And now, reader, do you begin to comprehend me, and my t.i.tle? '_An Author's Mind_' is first in the field, and, as with root and fruit, must take precedence of its booklets; bear then, if you will, with this desultory anatomization of itself yet a little longer, and then in good time and moderate s.p.a.ce you will come to the rudiments--bones, so to speak--of its many members, the frame-work on which its nerves and muscles hang, the names of its unborn children, the t.i.tle-pages of its own unprinted books.

Philosophers and fools, separately or together, as the case may be--for folly and philosophy not seldom form one Ja.n.u.s-head, and Minerva's bird seems sometimes not ill-fitted with the face of Momus--these and their thousand intermediates have tried in all ages to define that quaint enigma, Man: and I wot not that any pundit of literature hath better succeeded than the nameless, fameless man--or woman, was it?--or haply some innocent shrewd child--who whilom did enunciate that MAN IS A WRITING ANIMAL: true as arithmetic, clear as the sunbeam, rational as Euclid, a discerning, just, exclusive definition. That he is "capable of laughter," is well enough even for thy deathless fame, O Stagyrite!

but equally (so Buffon testifies) are apes and monkeys, horses and hyenas; whether perforce of tickling or sympathy, or native notions of the humorous, we will not stop to contend. That he actually is "an animal whose best wisdom is laughter," hath but little reason in it, Democrite, seeing there are such obvious anomalies among men as suicidal jesters and cachinating idiots; nevertheless, my punster of Abdera, thy whimsical fancy, surviving the wreck of dynasties, and too light to sink in the billows of oblivion, is now become the popular thought, the fashionable dress of heretofore moping wisdom: crow, an thou wilt, jolly old chanticleer, but remember thee thou crowest on a dunghill; man is not a mere merry-andrew. Neither is he exclusively "a weeping animal,"

lugubrious Herac.l.i.te, no better definer than thy laughter-loving foe: that man weeps, or ought to weep, the world within him and the world without him indeed bear testimony: but is he the only mourner in this valley of grief, this travailing creation? No, no; they walk lengthily in black procession: yet is this present writing not the fit season for enlarging upon sorrows; we must not now mourn and be desolate as a poor bird grieving for its pilfered young--is Macduff's lamentable cry for his lost little ones, "All--what, all?" more piteous?--we must now indulge in despondent fears, like yonder hard-run stag, with terror in his eye, and true tears coursing down his melancholy face: we must not now mourn over cruelty and ingrat.i.tude, like that poor old worn-out horse, crying--positively crying, and looking imploringly for merciful rest into man's iron face; we must not scream like the wounded hare, nor beat against our cage like the wild bird prisoned from its freedom.

Moreover, Herac.l.i.te, even in thine own day thou mightest well have heard of the cla.s.sic wailings of Philomel for Atys, or of consumptive Canens, that shadow of a voice, for her metamorphosed Pie, and have known that very crocodiles have tears: pa.s.s on, thy desolate definition hath not served for man.

With flippant tongue a mercantile cosmopolite, stable in statistics and learned in the leger, here interposes an erudite suggestion: "Man is a calculating animal." Surely, so he is, unless he be a spendthrift; but he still shares his quality with others; for the squirrel h.o.a.rds his nuts, the aunt lays in her barley-corns, the moon knoweth her seasons, and the sun his going down: moreover, Chinese slates, multiplying rulers, and, as their aggregated wisdom, Babbage's machine, will stoutly contest so mechanical a fancy. Savoury steams, and those too smelling strongly of truth, a.s.sault the nostrils, as a Vitellite--what a name of hungry omen for the imperial devourer!--plausibly insinuates man to be "a cooking animal." Who can gainsay it? and wherewithal, but with domesticated monkeys, does he share this happy attribute? It is true, the butcher-bird spits his prey on a thorn, the slow epicurean boa glazes his mashed antelope, the king of vultures quietly waits for a gamey taste and the rapid roasting of the tropics: but all this care, all this caloric, cannot be accounted culinary, and without a question, the kitchen _is_ a sphere where the lord of creation reigns supreme: still, thou best of practical philosophers, caterer for daily dinners--man--MAN, I say, is not altogether a compact of edible commons, a Falstaff pudding-bag robbed of his seasoning wit, a mere congeries of food and pickles; moreover, honest Gingel of "fair" fame hath (or used to have, "in my warm youth, when George the Third was king,") automatons, [pray, observe, Sosii, I am not pedant or wiseacre enough to indite _automata_; we conquering Britons stole that word among many others from poor dead Greece, who couldn't want it; having made it ours in the singular, why be bashful about the plural! So also of memorandums, omnibuses, [you remember Farren's _omni_BI!]

necropolises, gymnasiums, eukeirogeneions, and other unlegacied property of dear departed Rome and Greece. All this, as you see, is clearly parenthetical;] well, then, Gingel has automatons, that will serve you up all kinds of delicate viands, pleasant meats, and choice cates by clock-work, to say nothing of Jones' patent all-in-a-moment-any-thing-whatsoever cooking apparatus: no mine Apiciite, Heliogabalite, Sardanapalite, Seftonite, Udite, thou of extravagant ancestry and indifferent digestion; little, indeed, as you may credit me, man is not all stomach, nor altogether formed alone for feeding. Remember aesop's parable, the belly and the members; and, above them all, do not overlook the head.

What think you then of "a featherless biped?" gravely suggests a rusty Plinyite. Absolute sir, and most obsolete Roman, doubtless you never had the luck to set eyes upon a turkey at Christmas; the poor bare _bipes implumis_, a forked creature, waiting to be forked supererogatively; ay, and _risibilis_ to boot, if ever all concomitants of the hearty old festival were properly provocative of decent mirth. Thus then return we to our muttons, and time enough, quotha: literary pundit, (whose is the notable saying?) thy definition is bomb-proof, thy fancy unscaleable, thy thought too deep for undermining; that notion is at the head of the poll, a candidate approved of Truth's most open borough; for, in spite of secretary-birds with pens stuck clerk-like behind their ears (as useless an emblem of sinecure office as gold keys, silver, and coronation armour)--in spite of whole flights of geese, capable enough of saving capitols, but impotent to wield one of their own all-conquering quills--in spite, also, (keen-eyed categorists, be to my faults in ratiocination a little blind, for very cheerfulness,) in spite, I say, of copying presses, manifold inditers, and automaton artists, MAN IS A WRITING ANIMAL.

Wearily enough, you will think, have we disposed of this one definition: but recollect, and take me for a son of leisure, an amateur tourist of Parna.s.sus, an idling gatherer of way-side flowers in the vale of Thessaly, a careless, unbusied, "contemplative man," recreating himself by gentle craft on the banks of much-poached Helicon; and if you, my casual friend, be neither like-minded in fancy nor like-fitted in leisure, courteously consider that we may not travel well together: at this station let us stop, freely forgiving each other for mutual misliking; to your books, to your business, to your fowling, to your feasting, to your mummery, to your nunnery--go: my track lays away from the highroad, in and out between yonder hills, among thickets, mossy rocks, green hollows, high fern, and the tangled hair of hiding river-G.o.ds; I meet not pedlers and bagsmen, but stumble upon fawns just dropped, and do not scare their doting mothers; I quench not my noonday thirst with fiery drams from a brazen tap, but, lying over the cold brook, drink to its musical Naiades; I walk no dusty roads of a working-day world, but flit upon the pleasant places of one made up of holidays.

A truce to this truancy, and method be my maxim: let us for a moment link our reasonings, and solder one stray rivet; man being a writing animal, there still remains the question, what is writing? Ah, there's the rub: a very comfortable definition would it be, if every pen-holder and pen-wiper could truly claim that kingship of the universe--that imagery of his Maker--that mystical, marvellous, immortal, intellectual, abstraction, manhood: but, what then is WRITING? Ye tons of invoices, groaning shelves of incalculable legers, parchment abhorrences of rare Charles Lamb, we think not now of you; dreary piles of unhealthy-looking law-books, hypochondriacal heaps of medical experiences, plodding folios of industrious polemics, slow elaborations of learned dullness, we spare your native dust; letters unnumbered, in all stages of cacography, both physical and metaphysical, alack! most of you must slip through the meshes of our definition yet unwove; poor deciduous leaves of the forest, that, at your best, serve only--it is yet a good purpose--to dress the common soil of human kindness, without attaining to the praise of wreaths and chaplets ever hanging in the Muses' temple; flowers withered on the stalk, whose blooming beauty no lover's hand has dropped upon the sacred waters of Siloa, like the Hindoo's garland on her Ganges; prolix, vain, ephemeral letters (especially enveloped penny-posters)--and sparing only some few redolent of truth, wisdom, and affection--your bulky majority of flippant trash, staid advices, dunnings, hoaxings, lyings, and slanderings, degrade you to a lower rank than that we take on us to designate as "writing."

And what, O what--"how poor is he that hath not patience!"--shall we predicate of the average viscera of circulating libraries?--abominable viscera!--isn't that the word, my young Hippocrates?--A parley--a parley! and the terms of truce are these: If this present pastime of mine (for pastime it is, so spurn not at its logic,) be mercifully looked on by you, lady novelists and male dittoes--yet truly there are giants in your ranks, as Scott, and Ward, and Hugo, and Le Sage, towering above ten thousand pigmies--if I be spared your censures well-deserved, interchangeably as toward your authorships will I exercise the charitable wisdom of silence: a white flag or a white feather is my best alternative in soothing or avoiding so terrible a host; and verily, to speak kinder of those whose wit, and genius, and graphic powers have so smoothed this old world's wrinkled face of care, many brilliant, many clever, many well-intended caterers to public amus.e.m.e.nt, throng your ill-ordered ranks: still, there are numbered to your shame as followers of the fool's-cap standard, the huge corrupting ma.s.s of depraved moralists, meagre trash-inditers, treacherous scandal-mongers, men about town who immortalize their shame, and the dull, pernicious school of feather-brained Romancists: and take this sentence for a true one, a _verum-dictum_. But enough, there are others, and those not few, even far less veniable; ye priers into family secrets--fawning, false guests at the great man's open house, eagerly jotting down with paricidal pen the unguarded conversation of the hospitable board--shame on your treason, on its wages, and its fame! ye countless gatherers and disposers of other men's stuff; chiels amang us takin' notes, an' faith, to prent 'em too, perpetually, without mitigation or remorse; ye men of paste and scissors, who so often falsely, feebly, faithlessly, and tastelessly are patching into a Harlequin whole the _disjecta membra_ of some great hacked-up reputation; can such as ye are tell me what it is to write? Writing is the concreted fruit of thinking, the original expression of new combinations of idea, the fresh chemical product of educational compounds long simmering in the mind, the possession of a sixth sense, distinguishing intelligence, and proclaiming it to the four winds; writing is not labour, but ease; not care, but happiness; not the petty pilferings of poverty, but the large overflowings of mental affluence; it begs not on the highway, but gives great largess, like a king; it preys not on a neighbour's wealth, but enriches him; it may light, indeed, a lamp, at another's candle, but pays him back with brilliancy; it may borrow fire from the common stock, but uses it for genial warmth and n.o.ble hospitality.

Remember well, good critic, (for verily bad there be,) my purposes in this odd volume--this queer, unsophisticate, uncultivated book: to empty my mind, to clear my brain of cobwebs, to lift off my head a porters's load of fancy articles; and as in a bottle of bad champaign, the first gla.s.s, leaping out hurryskurry, at a railroad pace boiling a gallop, carries off with it bits of cork and morsels of rosin, even such is the first ebullition of my thoughts: take them for what they are worth, and blame no one but your discontented self that they are no better. Do you suppose, keen sir, that I am not quite self-conscious of their shallowness, utter contempt of subordination and selection, their empty reasoning and pellucid vanity?--There I have saved you the labour of a sentence, and present you with a killing verdict for myself. After a little, perhaps, your patience may find me otherwise; of clearer flow, but flatter flavour: these desultorinesses must first of all be immolated, for in their Ariel state they vex me, but I bind them down like slaving Calibans, by the magic of a pen; and glad shall I be to victimize my monsters, eager to dissipate my musquito-like tormentors; yea, I would "take up arms against a sea"--["Arms against a sea?"

dearest Shakspeare, would that Theobald, or Johnson's stock-b.u.t.t, "the Oxford Editor," had indeed interpolated that unconscionable image! It has been sapiently remarked by some hornet of criticism, that "Shakspeare was a clever man;" but cleverer far must that champion stand forth who wars with any prospect of success upon seas; perhaps Xerxes might have thought of it--or your Astley's brigand, who rushes sword in hand on an ocean of green baize. Who shall cure me of parentheses?]--well, "a sea of troubles, [thoughts trouble us more than things--I sin again; close it;] and by opposing, end them;" that is, by setting forth these troublous thoughts opposite, in stately black and white, I clip their wings, and make them peck among my poultry, and not swarm about my heaven. But soon must I be more continuous; turn over to my future t.i.tle-pages, and spare your objurgation; a little more of this medley while the fit lasts, and afterward a staid course of better accustomed messes; a few further variations on this lawless theme of authorship, and then to try simpler tunes; briefly, and yet to be grandiloquent, as a last round of this giddy climax, after noisy clashing Chaos there shall roll out, "perfect, smooth, and round," green young worldlets, moving in quiet harmony, and moulded with systematic skill.

As an author, meanwhile, let man be most specifically characterized: a real author, voluntary in his motives, but involuntary as regards his acts authorial; full of matter, prolific of images and arguments, teeming, bursting, with something, much, too much, to say, and well witting how to say it: none of your poor devils compulsory from poverty--Plutus help them!--whose penury of pocket is (pardon me) too often equitably balanced by their emptiness of head; and far less one of the lady's-maid school, who will glory in describing a dish of cutlets at Calais, or an ill-trimmed bonnet, or the contents of an old maid's reticule, or of a young gentleman's portmanteau, or those rare occasions for sentimentality, moonlight, twilight, arbours, and cascades, in the moderate s.p.a.ce of an hour by Shrewsbury clock: but a man who has it weightily upon his mind to explain himself and others, to insist, refute, enjoin: a man--frown not, fair helpmates; the controversial pen, as the controversial sword, be ours; we will leave your flower-beds and sweeter human nurseries, despotism over cooks and Penelobean penance upon carpet-work; nay, a trip to Margate prettily described, easy lessons and gentle hymns in behalf of those dear prattlers, and for the more coerulean sort, "lyrics to the Lost one," or stanzas on a sickly geranium, miserably perishing in the mephitic atmosphere of routs--these we masculine tyrants, we Dionysii of literature, ill-naturedly have accounted your prerogatives of authorship. But who then are Sevigne and Somerville, Edgeworth and De Stael, Barbauld and Benger, and Aikin, and Jameson, Hemans, Landon, and a thousand more, not less learned, less accomplished, nor less useful? Forgive, great names, my half-repeated slander: riding with the self-conceited _cortege_ of male critics, my boasted loyalty was well-nigh guilty of _leze majeste_: but I repudiate the thought; my verdict shall have no reproach in it, as my championship no fear: how much has man to learn from woman! teach us still to look on humanity in love, on nature in thankfulness, on death without fear, on heaven without presumption; fairest, forgive those foolish and ungallant calumnies of my ruder s.e.x, who boast themselves your teachers--making yet this wise use of the slander: never be so bold in authorship, as to hazard the loss of your sweet, retiring, modest, amiable, natural dependence: never stand out as champions on the arena of strife, but if you will, strew it with posies for the king of the tournament; it ill becomes you to be wrestlers, though a Lycurgus allowed it, and Atalanta, another Eve, was tripped up by an apple in the foot-race. So digressing, return we to our author; to wit, a man, _h.o.m.o_--a human, as they say in the west--with news of actual value to communicate, and powers of pen competent to do so graphically, honestly, kindly, boldly.

Much as we may emulate Homer's wordy braggadocios in boasting ourselves far better than our fathers, still, great was the wisdom of our ancestors: and that time-tried wisdom has given us three things that make a man; he must build a house, have a child, write a book: and of this triad of needfuls, who perceives not the superior and innate majesty of the last requisite?--"Build a house?" I humbly conceive, and steal my notion from the same ancestral source, that, in nine cases out of ten, fools build houses for wise men to live in; besides, if houses be made a test of supreme manhood, your modern wholesale runner-up of lath and plaster tenements, warranted to stand seven years--provided quadrilles be excluded, and no larger flock of guests _than six_ be permitted to settle on one spot--such a jackal for surgeons, such a reprobate provider for accident-wards as this, would be among our heroes, a prize-man, the flower of the species. "Children" too?--very happy, beautiful, heart-gladdening creations--G.o.d bless them all, and scatter those who love them not!--but still for a proof of more than average humanity, somewhat common, somewhat overwhelming: rabbits beat us here, with all our fecundity, so offensive to Martineau and Malthus.

But as to "books"--common enough, too, smirks gentle reader: pardon, courteous sir, most rare--at least in my sense; I speak not of flat current shillings, but the bold medallions of ancient Syracuse; I heed not the dull thousands of minted gold and silver, but the choice coin-sculptures of Larissa and Tarentum. There do indeed flow hourly, from an ever-welling press, rivers of words; there are indeed shoaling us up on all sides a throng of well-bound volumes--novels, histories, poems, plays, memoirs, and so forth--to all appearance, books: but if by "books" be intended originality of matter, independent arguments, water turned wine, by the miracle of right-thinking, and not a mere re-decantering of dregs from other vessels--these many masqueraded forms, these multiplied images of little-varied likenesses, these Protean herds, will not stay to be counted, nor abide judgment, nor brook scrutiny, but will merge and melt by thousands into the one, or the two, real, original, sterling books. We live in a monopolylogue of authorship: an idea goes forth to the world's market-place well dressed from the wardrobe of some master-mind; it greets the public with a captivating air, and straightway becomes the rage; it seems epidemical; it comes out simultaneously as a piece of political economy, a cookery-book, a tragedy, a farce, a novel, a religious experience, an abstract _ism_, or a concrete _ology_; till the poor worn-out, dissipated shadow of a thought looks so feeble, thin, fashionably affected and fashionably infected, that its honest, bluff old father, for very shame, disowns it. Thus has it come to pa.s.s, that one or two minds, in this golden age of scribbling, have, to speak radically, been the true originators of a million volumes, which haply shall have sprung from the seed of some singular book, or of books counted in the dual.

Indignant authors, be not merciless on my candour: I confess too much whereof I hold you guilty; I am one of yourselves, and I question not that few of you can beat me in a certain sort of--I will say, unintended, plagiarism; you are thieves--patience--I thieve from thieves; Diogenes cannot see me any more than you; you copy phrases, I am perpetually and unconsciously filching thoughts; my entomological netted-scissors, wherewith I catch those small fowl on the wing, are always within reach; you will never find me without well-tenanted pill-boxes in my pocket, and perhaps a buzzing captive or two stuck in spinning thraldom on my castor; you are petty larceners, I profess the like _metier_ of intellectual abstractor; you pilfer among a crowd of volumes, ma.n.u.scripts, rare editions, conflicting commentators, and your success depends upon reusage of the old materials; whereas I sit alone and bookless in my dining-parlour, thinking over bygone fancies, reconsidering exploded notions, appropriating all I find of lumber in the warehouse of my memory, and, if need be, without scruple, quietly digesting, as my special provender, the thoughts of others, originated ages ago.

Is it necessary to remind you--dropping this lightsome vein for a precious moment--that I am penning away my "crudites," off-hand, at the top of my speed? that my set intention is, if possible, to jot down instanter my heavy brainful, and feel for once light headed?--I stick to my t.i.tle, '_An Author's Mind_,' and that with a laudable scorn of concealment, and an honest purpose not to pretend it better or wiser than it is; then let no one blame me on the score of my fashion of speech, or my sarcasms mingled with charity; for consistency with me were inconsistent.

Neither let me, poor innocent, be accused of giving license to what a palled public and dyspeptical reviewers will call for the thousandth time a _cacoethes_; word of cabalistic look, unknown to Dr. Dilworth.

Truly, my masters, though disciple I be of venerable Martinus the Scribbler; though, for aught I know, himself in progress of transmigration; still, I submit, my cornucopia is not crammed with leaves and chopped straw; and if, in utter carelessness, the fruit is poured out pell-mell after this desultory fashion, yet, I wot, it _is_ fruit, though whether ripe or crude, or rotten, my husbandry takes little thought: the mixture serves for my cider-press, and, fermentation over, the product will be clarified. Judge me too, am I not consecutive?

I've shown man to be a writing animal; and writing, what it is and is not; and meanwhile have been routing recreatively at pen's point whims, and fancies, and ideas, and images, pulled in manfully by head and shoulders: and now--after an episode, quite relevant and quite Herodotean, concerning the consequences of a bit of successful authorship on a man's scheme of life, to ill.u.s.trate yet more the "author's mind"--I shall proceed to tell all men how many books I might, could, should, or would have written, but for reiterated and legitimated _buts_, and how near of kin I must esteem myself to the ill.u.s.trious J.

of nursery rhymes, being, as he is or was, "Mister Joe Jenkins, who played on the fiddle, and began twenty tunes, but left off in the middle." Moreover, no one can be ignorant of the close consanguinity recognised in every age and every dictionary between I and J. But now for the episode:

If ever a toy were symbolical of life, that toy was a kaleidoscope: the showy bits of tinsel, coloured gla.s.s, silk, beads, and feathers, with here and there perchance a stray piece of iridescent ore or a pin, each, in its turn of ideal multiplication, filling successively the field of vision; the trifling touch that will disenchant the fairest patterns; the slightest change, as in chemical arithmetic, that will make the whole mixture a poison or a cordial. A man is vexed, the nerve of his equanimity thrillingly touched at the tender elbow, and forthwith his whole wholesome body writhes in pain; while, to speak morally, those useful reminders of life's frailty, the habitual side-thorns--spurs of diligence, incentives to better things--are exaggerated into sixfold spears, and terribly stop the way, like long-lanced Achaeans: a careless fit succeeds to one of spleen, and vanity well spangled, pretty baubles, stars and trinkets and trifles, fill their cycle, to magnetize with folly that rolling world the brain: another twist, and love is lord paramount, a paltry bit of gla.s.s, casually rose-coloured, shedding its warm blush over all the reflective powers: suddenly an overcast, for that marplot, Disappointment, has obtruded a most vexatiously reiterated morsel of lamp-black: again Hope's little bit of blue paint makes azure rainbows all about the firmament of man's own inner world; and at last an atom of gold-dust specks all the gla.s.ses with its lurid yellow, and haply leaves the old miser to his master-pa.s.sion. So, ever changing day by day, every man's life is but a kaleidoscope. Stay; this simile is somewhat of the longest, but the whim is upon me, and I must have my way; the fit possesses me to try a sonnet, and I shall look far for a fairer thesis; he that hates verse--and the Muses now-a-days are too old-maidish to look many lovers--may skip it, and no harm done; but one or two may like this stave on

LIFE.

I saw a child with a kaleidoscope, Turning at will the tesselated field; And straight my mental eye became unseal'd, I learnt of life, and read its horoscope: Behold, how fitfully the patterns change!

The scene is azure now with hues of Hope; Now sobered gray by Disappointment strange; With Love's own roses blushing, warm and bright; Black with Hate's heat, or white with Envy's cold; Made glorious by Religion's purple light; Or sicklied o'er with yellow l.u.s.t of Gold; So, good or evil coming, peace or strife, Zeal when in youth, and Avarice when old, In changeful, chanceful phases pa.s.seth life.

It is well I was not stopped before my lawful fourteenth rhyme by yonder prosaic gentleman, humbly listening in front, who asks, with somewhat of malicious triumph, whereto does all this lead?--Categorically, sir, [there is no argument in the world equal to a word of six syllables,]

categorically, sir, to this: of all life's turns and twists, few things produce more change to the daring _debutant_ than successful authorship; it is as if, applying our simile, a fragment of printed bookishness among those kaleidoscopic morsels, having worked its way into the field of vision, had there got stereotyped by a photogenic process: in fact, it fixes on it a predestinated "author's mind."

An author's mind! what a subject for the lights and shadows of metaphysical portraiture! what a panorama of images! what a whirling scene of ever-changing incidents! what a store-house for thoughts! what a land of marvels! what untrodden heights, what unexplored depths of an ever-undiscovered country! That strange world hath a structure and a furniture all its own; its chalcedonic rocks are painted with rare creatures floating in their liquid-seeming hardness; forms of other spheres lie buried in its lias cliffs; seeds of unknown plants, relics of unlimned reptiles, fragments of an old creation, the ruins of a fanciful cosmogony, lie hid until the day of their requiral beneath its fertile soil: and then its lawless botany; flowers of glorious hue hung upon the trees of its forests; luscious fruits flung liberally among the mosses of its banks; air-plants sailing in its atmosphere; unanch.o.r.ed water-lilies dancing in its bright cascades; and this, too, a world, an inner secret world, peopled with unthought images, specimens of a peculiar creation; outlandish forms are started from its thickets, the dragon and the cherub are numbered with its winged inhabitants, and herds of uncouth shape pasture on its meadows. Who can sound its seas, deep calling unto deep? who can stand upon the hill-tops, height beckoning unto height? who can track its labyrinths? who can map its caverns? A limitless essence, an unfailing spring, an evergreen fruit-tree, a riddle unsolved, a quaint museum, a hot-bed of inventions, an over-mantling tankard, a whimsical motley, a bursting volcano, a full, independent, generous--a poor, fettered, jealous, Anomaly, such--bear witness--is an author's mind. O, theme of many topics! chaos of ill-sorted fancies! Let us come now to the jealousies, the real or imaginary wrongs of authorship: hereafter treat we this at lengthier; "for the time present"--I quote the facetious Lord c.o.ke, when writing on that highly exhilerating topic, the common-law--"hereof let this little taste suffice." Is it not a wrong to be taken for a mere book-merchant, a mercenary purveyor of learning and invention, of religion and philosophy, of instruction, or even of amus.e.m.e.nts, for the sole consideration of value received, as one would use a stalking-horse for getting near a stag? this, too, when ten to one some cormorant on the tree of knowledge, some staid-looking publisher in decent mourning, is complacently pocketing the profits, and modestly charging you with loss?

and this, moreover and more poignantly, when the flame of responsibility on some high subject is blazing at your heart, and the young Elihu, even if he would, cannot keep silence? Is it not a wrong to find pearls unprized, because many a modern, like his Celtic progenitors, (for I must not say like swine,) would sooner crush an acorn? to know your estimation among men ebbs and flows according to the accident of success, rather than the quality of merit? to be despised as an animal who must necessarily be living on his wits in some purlieu, answering to that antiquated reproach, a Grub-street attic; or suspected among gentler company in this most mercantile age for a pickpocket, a pauper, a _chevalier d'industrie_? And then those hounds upon the bleeding flanks of many a hunted author, those open-mouthed inexorable critics, (I allude to the Pariah cla.s.s, not to the higher caste brethren,) how suddenly they rend one, and fear not! Only for others do I speak, and in no degree on account of having felt their fangs, as many have done, my betters; gentle and kind, as domesticated spaniels, have reviewers in general been to your humble confessor, and for such courtesies is he their debtor. But who can be ignorant how frequently some hapless writer is impaled alive on the stake of ridicule, that a flagging magazine may be served up with _sauce piquante_, and pander to the world for its waning popularity by the malice of a pungent article? who, while as a rule he may honour the bench of critics for patience, talent, and impartiality, is not conusant of those exceptions, not seldom of occurence, where obvious rancour has caused the unkindly condemnation; where personal inveteracy aims from behind the Ajax shield of anonymous reviewing, and shoots, like a cowardly Teucer, the foe fair-exposed whom he dares not fight with?--But, as will be seen hereafter, I trespa.s.s on a t.i.tle-page, and here will add no more than this: Is it not a wrong of double edge, that while the world makes no excuse for the writhing writer, on the reasonable ground that after all he may be innocent of what his critics blame him for, the same good-natured world, on almost every occasion of magazine applause, believes either that the author has written for himself the favourable notice, or that pecuniary bribes have made the honest editor his tool? Verily, my public, thou art not generous here; ay, and thou art grievously deceived, as well as sordid: for by careless praise, causeless censure, credit given for corrupt bribery, and no allowance made for unamiable criticisms, poor maltreated authors speak to many wrongs: and of them more anon.

What moreover shall we say of chilling friendships, near estrangements, heartless lovers loitering behind, shy acquaintance dropping off?

Verily, there is a mighty sifting: you have dared to stand alone, have expounded your mind in imperishable print, have manifested wit enough to outface folly, sufficient moral courage to condemn vice, and more than is needful of good wisdom to shame the oracles of worldliness: and so some dread you, some hate, and many shun: the little selfish asterisks in that small sky fly from your constellatory glories: you are independent, a satellite of none: you have dared to think, write, print, in all ways contrary to many; and if wise men and good be loud in their applause, you arrive at the dignity of manifold hatreds; but if those and their inferiors condemn, you sink into the bathos of multiplied contempts. Of other wrongs somewhen and where, hereafter; meanwhile, a better prospect glows on the kaleidoscopic field--a flattering accession of new and ardent friends: "Sir," said an old priest to a young author, "you have made a soft pillow for your head when it comes to be as white as mine is;" a pretty saying of sweet charity, and such sink deep: as for the younger and the warmer, being mostly of the softer s.e.x, some will profess admiring sensations that border not a little on idolatries; others, gayer, will appear in the dress of careless, unskillful admiration; not a few, both men and women, go indeed weakly along with the current stream of popularity, but, to say truth, look happiest when they find some stinging notice that may mortify the new bold candidate for glory; while, last and best, a fewer, a very much fewer, do handsomely the liberal part of friends, commending where they can, objecting where they must, sincere in sorrow for a fault, rejoicing without envy for a virtue.

Many like phenomena has authorship: a certain cla.s.s of otherwise humanized and well-intentioned people begin to regard your scribe as a monster--not a so-called "lion" to be sought, but some strange creature to be dreaded: Perdition! what if he should be cogitating a novel or a play, and means to make free with our characters? what if that libellous copartnership of Saunders and Ottley is permitted to display our faults and foibles, flimsily disguised, before a mocking world? Disappointed maidens that hover on the verge of forty, and can sympathize with Jephtha's daughter in her lonely mournings, causelessly begin to fear that a mischievous author may appropriate their portraits; venerable bachelors, who have striven to earn some little local notoriety by the diligent use of an odd phrase, a quaint garment, or an eccentric fling in the peripatetic, dread a satirist's powers of retributive burlesque; table orators suddenly grow dumb, for they suspect such a caitiff intends cold-blooded plagiarisms from their eloquence; the twinkling stars of humble village spheres shun him for an ominous comet, whose very trail robs them of light, or as paling glow-worms hide away before some prying lantern; and all who have in one way or another prided themselves on some harmless peculiarity, avoid his penetrating glance as the eye of a basilisk. Then, again, those casual encounters of witlings in the world authorial, so antic.i.p.ated by a hostess, so looked-forward-to by guests! In most cases, how forlorn they be! how dull; constrained, suspicious! like rival traders, with pockets instinctively b.u.t.toned up, and glaring each upon the other with most uncommunicative aspects; not brothers at a banquet, but combatants and wrestlers, watching for solecisms in the other's talk, or toiling to drag in some laboured witticism of their own, after the cla.s.sical precedent of Hercules and Cerberus: those feasts of reason, how vapid!

those flows of soul, how icily congealing! those Attic nights, how dim and dismal! Once more; and, remember me, I speak in a personated character of the general, and not experimentally; so, flinging self aside, let me speak what I have seen: grant that the world-without crown a man with bays, and lead him to his Theban home with tokens of rejoicing; is the victor there set on high, chapleted, and honoured as Nemean heroes should be or does he not rather droop instantly again into the obscure unit among a level ma.s.s, only the less welcome for having stood up, a Saul or a Musaeus, with his head above his fellows? Verily, no man is a proph--Enough, enough! for ours is a prerogative, a glorious calling, and the crown of barren leaves is costlier than his of Rabbah; enough, enough! sing we the praises, count we well the pleasures of fervent, overflowing authorship. There, in perfect shape before the eyes--there, well born in beauty--there perpetually (so your fondness hopes) to live--slumbers in her best white robe the mind's own fairest daughter; the Minerva has sprung in panoply from that parental aching head, and stands in her immortal independence; an Eve, his own heart's fruit, welcomes delighted Adam. You have made something, some good work, bodily; your communion has commenced with those of times to come; your mind has produced a witness to its individuality; there is a tablet sacred to its memory standing among men for ever.

A thinker is seldom great in conversation, and the glib talkers who have silenced such a one frequently in clamorous argument, founder in his deep thoughts, blundering, like Stephanos and Trinculos--(let Caliban be swamped;) such generous revenge is sweet: a writer often unexplained, because speaking little, and that little foolishly mayhap, and lightly for the holiday's sake of an unthoughful rest, finds his opportunities in printing, and gives the self-expounding that he needs; such heart-emptyings yield heart-ease: an author, who has done his good work well--for such a one alone we speak--while, privately, he scarce could have refreshed mankind by petty driblets--in the perpetuity, publicity, and universal acceptation of his high and honourable calling, does good by wholesale, irrigates countries, and gladdens largely the large heart of human society. And are not these unbounded pleasures, spreading over life, and comforting the struggles of a death-bed? Yes: rising as Ezekiel's river from ankle to knee, from knee to girdle, from girdle to the overflowing flood--far beyond those lowest joys, which many wise have trampled under foot, of praise, and triumph, and profit--the authorship of good, that has made men better; that has consoled sorrow, advanced knowledge, humbled arrogance, and blest humanity; that has sent the guilty to his prayers, and has gladdened the Christian in his praises--the authorship of good, that has shown G.o.d in his loveliness, and man in his dependence; that has aided the cause of charity, and shamed the face of sin--this high beneficence, this boundless good-doing, hath indeed a rich recompense, a glorious reward!

But we must speed on, and sear these hydra-necks, or we shall have as many heads to our discourse, and as puzzling, as any treatise of the Puritan divinity. Let us hasten to be practical; let us not so long forget the promised t.i.tle-pages; let it at length satisfy to show, more than theoretically, how authorship stirs up the mind to daily-teeming projects, and then casts out its half-made progeny; how sc.r.a.ps of paper come to be covered with the cabala of half-written thoughts, thenceforward doomed to suffer the dispersion-fate of Sibylline leaves; how stores of mingled information gravitate into something of order, each seed herding with its fellows; and how every atom of mixed metal, educationally held in solution by the mind, is sought out by a keen precipitating test, gregariously building up in time its own true crystal.

Hereabouts, therefore, and hereafter, in as frank a fashion as heretofore, artlessly, too, and, but for crowding fancies, briefly shall follow a full and free confession of the embryo circulating library now in the book-case of my brain; only premising, for the last of all last times, that while I know it to be morally impossible that all should be pleased herewith, I feel it to be intellectually improbable that any one mind should equally be satisfied with each of the many parts of a performance so various, inconsistent, and unusual; premising, also, that wherein I may have stumbled upon other people's t.i.tles, it is unwittingly and unwillingly; for the age breeds books so quickly, that a man must read harder than I do to peruse their very names; and premising this much farther, that I profess to be a sort of dog in the manger, neither using up my materials myself, nor letting any one else do so; and that, whether I shall happen or not, at any time future to amplify and perfect any of these matters, I still proclaim to all bookmakers and booksellers, STEAL NOT; for so surely as I catch any one thus behaving--and truly, my masters, the temptation is but small--I will stick a "_Sic vos, non vobis,_" on his brazen forehead.

Wait! there remaineth yet a moment in which to say out the remnant of my mind, "an author's mind," its last parting speech, its dying utterances before extreme unction. I owe all the world apologies; I would pray a catholic forgiveness. Authors and reviewers, critics, and the undiscriminating many, fair women, honest men, I cry your pardons universally! I do confess the learning of my mind to lie, strangely and Pisa-like, inveterately as at Welsh Caerphilli, out of the perpendicular of truth; it is my disposition to make the most of all things, for good or for evil; I write, speak, and think, as if I were but an unhallowed special pleader; I colour highly, and my outlines are too strong; I am guilty on all sides of unintentional misstatements, consequent on the powerful gusts of feeling that burst upon my irritable breast; my heart is no smooth Dead Sea, but the still vexed Bermoothes: therefore I would print my penitence; I would publish my confessions; I would not hide my humbleness; and it pleases me to pour out in sonnet-form my unconventional

APOLOGY TO ALL.

--For I have sinn'd; oh! grievously and often; Exaggerated ill, and good denied; Blacken'd the shadows only born to soften; And Truth's own light unkindly misapplied: Alas! for charities unloved, uncherish'd, When some stern judgment, haply erring wide, Hath sent my fancy forth, to dream and tell Other men's deeds all evil! Oh, my heart!

Renew once more thy generous youth, half perish'd; Be wiser, kindlier, better than thou art!

And first, in fitting meekness, offer well All earnest, candid prayers, to be forgiven For worldly, harsh, unjust, unlovable Thoughts and suspicions against man and Heaven!

Friends all, let this be my best amendment: bear with the candour, homely though it may be, of your author's mind; and suffer its further revelations of unborn ma.n.u.script with charitable listening; for they would come forth in real order of time, the first having priority, and not the best, ungarnished, unweeded, uncared-for, humbly, and without any further flourish of trumpets.

Serjeant Ion--I beg his pardon, Talfourd--somewhere gives it as his opinion, that most people, in any way troubled with a mind, have at some time or other meditated a tragedy. Truly, too, it _is_ a fine vehicle for poetical solemnities, a stout-built vessel for an author's graver thoughts; and the bare possibility of seeing one's own heart-stirring creation visually set before a crowded theatre, the preclusive echoes of antic.i.p.ated thundering applause, the expected grilling silence attendant on a pet scene or sentiment, all the tangible, accessories of painting and music, clever acting and effective situation, and beyond and beside these the certain glories of the property-wardrobe, make most young minds press forward to the little-likely prize of successful tragedy. That at one weak period I was bitten, my honesty would scorn to deny; but fortunately for my peace of mind, "Melpomene looked upon me with an aspect of little favour," and st.u.r.dy truth-telling Tacitus made me at last but lightly regardful of my subject. Moreover, my Pegasus was visited with a very abrupt pull-up from other causes; it has been my fatality more than once or twice, as you will ere long see, to drop upon other people's topics--for who can find any thing new under the sun?--and I had already been mentally delivered of divers f.a.g-ends of speeches, stinging dialogues, and choice t.i.t-bits of scenes, (all of which I will mercifully spare you,) when a chance peep into Johnson's '_Lives of the Poets_' showed me mine own fine subject as the work of some long-forgotten bard! This moral earthquake demolished in a moment my goodly aerial fabric; the fair plot burst like a meteor; and an after-recollection of a certain French tragedy-queen, Agrippina, showed me that the ground was still further preoccupied. But it is high time to tell the destined name of my abortive play; in four letters, then,

NERO;

A CLa.s.sICAL TRAGEDY:

IN SEVEN SCENES.

And now, in pity to an afflicted parent, hear for a while his offspring's Roscian capabilities. First of all, however, (and you know how I rejoice in all things preliminary,) let me clear my road by explanations: we must pioneer away a t.i.tular objection, "in seven scenes," and an a.s.sumed merit, in the term "cla.s.sical." I abhor scene-shifters; at least, their province lies more among pantomimes, farces, and comedies, than in the region of the solemn tragic muse; her incidents should rather partake of the sculpture-like dignity of _tableaux_. My unfashionable taste approves not of a serious story being cut up into a vast number of separate and shuffled sections; and the whistle and sliding panels detract still more from the completeness of illusion: I incline as much as is possible to the Cla.s.sic unities of time, place, and circ.u.mstances, wishing, moreover, every act to be a scene, and every scene an act; with a comfortable green curtain, that cool resting-place for the haggard eye, to be the gra.s.s-like drop, mildly alternating with splendid crime and miserable innocence: away with those gaudy intermediates, and, still worse, some intruded ballet; bring back Garrick's baize, and crush the dynasty of head-aches.

But onward: let me further extenuate the term, seven scenes; the utterance seven "acts" would sound horrific, full of extremities of weariness; but my meaning actually is none other than seven acts of one scene each: for the number seven, there always have been decent reasons, and ours may best appear as we proceed, less than a brief seven seeming insufficient, and more, superfluous; again, so mystical a number has a staid propriety, and a due double climax of rise and fall. Now, as to our adjective "cla.s.sical:" Why not, in heroic drama, have something a-kin to the old Greek chorus, with its running comment upon motives and moralities, somewhat as the mighty-master has set forth in his truly patriotic '_Henry the Fifth?_'--However, taking other grounds, the epithet is justified, both by the subject and the proposed unmodern method of its treatment: but of all this enough, for, on second thoughts, perhaps we may do without the chorus.

It is obvious that no historical play can strictly preserve the true unity of time; cause and effect move slower in the actual machinery of life, than the s.p.a.ce of some three hours can allow for: we must unavoidably clump them closer; and so long as a circ.u.mstance might as well have happened at one time as at another, I consider that the poet is justified in crowding prior events as near as he may please towards the goal of their catastrophe. If then any slight inaccuracy as to dates arrests your critical ken, believe that it is not ignorantly careless, but learnedly needful. One other objection, and I have done. No man is an utter inexcusable, irremediable villain; there is a spot of light, however hidden, somewhere; and, notwithstanding the historian's picture, it may charitably be doubted whether we have made due allowance for his most reasonable prejudice even in Nero's case. Human nature has produced many monsters; but, amongst a thousand crimes, there has proverbially lingered in each some one seedling of a virtue; and when we consider the corruption of manners in old Rome, the idolatrous flatteries hemming in the prince, the universal lie that hid all things from his better perceptions, we can fancy some slight extenuation for his mad career.

Not that it ever was my aim, in modern fashion, to excuse villany, or to gild the bra.s.s brow of vice; and verily, I have not spared my odious hero; nevertheless, in selecting so unamiable a subject, (or rather emperor,) I wished not to conceal that even in the worst of men there is a soil for hope and charity; and that if despotism has high prerogatives, its wealth and state are desperate temptations, whose dangers mightily predominate, and whose necessary influences, if quite unbiased, tend to utter misery.

Now to introduce our _dramatis personae_, with their "cast,"--for better effect--rather unreasonably presumed. _Nero_--(Macready, who would impersonate him grandly, and who, moreover, whether complimented or not by the likeness, wears a head the very counterpart of Nero's, as every Numismatist will vouch,)--a naturally n.o.ble spirit, warped by sensuality and pride into a very tyrant; liberal in gifts, yet selfish in pa.s.sion; not incapable of a higher sort of love, yet liable to sudden changes, and at times tempestuously cruel. _Nattalis_--(say Vandenhoff,)--his favourite and evil genius, originally a Persian slave, and still wearing the Eastern costume: a sort of Iago, spiriting up the willing Nero to all varieties of wickedness, getting him deified, and otherwise mystifying the poor besotted prince with all kinds of pleasure and glory, to subserve certain selfish ends of rapine, power, and licentiousness, and to avenge, perhaps, the misfortunes of his own country on the chief of her destroyers. _Marcus Manlius_--(who better than Charles Kean?--supposing these artistic combinations not to be quite impossible,)--a fine young soldier, of course loving the heroine, captain of Nero's body-guard, chivalrous, honourable, n.o.ble, and faithful to his bad master amid conflicting trials. _Publius Dentatus_--(any _bould_ speaker; besides, it would be rather too much to engage all the actors yet awhile;)--a worthy old Roman, father of the heroine. _Galba_, the chief mover in the catastrophe, as also the opener of its causes, an intriguing and fierce, but well-intentioned patriot, who ultimately becomes the next emperor. With _Curtius_ a tribune, senators, conspirators, soldiers, priests, flamens, &c. And so, after the ungallant fashion of theatrical play-wrights, as to a cla.s.s inferior to the very &c. of masculines--(of less intention withal than one of those &cs. of crabbed Littleton, like an old shoe frica.s.seed into savourings of all things by its inimitable c.o.ke,)--come we to the women-kind. _Agrippina_, (one of the school of Siddons,) empress-mother, a strong-minded, Lady-Macbeth sort of woman, and the only person in the world who can awe her amiable son. _Lucia,_ (_you_ cannot be spared here, clever Helen Faucit)--the heroine, secretly a Christian affianced to Manlius; a character of martyr's daring and woman's love. _Rufa_, a haggard old sibyl, with both private and public reasons for detesting Nero and Nattalis: and all the fitting female attendants to conclude the list.

Each scene, in which each act will be included, should be pictorially, so to speak, a _tableau_ in the commencement, and a _tableau_ of situation in the end. Let us draw up upon scene _the first_.

Back-ground, Rome burning; in front, ruins of fine Tuscan villa, still smoking; and a terminal altar in the garden. Plebs. running to and fro, full of conventional little speeches, with goods, parents, penates, and other lumber, rescued from the flames; till a tribune, (hight Curtius,) in a somewhat incendiary oration concerning poor men's calamities, and against the powers that be, sends them to the capital with a procession of flamines Diales and vestals, dirging solemnly a Roman hymn [some "_Ad Capitolium, Ad Jovis solium_," and so forth] to good music. At the end of the train come in Publius and Lucia, to whom from opposite hurriedly walks Galba, full of talk of omens, direful doings, patriotism, and old Rome's ruin. To these let there be added--to speak mathematically--open-hearted Manlius; and let there follow certain disceptatious converse about Nero, Manlius excusing him, extenuating his vices by his temptations, giving military anecdotes of his earlier virtues, and in fact striving to make the most of him, a very gentle monster: Galba throwing in, sarcastically, blacker shadows. After disputation, the father and lovers walk off, leaving Galba alone for a moment's soliloquy; and, from behind the terminal altar, unseen Sibyl hails him Caesar; he, astonished at the airy voice so coincident with his own feelings, thinks it ideal, chides his babbling thoughts, and so forth: then enter to him suddenly chance-met n.o.ble citizens, burnt out of house and home, who declaim furiously against Nero. Sibyl, still unseen from behind the altar, again hails Galba as future Caesar; who, no longer doubting his ears, and all present taking the omen, they conspire at the altar with drawn swords, and as the Sibyl suddenly presides--_tableau_--and down drops the soft green baize. This first act, you perceive, is stirring, introductory of many characters; and the picture of the seven-hilled city, seen in a transparent blaze, might give the followers of Stanfield a triumph.