The Confession - Part 5
Library

Part 5

"That woman," she said, "what was she doing under the telephone stand?"

She almost immediately burst into tears, and it was some time before I caught what she feared. For she was more concrete than I. And she knew now what she was afraid of. It was either a bomb or fire.

"Mark my words, Miss Agnes," she said, "she's going to destroy the place. What made her set out and rent it for almost nothing if she isn't? And I know who rings the telephone at night. It's her."

"What on earth for?" I demanded as ungrammatical and hardly less uneasy than Maggie.

"She wakes us up, so we can get out in time. She's a preacher's daughter. More than likely she draws the line at bloodshed. That's one reason. Maybe there's another. What if by pressing a b.u.t.ton somewhere and ringing that bell, it sets off a bomb somewhere?"

"It never has," I observed dryly.

But however absurd Maggie's logic might be, she was firm in her major premise. Miss Emily had been on her hands and knees by the telephone-stand, and had, on seeing Maggie, observed that she had dropped the money for the hackman out of her glove.

"Which I don't believe. Her gloves were on the stand. If you'll come back, Miss Agnes, I'll show you how she was."

We made rather an absurd procession, Maggie leading with the saucer, I following, and the cat, appearing from nowhere as usual, bringing up the rear. Maggie placed the jelly on the stand, and dropped on her hands and knees, crawling under the stand, a confused huddle of gingham ap.r.o.n, jelly-stains, and suspicion.

"She had her head down like this," she said, in rather a smothered voice. "I'm her, and you're me. And I says: 'If it's rolled off somewhere I'll find it next time I sweep, and give it back to you.'

Well, what d'you think of that! Here it is!"

My attention had by this time been caught by the jelly, now unmistakably solidifying in the center. I moved to the kitchen door to tell Delia to take it off the fire. When I returned, Maggie was digging under the telephone battery-box with a hair-pin and muttering to herself.

"Darnation!" she said, "it's gone under!"

"If you do get it," I reminded her, "it belongs to Miss Emily."

There is a curious strain of cupidity in Maggie. I have never been able to understand it. With her own money she is as free as air. But let her see a chance for illegitimate gain, of finding a penny on the street, of not paying her fare on the cars, of pa.s.sing a bad quarter, and she is filled with an unholy joy. And so today. The jelly was forgotten. Terror was gone. All that existed for Maggie was a twenty-five cent piece under a battery-box.

Suddenly she wailed: "It's gone, Miss Agnes. It's clear under!"

"Good heavens, Maggie! What difference does it make?"

"W'you mind if I got the ice-pick and unscrewed the box?"

My menage is always notoriously short of tools.

I forbade it at once, and ordered her back to the kitchen, and after a final squint along the carpet, head flat, she dragged herself out and to her feet.

"I'll get the jelly off," she said, "and then maybe a hat pin'll reach it. I can see the edge of it."

A loud crack from the kitchen announced that cook had forgotten the silver spoon, and took Maggie off on a jump. I went back to the library and "Bolivar County," and, I must confess, to a nap in my chair.

I was roused by the feeling that some one was staring at me. My eyes focused first on the icepick, then, as I slowly raised them, on Maggie's face, set in hard and uncompromising lines.

"I'd thank you to come with me," she said stiffly.

"Come where?"

"To the telephone."

I groaned inwardly. But, because submission to Maggie's tyranny has become a firm habit with me, I rose. I saw then that she held a dingy quarter in one hand.

Without a word she turned and stalked ahead of me into the hall. It is curious, looking back and remembering that she had then no knowledge of the significance of things, to remember how hard and inexorable her back was. Viewed through the light of what followed, I have never been able to visualize Maggie moving down the hall. It has always been a menacing figure, rather shadowy than real. And the hail itself takes on grotesque proportions, becomes inordinately long, an infinity of hall, fading away into time and distance.

Yet it was only a moment, of course, until I stood by the telephone.

Maggie had been at work. The wooden box which covered the battery-jars had been removed, and lay on its side. The battery-jars were uncovered, giving an effect of mystery unveiled, a sort of shamelessness, of destroyed illusion.

Maggie pointed. "There's a paper under one of the jars," she said. "I haven't touched it, but I know well enough what it is."

I have not questioned Maggie on this point, but I am convinced that she expected to find a sort of final summons, of death's visiting-card, for one or the other of us.

The paper was there, a small folded sc.r.a.p, partially concealed under a jar.

"Them prints was there, too," Maggie said, non-committally.

The box had acc.u.mulated the flocculent floating particles of months, possibly years--lint from the hall carpet giving it a reddish tinge. And in this light and evanescent deposit, fluttered by a breath, fingers had moved, searched, I am tempted to say groped, although the word seems absurd for anything so small. The imprint of Maggie's coin and of her attempts at salvage were at the edge and quite distinct from the others.

I lifted the jar and picked up the paper. It was folded and refolded until it was not much larger than a thumb-nail, a rather stiff paper crossed with faint blue lines. I am not sure that I would have opened it--it had been so plainly in hiding, and was so obviously not my affair--had not Maggie suddenly gasped and implored me not to look at it. I immediately determined to examine it.

Yet, after I had read it twice, it had hardly made an impression on my mind. There are some things so incredible that the brain automatically rejects them. I looked at the paper. I read it with my eyes. But I did not grasp it.

It was not note paper. It was apparently torn from a tablet of glazed and ruled paper--just such paper, for instance, as Maggie soaks in brandy and places on top of her jelly before tying it up. It had been raggedly torn. The sc.r.a.p was the full width of the sheet, but only three inches or so deep. It was undated, and this is what it said:

"To Whom it may concern: On the 30th day of May, 1911, I killed a woman (here) in this house. I hope you will not find this until I am dead.

"(Signed) EMILY BENTON."

Maggie had read the confession over my shoulder, and I felt her body grow rigid. As for myself, my first sensation was one of acute discomfort--that we should have exposed the confession to the light of day. Neither of us, I am sure, had really grasped it. Maggie put a trembling hand on my arm.

"The bra.s.s of her," she said, in a thin, terrified voice. "And sitting in church like the rest of us. Oh, my G.o.d, Miss Agnes, put it back!"

I whirled on her, in a fury that was only an outlet for my own shock.

"Once for all, Maggie," I said, "I'll ask you to wait until you are spoken to. And if I hear that you have so much as mentioned this--piece of paper, out you go and never come back."

But she was beyond apprehension. She was literal, too. She saw, not Miss Emily unbelievably a.s.sociated with a crime, but the crime itself. "Who d'you suppose it was, Miss Agnes?"

"I don't believe it at all. Some one has placed it there to hurt Miss Emily."

"It's her writing," said Maggie doggedly.

After a time I got rid of her, and sat down to think in the library.

Rather I sat down to reason with myself.

For every atom of my brain was clamoring that this thing was true, that my little Miss Emily, exquisite and fine as she was, had done the thing she claimed to have done. It was her own writing, thin, faintly shaded, as neat and as erect as herself. But even that I would not accept, until I had compared it with such bits of hers as I possessed, the note begging me to take the house, the inscription on the fly-leaf of "Fifty Years in Bolivar County."

And here was something I could not quite understand. The writing was all of the same order, but while the confession and the inscription in the book were similar, letter for letter, in the note to me there were differences, a change in the "t" in Benton, a fuller and blacker stroke, a variation in the terminals of the letters--it is hard to particularize.