Debbie stared in front of her, aghast. She couldn't take in Sandra's words. Too much had happened too quickly: the dream, the fire, her own bitter-tasting dumbness, Sandra's revelation, the distracting object that drooped from the chair- But until Sandra's dressing-gown was thrown there, that chair had been empty. She heard Sandra's almost breathless cry. Something dim squatted forward on the chair. Its pink yawning drooped towards the floor. Very slowly, relishing each separate word, it began to speak.

The Change (1980).

As soon as he reached the flat Don started writing. Walking home, he'd shaped the chapter in his mind. What transformations does the werewolf undergo? he wrote. The new streetlamp by the bus-stop snapped alight as the October evening dimmed. Does he literally change into another creature, or is it simply a regression?

"How's it coming?" Margaret asked when she came in.

"Pretty well." It was, though she'd distracted him. He stared out at the bluish lamp and searched for the end of his sentence.

After dinner, during which his mind had been constructing paragraphs, he hurried back to his desk. The bluish light washed out the lines of ink; the rest of the page looked arctically indifferent, far too wide to fill. His prepared paragraphs grew feeble. When he closed the curtains and wrote a little, his sentences seemed dull. Tomorrow was Sat.u.r.day. He'd begin early.

He had forgotten the queues at the bus-stop. He went unshaven to his desk, but already shoppers were chattering about the crowds they would avoid. They were less than three yards from him, and the gla.s.s seemed very thin. He was sure the noise grew worse each week. Still, he could ignore it, use the silences.

Aren't we all still primitive? he wrote. Hasn't civilization - Children whined, tugging at their mothers. Hasn't civilization - Now the women were shaking the children, cuffing them, shouting. Hasn't b.l.o.o.d.y civilization - A bus bore the queue away, but as many people missed the bus and began complaining loudly, repet.i.tively.

"Yes, it's going all right," he told Margaret, and pretended to turn back to check a reference. He wasn't lying. Just a temporary block.

Hasn't civilization simply trapped and repressed our primitive instincts? he managed to stutter at last. But the more strongly Scarved crowds were ma.s.sing outside, chanting football slogans. There's tribal behaviour for you. But the more strongly Youths stared in at him, shouting inanities. If only there was room in the bedroom for his desk, if only they had erected the bus-stop just a few houses away - He forced himself to keep his head down. But the more strongly primitive instincts are repressed the more savage their occasional outburst will be, whether in ma.s.s murder or actual lycanthropy. G.o.d, that was enough. Sunday would be better.

Sunday was full of children, playing itinerant games. He abandoned writing, and researched in library books while Margaret wrote her case reports. He was glad he'd taken time off to read the books. Now he had new insights, which would mean a stronger chapter.

Monday was hectic. The most complicated tax a.s.sessments were being calculated, now that all the information had arrived. Taxpayers phoned, demanding why they were waiting; the office rang incessantly. "Inland Revenue," Don and his colleagues kept saying. "Inland Revenue." Still, he managed to calculate three labyrinthine a.s.sessments.

He felt more confident on the way home. He was already on the third chapter, and his publisher had said that this book should be more commercial than his first. Perhaps it would pay for a house, then Margaret could give up social work and have her baby; perhaps he could even write full time. He strode home, determined to improve the book. Dissolving bars of gold floated in the deep blue sky, beyond the tower blocks.

He was surprised how well the opening chapters read. He subst.i.tuted phrases here and there. The words grew pale as bluish light invaded his desk-lamp's. When the text gave out, his mind went on. His nib scratched faintly. At the end of the second paragraph he gazed out, frowning.

The street had the unnatural stillness of a snowscape. Street and houses stretched away in both directions, gleaming faintly blue. The cross-street on his right was lit similarly; the corner house had no shadow. The pavement seemed oppressively close with no garden intervening. Everything looked unreal, glary with lightning.

He was so aware of the silence now that it distracted him. He must get an idea moving before the silence gave way, before someone came to stare. Write, for G.o.d's sake write. Repression, regression, lycanthropy. It sounded like a ditty in his mind.

Animal traits of primitive man. Distrust of the unfamiliar produces a savage response. He scribbled, but there seemed to be no continuity; his thoughts were flowing faster than his ink. Someone crossed at the intersection, walking oddly. He glared at the shadowless corner, but it was deserted. At the edge of his vision the figure had looked as odd as the light. He scribbled, crossing out and muttering to deafen himself to the silence. As he wrote the end of a paragraph, a face peered at him, inches from his. Margaret had tiptoed up to smile. He crumpled the book as he slammed it shut, but managed to smile as she came in.

Later he thought an idea was stirring, a paragraph a.s.sembling. Margaret began to tell him about her latest case.

"Right, yes, all right," he muttered and sat at the window, his back to her. The blank page blotted thought from his mind. The bluish light tainted the page and the desk, like a sour indefinable taste.

The light bothered him. It changed his view of the quiet street which he'd used to enjoy while working. This new staged street was unpleasantly compelling. Pa.s.sers-by looked discoloured, almost artificial. If he drew the curtains, footsteps conjured up caricatures which strolled across his mind. If he sat at the dining-table he could still hear any footsteps, and was nearer Margaret, the rustling of her case reports, her laughter as she read a book.

His head was beginning to feel like the approach of a storm; he wasn't sure how long it had felt that way. The first sign of violence was almost a relief. It was Thursday night, and he was straining at a constipated paragraph. When someone arrived at the bus-stop, Don forced himself not to look. He gazed at the blot which had gathered at the end of his last word, where he'd rested his pen. The blot had started to look like an obstacle he would never be able to pa.s.s. The bluish light appeared to be making it grow, and there was another blot on the edge of his vision - another man at the bus-stop. If he looked he would never be able to write, he knew. At last he glanced up, to get it over with, and then he stared. Something was wrong.

They looked almost like two strangers at a bus-stop, their backs to each other. One shrugged his shoulders loosely, as though he was feeling the cold; the other stretched, baring huge calloused hands. Their faces were neutral as masks. All at once Don saw that was just a pretence. Each man was waiting for the other to make a move. They were wary as animals in a cage.

Now he could see how whenever one shifted the other turned towards him, almost imperceptibly. The light had changed their faces into plastic, bluish plastic masks that might at any moment slip awry. Suddenly Don's mouth tasted sour, for he'd realized that the men were turning their backs on the roadway; before they came face to face, they would see him. He was protected by the window, and anyway he could retreat to Margaret. But the sound of her rustling pages seemed very far away. Now the masks were almost facing him, and a roar was growing - the sound of a bus. He managed to gulp back a sigh of relief before Margaret could notice that anything was wrong. How could he explain to her when he didn't understand it himself?

When the men had boarded the bus, making way stiffly for each other, he closed the curtains hastily. His fingers were trembling, and he had to go into the kitchen to splash cold water on his face. Trying to appear nonchalant as he pa.s.sed Margaret, he felt as false as the masks in the street.

A face came towards the window, grinning. It was discoloured, shiny, plastic; its eyes shone, unnaturally blue. As it reached the window it cracked like an egg from forehead to chin, and its contents leapt at him, smashing the gla.s.s and his dream. Beside him Margaret was sound asleep. He lay in his own dark and wondered what was true about the dream.

The next night he pretended to write, and watched. His suspicion was absurd, but fascinating. As he gazed unblinking at the people by the bus-stop they looked increasingly deformed; their heads were out of proportion, or their faces lopsided; their dangling hands looked swollen and clumsy. Christ, n.o.body was perfect; the clinical light simply emphasized imperfections, or his eyes were tired. Yet the people looked self-conscious, pretending to be normal. That light would make anyone feel awkward. He would be glad of Sat.u.r.day and daylight.

He'd forgotten the crowds again. Once they would have set him scribbling his impressions in his notebook; now their mannerisms looked studied and ugly, their behaviour uncivilized. The women were mannequins, in hideous taste: hives of artificially senile hair squatted on their heads, their eyes looked enlarged with blue paint. The men were louder and more brutal, hardly bothering to pretend at all.

Margaret returned, laden with shopping. "I saw your book in the supermarket. I improved their display."

"Good, fine," he snarled, and tried to reconstruct the sentence she had ruined. He was gripping his pen so hard it almost cracked.

On Sunday afternoon he managed a page, as late sunlight turned the street amber. In one case, he wrote, a man interested in transmogrification took LSD and "became" a tiger, even to seeing a tiger in the mirror. Doesn't this show how fragile human personality is? Too many b.l.o.o.d.y rhetorical questions in this book. Very little pressure is needed to break the sh.e.l.l of civilization, of all that we call human - five minutes more of that b.l.o.o.d.y radio upstairs was about all it would take. There was no silence anywhere, except the strained unnerving quiet of the street at night.

Next week Margaret was on call. After being surrounded by the office phones all day, he was even more on edge for the shrilling of the phone. Yet when she was called out he was surprised to find that he felt relieved. The flat was genuinely silent, for the people overhead were out too. Though he was tired from persuading irate callers that they owed tax, he uncapped his pen and sat at the window.

Why is the full moon important to lycanthropy? Does moonlight relate to a racial memory, a primitive fear? Its connotations might stir up the primitive elements of the personality, most violently where they were most repressed, or possibly where they were closest to the surface. Come to think, it must be rather like the light outside his window.

There was his suspicion again, and yet he had no evidence. He'd seen how the light caricatured people, and perhaps its spotlighting made them uneasy. But how could a streetlight make anyone more savage - for example, the gang of youths he could hear approaching loudly? It was absurd. Nevertheless his palms were growing slick with apprehension, and he could hardly keep hold of his pen.

When they came abreast of the window they halted and began to jeer at him, at his pose behind the desk. Teeth gleamed metallically in the discoloured faces, their eyes glittered like gla.s.s. For a moment he was helpless with panic, then he realized that the gla.s.s protected him. He held that thought steady, though his head was thumping. Let them try to break through, he'd rip their throats out on the gla.s.s, drag their faces over the splinters. He sat grinning at the plastic puppets while they jeered and gestured jerkily. At last they dawdled away, shouting threats.

He sat coated with the light, and felt rather sick. He seemed unable to clear his mind of a jumble of images: gla.s.s, flesh, blood, screams. He got up to find a book, any distraction at all, and then he saw his bluish shadow. Its long hands dangled, its distorted head poked forward. As he stooped to peer closer he felt as if it was dragging him down, stretching his hands down to meet its own. All at once he darted to the light-switch. He clawed the curtains shut and left the light burning, then he went into the bedroom and sat for a long time on the bed. He held his face as though it was a mask that was slipping.

On Thursday the bus home was delayed by a car crash. While the other pa.s.sengers stared at blood and deformed metal, Don was uneasily watching the night seep across the sky. When he reached home the house looked worse than he'd feared: thin, cardboardy, bricks blackened by the light - not much of a refuge at all.

He was overworked, that was why he felt nervous. He must find time to relax. He'd be all right once he was inside with the curtains drawn, away from the dead light that seemed to have soaked into everything, even his fingers as they fumbled with the key. He glanced up to see who was watching him from the upstairs flat, then he looked away hastily. Maybe someone up there was really as deformed as that; he never met the tenants, they had a separate entrance. No, surely the figure must have looked like that because of a flaw in the gla.s.s.

In his flat he listened to the footsteps overhead, and couldn't tell if anything was wrong with them. Eventually he cooked the dinner Margaret had left him when she was called away. He tried to write, but the fragility of the silence made him too nervous. When he held his breath, he could hear the jungle of sound beyond the curtains: snarls of cars, the low thunder of planes, shouts, things falling, shrieks of metal, cries. The bluish flat stood emptily behind him.

The last singers were spilling out of pubs. Surely Margaret would be home soon. Wasn't that Margaret now? No, the hurrying footsteps were too uneven and too numerous: a man and a woman. He could hear the man shouting incoherently, almost wordlessly. Now the woman was running, and the man was stumbling heavily after her. When he caught her outside the window she began to scream.

Don squirmed in his chair. She was screaming abuse, not with fear. He could stand it, surely it wouldn't last long, her screeching voice that seemed to be in the room with him, sc.r.a.ping his nerves. All at once a body thumped the window; the frame shook. They were fighting, snarling. Christ! He struggled to his feet and forced himself to reach towards the curtains.

Then he saw the shadows, and barely managed not to cry out himself. Though the curtains blurred them, they were all too clear to him. As they clawed at each other, he was sure their arms were lengthening. Surely their heads were swelling like balloons and changing shape; perhaps that was why they sounded as though they never could have formed words. The window juddered and he flinched back, terrified they might sense him beyond the gla.s.s. For a moment he saw their mouths lunging at each other's faces, tearing.

All at once there was silence. Footsteps stumbled away, he couldn't tell whose. It took him a long time to part the curtains, and much longer to open the front door. But the street was deserted, and he might have doubted everything he'd seen but for a smear of blood on the window. He ran for tissues and wiped it away, shuddering. The lamp stood behind him, bright and ruthless; its dead eye gazed from the pane. He was surrounded. He could only take refuge in bed and try to keep his eyes closed.

The next day he rang the Engineering Department (Mechanical & Lighting) from the office, and told them where he lived. "What exactly have you put in those lights?"

The girl was probably just a clerk. "No, they're not mercury vapour," he said. "You might think they were, but not if you had to live with them, I can tell you. Will you connect me with someone who knows?"

Perhaps she felt insulted, or perhaps his tone disturbed her. "Never mind why I want to know. You don't want me to know, do you? Well, I know there's something else in them, let me tell you, and I'll be in touch with someone who can do something about it."

As he slammed the receiver down, he saw that his colleagues were staring at him. What was wrong with them? Had the politeness which the job demanded possessed them completely? Were they scared of a bit of honest rage?

On the way home he wandered until he found a derelict area, though the start of winter time had made him more nervous. Already the sky was black, an hour earlier than yesterday, and he was dismayed to find he dreaded going home. Outside his flat the lamp stood waiting, in a street that looked alien as the moon. n.o.body was in sight. He unlocked the front door, then he lifted the brick he was carrying and hurled it at the lamp. As the bulb shattered, he closed the door quickly. He spent the evening pretending to write, and stared out at the dark.

Sat.u.r.day brought back the crowds. Their faces were pink putty, all too malleable. He cursed himself for wasting last night's dark. If he went to the library for quiet he would have walked two miles for nothing: there would be crowds there too. If only he could afford to move! But it was only the cheap rent here that was allowing him and Margaret to save.

She emerged from the ma.s.s of putty faces and dumped shopping on the table. "Isn't it going well?"

"What do you mean, isn't it going well? It won't go better for questions like that, will it? Yes, of course it's going well!" There was no point in telling her the truth; he had enough to bear without her anxiety. That evening he wrote a few paragraphs, but they were c.u.mbersome and clumsy.

On Sunday he tried to relax, but whenever Margaret spoke he felt there was an idea at the edge of his mind, waiting to be glimpsed and written. "Yes, later, later," he muttered, trying vainly to recapture the idea. That night she turned restlessly in bed for hours. He lay beside her and wondered uneasily what had gone wrong with the dark.

His lack of sleep nagged him on Monday. His skull felt tight and fragile. Whenever he tried to add up a column of figures a telephone rang, his colleagues laughed inanely, a fragment of conversation came into focus. People wandered from desk to desk. His surroundings were constantly restless, distracting.

One of his taxpayers called and refused to believe he owed four hundred pounds. Don sensed how the man's hands were clenching, seeking a victim, reaching for him. There was no need to panic, not with the length of the telephone cable between them. He couldn't be bothered to conceal his feelings. "You owe the money. There's nothing I can do."

"You b.a.s.t.a.r.ds," the man was screaming, "you f-" as Don put down the receiver.

Some of his colleagues were staring at him. Maybe they could have done better, except that they probably wouldn't even have realized they were threatened. Did they honestly believe that words and printed forms were answers to the violence? Couldn't they see how false it all was? Only his triumph over the streetlamp helped him through the day.

He walked most of the way home, enjoying the darkness where lamps were smashed. As he neared his street the bluish light closed in. It didn't matter, it couldn't reach his home now. When he began to run, anxious to take refuge, his footsteps sounded flat and false as the light. He turned the corner into his street. Outside his flat the lamp was lit.

It craned its bony concrete neck, a tall thin ghost, its face blazing. It had defeated him. However many times he destroyed it, it would return. He locked himself in and grabbed blindly for the light-switch.

After dinner he sat at his desk and read his chapters, in case Margaret suspected he had failed. The words on the bluish pages seemed meaningless; even his handwriting looked unfamiliar. His hot eyes felt unfamiliar too.

And now it was Margaret's noises. They sounded forced, unnervingly artificial, sound effects. When he frowned at her she muted them, which only made them more infuriating. Her eyes were red, but he couldn't help it if she was distressed while he felt as he did, besieged deep in himself. "I'm going to bed," she said eventually, like a rebuke. When he couldn't bear sitting alone any longer, she was still awake. He lay with his back to her in order to discourage conversation, which would distract him. Something was certainly wrong with the dark.

In the morning, when she'd gone to work, he saw what he must do. Since he had no chance of writing at weekends or in the evenings, he must give up his daytime job, which was false anyway. His book was more important, it would say things that needed saying - they would be clear when the time came to write them. In the shaving mirror his grin looked weaker than he felt.

He grinned more widely as he phoned to report himself sick. That falseness was enjoyable. He sat grinning at his desk, waiting for words. But he couldn't reach back to the self who had written the chapters; however deep in his mind he groped, there was nothing but a dialogue. Isn't it going well? No, it isn't going well. No, it isn't, no, it isn't, no, it isn't going well. Repression, regression, lycanthropy. Putty faces bobbed past the window. Now here was the bluish light, moulding them into caricatures or worse. Repression, regression, lycanthropy.

"You're home early," Margaret said. He stared at her, probing for the implication, until she looked away.

After dinner she watched television in the bedroom, with the sound turned to a whisper. He followed her, to place more distance between himself and the tinged curtains. As soon as he switched off the light, the living-room was a dead bluish box. When he clawed at the switch, the bluish tinge seemed to have invaded the light of the room.

"You've left the light on."

"Leave it on!" He couldn't tell her why. He was trapped in himself, and his sh.e.l.l felt brittle. In a way it was a relief to be cut off from her that way; at least he needn't struggle to explain. She stared at the screen, she swallowed aspirin, she glanced at him and flinched from his indifferent gaze. Shrunken figures jerked about as though they were trying to escape the box of the television, and they felt as real as he did. After a while Margaret slipped into bed and hid her face. He supposed she was crying.

He lay beside her. Voices crowded his mind, shouting. Repression, regression, lycanthropy. Margaret's hand crept around his waist, but he couldn't bear to be touched; he shook her off. Perhaps she was asleep. Around him the room was faintly luminous. He gazed at it suspiciously until his eyelids drooped.

When he woke, he seemed hardly to have slept. Perhaps the revelation had woken him, for he knew at last what was wrong with the dark. It had developed a faint bluish tinge. How could the light penetrate the closed door? Was it reaching beneath the door for him? Or had the colour settled on his eyeb.a.l.l.s, seeped into them?

It hadn't trapped him yet. He sneaked into his clothes. Margaret was a vague draped huddle, dimly bluish. He tiptoed to the front door and let himself out, then he began to run.

At the tower blocks he slowed. Concrete, honeycombed with curtained rectangles, ma.s.sed above him. Orange sodium mushrooms glared along the paths, blackening the gra.s.s. The light outside his flat was worse than that; it was worse than moonlight, because it infected everyone, not just the few. That was why he'd felt so strange lately. It had been transforming him.

He must go back for Margaret. They must leave now, this minute. Tomorrow they'd find somewhere else to live, draw on their savings; they could come back in daylight for their possessions. He must go back, he'd left her alone with the light. He ran, closing his eyes against the light as far as he could.

As he reached the street he heard someone padding towards him - padding like an animal. He dodged into an alley almost opposite the flat, but the padding turned aside somewhere. He grinned at the dark; he could outwit the light now that he knew its secret. But as soon as he emerged into the street he sensed that he was being watched.

He saw the face almost at once. It was staring at him between curtains, beside a reflection of the lamp. The face was a luminous dead mask, full of the light. He could see the animal staring out through the eyes. The mask was inside his flat, staring out at him.

He made himself go forward, or perhaps the light was forcing him. Certainly it had won. His head felt cold and hollow, cut off from his trudging. The eyes widened in the mask; the creature was ready to fly at him. The mask writhed, changing.

Suddenly he caught sight of his shadow. The light was urging it towards the window. Its claws were dangling, its head swelled forward eagerly, and this time there was nothing familiar to hold him back, no light he could switch on to change the dead street and the shadow. There was only the enemy in his home. He was the shadow, one hand dangling near the gutter. He s.n.a.t.c.hed up the brick and smashing the window, struggled in through the splintering frame.

The creature backed away, into a corner. For a moment it seemed to be beaten. But when he leapt, hurling the curtains aside, it fought him with its claws. He struggled with it, breaking it, biting, tearing. At last it was still. He staggered blindly into the bedroom, mopping blood from his eyes with the rags of his sleeve.

He switched on the light, but couldn't tell what colour it was. He felt like a hollow sh.e.l.l. When at last he noticed that the bed was empty, it took him a very long time to force himself to look in the living-room. As he looked, he be came less and less sure of what he was seeing. As to who was seeing it, he had no idea at all.

Out Of Copyright (1980).

The widow gazed wistfully at the pile of books. "I thought they might be worth something."

"Oh, some are," Tharne said. "That one, for instance, will fetch a few pence. But I'm afraid that your husband collected books indiscriminately. Much of this stuff isn't worth the paper it's printed on. Look, I'll tell you what I'll do-I'll take the whole lot off your hands and give you the best price I can."

When he'd counted out the notes, the wad over his heart was scarcely reduced. He carried the bulging cartons of books to his van, down three gloomy flights of stairs, along the stone path which hid beneath lolling gra.s.s, between gateposts whose stone globes grew continents of moss. By the third descent he was panting. Nevertheless he grinned as he kicked gra.s.s aside; the visit had been worthwhile, certainly.

He drove out of the cracked and overgrown streets, past rusty cars laid open for surgery, old men propped on front steps to wither in the sun, prams left outside houses as though in the hope that a thief might adopt the baby. Sunlight leaping from windows and broken gla.s.s lanced his eyes. Heat made the streets and his perceptions waver. Glimpsed in the mirror or sensed looming at his back, the cartons resembled someone crouching behind him. They smelled more dusty than the streets.

Soon he reached the crescent. The tall Georgian houses shone white. Beneath them the van looked cheap, a tin toy littering the street. Still, it wasn't advisable to seem too wealthy when buying books.

He dumped the cartons in his hall, beside the elegant curve of the staircase. His secretary came to the door of her office. "Any luck?"

"Yes indeed. Some first editions and a lot of rare material. The man knew what he was collecting."

"Your mail came," she said in a tone which might have announced the police. This annoyed him: he prided himself on his legal knowledge, he observed the law scrupulously. "Well, well," he demanded, "who's saying what?"

"It's that American agent again. He says you have a moral obligation to pay Lewis's widow for those three stories. Otherwise, he says-let's see-'I shall have to seriously consider recommending my clients to boycott your anthologies.'"

"He says that, does he? The b.a.s.t.a.r.d. They'd be better off boycotting him." Tharne's face grew hot and swollen; he could hardly control his grin. "He's better at splitting infinitives than he is at looking after his people's affairs. He never renewed the copyright on those stories. We don't owe anyone a penny. And by G.o.d, you show me an author who needs the money. Rolling in it, all of them. Living off their royalties." A final injustice struck him; he smote his forehead. "Anyway, what the devil's it got to do with the widow? She didn't write the stories."

To burn up some of his rage, he struggled down to the cellar with the cartons. His blood drummed wildly. As he unpacked the cartons, dust smoked up to the light-bulbs. The cellar, already dim with its crowd of bookshelves, grew dimmer.

He piled the books neatly, sometimes shifting a book from one pile to another, as though playing Patience. When he reached the ace, he stopped. Tales Beyond Life, by Damien Damon. It was practically a legend; the book had never been reprinted in its entirety. The find could hardly have been more opportune. The book contained "The Dunning of Diavolo"-exactly what he needed to complete the new Tharne anthology, Justice From Beyond the Grave. He knocked lumps of dust from the top of the book, and turned to the story.

Even in death he would be recompensed. Might the resurrectionists have his corpse for a toy? Of a certainty-but only once those organs had been removed which his spirit would need, and the Rituals performed. This stipulation he had willed on his deathbed to his son. Unless his corpse was pacified, his curse would rise.

Undeed, had the father's estate been more readily available to clear the son's debts, this might have been an edifying tale of filial piety. Still, on a night when the moon gleamed like a sepulture, the father was plucked tuber-pallid from the earth.

Rather than sow superst.i.tious scruples in the resurrectionists, the son had told them naught. Even so, the burrowers felt that they had mined an uncommon seam. Voiceless it might be, but the corpse had its forms of protest. Only by seizing its wrists could the corpseminers elude the cold touch of its hands. Could they have closed its stiff lids, they might have borne its grin. On the contrary, neither would touch the gelatinous pebbles which bulged from its face... $ Tharne knew how the tale continued: Diavolo, the father, was dissected, but his limbs went snaking round the town in search of those who had betrayed him, and crawled down the throats of the victims to drag out the twins of those organs of which the corpse had been robbed. All good Gothic stuff-gory and satisfying, but not to be taken too seriously. They couldn't write like that nowadays; they'd lost the knack of proper Gothic writing. And yet they whined that they weren't paid enough!

Only one thing about the tale annoyed him: the misprint "undeed" for "indeed." Amusingly, it resembled "undead"-but that was no excuse for perpetrating it. The one reprint of the tale, in the'twenties, had swarmed with literals. Well, this time the text would be perfect. Nothing appeared in a Tharne anthology until it satisfied him.

He checked the remaining text, then gave it to his secretary to retype. His timing was exact: a minute later the doorbell announced the book collector, who was as punctual as Tharne. They spent a mutually beneficial half-hour. "These I bought only this morning," Tharne said proudly. "They're yours for twenty pounds apiece."