the right of "paying their court at these privileged hours." At Saint Helena, Napoleon boasted that at the Tuileries he had suppressed in the matter of etiquette "all that was real and commonplace, and had subst.i.tuted what was merely nominal and decorative." "A king," he said, "is not a natural product; he is a result of civilization. He does not exist nakedly, but only when dressed."

Let us try to retrace the lines of etiquette as they existed in 1805, at the same time indicating the princ.i.p.al members of the Emperor's household and the nature of their duties. There were many separate duties, each under the control of a high officer of the Crown, with their provinces carefully defined and sedulously distinguished from one another. There were six high officers of the Crown; the Grand Almoner (Cardinal Fesch); the Grand Marshal of the Palace (General Duroc); the Grand Equerry (General de Caulaincourt); the Grand Chamberlain (M. de Talleyrand); the Grand Master of Ceremonies (M. de Segur).

The colonels-general were: Marshal Davout, commanding the foot grenadiers; Marshal Soult, commanding the cha.s.seurs-a-pieds; Marshal Bessieres, commanding the cavalry; Marshal Mortier, commanding the artillery and sailors. These colonels-general of the Imperial Guard formed part of the Emperor's household, and enjoyed the prerogatives as the high officers of the Crown.

The Grand Almoner was the bishop of the court, wherever that might be. He gave the Emperor and his court a dispensation from fasting. He accompanied him to church ceremonies and gave him his prayer-book. At grand dinners he said grace. He set free the prisoners whom the Emperor pardoned on certain holy days.

The Grand Marshal of the palace had charge of the military command in the Imperial residences; of their maintenance, decoration, and furnishing; of the a.s.signment of rooms, the supply of food, the heating, lights, silver, and livery. He commanded the detachments of the Imperial Guard on duty in the Imperial palaces. He gave orders to beat the reveille and the tattoo, to open and shut the palace gates. When the Emperor was with the army, or travelling, he had to find him quarters. In 1805 the Grand Marshal's budget amounted to 2,338,167 francs. In 1806 it reached the sum of 2,770,841 francs. There were four tables in the palace,--that of the officers and ladies-in-waiting, that of the officers of the guard and the pages, that of the ladies who read to the Empress and introduced visitors.

The Grand Marshal had under his orders the prefects of the palace: M. de Lucay, M. de Bausset, and M. de Saint Didier. They had charge of the provisions, lighting, heating, the silver, and the liveries. They inspected the kitchens, pantries, cellars, and linen-closet to see that everything was in order. There was always one prefect of the palace on duty for a week at a time. He also carried word to the Emperor and the Empress when a meal was ready, conducted them to the table, and back to their rooms afterwards.

The Grand Marshal had also under his orders the governor of the palaces and the marshals; these last were charged with choosing apartments for the Emperor and the Empress, and quarters for their suite in the Imperial residences and on journeys. They had for a.s.sistants the quartermasters of the palace.

The Master of the Hounds had charge of all the coursing and hunting in the woods and forests belonging to the Crown.

The Grand Equerry looked after the stables, the pages, the couriers, and the Emperor's arms; he also had the supervision of the horses at Saint Cloud. He walked just before the Emperor when he came forth from his rooms to ride, gave him his whip, held his reins and the left stirrup. He was responsible for the good condition of the carriages, the intelligence and skill of the huntsmen, coachman, and the postilions, the safety and the training of the horses. In a procession, or on a journey, he was in the carriage just before the Emperor's. He accompanied the Emperor to the army, if the sovereign's horse was killed or disabled, it was his duty to pick the Emperor up and to offer him his own horse.

The Grand Equerry had four equerries under his orders: Colonels Durosnel, Defrance, Lefebvre, Vatier, and two equerries in ordinary, M. de Canisy and M. de Villoutrey. An equerry on duty always accompanied the Emperor, whether he was driving or riding. If the Emperor drove, the equerry on duty rode by the right-hand door of the carriage, unless the colonel- general on duty happened to be on horseback, in which case the equerry rode on the other side. The equerry on duty walked before the Emperor when he left or returned to his apartment; he never left the waiting-room during the day, and slept in the palace.

The pages, whose governor was General Gardane, were also under the orders of the Grand Equerry. They were appointed when between fourteen and sixteen, and held the position until they were eighteen. At grand dinners and in the apartments of honor, they waited on the Emperor and Empress, and on the Princes and Princesses. When the Emperor rode out, one followed on horseback; if he drove, the page got up behind the carriage. When the sovereign went forth in his state-coach, as many pages as possible clambered up behind it and upon the box by the side of the coachman. At receptions, and on days when ma.s.s was said, there were eight pages on duty. They stood in a row when the Emperor returned to his apartment, and walked before him when he left it. If the Emperor had not returned to the palace by nightfall, the pages would wait at the entrance-door to walk before him, carrying lights. The pages, too, served as messengers, and when they carried letters of the Emperor, the doors were thrown wide open before them.

The impression produced by the pages, when they were first on duty at the Tuileries in 1804, is thus described by a contemporary: "They have been much noticed, especially in the evening, by the ladies. The fact is, they are all good-looking boys, particularly the oldest; they have good figures and wear a new and becoming uniform, and since they are in the service of a severe master, and of a most kind and indulgent mistress, they have to be very attentive and considerate. Their full dress differs from livery only by the lace of their coat which imitates embroidery, by the knot on their left shoulder, and by the lace frill above their waistcoat, Besides, in full dress they wear, like footmen, a green coat with all the seams laced with gold, gold shoe-buckles, a hat with a white feather, but they have no sword. Perhaps this is well, for they would be playing with it.

They have all been chosen among the sons of generals of divisions and of high dignitaries of the Empire."

At Saint Helena Napoleon said, speaking of the pages and the Imperial stables: "The Emperor's stables cost him three million francs; the horses cost three thousand francs apiece per year. A page, from six to eight thousand francs; this last was perhaps the heaviest expense of the palace; but there was every reason to be satisfied with the education they received, and with the care taken with them. All the first families of the Empire sought to get the places for their sons; and they were right."