"Oh, if your eminence had him made on purpose he could not do better,"

said Brigaud. "A true machine, who will write everything and see nothing."

"But as a still greater precaution," said the prince, "we might put the most important papers into Spanish."

"Then, prince," said Brigaud, "I will send him to you."

"No, no," said Cellamare; "he must not set his foot within the Spanish emba.s.sy. It must be done through some third party."

"Yes, yes, we will arrange all that," said the d.u.c.h.ess. "The man is found--that is the princ.i.p.al thing. You answer for him, Brigaud?"

"I do, madame."

"That is all we require. And now there is nothing to keep us any longer," continued the d.u.c.h.ess. "Monsieur d'Harmental, give me your arm, I beg."

The chevalier hastened to obey Madame de Maine, who seized this opportunity to express her grat.i.tude for the courage he had shown in the Rue des Bons Enfants, and his skill in Brittany. At the door of the pavilion, the Greenland envoys--now dressed simply as guests--found a little galley waiting to take them to the sh.o.r.e. Madame de Maine entered first, seated D'Harmental by her, leaving Malezieux to do the honors to Cellamare and Richelieu. As the d.u.c.h.ess had said, the G.o.ddess of Night, dressed in black gauze spangled with golden stars, was waiting on the other side of the lake, accompanied by the twelve Hours; and, as the d.u.c.h.ess approached, they began to sing a cantata appropriate to the subject. At the first notes of the solo D'Harmental started, for the voice of the singer had so strong a resemblance to another voice, well known to him and dear to his recollection, that he rose involuntarily to look for the person whose accents had so singularly moved him; unfortunately, in spite of the torches which the Hours, her subjects, held, he could not distinguish the G.o.ddess's features, which were covered with a long veil, similar to her dress. He could only hear that pure, flexible, sonorous voice, and that easy and skillful execution, which he had so much admired when he heard it for the first time in the Rue du Temps-Perdu; and each accent of that voice, becoming more distinct as he approached the sh.o.r.e, made him tremble from head to foot.

At length the solo ceased, and the chorus recommenced; but D'Harmental, insensible to all other thoughts, continued to follow the vanished notes.

"Well, Monsieur d'Harmental," said the d.u.c.h.ess, "are you so accessible to the charms of music that you forget that you are my cavalier?"

"Oh, pardon, madame," said D'Harmental, leaping to the sh.o.r.e, and holding out his hand to the d.u.c.h.ess, "but I thought I recognized that voice, and I confess it brought back such memories!"

"That proves that you are an habitue of the opera, my dear chevalier, and that you appreciate, as it deserves, Mademoiselle Berry's talent."

"What, is that voice Mademoiselle Berry's?" asked D'Harmental, with astonishment.

"It is, monsieur; and if you do not believe me," replied the d.u.c.h.ess, "permit me to take Laval's arm, that you may go and a.s.sure yourself of it."

"Oh, madame," said D'Harmental, respectfully retaining the hand she was about to withdraw, "pray excuse me. We are in the gardens of Armida, and a moment of error may be permitted among so many enchantments;" and, presenting his arm again to the d.u.c.h.ess, he conducted her toward the chateau. At this instant a feeble cry was heard, and feeble as it was, it reached D'Harmental's heart, and he turned involuntarily.

"What is it?" asked the d.u.c.h.ess, with an uneasiness mixed with impatience.

"Nothing, nothing," said Richelieu; "it is little Berry, who has the vapors. Make yourself easy, madame. I know the disease; it is not dangerous. If you particularly wish it, I would even go to-morrow to learn how she is."

Two hours after this little accident--which was not sufficient to disturb the fete in any way--D'Harmental was brought back to Paris by the Abbe Brigaud, and re-entered his little attic in the Rue du Temps-Perdu, from which he had been absent six weeks.

CHAPTER XXIV.

JEALOUSY.

The first sensation D'Harmental experienced on returning was one of inexpressible satisfaction at finding himself again in that little room so filled with recollections. Though he had been absent six weeks, one might have supposed that he had only quitted it the day before, as, thanks to the almost maternal care of Madame Denis, everything was in its accustomed place. D'Harmental remained an instant, his candle in his hand, looking around him with a look almost of ecstasy. All the other impressions of his life were effaced by those which he had experienced in this little corner of the world. Then he ran to the window, opened it, and threw an indescribable look of love over the darkened windows of his neighbor. Doubtless Bathilde slept the sleep of an angel, unconscious that D'Harmental was there, trembling with love and hope.

He remained thus for more than half an hour, breathing the night air, which had never seemed to him so pure and fresh, and began to feel that Bathilde had become one of the necessities of his life; but as he could not pa.s.s the whole night at his window, he then closed it, and came into his room, although only to follow up the recollections with which it was filled. He opened his piano, and pa.s.sed his fingers over the keys, at the risk of re-exacting the anger of the lodger on the third floor. From the piano he pa.s.sed to the unfinished portrait of Bathilde. At length he slept, listening again in his mind to the air sung by Mademoiselle Berry, whom he finished by believing to be one and the same person as Bathilde. When he awoke, D'Harmental jumped from his bed and ran to the window. The day appeared already advanced; the sun was shining brilliantly; yet Bathilde's window remain hermetically closed.

The chevalier looked at his watch; it was ten o'clock, and he began to dress. We have already confessed that he was not free from a certain almost feminine coquetry; but this was the fault of the time, when everything was mannered--even pa.s.sion. At this time it was not a melancholy expression on which he reckoned. The joy of return had given to his face a charming expression of happiness, and it was evident that a glance from Bathilde would crown him king of the creation. This glance he came to the window to seek, but Bathilde's remained closed.

D'Harmental opened his, hoping that the noise would attract her attention; nothing stirred. He remained there an hour: during this hour there was not even a breath of wind to stir the curtains: the young girl's room must be abandoned. He coughed, opened and closed the window, detached little pieces of plaster from the wall, and threw them against the window--all in vain.

To surprise succeeded uneasiness; this window, so obstinately closed, must indicate absence, if not misfortune. Bathilde absent!--where could she be? What had happened to disturb her calm, regular life? Who could he ask? No one but Madame Denis could know. It was quite natural that D'Harmental should pay a visit to his landlady on his return, and he accordingly went down. Madame Denis had not seen him since the day of the breakfast. She had not forgotten his attention when she fainted. She received him like the prodigal son. Fortunately for D'Harmental, the young ladies were occupied with a drawing lesson, and Boniface was at his office, so that he saw no one but his hostess. The conversation fell naturally on the order and neatness of his room during his absence; from this the transition was easy to the question if the opposite lodging had changed tenants. Madame Denis replied that she had seen Bathilde at the window the morning before; and that in the evening her son had met Buvat returning from his office, but had noticed in him a singular air of pride and hauteur. This was all D'Harmental wished to know. Bathilde was in Paris, and at home; chance had not yet directed her looks toward that window so long closed, and that room so long empty. He took leave of Madame Denis with an effusion of grat.i.tude which she was far from attributing to its true cause; and on the landing he met the Abbe Brigaud, who was coming to pay his daily visit to Madame Denis.

The abbe asked if he was going home, and promised to pay him a visit. On entering his room D'Harmental went straight to the window. Nothing was changed; it was evidently a plan, and he resolved to employ the last means which he had reserved. He sat down to the piano, and after a brilliant prelude sang the air of the cantata of Night which he had heard the evening before, and of which he had retained every note in his memory. Meanwhile he did not lose sight for an instant of the inexorable window; but there was no sign. The opposite room had no echo.

But D'Harmental had produced an effect which he did not expect. Hearing applause, he turned round, and saw the Abbe Brigaud behind him.

"Ah! it is you, abbe?" said D'Harmental; "I did not know that you were so great a lover of music."

"Nor you so good a musician. Peste! my dear pupil, an air you only heard once. It is wonderful."

"I thought it very beautiful, abbe, and as I have a very good memory for sounds, I retained it."

"And then it was so admirably sung. Was it not?"

"Yes," said D'Harmental; "Mademoiselle Berry has an exquisite voice, and the first time she sings I shall go incognito to the opera."

"Is it that voice you want to hear?" asked Brigaud.----"Yes."

"Then you must not go to the opera for that."

"And where must I go?"

"Nowhere. Stay here. You are in the boxes."

"What! The G.o.ddess of Night?"

"Is your neighbor."

"Bathilde!" cried D'Harmental. "Then I was not deceived; I recognized her. But it is impossible! How could she have been there?"

"First of all," said the abbe, "nothing is impossible; remember that, before you deny or undertake anything. Believe that everything is possible; it is the way to succeed in everything."

"But Bathilde?"

"Yes, does it not appear strange at first? Well, nothing is more simple.

But it does not interest you, chevalier; let us talk of something else."

"Yes, yes, abbe; you are strangely mistaken--I am deeply interested."

"Well, my dear pupil, since you are so curious, this is the whole affair. The Abbe Chaulieu knows Mademoiselle Bathilde; is not that your neighbor's name?"

"Yes. How does the Abbe Chaulieu know her?"

"Oh! it is very simple. The guardian of this charming child is, as you know, or do not know, one of the best writers and copyists in the capital. The Abbe Chaulieu wants some one to copy his poetry, since, being blind, he is obliged to dictate in the first instance to a little lackey who cannot spell, and he has confided this important task to Buvat. By this means he has become acquainted with Mademoiselle Bathilde."

"But all this does not explain how Mademoiselle Bathilde came to Sceaux."

"Stop; every history has its commencement, its middle, and its termination."