He poured himself a cup of coffee, not looking at her as she walked away. Putting the coffee down, he saw Billy-Jack's eyes following her.

"Want a cup?" Brennan called to him. "There's about one left."

Billy-Jack shook his head and turned the sawed-off shotgun on Brennan as he saw him approaching.

Brennan took a sip of the coffee. "Aren't you going to look in on that?" He nodded toward the hut.

"What do you mean?"

"The woman," Brennan said matter-of-factly. He took another sip of the coffee.

"What about her?" Billy-Jack asked.

Brennan shrugged. "I thought you were taking turns."

"What?"

"Now, look, you can't be so young, I got to draw you a map-" Brennan smiled. "Oh, I see. . . . Frank didn't say anything to you. Or c.h.i.n.k. . . . Keeping her for themselves. . . ."

Billy-Jack's eyes flicked to the hut, then back to Brennan. "They were with her?"

"Well, all I know is Frank went in there yesterday morning and c.h.i.n.k yesterday afternoon while you were gone." He took another sip of the coffee and threw out what was left in the cup. Turning, he said, "No skin off my nose," and walked slowly back to the lean-to.

He began sc.r.a.ping the tin plates, his head down, but watching Billy-Jack. Let it sink through that thick skull of yours. But do it quick! Come on, move, you animal!

There! He watched Billy-Jack walk slowly toward the hut. G.o.d, make him move faster! Billy-Jack was out of view then beyond the corner of the hut.

All right. Brennan put down the tin plate he was holding and moved quickly, noiselessly, to the side of the hut and edged along the rough logs until he reached the corner. He listened first before he looked around. Billy-Jack had gone inside.

He wanted to make sure, some way, that Billy-Jack would be looking at Doretta, but there was not time. And then he was moving again-along 351 351 the front, and suddenly he was inside the hut, seeing the back of BillyJack's head, seeing him turning, and a glimpse of Doretta's face, and the sawed-off shotgun coming around. One of his hands shot out to grip the stubby barrel, pushing it, turning it up and back violently, and the other hand closed over the trigger guard before it jerked down on Billy-Jack's wrist.

Deafeningly, a shot exploded, with the twin barrels jammed under the outlaw's jaw. Smoke and a crimson smear, and Brennan was on top of him wrenching the shotgun from squeezed fingers, clutching BillyJack's revolver as he came to his feet.

He heard Doretta gasp, still with the ringing in his ears, and he said, "Don't look at him!" already turning to the doorway as he jammed the Colt into his empty holster.

Frank Usher was running across the clearing, his gun in his hand.

Brennan stepped into the doorway leveling the shotgun. "Frank, hold it there!"

Usher stopped dead, but in the next second he was aiming, his revolver coming up even with his face, and Brennan's hand squeezed the second trigger of the shotgun.

Usher screamed and went down, grabbing his knees, and he rolled to his side as he hit the ground. His right hand came up, still holding the Colt.

"Don't do it, Frank!" Brennan had dropped the scattergun and now Billy-Jack's revolver was in his hand. He saw Usher's gun coming in line, and he fired, aiming dead center at the half-reclined figure, hearing the sharp, heavy report, and seeing Usher's gun hand raise straight up into the air as he slumped over on his back.

Brennan hesitated. Get him out of there, quick. c.h.i.n.k's not deaf.

He ran out to Frank Usher and dragged him back to the hut, laying him next to Billy-Jack. He jammed Usher's pistol into his belt. Then, "Come on!" he told Doretta, and took her hand and ran out of the hut and across the clearing toward the side where the horses were.

They moved into the denser pines, where he stopped and pulled her down next to him in the warm sand. Then he rolled over on his stomach and parted the branches to look back out across the clearing.

The hut was to the right. Straight across were more pines, but they were scattered thinly, and through them he could see the sand-colored expanse of the open grade. c.h.i.n.k would come that way, Brennan knew. There was no other way he could.

Chapter Seven.

CLOSE TO HIM, Doretta said, "We could leave before he comes." She was afraid, and it was in the sound of her voice.

"No," Brennan said. "We'll finish this. When c.h.i.n.k comes we'll finish it once and for all."

"But you don't know! How can you be sure you'll-"

"Listen, I'm not sure of anything, but I know what I have to do." She was silent and he said quietly, "Move back and stay close to the ground."

And as he looked across the clearing his eyes caught the dark speck of movement beyond the trees, out on the open slope. There he was. It had to be him. Brennan could feel the sharp knot in his stomach again as he watched, as the figure grew larger.

Now he was sure. c.h.i.n.k was on foot leading his horse, not coming straight across, but angling higher up on the slope. He'll come in where the trees are thicker, Brennan thought. He'll come out beyond the lean-to and you won't see him until he turns the corner of the hut. That's it. He can't climb the slope back of the hut, so he'll have to come around the front way.

He estimated the distance from where he was lying to the front of the hut-seventy or eighty feet-and his thumb eased back the hammer of the revolver in front of him.

There was a dead silence for perhaps ten minutes before he heard, coming from beyond the hut, "Frank?" Silence again. Then, "Where the h.e.l.l are you?"

Brennan waited, feeling the smooth, heavy, hickory grip of the Colt in 353 353 his hand, his finger lightly caressing the trigger. It was in his mind to fire as soon as c.h.i.n.k turned the corner. He was ready. But it came and it went.

It went as he saw c.h.i.n.k suddenly, unexpectedly, slip around the corner of the hut and flatten himself against the wall, his gun pointed toward the door. Brennan's front sight was dead on c.h.i.n.k's belt, but he couldn't pull the trigger. Not like this. He watched c.h.i.n.k edge slowly toward the door.

"Throw it down, boy!"

c.h.i.n.k moved and Brennan squeezed the trigger a split second late. He fired again, hearing the bullet thump solidly into the door frame, but it was too late. c.h.i.n.k was inside.

Brennan let his breath out slowly, relaxing somewhat. Well, that's what you get. You wait, and all you do is make it harder for yourself. He could picture c.h.i.n.k now looking at Usher and Billy-Jack. That'll give him something to think about. Look at them good. Then look at the door you've got to come out of sooner or later.

I'm glad he's seeing them like that. And he thought then: How long could you stand something like that? He can cover up Billy-Jack and stand it a little longer. But when dark comes. . . . If he holds out till dark he's got a chance. And now he was sorry he had not pulled the trigger before. You got to make him come out, that's all.

"c.h.i.n.k!"

There was no answer.

"c.h.i.n.k, come on out!"

Suddenly gunfire came from the doorway and Brennan, hugging the ground, could hear the swishing of the bullets through the foliage above him.

Don't throw it away, he thought, looking up again. He backed up and moved over a few yards to take up a new position. He'd be on the left side of the doorway as you look at it, Brennan thought, to shoot on an angle like that.

He sighted on the inside edge of the door frame and called, "c.h.i.n.k, come out and get it!" He saw the powder flash, and he fired on top of it, c.o.c.ked and fired again. Then silence.

Now you don't know, Brennan thought. He reloaded and called out, "c.h.i.n.k!" but there was no answer, and he thought: You just keep digging your hole deeper.

Maybe you did hit him. No, that's what he wants you to think. Walk in the door and you'll find out. He'll wait now. He'll take it slow and start adding up his chances. Wait till night? That's his best bet-but he can't count on his horse being there then. I could have worked around and run it off. And he knows he wouldn't be worth a d.a.m.n on foot, even if he did get away. So the longer he waits, the less he can count on his horse.

All right, what would you do? Immediately he thought: I'd count shots. So you hear five shots go off in a row and you make a break out the door, and while you're doing it the one shooting picks up another gun. But even picking up another gun takes time.

He studied the distance from the doorway to the corner of the hut. Three long strides. Out of sight in less than three seconds. That's if he's thinking of it. And if he tried it, you'd have only that long to aim and fire. Unless . . .

Unless Doretta pulls off the five shots. He thought about this for some time before he was sure it could be done without endangering her. But first you have to give him the idea.

He rolled to his side to pull Usher's gun from his belt. Then, holding it in his left hand, he emptied it at the doorway. Silence followed.

I'm reloading now, c.h.i.n.k. Get it through your cat-eyed head. I'm reloading and you've got time to do something.

He explained it to Doretta unhurriedly-how she would wait about ten minutes before firing the first time; she would count to five and fire again, and so on until the gun was empty. She was behind the thick bole of a pine and only the gun would be exposed as she fired.

She said, "And if he doesn't come out?"

"Then we'll think of something else."

Their faces were close. She leaned toward him, closing her eyes, and kissed him softly. "I'll be waiting," she said.

Brennan moved off through the trees, circling wide, well back from the edge of the clearing. He came to the thin section directly across from Doretta's position and went quickly from tree to tree, keeping to the shadows until he was into thicker pines again. He saw c.h.i.n.k's horse off to the left of him. Only a few minutes remained as he came out of 355 355 the trees to the off side of the lean-to, and there he went down to his knees, keeping his eyes on the corner of the hut.

The first shot rang out and he heard it whump into the front of the hut. One . . . then the second . . . two . . . he was counting them, not moving his eyes from the front edge of the hut . . . three . . . four ...be ready....Five! Now, c.h.i.n.k!

He heard him-hurried steps on the packed sand-and almost immediately he saw him cutting sharply around the edge of the hut, stopping, leaning against the wall, breathing heavily but thinking he was safe. Then Brennan stood up.

"Here's one facing you, c.h.i.n.k."

He saw the look of surprise, the momentary expression of shock, a full second before c.h.i.n.k's revolver flashed up from his side and Brennan's finger tightened on the trigger. With the report c.h.i.n.k lurched back against the wall, a look of bewilderment still on his face, although he was dead even as he slumped to the ground.

Brennan holstered the revolver and did not look at c.h.i.n.k as he walked past him around to the front of the hut. He suddenly felt tired, but it was the kind of tired feeling you enjoyed, like the bone weariness and sense of accomplishment you felt seeing your last cow punched through the market chute.

He thought of old man Tenvoorde, and only two days ago trying to buy the yearlings from him. He still didn't have any yearlings.

What the h.e.l.l do you feel so good about?

Still, he couldn't help smiling. Not having money to buy stock seemed like such a little trouble. He saw Doretta come out of the trees and he walked on across the clearing.

20 No Mans Guns

Western Story Roundup, August 1955 August 1955 AS HE DREW near the ma.s.s of tree shadows that edged out to the road he heard the voice, the clear but hesitant sound of it coming unexpectedly in the almost-dark stillness.

"Cliff-"

His right knee touched the booted Springfield and he thought of it calmly, instinctively, drawing it left-handed in his mind, as he slowed the sorrel to a walk. Now at the edge of the shadows he saw a man with a rifle.

The man called uncertainly, "Cliff?"

"You got the wrong party," he answered, and neck-reined the sorrel toward the trees. Less than twenty feet away the rifle came up suddenly. "Who are you?" "My name's Mitch.e.l.l." The rifle barrel hung hesitantly. "You better light down." Astride the McClellan saddle, Dave Mitch.e.l.l didn't move. He sat with his shoulders pulled back, yet he was relaxed. Narrow hips, sun-darkened, thin-lined features beneath the slightly turned-up forward brim of a faded Stetson and everything about him said Cavalry. Cavalry. Everything but the rough-wool gray suit he wore. His coat was unb.u.t.toned and his dark shirt was unmistakably Army issue. Everything but the rough-wool gray suit he wore. His coat was unb.u.t.toned and his dark shirt was unmistakably Army issue.

"You're camped back in there?" Mitch.e.l.l asked, and he was thinking, watching the man studying him: I'm the wrong man and now he doesn't know what to do. The man with the rifle didn't reply and Mitch.e.l.l said, "I'm ready to camp the night. If you already got a place, maybe I could join you."

For a moment the man didn't answer. Then the rifle, a long-barreled Remington, waved in a short arc. "Light down."

Mitch.e.l.l let his right rein fall as he came off the sorrel. The rifle waved again. The man stood aside and Mitch.e.l.l walked past him leading the sorrel. They moved through the trees, thinly scattered aspen, then cottonwood as the ground began to slope gradually, and Mitch.e.l.l knew there'd be a creek close by. Unexpectedly, then, he saw the broad clearing and a wagon illuminated by firelight.

The ribbed canvas covering of it formed a pale background for the two figures who stood watching him approach. A man, his legs slightly apart and his hand covering the b.u.t.t of a holstered revolver. A woman was next to him and she watched Mitch.e.l.l with open curiosity as he entered the clearing.

"Rady's brought us a guest," the woman said.

The man with the rifle was next to Mitch.e.l.l now. "Hyatt, he says he wants to camp." The woman walked to the fire, but Hyatt, his hand still on the revolver, didn't move. Nor did he answer, and his eyes remained on Mitch.e.l.l. "He said he was ready to camp the night," Rady added, "so I thought-"

"Open your coat," Hyatt said. "Hold it open."

Slowly Mitch.e.l.l spread the coat open. "I'm not armed."

"He's got a carbine on the horse," Rady said.

Hyatt glanced at him. "Go back where you were."

MITCh.e.l.l DROPPED the rein and walked toward the low-burning fire as the woman extended a porcelain cup toward him and said, "Coffee?" Behind him he heard Rady's footsteps in the dry leaves, then fading to nothing, and he felt Hyatt watching him as he took the cup of coffee, his hand momentarily touching the woman's.

"You drink your coffee, then move off," Hyatt said. He was in his early thirties, but a week-old beard stubble darkened his face, adding ten years to his appearance. His face was drawn into tight, sunken cheeks 359 359 and he looked as if he'd never smiled in his life. To the woman he said, "I'll tell you when we start giving coffee to everybody who goes by."

Mitch.e.l.l hesitated, letting the sudden tension inside him subside, and he thought, Don't let him rile you. Don't even tell him to go to h.e.l.l. He said to Hyatt, "I'll leave in a minute."

"You'll leave sooner if I say so."

Maybe you ought to tell him, at that, Mitch.e.l.l thought. Just to see what he'd do. But he heard the woman say, "Hy, don't talk like that," and he turned to the fire again.

"You shut your mouth!" Hyatt told her.

Mitch.e.l.l sipped his coffee, his eyes on the woman. Her face was lit by the firelight and it shone warmly and cleanly. He watched her glance at Hyatt but not answer him and he said to her, mildly, "I don't want to start a family argument."

"We'll ignore him, then," the woman said. She smiled and the smile was faintly in her eyes. She'd impressed Mitch.e.l.l as a woman who smiled little, and the soft radiance that came briefly into her eyes surprised him. Still, she fell into a type in Mitch.e.l.l's mind: small, frail looking, a woman who picked at her food yet was strong and you wondered what kept her going. Light hair, thin, delicately formed features, and dark shadows beneath the eyes. A serious kind, a woman who loved strongly and simply. A woman who spoke little. This, Mitch.e.l.l believed, was the most interesting type of all. The most feminine, even while sometimes reminding you of a little boy. At least the most appealing. Perhaps the kind to marry.

She said, "Could I ask where you're going?"

"Home," Mitch.e.l.l answered. No, she didn't exactly fit the type. She talked too freely.

"Where is that?"