Ray unpacked the egg. "That's really nice," Chris said. "Yeah, that's pretty good," Dave said. "I'll get you that stuff."

"What stuff? You're not giving him that."

"It's all right, Chris. It gave me a good trip."

"But it's awful s.h.i.t. Really. Dave wanted to get back at Norman with it. I told him he ought to flush it. He still ought to." Her large moist eyes gazed anxiously at Ray; her breast drooped unnoticed into the baby's toothless mouth. He struggled not to look at her. He packed the tinfoil package in the carton, next to the egg, and hurried away.

Back home he bought a take-away curry. No wonder they'd had a bad trip if they'd taken it opposite the police station, with the baby screaming. The plastic egg's curve gleamed; its completion made him feel peaceful, content. Should he take a trip while he felt so?

Yes-and go and visit friends. Sue and Nick had a balcony overlooking the park: a good place to trip. If they weren't tripping, his trip might help him respond to them. And it might help his work develop. His sculptures resembled fragments of bodies, cleaned and perfected; perhaps this trip would humanize his work. Most of all, he wanted to recapture the intensity of Sat.u.r.day's experience.

He fished the tinfoil out of a disemboweled fountain pen. Unfolding the package, he gazed at the ten bright green microdots, ready to be magnified by his mind and decoded. He swallowed one and returned the package to its lair. A bitter slightly metallic taste faded from his tongue.

Washing up, he remembered Sat.u.r.day's trip. Music had become a physical force, a flow of intense energy: its intensity had been its meaning. After an hour he'd gone to the window, to watch the pa.s.sers-by four stories below. His vision was spectacularly intensified; he could see their faces clearly. Gradually thoughts began to drift through his mind-strange thoughts, often more like memories. Hurrying thoughts, lonely thoughts, emotions trailing images: not his thoughts at all. At last he had begun to locate expressions on the tiny pa.s.sing faces that matched the pa.s.sing thoughts. He'd stood there for hours, reading the crowd, feeling closer to people than ever before. When the street became deserted his mind felt clear, surrounded by the unself-conscious being of the view.

He washed and shaved; the cold keen blade slid over his throat. Should he take the egg-breast with him, to look at while tripping? No: Sue and Nick might think he was seeking praise. He hurried himself out, empty-handed.

His hand was on the gate when the world began to shake. Convulsive shudders pa.s.sed through houses and walls, which undulated like submarine plants. Rapid incessant lightning filled the sky. Pa.s.sers-by stared at him: his gasp had been almost a shout. Their faces brightened, blazing, about to be transformed into pure energy. He fled into the house.

He climbed the growing staircase, panting. He'd thought he had at least half an hour. Jesus. The stairwell rushed away beneath him, yawning. His door key had become fumbling rubber. He turned it at last and slammed himself into the flat, shouting "Jesus!"

He was safe now. The bright stylized flowers of his wallpaper swayed in a gale, but that was familiar enough. After a while he carried a chair to the window. The sky was a delicate blue, puffed up here and there with clouds. No, not clouds: they were fat cartoonish letters, spelling STRONGER THAN ACID! DEEPER THAN STP! He lay helpless in his chair, giggling.

He watched the sky clearing gradually of cloud, a great steady purification. Slowly it was purified even of light. Below him in the dark hung the backs of the heads of the streetlights, silhouetted snake-heads casting their glare at the roadway.

Faint yellow light lapped over the road. In a moment the car emerged from the side street and parked outside the house opposite Ray's. He heard doors slam. Two figures went into the house; he watched lights climb the stairs. Lights sprang into the window of a flat, opposite and a little lower than his. Two figures appeared between borders of open curtains; it was as though they had made a stage entrance.

His heightened vision closed on them. The man switched on the television and sat on a couch; the girl left the stage, limping slightly, to return with a trolleyload of supper. Ray watched as they shared their coffee. Their minuteness gave each gesture and expression an intense significance. Before long he saw they were moving toward s.e.x.

He studied their mating ritual. They glanced secretly at each other, admiring, tender. The man gestured a splash of coffee into his face, the girl gazed at him with amused resigned affection. When their eyes met, they needed only a slight smile to exchange their private language.

They drew together on the couch and watched a film. A mouth screamed silently in a shower; a knife hacked. A man fell backwards down a staircase, his face bloodily cloven. Light stirred in empty dusty eyes, a skull bloomed from a face. The window seemed like a cinema screen now, framing a tinier monochrome screen. The girl flinched, the man put his arm about her shoulders; she nestled her head on his chest. Ray found this part of the ritual frustrating.

As the film ended the girl rose and limped quickly away. The next room lit up orange. Beneath an orange Chinese paper lantern Ray saw a bed. The girl limped to the window. She mustn't draw the curtains! She grasped them; Ray's held breath throbbed in his ears; she pulled the curtains together. But she left a crack, which framed half the distant bed.

The man extinguished the living room. After a while he appeared naked in the distance of the gap, and sat on the bed. She took his hand, as if for a dance. The touch seemed to speak between them. She sat on his lap; he cradled her shoulders. In the orange light their bodies glowed like perfected flesh. Now they were puppets, playing for Ray.

The man's lips moved tenderly over her nipples. Her head strained back, eyes closed, mouth wide. His arm supported her, his free hand stroked her genitals. For a while their faces clung together violently. She looked down; the man's p.e.n.i.s was flaccid. She knelt between his legs, her long black hair trailing its shine over his thighs. Her mouth lifted his p.e.n.i.s, her head nodded. All at once the man levered himself back on the bed, grasping handfuls of blankets. She followed and mounted him. Ray felt the gasp of her body as she took him into her.

He felt the man's slow heavy rhythm. He felt the mouthing-partly controlled, partly helpless-of the girl's genitals. As their rhythms quickened, his sensations flickered from the girl to the man and back again. He felt the widening waves of the girl's pleasure, the slowly growing throb of the man's: his mind seemed to dart wherever sensation was most intense, back and forth, faster than their quickening.

Too fast! He tried to slow them. Suddenly, by what was perhaps a misperception, he seemed to do so; he held the man back, r.e.t.a.r.ded his furious movements a little. He seemed to will the girl to clench her thighs more tightly about his back. Perhaps his perceptions were lagging, dislocated, and he was failing to realize that he'd already seen the couple's actions before apparently willing them. He had no chance to wonder. He was shuttling from sensation to sensation, faster than the strobe of acid: the orange puppets rocked together wildly, waves of sensation overwhelmed him, pounding, flickering. The vibration of the flickering became pure energy that flooded him, blazing, blinding, timeless.

The orange room went out. Gradually the street faded back. He could only go to bed and lie gazing at the dark as it filled with memories, increasingly elaborate, of what had happened.

All the next day he wondered whether he had controlled them.

Had he really slowed the man, made the girl's legs move? Or could the couple themselves have been a hallucination? His surroundings simplified themselves, as his trip ceased to elaborate them. Gazing from the window, he watched the couple emerge from the house. So they were real. He wiped the stain of his s.e.m.e.n from the pane.

That evening he rang the collector. Yes, he was certainly interested in anything Ray had to show. He'd view it tomorrow, if that was convenient. Had Ray any new work in mind? Ray emerged from the long box of stale tobacco-smoke and walked home, musing.

The following day, while waiting for the collector, he made some preliminary sketches. One appealed to him: a kind of idealized p.e.n.i.s without orifices, its shaft embedded snugly in fat rings. Should the shaft be curved? Should the whole convey a movement of the rings, or ought they to seem one with the shaft? He lost interest and stood at the window, pondering. But the flat opposite was deserted.

The collector viewed the egg. Yes; yes, he liked it. Strong and clean, yet delicate. Ray showed him the sketches. Interesting; he'd like to see the work when it was completed.

Ray made more sketches. His intuition was clear to itself, but his pencil got in the way. His latest sketch looked like a banana stuffed through doughnuts. Still, there was no hurry, no point in forcing it. The collector had paid him well; that freed him of the need to work for a while. He felt content. He read _Rolling Stone__, listened to Tangerine Dream. He watched the couple opposite.

They read, ate meals at a shiny pine table, watched television. They came on stage from the landing or the kitchen. He wasn't controlling them now, that was certain; he felt as though they were perversely refusing to have s.e.x. As the week pa.s.sed he became increasingly irritable. He had to know whether he could still make the imaginative leap, to share their experience.

On the fourth night they went into the bedroom. The gap between the curtains was narrower, like a slitted eye standing on its corner. Nevertheless he could see them on the bed, their tiny bodies stained orange. As they coupled he felt only mild stimulation. Without his heightened eyesight he found them blurred, distant, uninvolving. He turned away, depressed.

He had to know. One more trip would tell. He mustn't keep taking it, he had to work. But the collector would wait. Just one more, to make sure; then he'd save the experience for whenever it meant most to him. He drew a group of rapid sketches. The last, in which the phallic shaft lay cradled in muscular swellings, might well be worth sculpting.

For two nights the couple went into the bedroom to sleep. G.o.d, Ray thought. They wouldn't get much work in the blue movies. Come on, man, get it up. The third night he watched them emerge from the toy car. The man held the gate open, the girl hurried to the front door with her key. To Ray their actions were annoyingly ba.n.a.l. Come on, come on.

Lights stepped up the house. The couple appeared in the living room. The girl limped away, but to the kitchen. Her trolley nosed into the room, bearing coffee. Ray felt he'd seen it all before. He left the window to roll a joint; perhaps he'd listen to some electronics. Licking the cigarette-papers sealed, he glanced toward the window. The orange room was lit.

Jesus! He ran to peer around the sash. The girl was pulling the bedspread smooth. She called to the man, who replied without looking up from his newspaper. She shrugged-a little disappointed or rebuffed-and sat waiting on the bed. Ray had time. He s.n.a.t.c.hed the tinfoil out of the pen, and almost spilled the microdots. He lifted one with his wet fingertip, and swallowed the drug hastily. He switched out the light and sat at the window.

He waited. The girl waited. The man turned pages leisurely. Come on, Ray urged the chemical. His previous trip had been unexpectedly swift; he hoped this one would be still quicker. The girl was stretching her legs, tapping her foot impatiently. She ma.s.saged her unsteady leg.

She called again. The man let go of the newspaper lingeringly, and prepared to stand up. Not yet! The girl was coming toward the window. She was reaching for the curtains. Ray strained his mind, groping for the trip; his tongue felt rough and dry. The last of the dim light in the sky began to jerk rapidly. Don't close the curtains! His head throbbed. Her face seemed to approach him, clearing, as though he had focused a microscope. The curtains closed. Then her hands faltered, and she turned away beyond the gap, looking puzzled and preoccupied. Ray relaxed; but his forehead was thick with sweat.

The couple undressed. Around them the frame of the world shook incessantly. The man sat on the bed. The girl knelt and stroked the insides of his thighs; her mouth fastened softly on his hanging p.e.n.i.s. Something had gone wrong.

It was only the strain of preventing her from drawing the curtains. Once Ray recovered from that, he'd be fine. But there was more: a growing dissatisfaction and frustration. The man lifted the girl gently, holding her hands; he clasped her shoulders with one arm and caressed her b.r.e.a.s.t.s as she moved luxuriously on his lap. Ray watched, bored. Didn't they ever try anything else?

More than that was frustrating him. He felt excluded from their tenderness. All he could see were two tiny dolls, squirming slowly over each other. G.o.d, wouldn't they ever get on? He was surrounded by his own clammy flesh. His mind groped to catch hold of what the dolls felt. He felt dull, empty, grimy, alone: a sticky dusty figure at a window, spying. He sat trembling, paralyzed by the strain of his impotent will. Get on with it! he screamed. You limping c.o.c.ksucker, you useless dangler, get f.u.c.king!

Without warning he felt his will catch hold of them.

Yet still he couldn't experience their tenderness. He felt the excitement dormant in their separate genitals. He felt their bodies moving slowly, cradled in each other's affection. They were deliberately frustrating him. He reached out a hand and, grasping his p.e.n.i.s, began to rub the glans against the girl's thigh. On the screen across the road he watched this acted out.

The girl's eyes opened sharply. She smiled, puzzled, shaking her head; she made to kneel. But Ray dug his fingers into her shoulder. The p.e.n.i.s was erect now. He shoved her back hastily. She reached to begin caressing him, but he thrust two fingers impatiently deep, opening her for his p.e.n.i.s before the thing went down again.

Her frown was of pain now; she began to struggle. He forced his p.e.n.i.s deeper, knocking her thighs wider with his pelvis. Sensations were throbbing; light and pleasure merged. Beyond this lurked a shadow of disquiet as his body worked, apparently independent of him yet undeniably giving him pleasure. But the throbbing blotted that out. In a few moments the frantic vibrations were a dazzling uninterrupted flood.

When the tiny room settled back onto his vision, Ray saw the man sitting on the bed, stunned, mouth open. The girl was limping heavily about the room, collecting her clothes, weeping. Perhaps she was exaggerating her limp. The man seemed to think so; he pointed at her leg and said something, cold-faced. The girl curled upon the living room couch, weeping. Ray gazed at the window where dark and the man sat; he stared at the girl's shaking body.

Eventually he leapt up and hurried to the park. Flowers glowed luridly in the ponderous night; his trip shifted them sluggishly. At last two fragments of the moon appeared, floating calmly in the sky and in the lake.

In the morning he gazed from his window. The girl limped out, carrying suitcases. The man hurried after her, trying to take the cases, to persuade her toward his car. But she stood at the bus-stop, gripping the cases tight, turning her back whenever he approached. After a while he went back into the house. Ray gazed indifferently; the scene was distant, uninvolving. Soon a bus bore the girl away.

He craned from the window. Yes, it was. "Dave!" he shouted, in case Dave were headed elsewhere, and hurried downstairs. He opened the front door, grinning broadly. "I was going to come and see you," he said.

"Yeah?" Dave didn't seem anxious to know why. "How's your work going?" he said.

"Pretty good," Ray panted, climbing. "I sold that piece you saw."

"Listen, I can't stay long."

"You've got time for a coffee."

"All right." Dave sounded reluctant. He gazed about the flat. Ray knew the place was a mess: so what? He waited to say so what, but Dave said "Did you sell that piece quickly? Good, great. What have you done since?"

"Oh, I've got something in mind." He waited for Dave to follow him into the kitchen. "Hey, what I wanted to ask you," he said, spooning coffee. "Have you got any more of that stuff?"

"You had it all. You can work without that, can't you?"

"Sure, if I have to," Ray said indignantly. "But I've got something working now that's going to be really good, if I can get it right. You're not turning straight, are you? What was that you said about the first trip you gave me-science helping art?"

"Yeah, but that was acid."

"So? This stuff is better. Listen, can you make me some more?"

"No chance. I threw away the formula."

"Jesus Christ." Ray stared dully; his mind slumped. "Jesus Christ. Why?"

"If you had the trip Chris and I had you'd know why. Anyway, I only discovered the formula by accident. We don't know what the side effects might have been. That was evil s.h.i.t, I'm sure it was. Listen, if you've got any left throw it away. I'll make you some good acid."

He kept talking, though Ray's back was unreadable. Ray thrust a mug of coffee at him, then turned away. "Chris says Jane was asking for you," Dave said. "She hasn't been with anyone since you split up. Chris says she seems lonely." But Ray seemed uninterested. Dave gulped his coffee, and left.

Ray stared from the kitchen window. Narrow alleys separated cramped yards, which looked to him like stalls in a slaughterhouse. He made himself walk into the living room, and flicked idly through the clutter of sketches. He stared at the shaft and the rings. It depressed him now; its failure did. _In Praise of Quoits__, he'd named it on his last trip.

He unfolded the tinfoil from its wrinkles. Somewhere in the four remaining microdots was what he sought. But his last four trips had been confused, disturbing. At best they'd contained reminiscences of the flood of transcendent energy he had experienced. He had seen something profound and absolute, and now he'd forgotten it; he was left with imperfect glimpses. If only he could see it once more, he would create a masterpiece.

But how? Not on his recent trips. He'd taken to watching the houses opposite, waiting for bedroom curtains to close. He'd found that if he let his mind reach out steadily, his will could penetrate curtains. It wasn't just imagination; in some rooms he found only featureless sleep, or pale floating dreams. Elsewhere he encountered plunging bodies, acceleration of sensation. He became aware of sensation first, only gradually of the partic.i.p.ants; this was disturbing, and sometimes exciting. But even here he was a spectator, a pa.s.sive partic.i.p.ant, surrounded by his flickering.

His last trip had been worse than frustrating. In the month since he'd begun to use the drug, tolerance had overtaken him; the drug's effects were weaker. He'd felt like a feeble ghost, fluttering helplessly between his own moist c.u.mbersome flesh and dark half-seen acts in alien rooms. His sight had seemed to retreat from him; he saw, but it meant nothing. He had drifted helplessly for hours, unable to distinguish where he was, from scene to scene: dim movements of flesh in dark rooms, sluggish gropings, clamminess. Often he couldn't make out the s.e.x or s.e.xes of the partic.i.p.ants. Some scenes of pain or humiliation he struggled to escape, but that only trapped him more securely, holding him down in his suffocating disgust. Perhaps these scenes were objectively real, perhaps hallucinations and hence part of him: which would be worse? At last the dawn and his stumbling b.u.mping heart slowly recalled him. He had sat panting, staring, hollow.

He gazed at the four microdots. It hadn't been the drug's fault. The setting had been to blame; that, and the underdose. And he had been wrong to leave himself so much at the mercy of his imagination. He needed to see his performers before him, not imagine them. He needed to see them tonight.

Tonight would be perfect. The moon would be full, whitewashing the world. White had always been the color of his best trips. He'd go to the park. There might well be couples there, and if not, it was surrounded by flats; his heightened sight would bring them close. And tomorrow he'd begin his new work; his mind would grasp it this time. Perhaps he'd even sketch while tripping. He felt elated, eager for the night.

He went down to the Wampo Egg and took away a curry. He ate and washed up. He sorted through his latest sketches; some might not be so bad, after all. The city calmed; below, on the road, the slow bullying of traffic moved on, leaving only the occasional rapid car. Banks of cloud parted like curtains on the night sky; the full moon floated leisurely over the roofs. A clock tolled midnight. Smiling at its solemnity, Ray opened the tinfoil.

Not many trips left, and no possibility of more. He must make sure this was a good one. He swallowed a microdot; then, impulsively, another. Apprehension flooded him. He slid the tinfoil into the pen. It was all right. The setting was perfect, he wasn't taking a risk.

He strode toward the park. Sharp white edges of cloud framed the black sky; the lines of trees leading into the park stood thinly, glinting. At the end of the avenue Peter Pan glowed palely. Ray walked along the edge of the lake and lay on the gra.s.s overlooking the shelter where he'd seen the couple. He wasn't visible from the path. He felt someone might use the shelter tonight.

His trip began. The moon parted into segments; its reflection opened like a shining anemone. Threads of light vibrated in the lake; soon the water shone white in the frame of absolute dark. Beyond the park, when he looked, windows darted about their buildings like swarms of rectangular fireflies. He watched, engrossed. The world became insubstantial; he was alone with the open universe.

Hours pa.s.sed. The night grew cold; he was angry with himself for shivering. The shelter stood deserted. Soon he would have pa.s.sed the peak of his trip. He stared across the park. Windows were lit, but their curtains were drawn tight. Had he wasted this trip? He felt the insidious creeping of depression. He lay on the chilly gra.s.s, unable to think what to do.

A light caught his attention. A car had halted on the road beyond the lake. Its headlights went out; he heard doors slam. He held his breath. Please, please. Footsteps. Approaching. Turning aside, fading. No, they'd returned to the main path. He saw the couple catch sight of the shelter. The man's boots crunched on the path, the girl's long skirt billowed gently. Ray watched them enter the shelter. He heard their murmur of approval; their footsteps turned hollow, echoing.

He inched down the slope, over the slippery gra.s.s. He dug his fingers into the earth. Suppose he slithered and fell against the shelter! But he was nearly there. The couple were out of sight beneath the windows; his ears were full of the faint brushing of clothes pulled over flesh. He grasped the earth, inching down.

He had nearly reached the shelter when a light sprang on him, trapping him. He gasped; his heart felt pierced. The eye of light hung above the path, behind it a shadow loomed. "Now just what are you up to?" the shadow said.

It was a policeman. Ray felt his throat clench tight. If he spoke he would only scream. The light held his face; the shadow moved closer. In a moment it would see his trip in his eyes, it would take hold of him, engulf him.

Ray lowered his head to escape the probing of the light and pretended to cough, hacking at his throat to clear it of terror, to give himself time. Now he could speak. He could. Speak. "I was just walking," he stammered. "I heard something in there. In the shelter. Something going on."

The light glared at him. At last the shadow went to a window, to peer in. "Oh, that's the way, is it?" it said happily.

Ray backed away, along the path. The shadow stood poking its light into the shelter. Suddenly it turned. "Hey, you!" it shouted. "I didn't say you could go!" But Ray was running, past the shaking blinding lake, past the pale stone boy, into the striped dark avenue. When at last he halted, only silence was following him. He stood sucking at the air. Then his fingers clawed. Christ, no. He clenched his body, but it was no use. Beneath the moon, amid the whispering of the trees, his bowels betrayed him.

He lay. As dawn approached, a cold light settled into the room, like mud. A thought gathered, as slowly and inexorably. Would he ever be able to have s.e.x again, other than alone?

His future stifled him: an endless version of this moment. He would be alone with his own emptiness, with nothing to sustain him: certainly not his work. He was a helpless speck in a void, without even the will to suicide. Reaching down into himself, he found nothing. There was nothing to reach out for.

Except- At noon he was waiting outside the English department. Amid the long white frontage, gla.s.s doors displayed planes of sunlight. The gla.s.s swung, the light slipped; faces emerged, singly or in bobbing bunches. Some, which he knew, greeted him. Sometimes he remembered to smile.

Jane was one of the last to emerge. She strode alone through the sliding light. She shook back her blond hair, presenting her face to the sunlight. He knew that gesture, it was Jane: it looked defiant, self-possessed, but in fact it was a gesture against her own vulnerability. A shiver pa.s.sed through Ray. Jane glanced at him, and saw him.

She hesitated. Quick masks of emotion pa.s.sed over her face: exaggerated surprise, aloofness, nonchalance; then she gave a slight neutral smile. She made to walk unhurriedly away, but he'd already reached her, almost running. "h.e.l.lo, Jane," he said.

"h.e.l.lo," she said as if he were someone she knew slightly. "What a coincidence."

He couldn't tell if she meant that ironically. "Right. I was just pa.s.sing," he said. "Shall we go for a drink?"

She shrugged. "If you like."

The campus pub was scattered with students; billiards clicked in an alcove. "Do you want your usual?" Ray said.

"Yes please," but she spoke curtly, as if she resented his sharing her memory.

He drank beer. The last of the trip made it taste metallic, but he could feel that it was helping to bring him down. They chatted awkwardly. Jane was reading Hardy. Laurel too? Her smile at that was genuinely pained; once it wouldn't have been. Did she like the books? He must read some. Which did she recommend? She was finishing her drink. "Listen," he said hurriedly.

She glanced warily at him. "I'm sorry," he stumbled. "For what I said to you that time. I was having a bad trip, that's all. It wasn't our fault, it was the setting. I mean, it was so hot. I was nearly suffocating."

She gazed, waiting patiently for him to finish. "Do you see what I mean?" he demanded.

"Yes, all right," she agreed indifferently. She picked up her handbag. "Thank you for the drink. I must go to cla.s.s."

He felt his hand trembling beneath the table, writhing. He couldn't reach her, she was alien now. Suddenly the last of the trip impelled him to say "I wasn't really pa.s.sing. I waited for you. I'm lonely."

She stood looking down at him. She allowed no expression to reach her face, but her eyes were moist. He thought she was trying to pull away. "I'm lonely without you," he said. "Come back with me. Please."

After a pause she sat down. "Oh Ray." She sounded helpless.

He chattered on. "I'm really sorry. Look, I do-" (he glanced at the nearby students, felt embarra.s.sment rising in him like bile; he could say it, he must, it was true) "I do love you, you know."

"Do you?" She shook her head sadly; its blond curtains swayed. "I don't know."

"Please let me talk to you tonight," he said desperately. "Come and talk to me. I'll meet you from your cla.s.s."